Sentences with phrase «exhibition titled double»

C24 Gallery's first ever exhibition titled Double Crescent.
The exhibition title Double Knotted refers to the shoelaces intertwined throughout Gray's ornate compositions, and also could refer to the collective memory we are all bounded by.

Not exact matches

The first book titled «Through the African American Lens: Double Exposure» serves as an introduction to the series and includes a companion exhibition opening in May.
The exhibition investigates Beckmann's relationship to the city in two ways (Rewald calls the exhibition title a «double - entendre»).
Engelsmann collaborated remotely with Japanese artist Yosuke Tan (aka untangle), whose joint works are currently on view in a double exhibition titled untangle & kaeghoro at UDOK.
Her solo exhibition titled «Double Feature!
His recent solo exhibitions include a double show titled Sonnenaufgang (Sunrise) and Sonnenuntergang (Sunset), Aurel Scheibler Gallery and Daniel Schmidt Gallery, Cologne, Germany; The Birth of Princess Middlefinger, Prague Biennial, Prague; Life Is a Gift, Daniel Reich Gallery, New York; and The Self Esteem Salon: The Baptism Series, jointly with Chris Verene, Deitch Projects, New York and Fay Gold Gallery in Atlanta, Georgia.
The exhibition, titled «Double Future ``, is her first solo show in Europe.
The title of her latest exhibition, My Pupil is an Anvil, is a physiological and pedagogical double - pun.
The title of the exhibition is deliberately double in its meaning - referencing the physicality of the objects in the exhibition and the suggestion of arcane rituals.
EXHIBITIONS / SCREENINGS / READINGS (* solo or two - person) Apparatus for a Utopian Image 2.0, Center and Foundation for Contemporary Arts, Prague, 2018 CV, YYZ Artist's Outlet, Toronto, 2017 * Artist's Rendering (DISTRESSED, RELAXED), AXENÉO7, Quebec, 2017 * You can tell that i'm alive and well because I weep continuously, Knockdown Center, New York, 2017 Apparatus for a Utopian Image, Elizabeth Foundation for the Arts Project Space, New York, 2016 Self - Titled (Materials for a 21st Century Room — or SWAMPED, EXHAUSTED, HESITATING), 8 - 11, Toronto, 2016 * Self - Titled (w / Aryen Hoesktra & Shane Krepakevich), Modern Fuel, Ontario, 2016 Local Tide (curated by PARALLELOGRAMS and Francesca Capone), S1, Portland OR, 2016 Double Visions, Elizabeth Foundation for the Arts Project Space, New York, 2015 From Line to Constellation, Granoff Center, Providence, 2015 Maximum Sideline: Postscript, Proxy, Providence, 2015 Use Values, SPRING / BREAK Art Show, New York, 2015 An Earthquake at the Race Tracks, Museo de la Cuidad, Santiago de Querétaro, Mexico, 2014 Classroom, NY Art Book Fair, PS1, New York, 2014 Almost Everything, Eric Arthur Gallery, Toronto, 2014 Milieu, Skol Centre des Arts Actuel, Montreal, 2013 * More Than Two (Let It Make Itself)[w / Josh Thorpe], The Power Plant, Toronto, 2013 Cultural Fluency, BRIC Rotunda Gallery, Brooklyn, 2013 Sediment, G Gallery, Toronto, 2012 Survive.Resist, CAFKA Biennial, Kitchener - Waterloo, Canada, 2011 On Printed Matter, [w / Josh Thorpe], Printed Matter, New York, 2011 * Around YYZ [w / Josh Thorpe], YYZ Artist's Outlet, Toronto, 2010 - 11 * House Broken, Flux Factory, NY 2010 Reading the Garden [w / Josh Thorpe], Toronto Sculpture Garden, Toronto, 2010 * Titles, Art Metropole, Toronto, 2009 On Convenience [w / Josh Thorpe], Convenience Gallery, Toronto, 2009 * Vehicle [organized by WayUpWayDown curatorial collective], Nuit Blanche, Toronto, 2008 ERI 3: Eyelevel Re-Shelving Initiative, Eyelevel Gallery, Halifax, 2008 AT WORK, Toronto Free Gallery, Toronto, 2007 Rip Current, Eyelevel Gallery, Halifax, 2007 Tales from the Cyclop's Library, Third Space Gallery, Saint John, 2007 Unsurprising Geographies [w / Andrea Williamson], Eyelevel Gallery, Halifax, 2006 Alectric 3, Alectric Audio [online exhibition] 2006 a / s / l, Anna Leonowens Gallery, Halifax, 2006 * RESIDENCIES Interrupt 3, Brown University, Rhode Island 2015 SHIFT, Elizabeth Foundation for the Arts, New York, 2014 - 15 Artist - in - Residence, Workspace, Lower Manhattan Cultural Council, 2013 - 14 Visiting Scholar, NYU Advanced Media Studio, 2013 - 14 The Decapitated Museum, The Banff Centre, 2012 Making Artistic Inquiry Visible, The Banff Centre, 2008 AWARDS Canada Council for the Arts, Research and Creation, 2018 - 19 Banff Centre, Residency Scholarship — The Decapitated Museum, 2012 Foundation for Contemporary Art, Emergency Grant, 2011 Ontario Arts Council, Exhibition Assistance Grant, 2011 Ontario Arts Council, Exhibition Assistance Grant, 2009 University of Toronto, Graduate Fellowship, 2007 - 09 Social Sciences and Humanities Research Council, Canada Graduate Scholarship, 2007 - 08 Banff Centre, Residency Scholarship — Making Artistic Inquiry Visible, 2008 University of Toronto, David Buller Memorial Scholarship, 2007 NSCAD University, Simon Chang and Phyllis Levine Foundation Scholarship, 2006 New Brunswick Arts Board, Arts Scholarship, 2005 WRITING «Panorama of Our,» Plot, Claudia Weber, ed., 2015 «Anodyne: or X of Demarcation,» Rearviews II, Xenia Benivolski & Danielle St - Amour, eds., 2014 «On Printed Matter» Artefact:, C Magazine C122, 2014 «Lana Turner Has exhibition] 2006 a / s / l, Anna Leonowens Gallery, Halifax, 2006 * RESIDENCIES Interrupt 3, Brown University, Rhode Island 2015 SHIFT, Elizabeth Foundation for the Arts, New York, 2014 - 15 Artist - in - Residence, Workspace, Lower Manhattan Cultural Council, 2013 - 14 Visiting Scholar, NYU Advanced Media Studio, 2013 - 14 The Decapitated Museum, The Banff Centre, 2012 Making Artistic Inquiry Visible, The Banff Centre, 2008 AWARDS Canada Council for the Arts, Research and Creation, 2018 - 19 Banff Centre, Residency Scholarship — The Decapitated Museum, 2012 Foundation for Contemporary Art, Emergency Grant, 2011 Ontario Arts Council, Exhibition Assistance Grant, 2011 Ontario Arts Council, Exhibition Assistance Grant, 2009 University of Toronto, Graduate Fellowship, 2007 - 09 Social Sciences and Humanities Research Council, Canada Graduate Scholarship, 2007 - 08 Banff Centre, Residency Scholarship — Making Artistic Inquiry Visible, 2008 University of Toronto, David Buller Memorial Scholarship, 2007 NSCAD University, Simon Chang and Phyllis Levine Foundation Scholarship, 2006 New Brunswick Arts Board, Arts Scholarship, 2005 WRITING «Panorama of Our,» Plot, Claudia Weber, ed., 2015 «Anodyne: or X of Demarcation,» Rearviews II, Xenia Benivolski & Danielle St - Amour, eds., 2014 «On Printed Matter» Artefact:, C Magazine C122, 2014 «Lana Turner Has Exhibition Assistance Grant, 2011 Ontario Arts Council, Exhibition Assistance Grant, 2009 University of Toronto, Graduate Fellowship, 2007 - 09 Social Sciences and Humanities Research Council, Canada Graduate Scholarship, 2007 - 08 Banff Centre, Residency Scholarship — Making Artistic Inquiry Visible, 2008 University of Toronto, David Buller Memorial Scholarship, 2007 NSCAD University, Simon Chang and Phyllis Levine Foundation Scholarship, 2006 New Brunswick Arts Board, Arts Scholarship, 2005 WRITING «Panorama of Our,» Plot, Claudia Weber, ed., 2015 «Anodyne: or X of Demarcation,» Rearviews II, Xenia Benivolski & Danielle St - Amour, eds., 2014 «On Printed Matter» Artefact:, C Magazine C122, 2014 «Lana Turner Has Exhibition Assistance Grant, 2009 University of Toronto, Graduate Fellowship, 2007 - 09 Social Sciences and Humanities Research Council, Canada Graduate Scholarship, 2007 - 08 Banff Centre, Residency Scholarship — Making Artistic Inquiry Visible, 2008 University of Toronto, David Buller Memorial Scholarship, 2007 NSCAD University, Simon Chang and Phyllis Levine Foundation Scholarship, 2006 New Brunswick Arts Board, Arts Scholarship, 2005 WRITING «Panorama of Our,» Plot, Claudia Weber, ed., 2015 «Anodyne: or X of Demarcation,» Rearviews II, Xenia Benivolski & Danielle St - Amour, eds., 2014 «On Printed Matter» Artefact:, C Magazine C122, 2014 «Lana Turner Has Collapsed!
For this exhibition Team will present two of Dellsperger's films from his ongoing series Body Double, titled after the iconic post-modern thriller of the same name by Brian De Palma.
In 2010, Toderi opened a solo exhibition at the Museum Serralves in Porto with a new double video projection titled Atlante, (Atlas, 2010), a new single projection titled Diaframma (Aperture, 2010), and a series of works including Rosso Babele (Babel Red, 2006), Rosso (Red, 2007), Orbite Rosse, (Red Orbits, 2009), and Pulse 60xz, (2009).
Artist: Sarah Schönfeld Exhibition title: Seeing Double Venue: Marso, Mexico City Date: March 21 — May 11, 2015 Photography: Images courtesy of the artist and Marso Seeing Double is the result of Berlin based artist Sarah Schönfeld's residency at MARSO.
Titled «Alloy Alloy» — here doubled, the word means a mixture of metals, or a metal made by bonding metal with another element, in the scientific jargon — the exhibition creates similarly unexpected fusions between humans, materials and architecture.
The exhibition's title, «Hybridize or Disappear», is a double - quotation.
These included Templates for Everyone in which I participated along with Corina Heinrich, a solo exhibition titled F ART by Khushnaz Lala and a performance that also doubled as an exhibition of the work of Ari Jayaprakash titled Samhain.
Mr. Buren, noting the spiral's skylight (Wright called it an oculus) and pool, like the eye of a tornado, has titled his exhibition «The Eye of the Storm,» which is a double entendre.
Likewise, the title of this exhibition, «Double», refers to stand - ins for movie actors in explicit or dangerous scenes.
Photographer, filmmaker and sculptor, Luis Gispert, whose work is pictured above, recently completed a double solo exhibition titled El Mundo Es Tuyo (The World is Yours) with Zach Feuer Gallery and Mary Boone Gallery in NYC this year.
In light of Tzaig's exhibition title, «What It's Like to Speak a Lot of English,» his double - trouble ball games look like metaphors for the difficulty of becoming bilingual.
Recent solo exhibitions include Double Bind at Palais de Tokyo, Paris (2007); 4 Between 2 and 3 at Centre Pompidou, Paris (2008); A Stay Between Enclosure and Space at the Migros Museum of Zurich (2009); Tatiana Trouvé at the South London Gallery (2010); and Il grande ritratto, an extensive exhibition inspired by the title of Dino Buzzati's science fiction novel and conceived in response to the challenging architecture of the Kunsthaus Graz (2010).
I spoke to Ward the day after the opening celebrations for the Socrates Park project, and two days after the launch of his fourth solo exhibition at Lehmann Maupin — a double show titled TILL, LIT.
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