Sentences with phrase «exhibition titled life»

The acclaimed musician, agriculture activist, actor, and painter, John Mellencamp, is opening a new exhibition titled Life, Death, Love, Freedom.

Not exact matches

Today, at the 43rd Annual Meeting & Exhibition of the American Association for Dental Research (AADR), held in conjunction with the 38th Annual Meeting of the Canadian Association for Dental Research, Kazunori Ikebe, from Osaka University, Japan, will present a research study titled «Cognitive Function and Oral Perception in Independently - living Octogenarians.»

Feminist issues will be heavily featured at Toronto, via Jonathan Dayton and Valerie Faris» «Battle of the Sexes,» about the run - up to the famous Billie Jean King - Bobby Riggs exhibition match, with Emma Stone as the tennis pioneer; «Mary Shelley,» Haifaa Al Mansour's look at the personal and creative life of the great English writer starring Elle Fanning in the title role; and Susanna White's «Woman Walks Ahead,» in which Jessica Chastain stars as Catherine Weldon, Sitting Bull's chief advisor.

Beauty in Impermanence is the title of an exhibition of paintings by Joana Cutri an American who is inspired by Balinese life and culture and decided to live in Bali.

I have a solo exhibition titled «Charge Your Self,» which will be going live at Chandran Gallery in San Francisco on July 13, and a public art piece I will be working on in downtown Denver.

The exhibition, which runs through January 8, is titled «Land Speed Record,» after Hüsker Dü's 1981 live album, recorded at the 7th Street Entry, a storied space next to the main stage at the famous First Avenue in downtown Minneapolis.

The Guardian reports that London's Saatchi Gallery has announced that it will hold an all - female exhibition titled «Champagne Life,» which will include the work of 14 emerging women artists from around the world.

Leading up to his two exhibitions later this autumn at David Zwirner's gallery spaces in London (October 5 — November 17) and New York (November 1 — December 19), I discussed with Tuymans a number of subjects that come out of his two new bodies of work, including the questions they raise around the romanticized life of artists, the recurring issue of otherness in his work, and how a talking parrot in a charmingly ramshackle tapas bar close to his studio inspired the title for a series of new paintings.

A fully illustrated catalogue will be published to accompany the exhibition with an essay written by Walead Beshty titled «The Ritual of Everyday Life: On the Migrating Objects of Jay DeFeo».

An exhibition titled «Alice Neel: The Painter of Modern Life» opened last year at the Gemeentemuseum Den Haag, in the Netherlands, 32 years after the artist's passing.

This catalogue and the exhibition it documents take their title from Henry Wadsworth Longfellow's 1838 poem «A Psalm of Life.»

The latest entry is the imaginatively titled exhibition «Fluxus and the Essential Questions of Life,» with works mainly selected from the George Maciunas Memorial Collection at the Hood Museum of Art, Dartmouth College, but with significant additions from MoMA and other sources.

With a nod to the «walkers,» or zombies, from the TV series The Walking Dead, the exhibition's title references the lingering power of film detritus on the imagination of the living.

Painter Kim Rae Taylor, who lives and works in Cincinnati, will exhibit a series of mixed media paintings in an exhibition titled Rendered Complete Equals.

Hoffman Brandt, who explores how organisms function in complex environments, will construct live stakes of red - dogwood plantings into patterns of Morse Code, guiding visitors to hidden exhibitions throughout the area though her project titled Red Carpet Encrypted.

This year she also curated a group exhibition for the Spring Break art show in March titled «The Presentation of Self in Everyday Life,» which featured Jeremy DePrez, Hannah Whitaker, Liz Nielsen, Graham Caldwell, and Eric Shows.

Two sayings that Sandra lived by, one of which shares the title of the exhibition, loom large and brightly colored with subtly glittering black painted letters.

The exhibition, titled Image Gallery Redux: 1959 - 1962, is a display of art once featured in The Image Gallery, a short - lived but legendary Manhattan photography gallery.

Other exhibitions may have done a better job of living up to this show's title.

Lehmann Maupin announces its participation in LUSH LIFE, an exhibition curated by Franklin Evans and Omar Lopez - Chahoud and inspired by Richard Price's 2008 novel of the same title.

The title of the exhibition refers to evolution and change, assigning life to things normally without life.

Under the title «10M / 1000 ML / 10 L» Cheyney Thompson (* 1975, lives in New York) presents in his fourth solo exhibition at Galerie Buchholz a group of new paintings, drawings and sculptures.

Titled «Ice Breaker,» Nagle's mind - bending exhibition takes visitors to the heart of what it means to be alive to life's ups and downs.

Vaness Martir and Meryl Meisler, two women connected through Bushwick and old photographs, agreed to meet with me to talk about the upcoming exhibition titled Defying Devastation, prepared for Bushwick Open Studios 2012 at The Living Gallery.

Brian and Dana interview representatives, Vincent Uribe and Lauren Leving, from The Arts of Life on the occasion of the Circle Contemporary exhibition titled Community in Color, featuring artists from their studio and selections by curator, Leving...

The exhibition title alludes to the artist's current approach to his art practice, making visible the concept of «recurrence» — a daily phenomenon and a mental way of understanding a revelatory sense that inhabits both life and art.

The central thesis of the exhibition is contained in a single - channel video titled «Live from Somewhere,» inspired by the opening sequence of the late Gilda Radner's 1979 one - woman stage show.

Her current solo exhibition titled «Slice of Life» at Honor Fraser in Los Angeles is full of examples of the artist's incredible ability to remix the cultural detritus of her birthplace to find wisdom in the mundane.

Editor's Note: In 2016 Seoul - born Anicka Yi was awarded the Hugo Boss Prize and opened her first major institutional exhibition in the US at the Solomon R. Guggenheim Museum, New York, titled Life is Cheap It wouldn't be much of an insult to compare Anicka Yi's work to cheap takeout, because that's kind of what it is.

The exhibition title, Diaristic Indulgences (taken from a line in Carolee Schneemann's Interior Scroll and Kitch's Last Meal), refers to the exploration of the discomfort in the physical reality of the body that permeates everyday life.

In keeping with our mission to investigate critical moments in the interconnected histories of global black life, Goodman Gallery is pleased to present To Be Young, Gifted, and Black the next edition of the ongoing series Working Title, an exhibition curated by one of our most thoughtful and provocative artists, Hank Willis Thomas.

Aptly titled This House Was Made for Christmas, the exhibition is a reminder that many of these artists didn't earn their living solely from fine art.

Regina Rex's project for WE ARE: was titled «Permanent Collection,» an exhibition of objects and artworks that the members of the collective actually owned and lived with.

This work was first presented as part of a 2016 exhibition titled Feral Neighbours about the concepts of privacy, impersonality, and anonymity of urban living.

The title of the exhibition, Song Dong Doing Nothing, references the Taoist concepts of «non-action» and «non-intention,» requiring a respect for natural order and a modest, humble way of leading life.

The exhibition, titled There's Life Outside, is intended as an exposé of our increasingly artificial world.

This exhibition, aptly titled, bears witness to the way Head capture life around him.

Our latest exhibition, titled Silicon City, begins with an event that was an unforgettable part of my own life — the 1964 New York World's Fair.

The exhibition title, The Source of Art is in the Life of a People, is taken from the inscription on the SLG's original nineteenth - century marquetry floor designed by Walter Crane.

The exhibition title refers specifically to P2024 at The Warehouse Gallery will focus on the artwork, life and status of this Native American whose case haeltier's given name in Lakota (Tate Wikikuwa), to his next hearing in 2024, and to Rigo 23's former project at the De Young Museum in San Francisco (1999).

The exhibition's title is drawn from the 1858 publication, «Midnight scenes and social photographs: sketches of life in the streets, wynds, and dens of the city [of Glasgow]» by Alexander Brown, a letterpress printer in Glasgow, containing what he termed as «facts and observations» of the conditions of the poor, with photographs of the streets of Glasgow taken by moonlight.

In turn, Scully's extensive run of exhibitions worldwide reflects the journey taken by this remarkable artist as he earned his title as one of the world's most accomplished living painters.

Among the artists showing work in the exhibition titled «A Living Together» are two Magnum photographers: Christopher Anderson and Peter van Agtmael.

His recent solo exhibitions include a double show titled Sonnenaufgang (Sunrise) and Sonnenuntergang (Sunset), Aurel Scheibler Gallery and Daniel Schmidt Gallery, Cologne, Germany; The Birth of Princess Middlefinger, Prague Biennial, Prague; Life Is a Gift, Daniel Reich Gallery, New York; and The Self Esteem Salon: The Baptism Series, jointly with Chris Verene, Deitch Projects, New York and Fay Gold Gallery in Atlanta, Georgia.

In her most recent exhibition, Carland's single channel video and the exhibition title, both Live from Somewhere, pays tribute to Gilda Radner.

Homebody, the title of Mike Goodlett's first New York solo exhibition, playfully refers to his life of relative seclusion in rural Kentucky.

For Als, that character is often himself, and in prose passages dotted through the publication that accompanies the exhibition (also titled ALICE NEEL, UPTOWN), he uses Neel's portraits as triggers to reflect upon his own life story.

The exhibition title, Situations does not suggest a theatrical scene consists of props and actors, but rather draws from its Latin root situs, referring to, here, this place, and the lively people and the scenes in the life around them.

Titled Country Life, the exhibition unites St. John's consistent interest in the representation of common, everyday experience with a diligent, but often playful, formal practice.

One part of the exhibition, titled The Eyes of the Nation: Visual Art in a Country Without Boundaries, curated by Ellen Ginton, included the recreation of Michael Druk's 1977 work, Territory, Living Space (first presented at Sammlung Ludwig, Aachen, Germany)