Sentences with phrase «exhibition traces»

The exhibition traces the artist's evolution over a five - decade - period and brings together more than 200 photographs, including his iconic images of familiar, everyday subjects in addition to lesser - known, early black - and - white prints and provocative video recordings.

The exhibition traces the evolution of the artist's work, from a student in Germany in the late 1980s, to a well - traveled international artist in the present day.

The exhibition traces the transformations, excavations, and accumulations of Gallagher's practice through a number of her iconic paintings, drawings, prints, and film installations.

The exhibition traces the relationships between Jackson Pollock, Alfonso Ossorio, and Jean Dubuffet, three artists working simultaneously across continents in similar abstract styles during the period of 1945 to 1958.

Featuring more than 60 of her most notable paintings, drawings, small sculptures, notebooks, and the diptychs for which she is best known, the exhibition traces her career over more than four decades and culminates with her recent paintings of monumental landscapes and Native places.

This Daguerreian Gallery exhibition traces the trajectory of Brady's early career through portrait daguerreotypes, ambrotypes and salted - paper prints in the National Portrait Gallery's collection.

The exhibition traces how Asian art, literature, and philosophy have influenced and assimilated into the work of vanguard American artists, a diverse selection that includes among them Jack Kerouac, Georgia O'Keeffe, Yoko Ono, James McNeill Whistler, Robert Irwin, and Ann Hamilton (Season 1).

Representing every phase of Copley's work while illuminating the political and psychosexual themes, visual puns, and vaudevillian Americana to which he repeatedly returned, the exhibition traces the artist's career from the late 1940s, when he began teaching himself to paint and was introduced to Surrealism and the Surrealists, into the 1990s.

The exhibition traces how iconic works from Western modern art have been interpreted or «twisted» in a different cultural context to create images and ideas clashing with orthodox interpretations of art history.

Curated by Michael Darling, and initially presented at CCA Bard (June 28 — September 21, 2014) followed by the MCA Chicago (November 22, 2014 — March 8, 2015), the exhibition traces Collier's career from 2002 to the present.

The exhibition traces his ideas about wall drawings from their simple start to their nearly baroque voluptuousness today.

«This exhibition traces for the first time how cultural expression has been influenced by HIV / AIDS, exploring how artists have grappled with the devastation of AIDS from the beginning of the outbreak in the 1980s, to its insidious presence today,» said Holly Block.

The first major survey of Paik's work in the UK, this exhibition traces the artist's avant - garde spirit and the experimental nature of his production throughout his career.

The exhibition traces the development of Tinguely's work from the late 1940s building up to his momentous Homage to New York.

The exhibition traces Japanese photographers» responses to their country's shifting social and political atmosphere.

Many of the narratives the exhibition traces began in the 1960s.

The First World War profoundly changed understandings of the human body, and this exhibition traces the means by which the body came to be reconstructed and rethought in culture in the wake of the conflict.

This exhibition traces forms of artistic thought that operate against the current of pre-set time models.

Originated by Armory Center for the Arts, Los Angeles, this exhibition traces Rauschenberg's innovations at Gemini with over 50 editions of images inspired by memories from the artist's own life as well as events from the broader cultural landscape that changed with increasing rapidity after World War II.

Photography is very much a British thing, and no sooner had William Henry Fox Talbot perfected it than art in this country became enthralled by the camera: this exhibition traces those initial endeavours to combine the two.

This exhibition traces a great voyage of discovery of a very special artist: heaving oceans, arid deserts, spread - ing night skies and intricate spiders» webs are Vija Celmins» major themes.

Through pieces carefully selected from those available, but equally through restrictions and absences, the exhibition traces an exploratory, rough outline of conversations around place that could and should happen, and provides a valuable opportunity to reflect on the work institutions need to do to facilitate dialogue.

Presenting close to 130 works, including collages, drawings, paintings, photographs, small sculptures, and jewelry, this definitive exhibition traces DeFeo's distinctive vision across more than four decades of art making.

The exhibition traces Bayrle's exploration of the profoundly complex impact of technology on humans and their environments over the course of his nearly 50 - year career and across a range of mediums.

This exhibition traces the origins of these works and includes 16 paintings made from 1967 - 81.

The exhibition traces Wool's recent developments, not least the unmistakable interest he has found in composition and the ways it can be conveyed in such different media as painting, drawing, photography and the print.

The exhibition traces public response to the U.S. presidency through the use of visual imagery.

The exhibition traces the history of assemblage and the potential of recycling from Kurt Schwitters» pioneering work, to the artists who have been articulating this practice through the 80s and until today.

This exhibition traces the twists and turns of that aspiration to represent black America in the following two decades as King's dream gave way to disillusion.

Fergus McCaffrey's exhibition traces Gutai's development and features works created before the formal establishment of the group in 1954 in Ashiya, Japan, through the Outdoor Exhibition of 1955, onto the theatrical stage in 1957, and concludes with its emergence and acceptance onto the international stage in 1959.

The exhibition traces the development of Britain's greatest contribution to European art: landscape painting, while also explaining why this form of art became the central expression of the British visual imagination.

The exhibition traces his eventual alienation from his ancestral homeland, when a post he had taken in the Culture Ministry led to a souring of his relationship with the regime, and in 1975 he found himself summarily jailed and tortured for six months in the wake of a failed coup.

This exhibition traces the development of Tomaselli's earliest attempts at shifting levels of consciousness first with installation works - which are experienced with the whole body - followed by the two - dimensional resin works - which are experienced visually.

This exhibition traces a narrative of Schor's work since the early 90s to the present, from Semi-colon in a Flesh Comma (1994) which punctuates the text of the female body, and Undue — a section of War Frieze, her major 1991-1994 200 - running feet long multiple canvas work on militarism and aggression, painted in the aftermath of the first Gulf War but still as timely today — through representations of the nature of artmaking itself — the sign, the trace — to the empty thought balloon when grief has left the artist at a loss for words, to her most recent works schematically figuring the artist as thinker, reader, writer in an uncertain world.

This amazing exhibition traces Italian history through fashion and is on show at the Palazzo Reale di Milano until May 6th.

Featuring over sixty artists, both national and international, the exhibition traces a journey...

The exhibition traces Baumeister's professional development from his days as an art student in Stuttgart to becoming one of the most significant exponents of abstract painting.

Current student Angela Eastman (Sculpture» 18) recently opened the exhibition Traces, a two person show with Sonja Hinrichsen at ArtSpace in Raleigh, North Carolina.

Including over 200 paintings, drawings, photographs and prints, the exhibition traces his six decade career from the 1920s to the 1970s, confirming his place... Read More

The path through the exhibition traces Fast's evolution from video artist to fully fledged film - maker.

The exhibition traces the routes of dispersal of a number of the original showcases and their contents, and highlights the layered frameworks of museological, geo - politicized space in an attempt to face the irretrievability of a particular period in history.

The exhibition traces Abramović's prolific career with approximately 50 works spanning over four decades of interventions and sound pieces, video works, installations, photography, solo performances, and collaborative performances.

Comprising nearly 140 works, the exhibition traces Lüpertz's career from his most recent work, including the «Arcadia» series of 2012, back to its beginnings in the 1960s.

Including over 200 paintings, drawings, photographs and prints, the exhibition traces his six decade career from the 1920s to the 1970s, confirming his place at the centre of a cosmopolitan modernism.

Dublin City Gallery The Hugh Lane together with the the Centro di Cultura Contemporanea Strozzina, Florence is organising the exhibition Traces of Time (03 October 2012 — 27 January 2013) in Florence.

The exhibition traces the dialogue between heaven and earth in Kiefer's oeuvre, from one of his earliest artist's books, The Heavens, 1969, to recent engagements with Jewish mysticism.

The exhibition traces the global artistic response to the cataclysmic events of the Holocaust, the atomic bombs of Hiroshima and Nagasaki, and the enduring political schisms of the Cold War.

As a collateral event of the 57th Venice Biennale, the exhibition traces Jan Fabre's output since its early days, prompting a philosophical, spiritual and political reflection on life and death centred on the crucial notion of metamorphosis, presenting works in glass and bone produced between 1977 and 2017, now brought together for the first time.

Representing works from all phases of his career, many shown in the UK for the first time, the exhibition traces the artist's avant - garde and experimental spirit.

The exhibition traces the interplay between landscape and spiritual concerns from Gauguin and the Pont - Aven School through Redon, Böcklin, Munch, and Kandinsky.