Sentences with phrase «exhibitionism at»
Heather Morgan is known for her expressive, sometimes self - effacing self - portraits that toy with notions of intimacy and exhibitionism at once.
https://www.thelodgegallery.com/ Not exact matches
Whether you are a man, a woman, transgender, straight, gay, or into fetishes like BDSM, voyeurism, exhibitionism, latex, leather, rubber, blindfolds, body hair, cross dressing, fisting, foot fetish, masturbation, role playing, sex toys, spanking, or anything else... you'll be at home here.
A couple of scenes (Ana doffing her top outside at a resort and some risky public car sex) indicate that the plucky heroine might have a thing for exhibitionism but, rather than explore that avenue, the movie falls back on trysts in the red room and stale drama like (SPOILER!)
Her strong feature debut is sometimes painful, but even at its most rawly intimate, it never cheats into exhibitionism or pride in its own daring.
This was not about exhibitionism, it was about being present at — and perhaps encouraging — the revelation of suppressed issues and stresses behind the idealized middle - class family that no one wanted acknowledge, let alone discuss.
At first glance, the nature of her suicide — its extremity and exhibitionism — has an almost alienating effect.
Exhibitionism's 16 exhibitions in the Hessel Museum are (1) «Jonathan Borofsky,» featuring Borofsky's Green Space Painting with Chattering Man at 2,814,787; (2) «Andy Warhol and Matthew Higgs,» including Warhol's portrait of Marieluise Hessel and a work by Higgs; (3) «Art as Idea,» with works by W. Imi Knoebel, Joseph Kosuth, and Allan McCollum; (4) «Rupture,» with works by John Bock, Saul Fletcher, Isa Genzken, Thomas Hirschhorn, Martin Kippenberger, and Karlheinz Weinberger; (5) «Robert Mapplethorpe and Judy Linn,» including 11 of the 70 Mapplethorpe works in the Hessel Collection along with Linn's intimate portraits of Mapplethorpe; (6) «For Holly,» including works by Gary Burnley, Valerie Jaudon, Christopher Knowles, Robert Kushner, Thomas Lanigan - Schmidt, Kim MacConnel, Ned Smyth, and Joe Zucker — acquired by Hessel from legendary SoHo art dealer Holly Solomon; (7) «Inside — Outside,» juxtaposing works by Scott Burton and Günther Förg with the picture windows of the Hessel Museum; (8) «Lexicon,» exploring a recurring motif of the Collection through works by Martin Creed, Jenny Holzer, Barbara Kruger, Bruce Nauman, Sean Landers, Raymond Pettibon, Jack Pierson, Jason Rhoades, and Allen Ruppersberg; (9) «Real Life,» examines different forms of social systems in works by Robert Beck, Sophie Calle, Matt Mullican, Cady Noland, Pruitt & Early, and Lawrence Weiner; (10) «Image is a Burden,» presents a number of idiosyncratic positions in relation to the figure and figuration (and disfigurement) through works by Rita Ackerman, Jonathan Borofsky, John Currin, Carroll Dunham, Philip Guston, Rachel Harrison, Adrian Piper, Peter Saul, Rosemarie Trockel, and Nicola Tyson; (11) «Mirror Objects,» including works by Donald Judd, Blinky Palermo, and Jorge Pardo; (12) «1982,» including works by Carl Andre, Robert Longo, Robert Mangold, Robert Mapplethorpe, A. R. Penck, and Cindy Sherman, all of which were produced in close — chronological — proximity to one another; (13) «Monitor,» with works by Vito Acconci, Cheryl Donegan, Vlatka Horvat, Bruce Nauman, and Aïda Ruilova; (14) «Cindy Sherman,» includes 7 of the 25 works by Sherman in the Hessel Collection; (15) «Silence,» with works by Christian Marclay, Pieter Laurens Mol, and Lorna Simpson that demonstrate art's persistent interest in and engagement with the paradoxical idea of «silence»; and (16) «Dan Flavin and Felix Gonzalez - Torres.»
Plus: Guillaume Cerutti to replace Patricia Barbizet as chief executive at Christie's Jennifer Scott appointed director of Dulwich Picture Gallery Deborah de Robertis on trial for exhibitionism Ilaria Bonacossa named director of ARTISSIMA Nazy Vassegh to leave Masterpiece and Christy MacLear to leave Rauschenberg Foundation for Sotheby ’s
Also referencing Benjamin H. Bratton «s reverse panopticon effect as «exhibitionism in bad faith,» where one understands they're being watched but acts as if they're not, the show looks at architecture, as it is employed within commercial and museum settings.
Curated by 14 first - year graduate students at the Center for Curatorial Studies, it is a direct response to Exhibitionism (October 20, 2007 — February 3, 2008), a series of autonomous and idiosyncratic micro-exhibitions that were curated by Matthew Higgs for each of the 16 galleries in the Hessel Museum of Art.
Eschewing any attempt at an overview of the collection — which currently comprises more than 1,700 works — Exhibitionism instead privileges multiple positions and perspectives, and might productively be characterized as a «sampler» of subjective responses and approaches to the analysis, organization, and reinterpretation of a collection.»
Eschewing any attempt at an overview, Exhibitionism instead privileges multiple perspectives, and as such might be characterized as a sampler of thematic approaches to both the analysis and reinterpretation of a collection.»
Exhibitionism: 5 Art Shows Not to Miss» Highlight Reel: Art Basel Miami Beach» Frank Stella in 3D» Outdoor Public Art to See Now» Ai Weiwei at Alcatraz» The David Bowie Exhibit Comes to Chicago» A Local's Take on Prospect New Orleans Installation You Belong Here» Off the Wall: The Suspended Sculptures of Louise Bourgeois»
Curated by first - year graduate students at the Center for Curatorial Studies, it is a direct response to Exhibitionism (October 20, 2007 — February 3, 2008), a series of autonomous and idiosyncratic micro-exhibitions that were curated by Matthew Higgs for each of the 16 galleries in the Hessel Museum.
«Exhibitionism is kind of a 21st - century modality out of social media,» she added, «moving from wanting to look to wanting to be looked at.»
The real fantasy at play in these photographs has nothing to do with exhibitionism or even with eternal youth: it's the idea of having the Louvre all to yourself.
A 24 - foot - long urinal that he contributed to a 2009 group show at Boone paid homage to Marcel Duchamp and Robert Gober while also evoking the communal exhibitionism of certain gay bars.
, Grand Palais, Paris, FR Exhibitionism: An Exhibition of Exhibitions of Works from the Marieluise Hessel Collection, CCS Bard Hessel Museum, Annandale - on - Hudson, US ArtMart 2007, Para / Site, Hong Kong, CN Performance On Demand, EAI Viewing Room At EFA Gallery, EFA Gallery, New York, US The Living Currency (La Monnaie Vivante), STUK, Leuven, BE; traveled to Tate Modern, Turbine Hall Bridge, London, UK RCA Secret (card show fundraiser), Gulbenkian Galleries, Royal College of Art, London, UK Déjà - vu, curated by Hans Peter Feldmann, Frac Nord - Pas de Calais, Dunkerque, FR Soirée der Perspektiven, Museum Ludwig, benefit show and sale, Cologne, DE In the Stream of Life, curated by Mélanie Beouteloup, Christophe Gallois, Bétonsalon, Paris, FR Postcards From The Edge, Visual AIDS, New York, US 40th Anniversary Galerie Anselm Dreher, Galerie Anselm Dreher, Berlin, DE Death Becomes Her, Yvon Lambert Temporary Space, Miami, Florida, US Art In Motion, Y - 3 & EAI, Miami, Florida, US
The works will present a provocative look at exhibitionism, shame, sex, feminism, frustration and emotions.
It's pure exhibitionism, the kind that makes you very successful in Chelsea, or anywhere; at the same time, she's stepping off her pedestal.
In addressing the compulsivity of sexual addiction we look at issues such as: cybersex addiction, exhibitionism, voyeurism, and compulsive masturbation.