Sentences with phrase «exhibition titled here»

In December 2011, Soho Photo Gallery invited Meryl Meisler to show her Bushwick photographs in a solo exhibition titled Here I Am: Bushwick in the 1980s.

Not exact matches

This is the exhibition's only horizontally aligned canvas and the picture plane here appears to unfold, recalling the unraveling motion of Chinese and Japanese scroll painting and — as indicated by the work's title and emphasized by its green hues — the undulation of waves.

As the title he gave his recent Tate exhibition asserts, «if one thing matters, everything matters», and here Tillmans shows us pure gold, pure colour, balled socks, and a pub urinal as deserving of equal attention.

Although there is little interpretation directly accompanying the show beyond an extensive biography in the exhibition leaflet — even the captions are absent from the walls and most appear in title - only form in the handout — the selection here elucidates Hoyland's ongoing exploration of colour and form throughout his career.

Click here to see photos from the exhibit and opening reception Few artists can say they have the title of their upcoming exhibition tattooed on their body.

With a title as broad as «I Really Miss You Until You're Here» from White Conduit Projects» latest exhibition, it is easy to be intrigued about what might be included in the show, and what themes the artists, and indeed curator, might be addressing.

I gave up looking for a pattern here and have these alphabetized by exhibition title, so scroll on down.

In 2013, his work, A Trip from Here to There, was the starting point for an exhibition of the same title at the Museum of Modern Art, New York.

yours mine & ours is pleased to present, Rachel Hecker: Exhibition Title Goes Here, the artist's first solo exhibition inExhibition Title Goes Here, the artist's first solo exhibition inexhibition in New York.

In 2013, López was featured in the exhibition «A Trip from Here to There» at The Museum of Modern Art, New York, an exhibition centered around his work by the same title, curated by Jodi Hauptman and Luis Pérez - Oramas.

Here, the title of the exhibition is presented again on more spectrum paintings that act as backdrops for the various objects of the installation — its presence acting as the link throughout the show.

The title of the exhibition is taken from a large painting exhibited here for the first time, which is a part of the trilogy Love - Birth - Death, her latest major project.

The exhibition title, Situations does not suggest a theatrical scene consists of props and actors, but rather draws from its Latin root situs, referring to, here, this place, and the lively people and the scenes in the life around them.

As you may have guessed by the title, hair has a significant presence here, which can be seen both in the exhibition description («Key grew up in rural Alabama to their grandmother singing, «your hair is your strength»») and the look of the actual paintings themselves, which often resemble vast and complex tangles you could get lost in.

At QM Gallery ALRIWAQ in Doha the exhibition has the title Huna Hunak (Here There).

This video shows impressions of the opening of the exhibition, including a fireworks piece by Cerith Wyn Evans titled «Everything here looks like it's still under construction, and it's already a ruin.»

The paintings below are part of her exhibition titled «View from Here», which is currently on view until August 31 at Winnipeg Art Gallery.

Zito has been featured in several group exhibitions including Still Spotting NYC, a collaboration with the Guggenheim Museum in New York City, as well as a recent solo exhibition titled, Short Long Time at HERE in New York City.

A solo exhibition of new works by David Shrigley titled COLOURED WORKS ON PAPER is currently on show at Copenhagen's Galleri Nicolai Wallner (installation shot shown here courtesy of the gallery).

Here are some preview, and assorted images from Tanc as part of his upcoming Exhibition titled «Retrospective 2010 - 2011 ″ at David Bloch Gallery.

Tatiana Trouvé is well known for the large - scale spatial installations integrated with architecture and her paintings, while Laure Prouvost mainly works on video and immersive installations combined with video.The exhibitions are named for the titles of their works: «The Sparkle of Absence» is from Trouvé's conceptual series, consisting of works that have never been materialized and that are only in the existence of titles; «Into All That Is Here» comes from the latest work of Prouvost's most representative series «Granddad».

Here is a set of studio shots of Tanc preparing some of the work for the exhibition titled «Oscillations» being...

She was also featured in «The Place Is Here» at Nottingham Contemporary (Feb. 4 - April 30, 2017), a group exhibition titled after one of Himid's works.

The title of the exhibition suggests the themes that the artist explores, both here and in her wider sculptural practice: for example, the nature of a façade, the dualities of front and back, questions relating to the decorative, the deceitful, the theatrical, and the interplay of real and fake.

The exhibition title hints at a liminal quality of form and light, of neither - here - nor - there - ness; Schulte's structured yet ethereal images capture this essence well.

Here Sayer represents them by selecting the most washed out, pop versions of these characters: the title of the exhibition and subject matter of the paintings refer to the popular Broadway musical «Wicked,» and a sculpture of Frankenstein's head is the hollywood version.

Opening: «Elaine, Let's Get the Hell Out of Here» at Nicelle Beauchene Gallery This exhibition, an early candidate for the summer's most peculiarly titled group show, takes its name from an article that ran in the January 1971 issue of ARTnews: Elaine de Kooning's response to Linda Nochlin's famed essay «Why Have There Been No Great Women Artists?»

As is the case throughout the exhibition, the title of the work here is printed on a paper laid on the ground — Whispering Campaign (2016 — 17)-- and the name of the artist appears on a small rectangular stone atop it: Pope.L.

The exhibition title is a call for further research, practice and the promotion of cross cultural, networking and greater experiential opportunities for contemporary tapestry at a time of global uncertainty, when the focus on the here and now and its legacy is more pertinent than ever.

Taken as a whole, the exhibition is a clean, a strong, and a varied one and of vast artistic, educational interest and importance, and, if I mistake not, will have as a result, and despite the unquestionably skeptical and even hostile attitude towards the merits of the new foreign movements, or an indisposition to accept them as being worthy of the title of art movements in general — the most marked effect upon the cause of art in America, and upon the coming production of American painters and sculptors, than anything that has occurred since the first exhibition of the so - called Munich band of young American painters in the old American art galleries in 1878, and of the work of Monet and his contemporaries and followers held here in 1883.

While the mussel has its place in the history of conceptual art in the work of Marcel Broodthaers, here it more closely relates to the a territory announced by the exhibition's title, a quote from Gio Ponti's In Praise of Architecture that translates to «Sculpture that is not a shell does not sing.»

Artists: Leonor Antunes, Allora & Calzadilla, Marieta Chirulescu, Abraham Cruzvillegas, Minerva Cuevas, Jimmie Durham, Daniel Guzmán, Jonathan Hernández, Gabriel Kuri, Dr. Lakra, Gabriel Orozco, Damián Ortega, Gabriel Sierra, Adrián Villar Rojas, Danh Vo, and Haegue Yang Exhibition title: from here to there, kurimanzutto travels to Jessica Silverman Gallery Venue: Jessica Silverman Gallery, San Francisco, US Date: January 12 — March 5, 2016 Photography: images copyright and courtesy the artists and Jessica Silverman Gallery, San Francisco Jessica Silverman Gallery is pleased to present an exhibition of works by artists affiliated with Mexico City's famed kurimanzuttExhibition title: from here to there, kurimanzutto travels to Jessica Silverman Gallery Venue: Jessica Silverman Gallery, San Francisco, US Date: January 12 — March 5, 2016 Photography: images copyright and courtesy the artists and Jessica Silverman Gallery, San Francisco Jessica Silverman Gallery is pleased to present an exhibition of works by artists affiliated with Mexico City's famed kurimanzuttexhibition of works by artists affiliated with Mexico City's famed kurimanzutto gallery.

Artists: Andy Boot, Marilia Furman, Flora Hauser, Raphael Hefti, Alicja Kwade, Lisa Oppenheim, Sarah Pichlkostner, Lucia Elena Prusa, Fred Sandback, Max Schaffer, Sarah Schönfeld, Daniel Steegmann Mangrané, Iris Touliatou Exhibition title: NOW / HERE Curated by: Marlies Wirth Concept by: Marlies Wirth and Andreas Duscha Venue: FRANZ JOSEFS KAI 3, Vienna, Austria Date: January 30 — February 21, 2016 Photography: Björn Segschneider, images copyright and courtesy of the artists and FRANZ JOSEFS KAI 3, Vienna Following the exhibition Exhibition title: NOW / HERE Curated by: Marlies Wirth Concept by: Marlies Wirth and Andreas Duscha Venue: FRANZ JOSEFS KAI 3, Vienna, Austria Date: January 30 — February 21, 2016 Photography: Björn Segschneider, images copyright and courtesy of the artists and FRANZ JOSEFS KAI 3, Vienna Following the exhibition exhibition ELSEWHERE.

To buy the catalogue for this exhibition click arrow link» title =» > arrow link» hspace = «0» src =» / en/siteimages/arrow2.gif» align = «baseline» border = «0» / > here

The snappy title of this summer group exhibition — «Elaine, Let's Get the Hell Out of Here» — comes from an anecdote relayed by Elaine de Kooning in response to Linda Nochlin's feminist essay «Why Have There Been No Great Women Artists?»

Artist: Charlemagne Palestine Exhibition title: GesammttkkunnsttMeshuggahhLaandtttt Curated by: Luca Lo Pinto Venue: Kunsthalle Wien, Vienna, Austria Date: September 18 — November 11, 2015 Photography: Maximilian Pramatarov, images copyright and courtesy the artist and Kunsthalle Wien Note: Exhibition booklet can be found here American - born Charlemagne Palestine is a composer, musician, performer and visual artist.

There was also «The Place Is Here» at Nottingham Contemporary (Feb. 4 - April 30, 2017), a group exhibition titled after one of Himid's works.

A recent exhibition at Sperone Westwater Gallery on the Bowery employs a work by Lawrence Weiner from 1970 as its title: «AN ACCUMULATION OF INFORMATION TAKEN FROM HERE TO THERE.»

This localism is echoed in the exhibition's title, «Chalet», which refers to a shed that Geys built in his backyard in 1977, shown here in a photographic series hanging in La Loge's basement.

The title of this exhibition is inspired by John Akomfrah's three - channel video installation The Unfinished Conversation (2012), which is included here and chronicles the life and work of the Jamaican - born British cultural theorist Stuart Hall (1932 — 2014).

Of the twenty - four new images on view here — all made in the «21st Century,» as this exhibition was titled — there were some

A word used to title an exhibition, to describe a form of thinking, to bind a community of friends and artists, and to acknowledge space as a social and formal condition, Anarchitecture pointed to an interdisciplinary spirit of the times that helped usher in contemporary arts centers across the country and, significantly, here in New Orleans.

True to its title, the exhibition format seems «collapsed» here, leaving pieces scattered on the floor and flung on the walls.

And just to give you an idea of the elitist jargon - filled language used by the organizers of the show, here is the title of the exhibition: «The Specialisation of Sensibility in the Raw Material State into Stabilised Pictorial Sensibility.»

The artists, the titles of their exhibitions, and their areas of specialization are: Jake Boggs, Re / Collecting, (ceramics) Kalani Largusa, I too am here, (painting) Kamran Samimi, Passage, (print media and sculpture)

Titled «Alloy Alloy» — here doubled, the word means a mixture of metals, or a metal made by bonding metal with another element, in the scientific jargon — the exhibition creates similarly unexpected fusions between humans, materials and architecture.

Newly launched digital art platform Opening Times has commissioned Oliver Sutherland «s latest exhibition, titled Arabidopsis Thaliana Flammeus and available for viewing here.

Here, the materials chosen and their process of production have a narrative that links them to Glasgow and its industrial history as well as the much wider story of the post-industrial city (the exhibition's title, «Radio Piombino», is a reference to the north Italian port once known for its thriving steel works).

The title of this exhibition comes from the musical term for slow tempo, here referring to the speed of walking.

He will also have work included in an exhibition at HERE Art Center in New York, NY, titled Suburbia: Is Anyone There?