Sentences with phrase «exhibition view courtesy»
Produced and commissioned by the 57th Venice Biennale of Art, Italian Pavilion, courtesy Galleria Laveronica, exhibition view courtesy Roberto Marossi
http://www.serpentinegalleries.org/ Not exact matches
Credits: Installation View Photo by Thomas Mueller Courtesy of the artist and Gavin Brown's enterprise JONATHAN HOROWITZ May 9 — June 19, 2010 Opening Reception: May 9, 2010 4 - 6PM Gavin Brown's enterprise (GBE) is to restage Jonathan Horowitz's widely acclaimed 2002 exhibition «Go Vegan!»
Pakui Hardware: «On Demand», 2017, Installation view in «Future Fictions» exhibition, Assembly Point, London, 2017 / / Photo by Assembly Point, Courtesy of the artists and EXILE, Berlin
Pakui Hardware: «Creatures of Habit», 2017, Installation view in solo exhibition, SIC, Helsinki, 2017 / / Photo by Pakui Hardware, Courtesy of the artists and EXILE, Berlin
Pakui Hardware: «On Demand», 2017, Installation view in solo exhibition, EXILE, Berlin, 2017 / / Photo by Pakui Hardware, Courtesy of the artists and EXILE, Berlin
Pakui Hardware: «Vanilla Eyes», 2016, Installation view in solo exhibition, Museum Moderner Kunst Stiftung Ludwig Wien (mumok), Vienna, 2016 / / Photo by Pakui Hardware, Courtesy of the artists and EXILE, Berlin
Pakui Hardware: «Hesitant Hand», 2017, Installation view in «Ungestalt» exhibition, Kunsthalle Basel, 2017 / / Photo by Philipp Hänger and Kunsthalle Basel, Courtesy of the artists and EXILE, Berlin
Pakui Hardware: «On Demand», 2017, Installation view in «Immortalism» exhibition, Kunstverein Freiburg, 2017 / / Photo by Pakui Hardware, Courtesy of the artists and EXILE, Berlin
19th Annual No Dead Artists International Juried Exhibition of Contemporary Art [Back Gallery Installation View] photography courtesy of Mike Smith
19th Annual No Dead Artists International Juried Exhibition of Contemporary Art [Main Gallery Installation View] photography courtesy of Mike Smith
View works included in the exhibition here and shown below is Matriarch (courtesy of the artist and Sarah Wiseman Gallery).
Courtesy Estate of Belkis Ayón Exhibition view of Nkame: A Retrospective of Cuban Printmaker Belkis Ayón (1967 — 1999), at Kemper Museum of Contemporary Art, USA, 2018.
AA Bronson, Tent for Healing (in collaboration with Travis Meinholf), 2013, exhibition view AA Bronson, Tent of Healing, Stedelijk Museum, Amsterdam, 2013, Courtesy the artist and Esther Schipper, Berlin
Artist: Ellen Lesperance Exhibition title: We Were Singing Venue: Adams and Ollman, Portland, US Date: September 3 — October 10, 2015 Photography: images copyright and courtesy of the artist and Adams and Ollman, Portland July 16, 2015, Portland, OR: Adams and Ollman is pleased to announce a solo exhibition with Ellen Lesperance on view September 3 through OctoberExhibition title: We Were Singing Venue: Adams and Ollman, Portland, US Date: September 3 — October 10, 2015 Photography: images copyright and courtesy of the artist and Adams and Ollman, Portland July 16, 2015, Portland, OR: Adams and Ollman is pleased to announce a solo exhibition with Ellen Lesperance on view September 3 through Octoberexhibition with Ellen Lesperance on view September 3 through October 10, 2015.
Courtesy Estate of Belkis Ayón Exhibition view of Nkame: A...
Chris Kallmyer and Mark Allen, Live Personal Soundtrack, 2010/2017; exhibition walkthrough with guitarist, headphones, and signage; courtesy the artists; installation view, SFMOMA, 2017; photo: Charles Villyard
Interview written and conducted by Thierry Somers Images from top to bottom: Liam Gillick: The Thought Style Meets The Thought Collective, exhibition view, ground floor gallery, room 1, Maureen Paley, London, 2015 Liam Gillick: The Thought Style Meets The Thought Collective, exhibition view, first floor gallery, room 2, Maureen Paley, London, 2015 Liam Gillick: The Thought Style Meets The Thought Collective, exhibition view, first floor gallery, room 3, Maureen Paley, London, 2015 © the artist, courtesy Maureen Paley, London
Installation view of Morehshin Allahyari's Like Pearls in HACKING / MODDING / REMIXING as Feminist Protest exhibition at the Miller Gallery at Carnegie Mellon University, 2017 (Courtesy the artist and Miller Gallery at Carnegie Mellon)
Key works on view on the exhibition include: Andy Warhol (American, 1923 — 1987), Marilyn Monroe (Marilyn), (II.23), AP edition C / Z, 1967, screenprint, 36 x 36 inches, courtesy of Jordan D. Schnitzer and His Family Foundation.
Interior view of (top to bottom) the museum's lobby, of the «meandering path», one of the contemporary art exhibition rooms, and the special exhibition gallery with the Isamu Noguchi Court; photos © Roland Halbe, courtesy of Steven Holl Architects
Installation views of the permanent exhibition section «Revolution»; photos Mark Richards courtesy of the Computer History Museum
Permanent exhibition, installation view, foreground: Huang Yong Ping, «Colosseum», 2007; photo © Nic Lehoux, courtesy of Astrup Fearnley Museet
Courtesy Karma International, Zurich and Los Angeles © Sylvie Fleury The exhibition spans art in multiple media, from the Renaissance to the present day, with paintings, sculptures, installations, prints and watercolours, photographs, films, costumes and armour by some sixty artists: two hundred pieces testifying the many ways artists have viewed, commented and shaped the world of fashion through the centuries.
Exhibition view, Yuri Pattison, Vitra Alcove (some border thoughts), 2017; citizens of nowhere (surveys 05.17), 2017; always golden hour somewhere, 2017 Courtesy: the artist; mother's tankstation limited, Dublin; Labor, Mexico City; Photo: Kunst Halle Sankt Gallen, Gunnar Meier
«Photo: Courtesy of the Contemporary Arts CenterThe two separate exhibitions currently on view at the Contemporary Arts Center — one by artist Noel Anderson and one by Andrea Bowers — are timely reminders of the power art can wield to catalyze social change.
Exhibition view, Yuri Pattison, Trusted Traveller, 2017; Vitra Alcove (some border thoughts), 2017; Elitism [/» not everyone wants to live in the city»], 2017; Vitra Alcove (kowloon walled city kawasaki warehouse redux), 2017 (detail); always golden hour somewhere, 2017 Courtesy: the artist; mother's tankstation limited, Dublin; Labor, Mexico City; Photo: Kunst Halle Sankt Gallen, Gunnar Meier
Exhibition view, Yuri Pattison, Trusted Traveller, 2017; Vitra Alcove (kowloon walled city kawasaki warehouse redux), 2017; citizens of nowhere (surveys 03.17), 2017; always golden hour somewhere, 2017 Courtesy: the artist; mother's tankstation limited, Dublin; Labor, Mexico City; Photo: Kunst Halle Sankt Gallen, Gunnar Meier
Exhibition view, Yuri Pattison, Trusted Traveller, 2017; Vitra Alcove (some border thoughts), 2017; citizens of nowhere (surveys 05.17), 2017; always golden hour somewhere, 2017 Courtesy: the artist; mother's tankstation limited, Dublin; Labor, Mexico City; Photo: Kunst Halle Sankt Gallen, Gunnar Meier
Exhibition view, Yuri Pattison, Trusted Traveller, 2017; dust scraper fan 3.8, 2017; dust scraper fan 3.9, 2017; dust scraper fan 4.0, 2017; dust scraper fan 4.1, 2017; Insights (crisis trolley), 2016 - 2017 Courtesy: the artist; mother's tankstation limited, Dublin; Labor, Mexico City; Photo: Kunst Halle Sankt Gallen, Gunnar Meier
Michelangelo Pistoletto, Exhibition View, 2017 Luhring Augustine © Michelangelo Pistoletto; Courtesy of the artist, Luhring Augustine, New York, Galleria Christian Stein, Milan, and Simon Lee Gallery, London / Hong Kong.
Wine by the Bay December 1 - 31, 2012 winebtb.com One of downtown Miami's favorite wine stores — which boasts stunning views of Biscayne Bay — also stocks an impressive supply of artwork (courtesy of owner Stefano Campanini, who also owns Etra Fine Art), and will present «Transitions,» an exhibition examining the connection between organic and construction, during Miami Art Week.
Saydnaya (ray traces), 2017 Inkjet prints on acetate sheets on overhead projectors exhibition view © Lawrence Abu Hamdan, courtesy Maureen Paley, London
Cosima von Bonin, 2010 - 2011, installation view, Arnolfini, Bristol 2011 (c) Courtesy Galerie Daniel Buchholz, Cologne / Berlin For the Museum Ludwig's vast skylight gallery, Bonin created a spectacular installation that is simultaneously a clever exhibition design.
David Batchelor, Installation view of exhibition at Ab - Anbar, Tehran, 2017, Ink and paint on paper, Dimensions variable, Courtesy of Ab / Anbar Gallery
Installation view of Lisson Gallery's exhibition featuring works by Pedro Reyes (photo courtesy of Lisson Gallery New York)
Installation view of exhibition «The Plane of Rewriting» at Pearl Lam Galleries Shanghai Image courtesy of Pearl Lam Galleries
Installation view of Richard Misrach's solo - exhibition «The Writing on the Wall» on display at Fraenkel Gallery (Image courtesy of Fraenkel Gallery).
Works from the exhibition, «Figment» on view at Vito Schnabel Gallery © JEFF ELROD; COURTESY OF THE ARTIST AND LUHRING AUGUSTINE, NEW YORK AND VITO SCHNABEL GALLERY.
Installation view of exhibition «Zhan Wang: Forms in Flux», featuring «Forms in Flux» (2016) by Zhan Wang Image courtesy of Yanqiu Autumn Dai
An installation view of Zhang Yunyao's solo exhibition «Nec Spe, Nec Metu» at Perrotin, Hong Kong, 2017 Image courtesy of the artist, Perrotin, Don Gallery and Ringo Cheung
Installation view of The 2014 University of Toronto Shelley Peterson Student Art Exhibition, image courtesy of U of T
A special featured exhibition of the works by Martin Ramirez will be on view courtesy of the Martin Ramirez Estate and RICCO / MARESCA Gallery.
VR on view courtesy of Red Bull Arts New York, in accordance with the artists solo exhibition through December 10.
Courtesy of Pollock Gallery Exhibition view, Wide Open, 2017.
Exhibition view: «Authentic / Ex-Centric: Africa In and Out Africa», 49th Venice Biennale, 2001 © Zineb Sedira / DACS, London © Photo: Zineb Sedira Courtesy the artist and kamel mennour, Paris
Exhibition view, Cy Twombly, The Last Paintings, to be shown at at Art Basel, photo courtesy Gagosian Gallery
Installation view of «Pataphysics: A Theoretical Exhibition at Sean Kelly, New York September 13 - October 19, 2013 Photography: Jason Wyche, New York Courtesy: Sean Kelly, New York
Exhibition «A collection of Ideas», 2014, installation view, photo by Rene van der Hulst, courtesy of The Museum of Modern Art
MARGARET EVANGELINE Gallery Premiere Exhibition [Middle Gallery Installation View] photography courtesy of Mike Smith
Images: Chosil Kil, Ducks and Drakes, 2014, latex balloons, helium, hi - float, thread, aluminum, rubber bands, coins, Courtesy of the artists and One and J. Gallery; Chosil Kil, Doubles, 2014, leather, aluminum, wooden frame Courtesy of the artists and One and J. Gallery;; Chosil Kil, Volume II, 2013, performance, Courtesy of the artist; Chosil Kil, Doubles, 2014, leather, thread, wood, copper, Courtesy of the artist and Aoyama Meguro; Chosil Kil, You owe me big time, 2012, concrete floor, acrylics, filler, corks, Installation view, Objectif Exhibitions, 2012, Courtesy of the artist and Galleri Opdahl; Chosil Kil, 49th Attempt, 2012, lambskin leather, thread, sound baffling, Styrofoam peanuts, zip, Courtesy of the artist and Galleri Opdahl