Sentences with phrase «exhibitions about abstraction»
It has often appeared in debates about photography's status as index or trace, in exhibitions about abstraction and the use of impoverished materials, and even in discussions of landscape imagery.
http://www.whitechapelgallery.org/ Not exact matches
Joan Waltemath talks with Raphael Rubinstein about the exhibition Reinventing Abstraction: New York Painting in the 1980s, a show he curated at Cheim & Read, New York, on view through August 30, 2013.
Andy Parkinson blogs about the exhibition Contemporary British Abstraction at SE9 Container Gallery, Eltham, on view through April 11, 2015.
Haynes is co-curator of an important Alma Thomas exhibition currently on view at the Studio Museum and is co-editing a comprehensive catalog about the artist known for her powerful use of color working in abstraction, which is expected to be published in November.
The framing of a Hans Hofmann and Milton Avery exhibition is about one thing, the dazzling affect color has in abstraction.
The exhibition features the artist's bold and experimental work challenging traditional assumptions about figuration and abstraction, and works that reveal her interest in how paintings function in a given room.
So, what is this exhibition about, it is about everything and nothing — abstraction, bullfighting, colour, death, energy, fruit, ghosts....
With a focus on works from the period between their first meeting in 1955 until their separation in 1979, the exhibition shows how Mitchell and Riopelle, who lived together in Paris, then in Vétheuil in the Seine valley, developed unique but related bodies of work while they were engaging in a vigorous exchange about abstraction and painting.
Thursday April 16th Hasselknippe will talk about her work on display from the exhibition NN - A NN - A NN - A - New Norwegian Abstraction.
Stated succinctly in a talk given by critic Brooks Adams at the opening of this masterfully executed exhibition on Madison Avenue, «This show is a proposal about Post-War abstraction.»
Abstraction Blog posted about a new exhibition at Tate St Ives: The Indiscipline of Painting, subtitled International Abstraction from the 1960s to Now.
But if we look at Guston's abstractions done at about the same time as Carone's paintings in this exhibition, we see mark making and vestiges of mimetic images jostling for ascendancy.
2010 Art of The Eighties, Nymphius Projekte, Berlin Re-Seeing the Contemporary: Selected from the Collection, Dallas Museum of Art, Dallas Psychedelic: Optical and Visionary Art Since 1960, San Antonio Museum of Art, TX (catalogue); travelled to Memorial Art Gallery, University of Rochester, NY; Telfair Museum of Art, Savannah, GA Inside, Outside, Upstairs, Downstairs: The Addison Anew, Addison Gallery of American Art, Andover, MA Art of the Eighties, Nymphius Projekte, Berlin Color and Form, Los Angeles County Museum of Art, Los Angeles Once Removed, The Apartment, Athens Masters of Impressionism and Modern Art, Heather James Fine Art, Jackson, WY VaXiNation, Xippas Gallery, Athens Global Art Show, The Columns, Seoul Track and Traces, Galleria in Arco, Turin, Italy Abstract Vision 2010, Art + Art Gallery, Moscow The 80s Revisited: The Bischofberger Collection, Kunsthalle Bielefeld, Bielefeld, Germany (catalogue) Painting Panel Exhibition, in conjunction with the College Art Association Annual Conference, Shane Campbell Gallery, Chicago, IL Personal Structures: Time — Space — Existence, Künstlerhaus Palais Thurn and Taxis BV: BKV, Bregenz, Austria Pictures about Pictures: Discursive Painting from Albers to Zobernig, Daimler Art Collection, Museum Moderner Kunst, Vienna España / America: The Redefined Abstraction, Galeria Max Estrella, Madrid (curated by Demetrio Paparoni)
In Los Angeles, Overduin & Co. presents «Seven Reeds,» a group exhibition that includes an international cast of five of the most talked about emerging artists on the planet — including Jacob Kassay, Julia Rommel and Fredrik Vaerslev - each of whom are pushing abstraction to new places.
Drawing from the art - historical lineage of cubism, graffiti, cartoons, figurative painting and gestural abstraction, and appropriating subjects from mythology, advertising, print culture and consumerism, Aaron Curry's eagerly awaited survey exhibition at CAPC musée d'art contemporain de Bordeaux next summer is as much about the breakdown of the human condition as it is the absurdities that define the perils of human evolution.
The artists represented in the exhibition come from all over the U.S., with rooms devoted to groups such as AfriCOBRA, based in Chicago in the late 1960s, or East Coast Abstraction, which challenged the idea that art had to directly represent Black communities, prompting debate about Black aesthetics.
Curator Norman L. Kleeblatt explains how the exhibition came about: «I had been thinking for a long time about an exhibition that began with the idea of abstraction and the postwar period.
Through dynamic abstractions and semiotic metaphors, this exhibition offers a new perspective on the events that surround this crisis in order to insight a larger discussion that gets into motion a curiosity about these events and human experiences.
Join the exhibition curator for a talk about Miyoko Ito's singular and compelling form of abstraction.
Recent group exhibitions include «Magic Mountain,» Museum of Contemporary Art Santa Barbara, CA; «Spectra,» San Diego State University Downtown Gallery, San Diego, CA; «Lost line,» Los Angeles County Museum of Art, Los Angeles, CA; «ABCyz,» Launch Exhibition, Silvershed, New York, NY; «The Trans - Aestheticization of Daily Life,» University of California, Riverside Sweeney Gallery, Riverside, CA; «Too much love,» Angles Gallery, Curated by Amy Adler, Los Angeles, CA; «Around About Abstraction,» Weatherspoon Art Museum, Greensboro, NC; «Wall Painting,» University of Texas at San Antonio, San Antonio, TX; «Snap Shot,» UCLA Hammer Museum, Los Angeles, CA (Traveled to Museum of Contemporary Art, North Miami, FL); «Fresh,» Altoids Curiously Strong Collection, New Museum, NY; «KOREAMERICAKOREA,» Sonje Museum of Contemporary Art, Seoul, Korea; «Rundgang,» Kunstakademie Düsseldorf, Düsseldorf, Germany.
Hesse, Chicago and Benglis all featured in Susan L. Stoops» 1996 exhibition «More Than Minimal: Feminism and Abstraction in the»70s», which signalled the returns to be gained from thinking about the use of abstraction to explore gender as both subject and sociAbstraction in the»70s», which signalled the returns to be gained from thinking about the use of abstraction to explore gender as both subject and sociabstraction to explore gender as both subject and social context.
Guest, Barbara, «Reviews and Previews», Art News (New York), April, volume 53, no. 2, p. 54 Devree, Howard, «About Art and Artists: Moderate Abstractions Make a Lively Exhibition at the City Center Gallery», New York Times, 8 April, p. 25 Newbill, Al, «Fortnight in Review: A Contrasting Trio», Art Digest (New York), 15 April, volume 28, no. 14, p. 20 «Coast - to - Coast: Guggenheim to Show and Buy «Younger» Painters», Art Digest (New York), 1 October, volume 28, no. 1, p. 14 McBride, Henry, «Americans looking east, looking west», Art News (New York), May, volume 53, no. 3, pp.32 - 33 & pp.54 - 56 Devree, Howard, «About Art and Artists: Display of Work by «Younger Americans» Brought Together by J.J. Sweeney», New York Times, 12 May, p. 36 Hunter, Sam, «Guggenheim Sampler: Abstract painting comes of age in a museum exhibition of fifty - four younger Americans», Art Digest (New York), 15 May, volume 28, no. 16, pp. 9 & 31 Devree, Howard, «Americans Today: Selection of Work From East to West Opens at Guggenheim Museum», New York Times, 16 May, section 2, p. 1 - Fremantle, Christopher E, «New York Commentary», Studio (New York), October, volume 148, no. 739, pp. 124 - 126 Arnason, H.H, Reality and Fantasy: 1900 - 1954, catalogue, Walker Art Center, Minneapolis Sweeney, James Johnson, Younger American Painters: A Selection, catalogue, Solomon R. Guggenheim Museum, New York 61st American Exhibition: Paintings and Sculpture, catalogue, Art Institute of Chicago Goodrich, Lloyd, «Whitney's Battle for U.S. Art», Art News (New York), November, volume 53, no. 7, pp.38 - 40Exhibition at the City Center Gallery», New York Times, 8 April, p. 25 Newbill, Al, «Fortnight in Review: A Contrasting Trio», Art Digest (New York), 15 April, volume 28, no. 14, p. 20 «Coast - to - Coast: Guggenheim to Show and Buy «Younger» Painters», Art Digest (New York), 1 October, volume 28, no. 1, p. 14 McBride, Henry, «Americans looking east, looking west», Art News (New York), May, volume 53, no. 3, pp.32 - 33 & pp.54 - 56 Devree, Howard, «About Art and Artists: Display of Work by «Younger Americans» Brought Together by J.J. Sweeney», New York Times, 12 May, p. 36 Hunter, Sam, «Guggenheim Sampler: Abstract painting comes of age in a museum exhibition of fifty - four younger Americans», Art Digest (New York), 15 May, volume 28, no. 16, pp. 9 & 31 Devree, Howard, «Americans Today: Selection of Work From East to West Opens at Guggenheim Museum», New York Times, 16 May, section 2, p. 1 - Fremantle, Christopher E, «New York Commentary», Studio (New York), October, volume 148, no. 739, pp. 124 - 126 Arnason, H.H, Reality and Fantasy: 1900 - 1954, catalogue, Walker Art Center, Minneapolis Sweeney, James Johnson, Younger American Painters: A Selection, catalogue, Solomon R. Guggenheim Museum, New York 61st American Exhibition: Paintings and Sculpture, catalogue, Art Institute of Chicago Goodrich, Lloyd, «Whitney's Battle for U.S. Art», Art News (New York), November, volume 53, no. 7, pp.38 - 40exhibition of fifty - four younger Americans», Art Digest (New York), 15 May, volume 28, no. 16, pp. 9 & 31 Devree, Howard, «Americans Today: Selection of Work From East to West Opens at Guggenheim Museum», New York Times, 16 May, section 2, p. 1 - Fremantle, Christopher E, «New York Commentary», Studio (New York), October, volume 148, no. 739, pp. 124 - 126 Arnason, H.H, Reality and Fantasy: 1900 - 1954, catalogue, Walker Art Center, Minneapolis Sweeney, James Johnson, Younger American Painters: A Selection, catalogue, Solomon R. Guggenheim Museum, New York 61st American Exhibition: Paintings and Sculpture, catalogue, Art Institute of Chicago Goodrich, Lloyd, «Whitney's Battle for U.S. Art», Art News (New York), November, volume 53, no. 7, pp.38 - 40Exhibition: Paintings and Sculpture, catalogue, Art Institute of Chicago Goodrich, Lloyd, «Whitney's Battle for U.S. Art», Art News (New York), November, volume 53, no. 7, pp.38 - 40 & 70 - 73
Throughout the exhibition, McElheny suggests that abstraction seen through the lens of the body might be a path for returning to a conversation about the radical hopes and ideals originally associated with this mode of seeing.
The exhibition uses this series, Wynter's «IMOOS», to think about how abstraction can move us.
Somewhere in the exhibition's development, the title «Reinventing Presence» was changed to the snappier Tightrope Walk — which comes from an observation by Francis Bacon about his «tightrope walk between what is called figurative painting and abstraction».
THE ORGANIZERS of the elegant Blinky Palermo retrospective at the Kunsthalle Düsseldorf and the Kunstverein für die Rheinlande und Westfalen wasted no time in announcing their bold, materially focused agenda: At the entrance to the exhibition, visitors were greeted by a sequence of short videos featuring Palermo, whose own statements about abstraction introduced, in effect, the daring curatorial program within the galleries.
The new, exciting possibilities, unlimited imagination and creativity of the invited creators are the decisive components of the ABSTRAKT FORUM exhibition, which is the first in Poland to explore and expose the audience about abstraction by street artists.
The exhibition brings together more than 100 works created by more than 20 artists from France, Spain, Belgium, Switzerland, Germany, Great Britain and the United States from the «20s to the «50s, rebalancing the traditional views about Surrealist sculpture by placing equal emphasis on organic abstraction which originated in the whimsical reliefs of Jean Arp, and the of found - object assemblage, which originated in the Assisted Readymades of Marcel Duchamp and became a surrealist passion.
The exhibition is based on a series of inversions and infiltrations: from transposing how the work of art is viewed in a collector's private home into a public space to physically shifting and personalizing the sometimes passive viewing experience of a museum; from recreating aspects of the domestic interior to choosing artworks that speak about the psychic interior to new works that intentionally blur the relationship between abstraction and décor.
«Much has been written and many exhibitions organized about the most significant artists in Graham's circle, yet surprisingly, despite Graham's close links with so many of these artists in the evolution of American abstraction, he remains little known,» notes Brian Allen, director of The Addison.
Not to be outdone, MoMA has recently included her in a group exhibition about female artists and postwar abstraction, and her gallery, David Zwirner, has published a handsome facsimile edition of a late - period Notebook, eighty - odd pages of neatly penciled triangles and grids on green - tinted graph paper.
On the occasion of her second solo exhibition in New York, BOMB turned the tables and sent me to Kaneda's Grand Street loft with instructions to quiz her about painting, abstraction, and beauty.
While we may speak about the common factor between these two exhibitions as being abstraction or, more precisely, abstract painting, there are some interesting differences between the two.
It seemed that geometric abstractions were just dandy, so long as you weren't a woman,» writes Simon Hattenstone in his 2016 The Guardian article about his visit to Herrera's New York studio during her The Whitney exhibition.
During our visit we talked about his Dedalus Foundation exhibition, «The Humanism of Abstraction,» which also includes work by David Reed and Carrie Moyer.
David Moxon posts about Zig Zag: deliberations in construction, sequence and colour, on view at Charlie Dutton Gallery, London through July 2, 2011, an «innovative and diverse exhibition of new developments in abstraction... These artists have developed an understanding for the possibility of an «internal logic» in their work,» as well as «ideas of «colour interaction» and «colour juxtaposition».»
Besides all the high - end artworks, the special thing about this exhibition, The Age of Ambiguity: Abstract Figuration / Figurative Abstraction is the curator, who is responsible for the subject and selection of works.
Lina Alattar's solo exhibition, Embracing Abstraction, is part of Hillyer's Art Space Typecast, an all media exhibition that will showcase artists whose work expresses, explores and questions ideas about identity.
«I've been thinking about abstraction alongside many of the artists in the exhibition for many years,» adds Puleo, «specifically, we've been in conversation about an idea of what «queer abstraction» is and can be.
Don't miss, among others, Jessica Dickinson's crudely elegant abstractions at Altman Siegel... on the same floor at 49 Geary St., Fraenkel Gallery's presentation of «Six New Animations,» ingeniously constructed by Christian Marclay from photographs of the sidewalk on strolls about town... more video, the best work in an exhibition by Argentine Mexican performance art master Miguel Angel Rios at Gallery Wendi Norris... «Teresita Fernández: Small American Fires,» burning intensely at Anthony Meier Fine Arts... and the small but museum - class retrospective of the optically challenging, intellectually exciting paintings of Bridget Riley at John Berggruen Gallery.
1994 Possible Things, Bardamu Gallery, New York, USA (Vik Muniz, Curator) Choice, Chance and Irony, Todd Gallery, London; John Hansard Gallery, University of Southampton, England Unbound: Possibilities in Painting, Hayward Gallery, London, England (Greg Hilty and Adrian Searle, Curators) Le Temps D'Un Dessin, Galerie De L'École Des Beaux - Arts, Lorient, France, (Phillippe Briet, Curator) Written / Spoken / Drawn in Lacanian Ink, Thread Waxing Space, New York, USA Bravin Post Lee, New York, USA Painting, Rhona Hoffman, Chicago, USA About Color, Charles Cowles, New York, USA 8 Rooms for Paiting, Galeri F15 Alby, Moss, Norway (Gertrud Sandquist, Curator) Summer Exhibition, Sperone Westwater, New York, USA The Assertive Image: Artists of the Eighties from the Eli Broad Family Foundation, U.C.L.A. at the Armand Hammer Museum of Art, Los Angeles, USA Abstract Works on Paper, Robert Miller, New York, USA On Paper, Schmidt Contemporary Art, Saint Louis, USA Abstraction: A Tradition of Collecting, Center for the Fine Arts, Miami, USA American Paining Now, Galleries Caterina Fossati, Eva Menzio, Giovanni Rimoldi, Turin, Italy Tutti Questi Mondi, Galleria Carini, Prato, Italy
READ Culture Talk interview with Adrienne Edwards about «Blackness in Abstraction» exhibition
There's now an opportunity for a contemporary art space with a focus on minimalist art to offer Evelyn Reyes a solo exhibition, not only because she is defined by her minimalism more than her outsiderism, but because she exemplifies ideals of reductive abstraction while bringing forth essential insight about its true nature, origins, and purpose as a result of her distinct perspective.
About David Richard Gallery Since its inception the gallery has produced museum quality exhibitions that feature Post War abstraction in the US.
They added, «This exhibition is intended to be a platform to further their visibility, as well as to generate more inclusive conversations about the history of American abstraction that consider the accomplishments and contributions of women artists of color going forward.»
The exhibitions and their ambitious joint catalog present a sometimes perplexing, always fascinating artist who makes us ponder the boundaries between abstraction and reference, and think hard about the very nature of painting itself.
The upcoming exhibition will be all about abstraction, as Galerie Le Feuvre decided to explore how far non-figurative styles can take you in a 21st century gallery setting.
During our visit we talked about his Dedalus Foundation exhibition, «The Humanism of Abstraction,» which also includes work by... read more... «Studio visit: John Zinsser»
There is a widely accepted view of Jasper Johns's first exhibition that goes like this: with his «flags,» «targets,» «numerals» and «alphabets,» he integrated representation and abstraction, as well as made art about art (the flag, like a painting, is flat and two - dimensional), showing his peers a way to bypass Abstract Expressionism.
In anticipation of the exhibition's opening in September, artist Terry Winters spoke with Elderfield about de Kooning and the important lessons of abstraction still to be gleaned from the painter's transformative work.