Sentences with phrase «exhibitions a year between»
His shows will be up for seven or eight weeks instead of five, making for 12 exhibitions a year between the galleries.
https://www.artinamericamagazine.com/ Not exact matches
The Reigning Men: Fashion in Menswear exhibition showcases a range of dapper styles over the past 300 years — and some intriguing links between past and present.
A collaboration between two strong powers in the food and beverage industry: SIAL GROUP, the world's largest food exhibition network with 50 years of experience, INTERFOOD, the leading food and beverage exhibition in Indonesia, running for 14 years.
The animation is the result of a collaboration between the Centre for Genomics and Global Health, MalariaGEN and the Sanger Institute, and was designed to accompany the Sanger Institute's exhibit «Beyond the Genome» at this year's Royal Society Summer Science Exhibition.
Fatih Akin — «In the Fade,» «The Edge of Heaven» Adolfo Aristarain — «Common Places,» «A Place in the World» David Ayer — «Suicide Squad,» «Fury» Nabil Ayouch — «Horses of God,» «Ali Zaoua» Siddiq Barmak * — «Opium War,» «Osama» Aida Begić * — «Children of Sarajevo,» «Snow» Emmanuelle Bercot — «Standing Tall,» «On My Way» Martin Butler — «Tanna,» «Contact» Patricia Cardoso — «Real Women Have Curves,» «The Water Carrier» Peter Ho - Sun Chan — «Dragon,» «Perhaps Love» Derek Cianfrance — «The Light between Oceans,» «Blue Valentine» Pedro Costa — «Horse Money,» «Blood» Garth Davis — «Lion» Bentley Dean — «Tanna,» «Contact» Lav Diaz * — «A Lullaby to the Sorrowful Mystery,» «Norte, the End of History» Carlos Diegues — «Orfeu,» «Bye Bye Brazil» Nelson Pereira dos Santos * — «How Tasty Was My Little Frenchman,» «Barren Lives» Nana Dzhordzhadze — «27 Missing Kisses,» «A Chef in Love» Ildikó Enyedi * — «Simon Magus,» «My Twentieth Century» Amat Escalante — «The Untamed,» «Heli» Safi Faye * — «Mossane,» «Lettre Paysanne» Tom Ford — «Nocturnal Animals,» «A Single Man» Goutam Ghose * — «Dekha,» «Paar» Jessica Hausner — «Amour Fou,» «Lourdes» Joanna Hogg — «Archipelago,» «Exhibition» Hannes Holm — «A Man Called Ove,» «Behind Blue Skies» Ann Hui — «A Simple Life,» «Summer Snow» Christine Jeffs — «Sunshine Cleaning,» «Sylvia» Barry Jenkins * — «Moonlight,» «Medicine for Melancholy» Alejandro Jodorowsky * — «The Holy Mountain,» «El Topo» Kim Ki - duk * — «3 - Iron,» «Spring, Summer, Fall, Winter... and Spring» Zacharias Kunuk — «Searchers,» «The Fast Runner (Atanarjuat)» Mohammed Lakhdar - Hamina * — «Chronicle of the Years of Embers,» «The Winds of the Aures» David Mackenzie — «Hell or High Water,» «Starred Up» Sharon Maguire — «Incendiary,» «Bridget Jones's Diary» Theodore Melfi — «Hidden Figures,» «St. Vincent» Kleber Mendonça Filho — «Aquarius,» «Neighboring Sounds» Brillante Mendoza — «Thy Womb,» «Kinatay» Márta Mészáros * — «Diary for My Children,» «Adoption» Takashi Miike — «13 Assassins,» «Ichi the Killer» Orlando Montiel — «The Son of No One,» «A Guide to Recognizing Your Saints» Jocelyn Moorhouse — «The Dressmaker,» «Proof» Kira Muratova — «The Tuner,» «The Asthenic Syndrome» Héctor Olivera — «El Mural,» «Funny Dirty Little War» Idrissa Ouedraogo * — «Tilaï,» «Yaaba» Jordan Peele * — «Get Out» Mohammad Rasoulof * — «Manuscripts Don't Burn,» «Goodbye» Eran Riklis * — «The Human Resources Manager,» «Lemon Tree» Arturo Ripstein — «Deep Crimson,» «The Beginning and the End» Guy Ritchie — «Sherlock Holmes,» «Lock, Stock and Two Smoking Barrels» Anthony Russo — «Captain America: Civil War,» «Captain America: The Winter Soldier» Joseph Russo — «Captain America: Civil War,» «Captain America: The Winter Soldier» Mrinal Sen * — «The Case Is Closed,» «In Search of Famine» Cate Shortland — «Lore,» «Somersault» Peter Sollett — «Freeheld,» «Raising Victor Vargas» Juan Carlos Tabío — «Guantanamera,» «Strawberry and Chocolate» Rawson Marshall Thurber — «Central Intelligence,» «Dodgeball: A True Underdog Story» Johnnie To — «Election,» «Exiled» Tran Anh Hung * — «Norwegian Wood,» «The Scent of Green Papaya» Pablo Trapero — «The Clan,» «Lion's Den» Athina Rachel Tsangari — «Chevalier,» «Attenberg» Paula van der Oest — «Black Butterflies,» «Zus & Zo» Susanna White — «Our Kind of Traitor,» «Nanny McPhee Returns» Martin Zandvliet * — «Land of Mine,» «A Funny Man»
In the coming year, between January 22nd — 25th, 2015, with the support of the Turkish Republic's Culture and Tourism Department, in partnership with TUROFED (Turkey Hoteliers Federation), TYD (Tourism Investment Association), sponsored by the THY Corporation and organized by the EKIN - ITE Group, the EMITT Exhibition will be held for the fifteenth time.
An exhibition, either solo or shared has been the most profitable experience in galleries but I found that it was too long between drinks just having a few pieces on their walls surrounded by many other works, often made up of pieces that had been created to fit in with that years interior design colour schemes and priced accordingly.
Other features include a lengthy, amazing conversation between Marshall and Los Angeles artist Charles Gaines; an essay by Greg Tate on the artist's figures, which he calls «Marvellously Black Familiars»; and a chronology illustrated by the catalogs and brochures that have documented Marshall's exhibitions over the years.
The MAK Center presents at these two locations «an exhibition of over 150 works by 48 Latin American artists who investigate and challenge nearly one hundred years of cultural influence between Latin America and Disney.
While the exhibition does feature selected predecessors, its main thrust is directed at current works from recent years by younger artists (most of whom are between 30 and 40 years old).
The exhibition «Donald Judd: Paintings» presents 14 paintings created by the artist between 1959 and 1961, which were vital transitional years for Judd in his experimentation in form and color.
A broad survey of rare and never - before exhibited large - scale paintings, the exhibition centers around the artist's monumental «map paintings» created between 1967 and 1971, the year they were first shown at the Whitney Museum of American Art.
The bi-coastal gallery provided comprehensive client services and organized acclaimed exhibitions of modern and postwar art, such as Tanguy Calder: Between Surrealism and Abstraction (2010), John Chamberlain: Early Years (2009), and Tom Wesselmann: The Sixties (2006).
This groundbreaking exhibition examines the artistic dialogue that took place between American painter Joan Mitchell and Canadian artist Jean - Paul Riopelle during their 24 - year romantic relationship.
Art Basel Miami Beach, with GAVLAK Los Angeles / Palm Beach, Miami, FL (catalogue) Ten Year Anniversary Show, Gavlak, Palm Beach, FL and Los Angeles, CA Re (a) d, curated by Ryan Steadman, Nathalie Karg Gallery, New York, NY The Valentine's Day Cardiovascular, Geoffrey Young Gallery, Great Barrington, MA Puente, KINMAN, London, UK 2014 The Go Between: Selections from the Ernesto Esposito Collection, Museo di Capodimonte, Naples, Italy Art Basel Miami Beach, Gavlak booth, Miami Beach, FL 100 Painters of Tomorrow: New York Exhibition, One Art Space, New York, NY Inaugural Exhibition, Gavlak, Los Angeles, CA The Armory Show, Gavlak Booth, Pier 94, New York NY Painting: A Love Story, Contemporary Arts Museum Houston, Houston, TX (catalogue) 2013 Art Basel Miami Beach, Gavlak Booth, Miami Beach, FL (catalogue) This is the Story of America, Brand New Gallery, Milan, Italy Rema Hort Mann Foundation LA Arts Initiative Auction, Hannah Hoffman Gallery, Los Angeles, CA Acid Summer, Curated by Matthew Craven, DCKT Contemporary, New York, NY All Fucking Summer, Gavlak, Palm Beach, FL Whitney Museum Art Party Benefit Auction, Whitney Museum of American Art, New York, NY MiArt2013, Gavlak Booth, Milan, Italy The Armory Show, Focus: USA, Gavlak Booth # 908, New York, NY (catalogue) Art Rotterdam, Office Baroque Gallery, Rotterdam, Netherlands My Echo, My Shadow, Gavlak, Palm Beach, FL 39 Great Jones, Galerie Eva Presenhuber, Zurich (catalogue) 239 Days, School of Visual Arts MFA Alumni Show, Allegra LaViola Gallery, New York, NY 2012 News From Chicago and New York City, Curated by Henning Strassburger, Fiebach Minninger, Cologne, Germany Time, After Time, Curated by ARTNESIA, Ronchini Gallery, London, UK (catalogue) SUNY New Paltz Alumni Show, Dosky Projects, Long Island City, NY What's the Point, Jen Bekman Gallery, New York, NY It's a Small, Small World, Curated by Marilyn Minter and Organized by Hennessy Youngman, Family Business, New York, NY The Virgins Show, Curated by Marilyn Minter, Family Business, New York, NY Just the Tip, SVA MFA Fine Arts Thesis Exhibition, Organized in Collaboration with Mike Egan, Visual Arts Gallery, New York, NY (catalogue) 2011 MFA Fine Arts Fall Open Studios, School of Visual Arts, New York, NY Sentimental Education, Gavlak, Palm Beach, FL Things Fall Apart, Curated by Asya Geisberg, Visual Arts Gallery, New York, NY Abstract Means, Curated by Richard Brooks, Visual Arts Gallery, New York, NY MFA Fine Arts Spring Open Studios, School of Visual Arts, New York, NY Celebrating 15 Years: Young Artists at Heckscher, Heckscher Museum of Art, Huntington, NY College Art Association New York MFA Exhibition, Hunter College / Times Square Gallery, New York, NY Vuu Collective W / S 2011 Show, K&K Gallery, Brooklyn, NY 2010 MFA Fine Arts Winter Open Studios, School of Visual Arts, New York, NY Emerge to be Seen, Westside Gallery, New York, NY Marks That Matter, Juried by Gillian Jagger, Muroff Kotler Visual Arts Gallery, SUNY Ulster, Stone Ridge, NY The New, Art (That Matters), Oyster Bay, NY New York Art & Culture Exhibition Series, Albany International Airport, Albany, NY 2009 No Girls Allowed: BFA Thesis Exhibition, Samuel Dorsky Museum of Art, SUNY New Paltz, New Paltz, NY Best of Show: 2009 Best of SUNY Exhibition, State University Plaza, Albany, NY 2008 Crit 3: Work from Students and Alumni of SUNY New Paltz, Curated by Kathy Goodell, Spencertown Art Gallery, Spencertown, NY Somewhere I Have Never Traveled, Smiley Art Gallery, New Paltz, NY Three, Smiley Art Gallery, New Paltz, NY SPECIAL PROJECTS 2013 Shinola x Andrew Brischler, Installation & Capsule Collection, Tribeca Flagship Store, New York, NY Converse Footwear for Publicolor, organized by Grey Area COLLECTIONS Norton Museum of Art, West Palm Beach, FL AWARDS AND HONORS 2015 Painting Fellowship, New York Foundation for the Arts
The exhibition, drawing from Dower's career of over 40 years, and presenting recent paintings hung in counterpoint to selected historic works, including a selection of intricate reliefs that have not been exhibited since exhibitions at the Curwen Gallery, would have been an invitation to reflect on the connections between works from the eighties up to the present day.
The exhibition featured approximately 70 prints, drawings and related sculptures from throughout Puryear's nearly 40 - year career, including many works never shown before outside the artist's studio.1 Together with its substantial catalogue, it illuminated the complex and intimate relationship between Puryear's two - and three - dimensional thinking, and the persistence with which he continually revisits and reworks forms, in some cases, over the course of decades.2
The art educational project and exhibition Uglycute / Hamnmagasinet is a collaboration between Bildmuseet and Moderna Museet during the year Umeå was European Capital of Culture.
After all, the last couple of years have seen three major exhibitions in London art museums that have focused on architecture («Sensing Spaces» at the RA, «Ruin Lust» at Tate Britain, «Constructing Worlds» at the Barbican), and smaller shows regularly claim some sort of interrogative capacity for exploring the interaction between these two broad categories of material culture.
Arranged chronologically, the exhibition layout offers large bodies of work in specific media, such as a significant group of oils on paper made between 1943 and 1944 and selections from the more than 1,200 pastels that Still created in the final ten years of his life.
This solo exhibition — Bayrle's first major New York museum survey — will bring together works from the last fifty years, highlighting Bayrle's experiments across media and their prescient commentary on the relationship between consumerism, technology, propaganda, and desire.
The exhibition neatly spans 1952 — 65, the years between the decline of Abstract Expressionism and the rise of Pop.
And until May 2018 the National gallery is showing Faithless Pictures, an exhibition that explores the complex relationship between image and reality in the works of forty artists from the last forty years.
It was probably seven years between Hudson going to see my work in a group show and looking at my slides and giving me my first exhibition at Feature.
The Photographers» Gallery Deutsche Borse Photography Prize 2012 13 July — 9 September 2012 The 16th year of the # 30,000 prize for «a living photographer, of any nationality, for a body of work in exhibition or publication format that has made a significant contribution to photography in Europe between 1 October 2010 & 30 September 2011».
The Sobey strives to be truly national in scope: the exhibition and award ceremony alternate year - to - year between the AGNS and other visual arts institutions around the country.
The Lisson Gallery, Milan will present four to five exhibitions a year as part of a programme developed through close collaboration between Annette Hofmann and Lisson's Curatorial Director in London, Greg Hilty.
In a busy period between 1968 and 1971, he organized 21 projects, according to MoMA, which holds a collection of his papers that it presented in an exhibition earlier this year.
Featuring Adam Fearon, Vanessa Safavi, Richard Frater, Renata Har and Clémence de La Tour du Pin among others, the exhibition follows last year's Blue Majik, which aqnb reviewed here as the second iteration a project series exploring «the ongoing dissolution between the biologic and the synthetic.»
The exhibition traces the evolution of his distinct vocabulary — from his initial years captivating the artistic bohemia of inter-war Paris, to his later life spent between the towns of Roxbury in Connecticut and Saché in France.
This exhibition will be the first comprehensive North American museum survey of the internationally recognized artist Walid Raad (b. 1967, Lebanon), whose work in photography, video, sculpture, and performance in the last 25 years investigates the distinctions between fact and fiction and the ways we represent, remember, and make sense of history.
You know, I'm a professional and a curator who has been dealing with these subjects since the early 1980s, and at that time there was only a little gap of thirty years between then and (the most recent works in the exhibition).
Andre's first major exhibition in Britain for over 10 years, it features eight sculptures made between 1967 and 1983, as well as some of his typed - out poems from the same period (their words are arranged to form bold patterns on the page, almost like little pieces of sculpture).
Beyond being an individual achievement, the exhibitions were a boon for African American women artists as a whole, whose opportunities over the years at the city's big three museums have been few and far between.
He had his first solo exhibition at the Crocker Art Gallery in Sacramento, and between the years of 1954 and 1957, he produced eleven educational films for which he was awarded the Scholastic Art Prize in 1961.
Timeline: 6:30 pm - Reception and performance of «They Call Us a Storm» 7:30 pm - Conversation between Tania Bruguera, Kate Gilmore, and Risë Wilson begins 8:30 pm - Conversation concludes and the program ends This program is inspired by our exhibitions Art in the Open: Fifty Years of Public Art in New York and Beyond Suffrage: A Century of New York Women in Politics.
«Painting with Light» at Tate Britain 11 May Currently on view at Tate Britain, «Painting with Light: art and photography from the Pre-Raphaelites to the Modern Age» is an expansive new exhibition spanning over 70 years and exploring the symbiotic and sympathetic early relationship between photography and art.
Between the years 1949 and 1999, Buffet mounted over fifty solo exhibitions in Paris.
The exhibition marks the first gallery presentation of Rothko's work in London in nearly fifty years and continues Pace's series of exhibitions that explore affinities between artists working across decades and mediums.
After a group exhibition in Monaco in 2014, the following year saw an important new solo show entitled U-topos (Greek, «no place»): tra spazio e luce (Italian, «between space and light»).
I'm revisiting a lot of the ways of working that I have used over my career - at the moment I'm vacillating between making small paintings and big paintings like the ones that I had in this year's Summer Exhibition [Across the Wadi, pictured below].
The exhibition traces the evolution of his distinct vocabulary — from his initial years captivating the artistic bohemia of inter-war Paris, to his later life spent between the towns of Roxbury in Connecticut and Sachéin France.
1995 Pasted Paper: Collage in the 20th Century, Louis Stern Fine Arts, Los Angeles, CA 25 Years: An Exhibition of Selected Works, Margo Leavin Gallery, Los Angeles, CA Between Reality and Abstraction: California Art at the End of the Century, Art Museum of South Texas, Corpus Christi, TX 1994 Balls, World Cup USA 1994, Newspace, Los Angeles, CA Twentieth — Century Drawings, Los Angeles County Museum of Art, Los Angeles, CA In Plain Sight: Abstract Painting in Los Angeles, Blue Star Art Space, San Antonio, TX Paintings of the 80's, RosamundFelsen Gallery, Los Angeles, CA Fractured Identity: Cut and Paste, Julie Saul Gallery, New York pen & ink, Santa Barbara Contemporary Arts Forum, Santa Barbara, CA Fawbush Gallery, New York Very Visual Dialogue, Personal Journeys in Abstract Painting, Rancho Santiago College Gallery, Santa Ana, CA
Described as a «Must See» museum show by Artnet, the exhibition consists of about 50 works, including, drawings, sculpture, and paintings that trace the arc of her career from the years between 1948 to 1978.
The artist's first solo show in the United States in over ten years, the exhibition is comprised of thirty - seven drawings done between 1974 and 1991.
Various Private Collections - New York, NY; Detroit, MI: Memphis, TN; Nashville, TN; St.Petersburg, FL; Washington, DC; Oxford, MS; Seattle, WA, Los Angeles, CA; Little Rock, AR; Boston, MA; Raleigh, NC SELECTED BIBLIOGRAPHY Artscope, «Centerfold», Volume 4, Numer 2, May / June 2009 ArtSEEN, «Drawing Conclusions», Volume 5, Spring 2007 NY ARTS, «Artist's Voice», Volume 12, Issue 5/6, May / June 2007 The Washington Post, «Portraiture's Harsh Lessons» by Blake Gopnik, June 25, 2006 The Atlanta Journal - Constitution, «Colorful Melange Blends Well», by Jerry Cullum March 12, 2006 The Commercial Appeal, «A Splash of Great Painting» by Frederic Koeppel, January 21, 2005 The Star - Ledger, «Connecting Art and the Everyday» by Dan Bischoff, Sunday, August 1, 2004 Art Papers, Exhibition Review «Homegrown» by Linda Johnson Dougherty, Volume 26, Issue 1; Jan. / Feb. 2002 The Spectator, «The Spaces Between: Brian Bishop's «The Longest Year»» by Glenn Perkins, December 26, 2001 New York Times, «Among a Show of Drawings, Looking for Ones with Bite» by William Zimmer, May 14, 2000 The Memphis Flyer,»... Offering up an earful and eyeful» by Cory Dugan, March, 1998 New American Paintings, Open Studio Competition, 1998 CURRENT EMPLOYMENT Professor of Art and Chair, Department of Art + Music, Framingham State University, Framingham, MA click here to download a comprehensive cv in pdf format.
Schwartz was putting together a proposal for an exhibition on the history of the neighborhood between the 1977 Blackout and 2007 for the Brooklyn Historical Society, but was coming up short when he went looking for photographs from many of those intervening years.
The US Pavilion Exhibition, Tomorrow is Another Day, signals the debut of a six - year collaboration between Mark Bradford and Rio Terà dei Pensieri.
Between 1964 and 1972, a time span of merely eight years, Axell created a comprehensive oeuvre that was shown in numerous exhibitions.
The exhibition will first introduce audiences to Pollock's work via a selection of his classic drip paintings made between 1947 and 1950, including Number 2, 1950, a work from the Harvard Art Museums» collection that has not traveled in over 20 years.