Sentences with phrase «exhibitions as an independent curator»

He has mounted exhibitions as an independent curator at museums in Europe, Asia and the U.S., including the Bronx Museum of the Arts, Comune di Milano in Italy and the Museum Villa Stuck in Munich.

Beside beeing a freelance art critic for the Swedish daily Aftonbladet between 1986 - 2004, Mr. Nilsson also organised several exhibitions as an independent curator, among others he was curator for The Nordic Pavilion at The Venice Biennale 1999.

She also conceives themed special exhibitions as an independent curator.

Prior to joining the Brooklyn Museum, she taught contemporary art history at Tufts University, wrote art criticism for Art in America, and organized a number of international exhibitions as an independent curator.

His recent exhibitions as an independent curator (2014 - 16) include: Aerosolar / Space Without Rockets and «Aerocene» by Tomas Saraceno at the Rubin Center, University of Texas at El Paso and White Sands Desert, New Mexico, When the Future was About Fracking, Centrespace at Dundee Contemporary Arts, and Exoplanet Lot, Maison Des Arts Georges Pompidou, France and sites thoughout the Lot Valley, SW France.

His exhibitions as an independent curator include «The Short Century: Independence and Liberation Movements in Africa, 1945 - 1994» (2001 - 02), «Global Conceptualism» (1999 - 2000) and «Mirror's Edge» (1999 - 2000).

He organized a number of international exhibitions as an independent curator and published several books, notably Le Cliché - Verre de Corot à Man Ray, the retrospectives of Dorothea Lange and Tina Modotti, Chaplin et les images, Fellini, La Grande parade, or recently, Derrière le rideau — L'Esthétique Photomaton.

She has also organized a number of exhibitions as an independent curator, including, most recently, Richard Bell: I Am Not Sorry (2009), Carolee Schneemann: Painting, What It Became (2009), Nayland Blake: Behavior (2009), and La Mirada Iracunda (The Furious Gaze)(2008).

Previously, she organized exhibitions as an independent curator in different countries.

He has published numerous books as well as organized more than a dozen exhibitions as an independent curator.

Not exact matches

Born in London and currently based in New York, he has been active since the 1980s as an independent scholar, exhibition curator, and college instructor.

As an independent curator, he has presented exhibitions in Brazil and abroad, such as Mythologies - Brazilian Contemporary Photography (Shiseido Gallery, Tokyo, 2012); Éloge du Vertige (Maison Européenne de la Photographie, Paris, 2012); Generation 00 - The New Brazilian Photography (Sesc Belenzinho, São Paulo, 2011), Look and Simulate - Photographies from Collection Auer (MAM - SP, 2009), The Invention of the World - Collection of the Maison Européenne de la Photographie, Paris (Itaú Cultural, 2009, with Jean Luc Monterosso), Provisional Power (MAM - SP, 2014As an independent curator, he has presented exhibitions in Brazil and abroad, such as Mythologies - Brazilian Contemporary Photography (Shiseido Gallery, Tokyo, 2012); Éloge du Vertige (Maison Européenne de la Photographie, Paris, 2012); Generation 00 - The New Brazilian Photography (Sesc Belenzinho, São Paulo, 2011), Look and Simulate - Photographies from Collection Auer (MAM - SP, 2009), The Invention of the World - Collection of the Maison Européenne de la Photographie, Paris (Itaú Cultural, 2009, with Jean Luc Monterosso), Provisional Power (MAM - SP, 2014as Mythologies - Brazilian Contemporary Photography (Shiseido Gallery, Tokyo, 2012); Éloge du Vertige (Maison Européenne de la Photographie, Paris, 2012); Generation 00 - The New Brazilian Photography (Sesc Belenzinho, São Paulo, 2011), Look and Simulate - Photographies from Collection Auer (MAM - SP, 2009), The Invention of the World - Collection of the Maison Européenne de la Photographie, Paris (Itaú Cultural, 2009, with Jean Luc Monterosso), Provisional Power (MAM - SP, 2014).

«I feel like I'm living inside of a video game, in which every life event represents a gold coin that can be used as a way to obtain likes, faves, and retweets,» writes independent curator Lindsay Howard in the exhibition's press release.

As an independent curator, Cameron has organized several influential exhibitions, including Art and Its Double (1987) and El Jardn Salvage (1991) at Fundacio la Caixa in Barcelona; Cocido y Crudo (1995) at the Centro de Arte Reina Sofia in Madrid; and retrospectives of Peter Saul and Kenny Scharf.

Currently the Director / Curator of PLATFORM: centre for photographic + digital arts, Kegan found himself in New York City this past June as a participant in the inaugural Curatorial Intensive with Independent Curators International, where he work - shopped the exhibition Cabin Fever, which opened at PLATFORM in October.

Wahler has curated over 400 exhibitions around the globe, principally as museum director / chief curator, but also as a consultant and independent curator, including From Synchrony to Synchronicity (Basel, 2015), a large - scale installation with fireflies, crickets, and algorithmic music by Swiss artist Robin Meier that explored the principles of order in nature and collective intelligence.

McLean - Ferris previously worked as an independent curator, staging exhibitions at the David Roberts Art Foundation in London, Glasgow Sculpture Studios, S1 in Sheffield, and Chapter NY.

In the wake of last year's group exhibitions The 5th of July and It Can Howl, which featured work by New York - and Los Angeles - based artists such as Martine Syms, Nancy Lupo and Katherine Bernhardt — as well as the more regionally inclusive revival of the Atlanta Biennial, co-curated by Fuller, ART PAPERS editor Victoria Camblin, Jacksonville - based independent curator Aaron Levi Garvey and Joan Mitchell Center director Gia Hamilton of New Orleans — there has been some local hand - wringing about whether Atlanta Contemporary's exhibition schedule prioritizes Georgia artists or the rising stars of the New York scene.

Center, in turn, exists as an independent exhibition space founded by artist Lin May and home to coeval.gen.in, an internet - based platform for artists, writers and curators engaging with a critical use of technology and digital economy.

In the first part of the day, together with curator Rose Lejeune and independent academic Dr Rebecca Gordon, we will discuss issues that arise when setting new ephemeral and process - based artworks in dialog with historical artefacts, as is the case in the New Perspectives exhibition.

The term «abstract classicists» was coined in 1959 by curator and critic Jules Langsner to define these four southern California painters whose work he grouped in a seminal exhibition that year at the Los Angeles County Museum in Exposition Park (prior to LACMA's existence as an independent art museum).

After having realized various exhibition projects as a nomadic independent curator, Eva Steynen established the gallery.

CB1 also includes a separate exhibition space across the building's common hall, CB1 - G, which is offered as a temporary lease (30 - or 60 - day only) «pop up» gallery for vetted and professional art dealers (public and private) and independent curators from across the world, covering a multitude of both contemporary and historical art disciplines.

«This exhibition takes a much - needed look at the artist's estimable career and reveals him as a modern artist of ambition and spirit,» explains independent curator and art historian Avis Berman.

Jess began her career as an independent curator, creating exhibitions that investigated themes of contemporary life by crossing disciplines and featuring often under - recognized work being made in the Northwest.

The exhibition is organized by ONE National Gay & Lesbian Archives at the USC Libraries in collaboration with The Museum of Contemporary Art, Los Angeles, and organized as a traveling exhibition by Independent Curators International (ICI).

The exhibition is accompanied by a catalogue, with essays on the interaction between Gutai and New York artists by guest curator Ming Tiampo, associate professor of art history at Carleton University in Ottawa, and on Jackson Pollock's relationship to the Gutai group by Tetsuya Oshima, curator of the Aichi Prefectural Museum of Art in Japan, as well as a new translation of the Gutai Manifesto by independent scholar Reiko Tomii and a reflection by David Kaplan, a director and Tennessee Williams scholar, on Gutai's influence on Williams» one - act play, The Day on Which a Man Dies.

As League Curator Jillian Russo explains, «Butler's original idea to bring several independent art organizations into partnership to create a building with dedicated exhibition space transformed the Art Students League from fledgling art school into a cultural institution.»

After working in Europe as an art critic and independent curator during the 1980s and 1990s, Christov - Bakargiev was senior curator at P.S. 1 Contemporary Art Center from 1999 to 2001 (she was a primary force behind and co-curator of the inaugural «Greater New York» exhibition at P.S. 1 in 2000).

As an independent curator, Kirszenbaum has organized exhibitions in New York City, including The Seen and The Hidden: (Dis) covering the Veil (2009), NineteenEightyFour (2010) at the Austrian Cultural Forum, the video program Janitors of Lunacy (2011) for the College Arts Association, the group exhibition Grey Peak of the Wave at Harris Lieberman Gallery (2012).

In 2010 independent curator and academic Nontobeko Ntombela curated the exhibition Layers at Goodman Gallery Projects as part of her ongoing research into the creative strategies of women artists, in particular those that aim to contextualise socio - political issues.

In the past Goodman Gallery has collaborated with independent curators such as Simon Njami and Bettina Malcomess, who curated the US exhibition, part of which was shown at Goodman Gallery Projects at Arts on Main in 2009.

[Working Title] is an annual group exhibition hosted by Goodman Gallery, as part of its continuing efforts to support young and independent artists and curators.

As Head of Exhibitions and Display at Tate Modern, London (1997 - 2001), as Director of Exhibitions at the Institute of Contemporary Arts, London (1986 - 92), and as an independent curator, she has realized many international exhibitions of modern and contemporary art and has published texts on numerous living artistAs Head of Exhibitions and Display at Tate Modern, London (1997 - 2001), as Director of Exhibitions at the Institute of Contemporary Arts, London (1986 - 92), and as an independent curator, she has realized many international exhibitions of modern and contemporary art and has published texts on numerous liviExhibitions and Display at Tate Modern, London (1997 - 2001), as Director of Exhibitions at the Institute of Contemporary Arts, London (1986 - 92), and as an independent curator, she has realized many international exhibitions of modern and contemporary art and has published texts on numerous living artistas Director of Exhibitions at the Institute of Contemporary Arts, London (1986 - 92), and as an independent curator, she has realized many international exhibitions of modern and contemporary art and has published texts on numerous liviExhibitions at the Institute of Contemporary Arts, London (1986 - 92), and as an independent curator, she has realized many international exhibitions of modern and contemporary art and has published texts on numerous living artistas an independent curator, she has realized many international exhibitions of modern and contemporary art and has published texts on numerous liviexhibitions of modern and contemporary art and has published texts on numerous living artists.

As a residency, the Curator - in - Residence will have the space and freedom to work on research and curatorial projects independent of his / her exhibitions at the Bemis.

Currently he is the Director / Senior Curator for the Torrance Art Museum as well as Founder and Curatorial Director of ARTRA Curatorial, an independent and voluntary curatorial projects management team which organizes international exhibition exchanges as well as the MAS ATTACK series of pop - up exhibitions.

As an independent curator, she has organized and managed numerous exhibition projects, as well as symposiums and workshops, in Switzerland and abroaAs an independent curator, she has organized and managed numerous exhibition projects, as well as symposiums and workshops, in Switzerland and abroaas well as symposiums and workshops, in Switzerland and abroaas symposiums and workshops, in Switzerland and abroad.

As an independent curator, she has curated exhibitions both locally and internationally.

Originally conceived by the Michener's former director Bruce Katsiff, these exhibitions were juried from submissions by some of the most accomplished artists in the Philadelphia region, using the experience and skills both of Michener staff members and two distinguished curatorial consultants: writer and independent curator Judith E. Stein and Judith Tannenbaum, who recently retired from her position as Richard Brown Baker Curator of Contemporary Art at the Museum of Art Rhode Island School of curator Judith E. Stein and Judith Tannenbaum, who recently retired from her position as Richard Brown Baker Curator of Contemporary Art at the Museum of Art Rhode Island School of Curator of Contemporary Art at the Museum of Art Rhode Island School of Design.

The publication includes an introductory essay by Elizabeth Armstrong as well as short entries on each of the Biennial artists by the curators and several additional writers: New York - based art historian Cary Levine, Los Angeles - based independent curator Kristin Chambers, and Jane Simon, Curator of Exhibitions at the Madison Museum of Contemporacurator Kristin Chambers, and Jane Simon, Curator of Exhibitions at the Madison Museum of ContemporaCurator of Exhibitions at the Madison Museum of Contemporary Art.

As an independent curator, López - Chahoud has curated and co-curated numerous exhibitions in the United States and internationally.

As an independent curator marking her return to South Africa from the US with an exhibition at Goodman, Becker is in an excellent position to further explore this territory and its legacy in the future.

During that time she was part time registrar at a small commercial gallery in the LES, followed by a production intern at Creative Time, completed a fellowship at Independent Curators International and moved on to the Museum of the City of New York as their Registrar for Exhibitions and Loans.

As criticisms escalated, ISANG opted to convene a public discussion in the exhibition; it was led by independent curator Ukhona Mlandu and included representations from members of SWEAT.

The exhibitions program are part of a strategic initiative introduced by the new director of the Glass House, Henry Urbach, who is leading efforts to rededicate the site as a lively, creative cultural center consistent with the spirit and values of its former occupants, renowned architect Philip Johnson and independent curator David Whitney.

Visual arts exhibitions included installations as well as group shows by independent curators.

Alongside the exhibition is planned an intervention by Hélène Jayet with photo portraits shooting sessions on the theme of Afro hair open to the public, as well as an exciting programme of public events organised by Amal Alhaag, independent curator and co-founder of The Side Room, a space for intersectional feminist, queer and anti-colonial discourses and art.

CAC is founded in 2013 by the entrepreneur Dillion ZHANG, independent curator LI Zhenhua, and artist HU Jieming, and presented pioneering projects such as Extra Time with Raqs Media Collective and Jeffrey Shaw & HU Jieming Duo Solo Exhibitions, among others.

During the same period he began working as an independent curator, organizing exhibitions such as Just Pathetic (1990) and Scene of the Crime (1997).

As an independent curator, he has organized international exhibitions since the 1980's for institutions including Fundación Caixa / Barcelona, Museo Nacional Centro de Arte Reina Sofía / Madrid and elsewhere.