Sentences with phrase «exhibition titled contemporary»

Brunswick, Maine — Bowdoin College Art Museum opens a new exhibition titled Contemporary Masters, 1950 to Present.

Not exact matches

As one would expect from the title of the Milwaukee Art Museum's summer exhibition «Posters of Paris: Toulouse - Lautrec and His Contemporaries» there is a generous sampling of Lautrec, including his first poster, Moulin Rouge La...

With a title that plays on Robert Rauschenberg's infamous 1961 portrait of Iris Clert — a telegram that simply states, «This is a portrait of Iris Clert if I say so,» — this groundbreaking exhibition examines the rise and evolution of symbolic, abstract, and conceptual portraiture in modern and contemporary American Art.

The Museum's exhibition programme and collection focuses on contemporary Polish and International artists and its resources include the Filmoteka Muzeum — a collection of artists» films comprising of a few hundred titles, available online.

Titled Visionary New England, this contemporary art exhibition is inspired by the impact and legacy of utopian, spiritualist, and mystical practices in the region.

Originally titled Picasso in Contemporary Art, the exhibition was first presented at the Deichtorhallen Hamburg on the occasion of its own 25th anniversary and curated by the institution's general director, Dirk Luckow.

Featured as part of Museum of Contemporary Art Santa Barbara's group exhibition of nine artists from Santa Barbara, titled Shift, Stretch, Expand: Everyday Transformations at...

If Houseago's works resonate, it is because they encompass a wide range of influences: the formal language of sculpture throughout the ages (from ancient to early modern), mythology, the natural world of plants and animals, African tribal art, cartoon imagery and contemporary music and culture (the title of the exhibition contains a fragment from the lyrics of «Wild Child» by Lou Reed and a reference to James Taylor's «Like A Circle Round the Sun»).

The Atlantic Wire quoted recent digital arts graduate Ben Fino - Radin, a self described «media archeologist, archivist, and conservator of born - digital works of contemporary art,» in an article on a New Museum project and exhibition titled...

This being an exhibition of contemporary art, the title is of course an appropriation.

Iniva has published over 50 titles, including exhibition catalogues, artists» monographs and anthologies of new critical writing, which promote diverse perspectives on modern and contemporary art and advance critical debate internationally.

Borrowing its title from the eponymous work by Carrie Mae Weems (American, b. 1953), the exhibition presents the history of the medium in three parts, emphasizing the strengths of Menschel's collection and mirroring his equal interest in historical, modern, and contemporary photography.

Lyrical Abstraction was the title of a circulating exhibition which commenced at the Aldrich Contemporary Art Museum, Ridgefield, Connecticut from April 5 through June 7, 1970, [18] and ended at the Whitney Museum of American Art, New York, May 25 through July 6, 1971.

The title of the exhibition references the seemingly impossible contemporary mythology of «sound fossils:» random recordings of sound vibrations located in objects like pottery or stone.

Describing a volatile present in the exhibition title, Bitzer nods to contemporary politics, but also frees the phrase from any constraining connotation.

«A couple of years ago, Mari Carmen Ramirez and Michael Wellen told me about an exhibition they were planning titled Contingent Beauty: Contemporary Art from Latin America, which featured Tania's work,» recalls Farber.

The animating conceit of Telepathic Improvisation, a film by Pauline Boudry / Renate Lorenz and the centerpiece of their first U.S. solo museum exhibition of the same title at the Contemporary Arts Museum Houston, on view through Jan. 7, is that viewers are invited to «participate» retroactively in the making of the film.

Titled with reference to Charles Dickens» novel, this exhibition brings together a number of major works by Lubaina Himid, who has a long relationship with both the Harris gallery and Preston (she is professor of contemporary art at the University of Central Lancashire).

This is the same type of address cited in the title of Nicole Eisenman's recent exhibition, Dear Nemesis, which just closed at the Contemporary Art Museum (CAM) St. Louis and will soon be travelling to the ICA Philadelphia — a survey collection of over 120 works, primarily paintings and some sculpture, since the early 1990s.

Based in New York they maintain an expansive inventory of 15,000 titles by over 6,000 artists as well as maintaining a busy programming calendar which includes exhibitions of contemporary and historically significant artists books, artist talks, book launches and performances.

The exhibition will have a companion catalog titled «Convergence», featuring the artwork of the ten NOLA Studio Program artists, along with essays by writer Denise Frazier, former New Orleans Museum of Art (NOMA) Curator of Modern and Contemporary Art Miranda Lash, Deborah Willis and Joan Mitchell Center Program Associate Tara Foster.

[iv] In 1962, these woven forms were featured in a solo exhibition at the Art Institute of Chicago, and the following year, the Museum of Contemporary Crafts (later the American Craft Museum and now the Museum of Arts and Design) used her phrase for the title of a traveling exhibition, that included work by Tawney, Dorian Zachai, Claire Zeisler, Sheila Hicks, and Alice Adams.

Brian and Dana interview representatives, Vincent Uribe and Lauren Leving, from The Arts of Life on the occasion of the Circle Contemporary exhibition titled Community in Color, featuring artists from their studio and selections by curator, Leving...

Heather Day is showing her latest work in a solo exhibition titled Keep Still, at Hashimoto Contemporary in San Francisco.

Meanwhile, embedded in the dialogue are about 20 important contemporary art exhibition titles, aesthetic philosophical quotes, as well as titles of books on economic theory.

As hinted at in the exhibition title, Axell engages with both contemporary stereotypes of femininity as well as centuries old role ascriptions and correctively intervenes in persistent gender relations: reflecting on art history — such as Venus iconography, Leda with the Swan depictions and distinguished portraits like Leonardo da Vinci's Mona Lisa — she subverts historically sedimented, male perceptions of femininity and renegotiates the socially constructed image of women as either «angel in the house» or femme - fatale.

MoMA will be organizing the first ever exhibition on contemporary sound art in August 2013 titled «Soundings: A Contemporary Scontemporary sound art in August 2013 titled «Soundings: A Contemporary SContemporary Score.»

The Hepworth has chosen the title «Wild Girl» for its exhibition of the artist Gertrude Hermes, a contemporary of Barbara Hepworth and Henry Moore and a fellow practitioner of direct carving.

For inspiration and the exhibition title, London based curator Attilia Fattori Franchini nudged aside contemporary similes to pull a monster from Greek mythology.

Acknowledging their continuing influence on contemporary art, MoMA brought many of these artists together in a 2009 exhibition titled Pictures Generation, 1974 - 1984.

The curator Okwui Enwezor's provocative 2008 exhibition at the International Center of Photography «Archive Fever: Uses of the Document in Contemporary Art» (the title of which references philosopher Jacques Derrida's 1995 book, Archive Fever) highlighted numerous examples of artists who employ archival documents in their work.

Carmen Winant, Assistant Professor of Visual Studies and Contemporary Art History, has had solo exhibitions at Skibum MacArthur in Los Angeles and Fortnight Institute in New York, respectively titled Pictures of Women Working and Who Says Pain is Erotic?.

The Lancaster Museum of Art and History (MOAH) presents a group exhibition titled COLORIMETRY, January 18, 2014 — March 16, 2014, a vibrant series of six dazzling contemporary art exhibits featuring color and light: two of which include Quint Contemporary Art represented artists, Gisela Colón and Johannecontemporary art exhibits featuring color and light: two of which include Quint Contemporary Art represented artists, Gisela Colón and JohanneContemporary Art represented artists, Gisela Colón and Johannes Girardoni.

Katja Novitskova and the curator Kati Ilves borrowed the quote for the title of the exhibition in the Estonian Pavilion at the Venice Biennale 2017, referring to the complexity of seeing in the contemporary data maze.

Bleckner's Dallas Contemporary exhibition takes its title from a fortune cookie.

It is a painted mattress that was included in Hamza Walker's wonderfully titled exhibition «Teen Paranormal Romance,» which appeared in 2015 at Atlanta Contemporary, for which Schrager is Chairman Emeritus.

The term chosen for the exhibition title, bentu, meaning native soil, is at the heart of their concerns and of the ideas being explored by contemporary Chinese critics and researchers (see the text by the two curators in the catalogue).

Conceived as a contemporary response to a commemorative exhibition at the National Archaeological Museum titled Odysseys, Emily Riddle's proposal draws its inspiration from the same eponymous Homeric text.

With a title that plays on Robert Rauschenberg's infamous 1961 portrait of Iris Clert — a telegram that simply states, «This is a portrait of Iris Clert if I say so» — this major groundbreaking exhibition examines the rise and evolution of symbolic, abstract, and conceptual portraiture in modern and contemporary American Art during the past century.

Doggedly focused on the flat picture plane (though he does occasionally make sculpture) and eschewing performance, Uemae was forced onto the «solitary path» alluded to in the exhibition's title — one that was not travelled by his action - based contemporaries Kazuo Shiraga or Shozo Shimamoto.

Number three in the series is currently hanging in Victoria Miro's Mayfair gallery, as part of a deep dive into the women artists in contemporary abstract painting who art history has ignored — in the form of an exhibition titled Surface Work.

At the Centre for Contemporary Arts, just down the hill from Glasgow School of Art, the exhibition «Lilt, Twang, Tremor» took its title from a quote in Anne Karpf's book The Human Voice, which states that «our lilt, twang or tremor are eloquent beyond words.»

Highly contemporary, the exhibition's title is drawn from a text by the eleventh - century art critic Guo Ruoxu, who uses the phrase «full of peril and weirdness» to describe a painting — among the first recorded instances of such words being used in praise, rather than as condemnation, when describing a work of art.

The Moore Space in Miami uses this title for an exhibition of works by 18 contemporary French artists.

(c. 1916 - 1917) Linoleum cut title page with watercolor & gouache additions from a portfolio of six linoleum cuts June 11 — August 18, 2008 This exhibition, which inaugurates a series of newly opened galleries on the Museum's second floor, surveys the widespread and recurring impulse toward geometric abstraction in modern and contemporary art.

Some of China's most established contemporary artists and several younger names appear in this group exhibition (the letters in the title stand for «video» and «photograph»).

Taking its title from David Bowie's song Changes, the exhibition examines the vernacular through which artists interpret contemporary culture whilst re-evaluating established genres and conventions.

San Diego — «Phenomenal: California Light, Space, Surface» at the Museum of Contemporary Art San Diego is to date the most critically appreciated component of a vast Getty - funded, Los Angeles - centered, ongoing program of exhibitions and events titled «Pacific Standard Time» that surveys art in Southern California between 1945 and 1980.

Modern Painters Daily March 14, 2012 Tomorrow: «Occult Contemporary» in Chelsea By Modern Painters «Occult Contemporary,» the title of Detroit - based artist Hernan Bas's exhibition at Lehmann Maupin Gallery in Chelsea, is a spin on «adult contemporary,» the term used to describe lighContemporary» in Chelsea By Modern Painters «Occult Contemporary,» the title of Detroit - based artist Hernan Bas's exhibition at Lehmann Maupin Gallery in Chelsea, is a spin on «adult contemporary,» the term used to describe lighContemporary,» the title of Detroit - based artist Hernan Bas's exhibition at Lehmann Maupin Gallery in Chelsea, is a spin on «adult contemporary,» the term used to describe lighcontemporary,» the term used to describe light pop music.

Borrowing its title from Greil Marcus» 1997 book The Old, Weird America: The World of Bob Dylan's Basement Tapes, this publication is produced in conjunction with an exhibition at the Contemporary Arts Museum, Houston, which considers the work of 16 artists who explore American folk imagery and history from the time of European settlement to the 1960s.