Sentences with phrase «exhibitions addressing contemporary»

A balance is sought between one person shows of high profile artists, group shows bringing together established artists and artists at the beginning of their career and exhibitions addressing contemporary debates and issues.

This exhibition addressed contemporary portraiture as the nexus of three issues: visuality, location, and identity.

The exhibitions addressed contemporary topics but always in a larger context, exploring the cultural, political, and historical aspects of the past that inform the art of the present.

Not exact matches

BOSTON - Diane Simpson's exhibition at the Institute of Contemporary Art, Boston is addressed by Kate Nesin.

In the year of the Football World Cup in South Africa, the Daimler Art Collection aims to continue its long years of addressing and intensively promoting South Africa's cultural development with an international contemporary art exhibition in Berlin.

San Francisco, Calif., February 14, 2017 — On view at CCA Wattis Institute for Contemporary Arts from March 16 through May 14, 2017, the exhibition Black Light converts the gallery space into a forum for conversation with a series of free public events that address the relationship between cultural institutions and black artists.

While portraiture has illustrated political and social circumstances throughout history, the artists in this exhibition try to transform portraiture into a genre that can hold its own weight amongst the innovations of the contemporary art world by using Neel's portraiture as inspiration means to address the complexities of personal identity.

Curated by Nicole J. Caruth, the exhibition focuses on «contemporary artists who Grace Jones has influenced and inspired, and artists who address black bodies and queer identity in ways that recall aspects of Jones» oeuvre,» she said in an interview with Crave.

Through its work, Iniva has continued to encourage the study and interrogation of cultural identity and difference, most recently in its 2011 exhibition Entanglement: the ambivalence of identity, but also previously in exhibitions such as Alien Nation (2007), which explored science - fiction, race and contemporary art and Veil (2003), which addressed the veneration and vilification of the veil in contemporary culture.

This exhibition and event series invited contemporary artists to respond to archival materials and poetry relating to the history of white southerners who migrated to northern cities in the 1960s and 70s and organized cross-racial social movements, while addressing historical and contemporary questions of equity, justice, and race relations.

This is the same type of address cited in the title of Nicole Eisenman's recent exhibition, Dear Nemesis, which just closed at the Contemporary Art Museum (CAM) St. Louis and will soon be travelling to the ICA Philadelphia — a survey collection of over 120 works, primarily paintings and some sculpture, since the early 1990s.

Presented in conjunction with CraftNOW — a citywide exhibition examining the fluid boundaries that exist around art, design and craft — this show considers how contemporary revivals of sewing, weaving and embroidery reflect the continuing feminist interest in historical technique and play a crucial role in helping these artists understand the past while addressing identity in the present and future.

2004 Beautiful Losers, Yerba Buena Center for the Arts, curated by Aaron Rose and Christian Strike, San Francisco, CA Beautiful Losers, Contemporary Arts Center, curated by Aaron Rose and Christian Strike, Cincinnati, OH Change of Address, Lizabeth Oliveria Gallery, Los Angeles, CA Your Heart is No Match For My Love, The Soap Factory, Minneapolis, MN It's a Wonderful Life, Spaces Gallery, Cleveland, OH Altoids Collection 2003, traveling exhibition East of the Sun and West of the Moon, White Columns, NY

Beers.Lambert Contemporary Art is proud to curate an exhibition for Gift Gallery, at its extraordinary address on London's primary gallery row, Vyner Street.

P.S. 1 Contemporary Art Center presents NeoHooDoo: Art for a Forgotten Faith, an exhibition co-organized by The Menil Collection that brings together a multigenerational group of North, South, and Central American artists who address the value of ritual in the artistic process and the wider implications of spirituality in conteContemporary Art Center presents NeoHooDoo: Art for a Forgotten Faith, an exhibition co-organized by The Menil Collection that brings together a multigenerational group of North, South, and Central American artists who address the value of ritual in the artistic process and the wider implications of spirituality in contemporarycontemporary art.

The conference will expand upon the ideas addressed in the exhibition through comparisons with practices at the other contemporary art museums, such as the Van Abbemuseum in Eindhoven, the Tate Modern in London, and the The Pontus Hultén Study Gallery at the Moderna Museet, Stockholm.

The exhibition's catalog and accompanying texts go to great lengths in describing the show, instead, as «a broad overview of a groundbreaking aspect of contemporary art practice» — «a recognizable cultural phenomenon... that also addressed universal aspects of the human condition.»

The international contemporary artists within this exhibition have boldly addressed the ramifications violence can have on both the mind and body.

«The intersecting themes of the exhibition address the most vital points of contemporary society's connection with the past and present, and the variety of accompanying programs align with the spirit of openness and dialogue that characterizes the cultural message of Milan's museums,» said Anna Maria Montaldo, director of Polo Arte Moderna e Contemporanea in Milan.

For a copy of The Impossible prison: A Foucault Reader, published by Nottingham Contemporary to coincide with the exhibition email: [email protected] with your name and address.

The second in a series of exhibitions presented at Kemper at the Crossroads, The Center is a Moving Target addresses the evolving rhythm and elusive modern definition of «regionalisms» in contemporary art.

His talk addresses why he brings magicians, go - go dancers, assorted livestock, and other unexpected elements into the walls of the museum alongside serious exhibitions of contemporary art.

In addition to essays for catalogues and books published in conjunction with the exhibitions she has curated, Katz - Freiman has written numerous articles, essays, and reviews addressing various issues in contemporary art.

STUFF is an exhibition that aims to address issues of consumerism and accumulation of material possessions, through the lens of contemporary art.

The exhibition features contemporary artworks that address various systems perpetuating global warming and those systems» impact on local ecologies.

The exhibition, curated by Ellen Blumenstein, offers insights into questions and topics being addressed in painting today and examines the meaning and significance of the medium of painting for contemporary art along with the potential it harbors.

Her solo exhibitions include «To the Son of Man Who Ate the Scroll» at Fondazione Prada, Milan (2016); «Public Address: Goshka Macuga Tapestries» at Lunds konsthall, Lund, Sweden (2014); «Exhibit, A» at the Museum of Contemporary Art, Chicago (2012); «Untitled» at the Zachęta National Gallery of Art, Warsaw (2011); «It Broke from Within» at the Walker Art Center, Minneapolis, MN (2011); «The Nature of the Beast» at Whitechapel Gallery, London (2009); and «I am Become Death» at Kunsthalle Basel, Switzerland (2009).

While demonstrating the building's unique ability to shape the presentation and experience of contemporary art, this exhibition also examines how artists address museum spaces as a key element in the development of their work.

A new exhibition, on view April 9 — August 21, 2011, entitled Unsettled: Photography and Politics in Contemporary Art, in the Julien Levy Gallery in the Ruth and Raymond G. Perelman Building of the Philadelphia Museum of Art presents work by nine artists who used photography to address some of the most salient political and social issues of the late 1970s through the early 1990s, including feminism, racism, the AIDS crisis, and gay activism.

White: Whiteness and Race in Contemporary Art, the first exhibition and book devoted to the subject, gives voice to 11 artists who explicitly address the issue of whiteness: Max Becher and Andrea Robbin, Nayland Blake, Nancy Burson, Wendy Ewald and Mike Kelley, William Kentridge, Barbara Kruger, Nikki S. Lee, Cindy Sherman and Gary Simmons.

«How architecture, art, and design have addressed contemporary notions of shelter, as seen through migration and global refugee emergencies, is explored in the exhibition Insecurities: Tracing Displacement and Shelter, on view at The Museum of Modern Art.

In conjunction with a daylong symposium exploring the conceptual and tangible difficulties of art in the public sphere, the University Museum of Contemporary Art will present a juried Exhibition of proposed public art projects that address issues of temporality, community, place, and practice on local, national, and global levels, which will highlight the contemporary trends and new ideas in the field ofContemporary Art will present a juried Exhibition of proposed public art projects that address issues of temporality, community, place, and practice on local, national, and global levels, which will highlight the contemporary trends and new ideas in the field ofcontemporary trends and new ideas in the field of public art.

The fashion and textile displays engage in dialogue with the work of seven contemporary artists working in a range of disciplines whose work addresses one or more of the exhibition themes.

As indicated by the title, the exhibition looks into the future and contemplates the world in the year 2050 with over 70 contemporary works selected to address major themes such as over-consumption, global conflicts, scarcity of natural resources, social and economic inequality and the evolution of mankind.

Known for such ground - breaking exhibitions as Cities on the Move (co-curated with Hans Ulrich Obrist), Out of the Center, Parisien (ne) s and the Kwangju Biennial in Korea, his work addresses questions of globalization and identity, understanding contemporary art practice as it exists beyond geographical and regional boundaries.

Previously he held positions as Chief Curator at the Contemporary Art Museum St. Louis and curator at the Museum of Contemporary Art, Chicago, where he organized major thematic survey exhibitions with a broad international and historical scope such as Production Site: The Artist's Studio Inside - Out (2010), which addressed the pivotal role of the studio in artists» practice.

Talk: «Jeff Koons in Conversation with Glenn Fuhrman» at the Flag Art Foundation In conjunction with «Cecily Brown, Jeff Koons, Charles Ray,» an exhibition that brings together works addressing themes of youth, nostalgia and intimacy by the three contemporary artists, Flag Art Foundation founder and mega-art-collector Glenn Fuhrman sits down with famed artist Jeff Koons to discuss the remarkable sculptures from his Celebration, Banality, and Popeye series», all of which are on view at the foundation's gallery through May 14.

Creating contemporary art exhibitions around the world to address critical social and environmental issues

Curated by Dean Saskia Bos and Associate Dean Steven Lam, Free as Air and Water addresses these questions within the context of contemporary art linking a broad set of issues such as public access to resources, political ecology and governmentality within a group exhibition that features a diverse array of artistic operations and tactics.

A special panel discussion addressing the Wrestle exhibition takes place during the inauguration of the Hessel Museum, and includes curators Tom Eccles and Trevor Smith, as well as invited guests Arthur Danto, Johnsonian Professor Emeritus, Philosophy, Columbia University; Vasif Kortun, Director, Platform Garanti Contemporary Art Center, Istanbul; Ute Meta Bauer, Director and Associate Professor MIT, Visual Arts; and Molly Nesbit, Professor of Art, Vassar College.

Through its exhibitions and programs, SJMA addresses major trends in international contemporary art, architecture, and design, with an ongoing commitment to also place the work of California artists in national and international context.

The group exhibition Abstracting the Seam surveys the ways in which needleworking strategies permeate the painting, collage, video, textile, and installation art by seven contemporary artists whose work addresses the kaleidoscopic urban experience.

Celebrating its 125th year, Baxter St at CCNY is marking this important anniversary with an exhibition of work by artists who draw upon the origins of the medium to address contemporary photographic issues and practices.

By making artwork and exhibitions concrete and personal for each viewer, the Museum provides a context to address contemporary and historical issues presented by artists of African descent.

The Teen Years is a new exhibition at the Joseph Bellows Gallery in San Diego, California, featuring a selection of both vintage and contemporary photographs that address the physical, social, and emotional aspects of adolescence, and the formation of identity.

Neil Clements addresses themes central to his exhibition at CCA, including the roles historical reference and appropriation play in relation to contemporary artistic practice.

MOCA Cleveland Winter Exhibition Features Teresita Fernández Sculptural Installations CLEVELAND, OH - The Museum of Contemporary Art Cleveland opened its winter exhibition on Friday, Jan. 28, 2011, featuring the work of Teresita Fernández, internationally known for immersive installations and evocative large - scale sculptures that address space, light and pExhibition Features Teresita Fernández Sculptural Installations CLEVELAND, OH - The Museum of Contemporary Art Cleveland opened its winter exhibition on Friday, Jan. 28, 2011, featuring the work of Teresita Fernández, internationally known for immersive installations and evocative large - scale sculptures that address space, light and pexhibition on Friday, Jan. 28, 2011, featuring the work of Teresita Fernández, internationally known for immersive installations and evocative large - scale sculptures that address space, light and perception.

This triptych is at the center of Yanai's exhibition, which addresses the day - to - day atheist struggle in contemporary society.

Samples of Lifeforms is a collaboration between CHART, Copenhagen Contemporary and Kanton Basel - Stadt: An international group exhibition with artists and works addressing the constantly changing conditions of forms of life on planet Earth.

In an effort to address the absence of Latin American female artists in the history of contemporary art, Hammer Museum opened, in September, the exhibition «Radical Women: Latin American Art, 1960 — 1985».