Sentences with phrase «exhibitions human interest»

This two - part lecture program taught by teaching fellow Elizabeth Buhe provides context and background to enrich independent exploration of the Whitney's spring and summer exhibitions Human Interest: Portraits from the Whitney's Collection, Stuart Davis: In Full Swing, and Danny Lyon: Message to the Future.

The Whitney's closest supporters are invited to join curators, permanent collection artists, and Museum donors to celebrate the spring exhibitions Human Interest: Portraits from the Whitney's Collection, June Leaf: Thought Is Infinite, and Open Plan: Steve McQueen.

Gather at the Whitney with fellow supporters to celebrate the spring exhibitions Human Interest: Portraits from the Whitney's Collection, June Leaf: Thought Is Infinite, and Open Plan: Steve McQueen.

Drawing on work included in the exhibition Human Interest: Portraits from the Whitney's Collection, this two - part course offers new perspectives on the genre of portraiture.

Inspired by the exhibition Human Interest: Portraits from the Whitney's Collection, this series invites artists to discuss portraits that speak to them.

Join Whitney Teaching Fellows, PhD candidates in art history, on engaging tours that highlight works in the exhibition Human Interest: Portraits from the Whitney's Collection on Floor Seven.

Bring your family to a special Open Studio focusing on our new exhibition Human Interest: Portraits from the Whitney's Collection.

This month, discover how artists represent women in the exhibition Human Interest: Portraits from the Whitney's Collection.

Andrea Zittel's work is included in the exhibition Human Interest: Portraits from the Whitney's Collection, on view until February 12, 2017.

Inspired by the exhibition Human Interest: Portraits from the Whitney's Collection, a new Whitney Stories series invites artists to discuss portraits that are meaningful to them.

Join Whitney Teaching Fellows, PhD candidates in art history, on engaging tours that highlight works in the exhibition Human Interest: Portraits from the Whitney's Collection on Floor Six.

This program is being held in connection with the exhibition Human Interest: Portraits from the Whitney's Collection, which includes Kelly's Antepartum (1973).

Joan Semmel included in the exhibition Human Interest: Portraits from the Whitney's Collection curated by Dana Miller and Scott Rothkopf, with Mia Curran, Jennie Goldstein, and Sasha Nicholas, at Whitney Museum of American Art, New York.

Employing Kroesen's own unique approach to portraiture, this performance coincides with the Whitney's collection exhibition Human Interest.

Not exact matches

The modern is interested in the exhibition of human nature, in its psychology, in its intimate behavior.

These interests are a clear influence on Pore, an exhibition that presents a sculptural exploration of the vulnerability of the human body and the permeability of its borders.

Displayed, at the artist's request, unframed and suspended from metal clips, it can currently be seen in the museum's «Human Interest: Portraits from the Whitney's Collection» exhibition in New York.

She has collaborated on large - scale exhibitions including Human Interest: Portraits from the Whitney's Collection (2016) andWhere We Are: Selections from the Whitney's Collection, 1900 - 1960 (2017 - 18), and is co-curator of An Incomplete History of Protest: Selections from the Whitney's Collection, 1940 - 2017 (2017 - 18).

In keeping with her long - running interest in obsessions, this exhibition is an objective study in sound, text and sculpture of what happens to the human condition when a psychological line is crossed.

His writing and recent exhibitions, Primary Evidence (2011) andFlesh (2014), continue his lifetime interest in the human body and its relation to the inevitability of age and death.

«One of the questions I am most interested in is the relationship between pattern in nature and human constructions of pattern,» said Associate Professor of Mathematics Rachel Roe - Dale, exhibition co-curator.

Capturing invisible rays of light, ashes from human cremation, and the volatile reactions of primary elements on metal plates, melding aesthetic interests with natural science, this exhibition offers visitors a rare insight into the artist's most recent explorations of exposure, fragility and change.

For her exhibition at Lehmann Maupin in Hong Kong, Mutu further explores the push and pull between humans and nature through her interest in materiality.

Select group exhibitions and biennials featuring her work include Making & Unmaking, Camden Arts Centre, London (2016); Human Interest: Portraits from the Whitney's Collection, Whitney Museum of Modern Art, New York (2016); Surrealist: The Conjured Life, Museum of Contemporary Art, Chicago (2015); Picasso & Contemporary Art, Le Grand Palais, Paris (2015); Divine Comedy: Heaven, Purgatory and Hell Revisited by Contemporary African Artists, Museum für Moderne Kunst, Frankfurt am Main, Germany, traveled to Savannah College of Art and Design Museum of Art, GA, and the National Museum of African Art at the Smithsonian Institution, Washington, DC (2014); The Shadows Took Shape, Studio Museum in Harlem, New York (2013); Exquisite Corpses: Drawing and Disfiguration, The Museum of Modern Art, New York (2013); The Luminous Interval, Guggenheim Bilbao, Spain (2011); The Spectacle of the Everyday, and Black Womanhood, San Diego Museum of Art, CA (2009).

2016 Passages in Modern Art: 1946 - 1996, Dallas Museum of Art, Dallas, TX Human Interest: Portraits from the Whitney's Collection, Whitney Museum of American Art, New York, NY 2017 Delirious: Art at the Limits of Reason, 1950 - 1980, The Metropolitan Museum of Art - Met Breuer, New York, NY The Time Is N ♀ w, Michael Rosenfeld Gallery LLC, New York, NY Body of Work, Honolulu Museum of Art, Honolulu, HI Beyond Boundaries: Feminine Forms, Pennsylvania Academy of the Fine Arts, Philadelphia, PA An Incomplete History of Protest: Selections from the Whitney's Collection, 1940 - 2017, Whitney Museum of American Art, New York, NY Pratt Survey Exhibition Part 1: Camerado, this is no book, Dekalb Art Gallery, Pratt Institute, Brooklyn, NY 1072 Society Exhibition, Jule Collins Smith Museum of Fine Art, Auburn University, Auburn, AL Figuratively Speaking, Michael Rosenfeld Gallery LLC, New York, NY

Photographers and curators have long been interested in capturing political and social issues and often create series and exhibitions based on the desire to uphold human rights.

Mia previously worked as a curatorial assistant at the Whitney Museum, where she was part of the curatorial team that organized America Is Hard to See, the inaugural exhibition in the Whitney's new building, and Human Interest: Portraits from the Whitney's Collection.

Hayward Gallery, London from 17 June — 7 September 2014 The idea that contemporary artists are not interested the human figure is cut to shreds in the Hayward's new group exhibition.

This month explore brush strokes, blots, and dots to learn how artists make their mark in different ways in the exhibitions Fast Forward: Painting from the 1980s and Human Interest: Portraits from the Whitney's Collection.

Human Animals: The Art of Cobra The exhibition reexamines the unique meeting of a group of young painters and poets brought together by an optimistic determination to start over after the war and a shared interest in spontaneity and myth, as well as folk art and children's art.

All of the drawings included in this exhibition depict the human figure, and while each artist has his or her own distinctive style, the works share a common sensibility: an intense interest in capturing the human form and spirit.

The SCAD Museum of Art presents «Journey Elsewhere: Musings from a Boundless Zoo,» a multi-venue exhibition by SCAD alumnus Lavar Munroe (B.F.A. illustration) with recent works that explore his ongoing interest in the phenomena of the «human zoo» in place during colonial times, and its impact on the politics of representation in the present.

With an inherent interest in how metropolitan living conditions create socially unique trends and subcultures, Abbas» most recent compositions continue this theme, the exhibition concerned with how urban environments influence human assimilation to the spaces we inhabit.

The exhibition continues Titchner's interest in human perception, language, and states of mind, and examines the symbolism of sexuality and gender, encryption, illusion, and symbology.

Including a striking mural, painted only a day before the opening night, the exhibition Lust Politics is an incredible showcase of the artist's practice and interest in questions of human desire and sexuality.

This exhibition will feature new paintings which continue to examine Banegas» interest in depicting used objects, devoid of human presence but reminiscent of their trace.

The exhibition — whose themes echo the expansive humanitarian interests of the Menil Collection's founders — aims to create a platform for international dialogue on the issues of human rights, compassion, civil disobedience and progress through non-violence.

At the Whitney, the exhibition «Human Interest,» with portraits culled from the Whitney's Collection is from a curatorial point of view easily dismissed as derivative, foreseeable and improper of a modern or contemporary art museum.

Jennie Goldstein is Assistant Curator at the Whitney Museum of American Art where she most recently collaborated on the large - scale exhibition «Human Interest: Portraits» from the Whitney's Collection.

It was hanging at the Whitney Museum of American Art as part of the yearlong exhibition, Human Interest: Portraits from the Whitney's Collection, in a section called «Cracked Mirror,» which featured portraiture from the years before, during and immediately after World War II.

This exhibition will investigate and critique the work of Francis Bacon and a group of internationally renowned contemporary artists (Adrian Ghenie, Annegret Soltau, Chiharu Shiota, Arcangelo Sassolino, Nathalie Djurberg) who share Bacon's interest in the depiction of the human figure and its existential condition.

In Big Woman Statue the unidentified hand suggests a void or an unavailability, leaving room for imagination of whether or not there is another human figure, reinforcing the exhibition project's overall interest in the absence and presence of bodies as well as the tension between the whole body and its parts.

Bill Viola: Reflections is published to coincide with an exhibition at Villa Panza in Varese, Italy of selected works produced between the late 1970s and 2008, works chosen to exemplify Viola's central preoccupation with human consciousness and experience, as well as his interest in mysticism and symbolism, from both East and West.

Others, such as Sheeler, took the stark, yet impressive geometry of the new industrial landscape as a point of departureThe exhibition also examines another familiar subject, the human figure, which proved to be of abiding interest to the artists of this generation.

Previous exhibitions have included: numerous workshops, performances, talks and tours for children; paintings by Colin Martin alongside a projection installation by Clare Langan; works by Johanna Connor and Gabrielle Byrne, two West Cork - based artists; a collaborative showing of mixed media works by Cork - based artists Sandra Minchin and Chris Hurley; an exhibition of paintings exploring cityscapes and urban scenes; an exhibition of drawings and works on paper by Dutch artist Arno Kramer; a series of video works exploring an interest in the precarious balances that exist between the human body and mind; a selected show by invited curator Sarah Foster, linked to the West Cork Craft and Design Guild's 10th Birthday Celebrations; and much more.

«Portals» is currently on view in the group exhibition «Human Interest: Portraits from the Whitney's Collection» (April 27, 2016 — Feb 12, 2017).

Select group exhibitions featuring her work include Selections from the Permanent Collection: Catherine Opie and Sterling Ruby, Museum of Contemporary Art, Los Angeles (2017); Breaking News, Getty Museum, Los Angeles (2016 - 2017); A Slow Succession with Many Interruptions, San Francisco Museum of Modern Art, CA (2016 - 2017); Human Interest: Portraits from the Whitney's Collection, Whitney Museum of American Art, New York (2016); Who Shot Sports: A Photographic History, Brooklyn Museum, NY (2016); Perfect Likeness: Photography and Composition, Hammer Museum, Los Angeles (2015); Residue: The Persistence of the Real, Vancouver Art Gallery, Canada (2015); America Is Hard to See, Whitney Museum of American Art, New York (2015); Storylines: Contemporary Art at the Guggenheim, Solomon R. Guggenheim Museum, New York (2015); Unbound: Contemporary Art After Frida Kahlo, Museum of Contemporary Art Chicago (2014); and Role Models: Feminine Identity in Contemporary American Photography, National Museum of Women in the Arts, Washington, DC (2008).

The exhibition will offer snapshots of its caseload from 1833 to the 1950s, including some startling human interest stories, and features an interactive globe.