Sentences with phrase «exhibition titled do»

Paris McGarry created a solo exhibition titled Don't Forget to Send Photos including a moving image piece, mixed media photographs, and a graphic map installation.

There could be deeper psychoanalytics at work, as the exhibition title does recall award - winning 2002 British documentary series The Century of the Self, which focused on Freud (both pater and filia) and PR pioneer Edward Bernays» influence on corporations and governments in public «suggestion».

Curated by Adrian Heathfield, Taiwan's Pavilion at the 57th Venice Biennale in 2017 featured Hsieh's work in an exhibition titled Doing Time.

Not exact matches

DSAP director Patricia Maloney selected today's installment for our Best of 2015 series: «Ashley Stull Meyers doesn't shy away from calling out an exhibition with as grand a title as The Great Debate About Art for what it leaves unexamined.

«I believe that one reason I began writing essays — a form without a form, until you make it — was this: you didn't have to borrow from an emotionally and visually upsetting past, as one did in fiction, apparently, to write your story,» Als writes in the introduction to his forthcoming book, which is titled after the exhibition.

Yet, each work in this exhibition does command attention as its own thing, perhaps the title of Carol Robertson's painting Aura is suggestive of this.

Organized by curator Gabi Ngcobo, the highly anticipated exhibition, «We Don't Need Another Hero,» takes its name from a 1985 Tina Turner song of the same title.

«One knows that, by some accidental brushmarks, suddenly appearance comes in with a vividness that no accepted way of doing things would have brought about» — Francis Bacon This, according to Francis Bacon, is «the mystery of appearance in the mystery of making» — the title and structuring concept for the major new exhibition of -LSB-...]

For his large retrospective exhibition held earlier this year as the artist turned fifty, he chose to title the exhibition I Don't Know the Mandate of Heaven.

Titled Tarsila do Amaral: Inventing Modern Art in Brazil, the exhibition will examine do Amaral's production from the 1920s through approximately 130 works, including paintings, drawings, sketchbooks, and photographs drawn from collections across the United States, Latin America, and Europe.

Guest Contributor Jonathan Stevenson / «Cuts Noon Light,» the challenging three - person exhibition at Brian Morris Gallery on Chrystie Street, gets its title from a Pablo Neruda poem in which those words seem to refer to what a lover does, and especially what is missed when the lover is absent or gone.

Lee Sharrock: Where does the exhibition title «I Rose Madder» come from?

Other exhibitions may have done a better job of living up to this show's title.

Her work for the Summer Exhibition, where a blue outline snakes across loose brush marks in greens that recall the shifting light of a forest canopy, «looks in process and doesn't have a title, and you could think it's in conversation with some abstract painters.

In one of the key works of «Portals,» titled Ike Ya (2016), a couple embraces, in a gesture, as the exhibition text describes it, «that seems as conciliatory as it does affectionate.»

This enigmatic work by Francis Alÿs (b. 1959, Belgium) lends its title to the exhibition, which considers the question what do our possessions say about us?

This exhibition borrows its title to open up the narration of a deviant story, one that does not aim to display objectiveness, but does instead understanding the joy of disruptive methods of explaining and archiving History.

HR: Did the title of the exhibition, Natures, Natural and Unnatural, come after you were drawn to the works or was the nature motif something you were already thinking about?

Johns might get along fine with the Picasso - like skull or the exhibition title, «Left to the Darkness,» but things do not look too somber.

Taking its title from a 17th century posset pot, the exhibition looks at what is meant by the intrinsic value of objects and asks what does «the best» mean?

The exhibition title itself, open for interpretation, posits the question: What do you, the viewer, believe is the state of humanity today?

Aptly titled This House Was Made for Christmas, the exhibition is a reminder that many of these artists didn't earn their living solely from fine art.

The title of the exhibition, Song Dong Doing Nothing, references the Taoist concepts of «non-action» and «non-intention,» requiring a respect for natural order and a modest, humble way of leading life.

Doggedly focused on the flat picture plane (though he does occasionally make sculpture) and eschewing performance, Uemae was forced onto the «solitary path» alluded to in the exhibition's title — one that was not travelled by his action - based contemporaries Kazuo Shiraga or Shozo Shimamoto.

In fact, the title has nothing to do with the meaning of the exhibition.

The exhibition does not claim to show Richter's work comprehensively, the title rather refers to the exhibited piece of work Overview [Editions CR: 93] of 1998.

Phil Space: Shelley Horton - Trippe, in her recent exhibition High Brow Low Ride, references the great twentieth - century French writer Colette, and she does this by way of a large painting titled The Pure and the Impure (Colette).

Since the African - American women Thomas portrays in her paintings are in control and decidedly done up — dressed to the nines and posed in studio spaces full of busy fabrics — there's clearly an ironic twist in the exhibition title, She's Come Undone!

The exhibition title, Situations does not suggest a theatrical scene consists of props and actors, but rather draws from its Latin root situs, referring to, here, this place, and the lively people and the scenes in the life around them.

The exhibition includes Ruff's very early photographs done during a residency in Paris in the early 1980s as well as his latest political work titled press + +.

The exhibition features works with quirky, unexpected titles, like «A Fatigue Always Comes with a Dream», «Only the Turtle Does Not Know about Our Weekends», and «The Hardship is Whispering Hope».

What does it mean when Pascale Marthine Tayou titles his Kunsthaus Bregenz exhibition I love you!?

2006 Karl Holmqvist, Exhibition review, Jennifer Allen, Artforum.com, December 2006 The Title as The Curator's Art Piece, Exhibition review, Dan Kidner, Untitled Fall 2006 Top Ten, Fia Backström, Artforum November 2006 La Maman et La Putain, Exhibition Review, Pablo Leon de la Barra, Frog No 4, Automne - Hiver 2006 Karl Holmqvist, Exhibition Review, Ronald Jones, Frieze Issue 102 October 2006 Karl Holmqvist, Exhibition Review, Robert Stasinski, Flash Art International JulySep 2006 How Does 30 Grand a Year and a Company Car Sound?

Notable solo exhibitions include Iran do Espirito Santo, Pinacoteca do Estado, São Paulo, Brazil (2007); toured to MAXXI (Museo Nazionale delle Arti del XXI Secolo) and a further self - titled show at the Irish Museum of Modern Art, Dublin, Ireland (2006).

But given artists like Kulendran Thomas» embrace of the inevitable in the Absolute Bearing collaborative exhibition with Annika Kuhlmann and Jesse Darling, and the concerns of urban displacement in the Woolley - curated K.I.S.S. group exhibition, the title's allusion to a sort of drill for the coming precarity might have something to do with it.

The title did, however, summarize the exhibition's polemical intent, glossed in the press release with the declaration «The selection of works in this show will serve to lay to rest one of

The title of the exhibition, How to Do Nothing... harks back to Robert Paul Smith's guidebook of children's projects; Barrada's penchant for manuals, handbooks and guides is also evident in her satirical boxed set A Guide to Fossils for Forgers and Foreigners (2016) and A Guide to Trees for Governors and Gardeners (2011).

Their exhibition did not have a title, but the word lessness came to serve a quasi-titular function, invoked in all the reviews and acting as a polestar orienting critical response.

After Dan Perjovschi (2007), Piotr Uklanski (2004), Sarah Morris (2002), Karim Noureldin (2001), Franz Ackermann (2000), and Esther Hiepler (1999), now Swiss artist Karin Hueber did a project titled «The Inside Out Exhibition».

That said, the «W» lost in the translation between title of work and title of exhibition does foreground the artist's absence.

«I don't have a rigid repertoire,» he tells me when we meet in the elegant 18th - century rooms of the Monnaie de Paris where he is about to begin installing works for an exhibition, titled «BRUT (E)».

In doing so, it presents visitors with various choices and experiences along the «way», as is suggested by the exhibition title.

AB: On the occasion of the first exhibition Gianni did at Galleria Sperone with Michelangelo Pistoletto and Piero Gilardi in 1966, the title was Arte Abitabile.

vert, the title of the current exhibition, does not arise from the field of the artistic - imaginary as a reference to gre...

For twenty years, Mark Moore Fine Art has shown this highly - acclaimed talent and does so again now with an Exclusive ARTSY on - line exhibition, titled Kenichi Yokono: A Twenty Year Survey.

However, Byars did create a few totemic golden sculptures throughout his life, the largest being a roughly 66 - foot - tall piece, titled The Golden Tower, which was realized for a group exhibition at the Martin - Gropius - Bau in Berlin in 1990.

His directness was unsettling, even amongst his fellow artists, who preferred to work with more subtle linguistic codes and who strongly criticised Fonseca (as they did Jaar), after his controversial exhibition of the same title at Gallery Sur in 1982.

The title of the exhibition «Building Bildung» makes reference to the German word «Bildung» which does not easily translate in other languages.

Rebekah Flake, MFA candidate at Tyler, will have her thesis exhibition titled Till Death Do Us Part April 16 - 19, 11 am - 6 pm.

Don't blame anyone Artists: Bruce Nauman, Giovanni Anselmo, Giorgio Griffa, Al Taylor, Nicolás Paris, and Julio Cortázar Curated by Juana Berrío «Don't blame anyone is an exhibition that draws its inspiration and title from a short story by Julio Cortázar that narrates, in agonizing detail, a man's struggle to put on a blue sweater.