Sentences with phrase «exhibitions by female»

Not exact matches

Tu also received numerous awards nationally which include «Award for Progress in Anti-malarial Research Achieved by Project 523 Scientific Team» honored by China National Congress of Science and Technology (1978); «National Scientific Discovery Award» for Anti-malaria Drug - Qinghaosu by the China Ministry of Science and Technology (1979); «Invention Award» (as the first inventor) by China National Congress for Awards in Science and Technology (1982); «Award of Young and Middle - aged Experts with Outstanding Contribution» by the Chinese Government (1984); «The Top Honorary Award» by China Academy of Traditional Chinese Medicine (1992); «The Top Ten National Achievements for Progress in Science and Technology» by China National Committee of Science and Technology (1992); «First - Class Award of National Achievements in Science and Technology» by China National Award Committee for Advances in Science and Technology (1992); «National Model» by China State Council (1995); «Award for Outstanding Achievement in Traditional Chinese Medicine» by Guangzhou Zhongjing Award Foundation for Traditional Chinese Medicine (1995); «Outstanding Scientific Achievement Award» by Qiu Shi Science and Technologies Foundation of Hong Kong (1996); «Top Ten Health Achievements in New China» by China Ministry of Health (1997); «Female Inventor of the New Century» by China National Bureau of Intellectual Property (2002); «Golden Medal of the 14th National Invention Exhibition» by China National Bureau of Intellectual Property (2003); «Award for Development of Chinese Materia Medica» by Cyrus Chung Ying Tang Foundation, (2009).

With Joanna Hogg's third film, Exhibition, confirming her as among our best new filmmakers, we look back at some of the greatest British films by female directors.

«I feel it is an important time to present an exhibition of female artists who are resisting oppressive structures and climates by championing sex positive feminism.

ARTnews magazine has devoted its June issue to a special report assessing the state of women in the art world — how women artists are faring in terms of solo museum exhibitions and representation in museum collections, gallery representation, press coverage and market valuation, and also measuring opportunities garnered by female curators and museum directors.

The Untitled Space gallery is pleased to present exhibition, UPRISE / ANGRY WOMEN, curated by Indira Cesarine, featuring the work of 80 female contemporary artists responding to the current social and political climate in America in light of the recent presidential election.

East Hampton, NY: Eric Firestone Gallery is pleased to announce Womanhouse, a group exhibition curated by Eric Firestone and Michelle Tillou, featuring twenty - one female artists.

NSFW: Female Gaze is a large thematic group exhibition at the Museum of Sex, curated by Vice's Creators» editor in chief, Marina Garcia - Vasquez, and Museum of Sex's associate curator, Lissa Rivera.

Each exhibition features nine sculptures: bronzes that depict large female heads, their calm facial composures offset rhythmically by dynamic ornamental head - pieces.

Despite requiring twice the square footage of most temporary exhibitions, Female Gaze featured only 200 of the 500 works comprising the Art by Women Collection.

This year, the result includes about 20 solo exhibitions (nearly half showing the work of female artists); first - time appearances by Galerie Perrotin, Freedman Fitzpatrick, Triple Canopy magazine, and The New Museum; and a general trend of art from or referencing the»80s.

Curated Exhibitions 2017 Dreams, Community and Individual Voices - Spoken Through Symbolism, guest curator, Saint Louis Art Museum's Danforth Collection, St. Louis, MO 2016/2017 Sinew: Female Native Artists of the Twin Cities: Artistry, Bloomington, MN, Tweed Museum of Art, Duluth, MN 2016 American Art: It's Complicated (co-curated), Minnesota Museum of American Art, St. Paul, MN 2016 Synthesis: Paintings by Aza Erdrich, All My Relations Gallery, Minneapolis, MN 2014 Rosalie Favell: Relations, All My Relations Gallery, Minneapolis, MN 2014 On Fertile Ground, All My Relations Gallery, Minneapolis, MN 2014 Where I Fit, All My Relations Gallery, Minneapolis, MN 2013 Found, All My Relations Gallery, Minneapolis, MN 2013 Make it Pop, All My Relations Gallery, Minneapolis, MN 2012 Indian First, All My Relations Gallery, Minneapolis, MN 2012 Ded Unk» Unpi — We Are Here, All My Relations Gallery, Minneapolis, MN, Minnesota History Center, St. Paul, MN 2012 The Hopeman Family Collection, All My Relations Gallery, Minneapolis, MN 2011 Mni Sota: Reflections of Time and Place, All My Relations Gallery, Minneapolis, MN, Mayo Clinic, Rochester, MN, Mille Lacs Indian Museum, MN, Nash Gallery University of Minnesota, Tweed Museum of Art, Duluth, MN.

The legacy of these women is conveyed through a section of the exhibition that presents works by contemporary female artists and designers that reflect and expand upon the work of the earlier generation.

UPRISE / ANGRY WOMEN A Group Exhibition of Female Artists Curated by Indira Cesarine A Portion of Proceeds to Benefit the ERA COALITION and the Fund for Women's Equality

This exhibition will focus on and celebrate work made by more than a hundred female artists of different generations, cultures and disciplines.

Curated by Agustín Arteaga, the DMA's new Eugene McDermott Director, and the result of a combined cultural endeavor between Mexico and France, this major traveling exhibition showcases the work of titans of Mexican Modernism alongside that of lesser - known pioneers, including a number of rarely seen works by female artists, to reveal the history and development of modern Mexico and its cultural identity.

Pace Prints is pleased to present an exhibition of editions and monoprints by fifteen female artists spanning the last five decades.

Statistics from 2012 reveal that 90 per cent of the visual artists featured in art books were men; work by women artists made up three to five per cent of major permanent collections in the US and Europe; artworks by female artists achieved none of the highest 100 auction prices; of The Art Newspaper's top 30 most visited exhibitions in New York, Paris, and London, only three were solo exhibitions featuring female artists.

The exhibition takes its title form the 1891 novel «Dream and Reality» coauthored by Fatma Aliye, the first Turkish female novelist, and Ahmet Mithat.

A powerfully dark female spirit sweeps through Reclaimed, the new group exhibition at Studio at Ruby City, operated by the Linda Pace Foundation.

The exhibition will feature over 100 contemporary artworks made by women artists and will represent the art collections of seven prominent female art collectors from London, Europe and North America.

Inequality in almost every area of the art world was obvious: male artists dominated both historic collections and also exhibitions of contemporary art; women were excluded or absent from major art history books; almost all the staff in art institutions and universities were men; and work by female artists had less commercial value.

Metabolism and Communication, Zentrum fur Kunst und Medientechnologie, Center for Art and Media, Karlsruhe, Germany 2003 Love, Magazin4 Vorarlberger Kunstverein, Bregenz, Germany Patty Chang, Tracy Emin, Naomi Fisher, Paul McCarthy, The Moore Space, Miami, FL (performance, April 26) Water, Water, curated by Lilly Wei, The Rotunda Gallery, Brooklyn, NY Awakenings, Center for Curatorial Studies at Bard College, Annandale - on - Hudson, NY Feminine Persuasion, The Kinsey Institute and the School of Fine Arts Gallery, Indiana Univeristy, Bloomington, Indiana 2002 Videos in Progress, The RISD Museum, Providence, Rhode Island Le Plateau Frac Ile - de-France (performance only, November 7), Paris, France Mirror, Mirror on the Wall, MASS MoCA, North Adams, MA The Body Electric: Video Art and the Human Body, Cheekwood Museum of Art, Nashville, TN Americas Remixed, La Fabbrica del Vapore, Milan, Italy (performance / exhibition) Extreme Existence, curated by Klaus Ottmann, Pratt Manhattan Gallery, NY (performance / exhibition)(catalogue) Moving Pictures, Guggenheim Museum, New York Fusion Cuisine, Deste Foundation Centre for Contemporary Art, Athens, Greece (performance / exhibition), (Catalog available) Time Share, Sara Meltzer Gallery, NY Le Studio, Yvon Lambert, Paris, France Oral Fixations, curated by Sandra Firmin, Center for Curatorial Studies, Bard College, Annandale - on - Hudson, NY Panorama, curated by Carmen Zita, Room Interior Products, NY Superlounge, curated by Andrea Salerno & Mari Spirito, Gale Gates, Brooklyn, NY About the Mind (Not Everything You Always Wanted to Know), Video Cafe, organized by Hitomi Iwasaki, Queens Museum, NY Mirror Image, curated by Russell Ferguson, UCLA Hammer Museum, Los Angeles, CA Traveled to: Bard College, Center for Curatorial Studies Museum, Annadale - on - Hudson, NY Perspectives: Artists of Chinese Descent in New York, Queens College Art Center, NY Traveled to: Firehouse Art Gallery, Nassau Community College, Garden City, NY, March - April 2003 2001 Bodily Acts, curated by Jennifer L. Gray, Center for Curatorial Studies, Bard College, Annandale - on - Hudson, NY Circus Maximus, BeganeGrond, Center for the Contemporary Arts, Utrecht, Holland Group Show, Hamburg Kunstverein, Germany (performance) Mimic, Gale Gates et al., Brooklyn, NY Casino 2001, 1st Quadrennial of Contemporary Art, Stedelijk Museum Voor Actuele Kunst and the Bijloke Museum, Gent, Belgium (performance / exhibition) Looking for Mr. Fluxus: In the Footsteps of George Maciunas, Art in General, NY La Hijas de la Tierra (The Daughters of the Earth), IODAC Museum of Contemporary, Spain Panic, Julie Saul Gallery, New York Video Jam, Palm Beach Institute of Contemporary Art, Lake Worth, Florida (brochure) 2001 Art + Performance + Technology, in conjunction with the 19th International Sculpture Conference, Wood Street Galleries, Pittsburgh, PA (performance) WET, Luise Ross Gallery, New York Trans Sexual Express Barcelona, Centre d'Art Santa Monica, Barcelona, Spain Smirk: Women, Art, and Humor, curated by Debra Wacks, Firehouse Art Gallery, Nassau Community College, New York 2000 Uncomfortable Beauty, Jack Tilton / Anna Kustera Gallery, New York Cross Female, Kunstlerhaus Bethanien, Berlin, Germany (performance / exhibition): Traveled to: Kunst - und Kunstgewerbeverein Pforzheim, Germany (April / May 2001) The Art of the Screen Saver, Stanford Art Museum / Cantor Art Center, Stanford, CA Traveled to: ICA, London, England (Feb - March 2002) Steamroller, performance festival organized by Galerie MXM, Prague, Czech Republic (Catalog available) Soma, Soma, Soma, The Sculpture Center, New York Performance Festival, Kunstpanorama, Lucern and USINE, Geneva The Standard Projection: 24/7, Standard Hotel, Los Angeles Deja vu, Art Miami 2000, Miami Beach Convention Center, Miami Beach Galerie Fons Welters (two person exhibition with Atelier van Lieshout), Amsterdam ID / y2k, Identity At The Millennium, Castle Gallery, College of New Rochelle, NY 1999 - 2000 Illusion Delusion Denial, 450 Broadway Gallery, New York Mug Shots, Center for Visual Art and Culture, University of Connecticut, Storrs, CT. 1999 IDENDITAT, hat man doch zu viel, Ort halle fur kunst, Feldstr.

Several works from the 20th century close the exhibition: three masterly drawings by the young Pablo Picasso, Two Fashionable Women (1900), a blue - period Head of a Woman (c. 1903), and a cubist Standing Nude (summer 1910); an imposing study of a female nude by Georges Braque (1927); and three drawings by Louise Bourgeois, including M is for Mother (1998), a drawing of a large, red letter M that conveys not only maternal comfort but also maternal control.

Saccoccio's work is featured in Confronting the Canvas: Women of Abstraction, one of the first museum exhibitions to focus solely on contemporary female painters, with works by Keltie Ferris, Maya Hayuk, Jill Nathanson, Fran O'Neill, and Anke Weyer.

Her art practice has found its public through representation by the Julie Saul Gallery in New York and many dozens of exhibitions over the years at Bard College, Exit Art and Mary Boone Gallery (where she was the first female artist to have a solo show), as well as in recent years at P!

It ranges from the NMWA's women only collection and exhibition - programme to an entire wing of the Brooklyn Museum being dedicated to feminist art; there's also The Metropolitan Museum of Art's decision to show work by lesser - known artists like Helen Torr and Elizabeth Catlett that has never been on view in «Reimagining Modernism: 1900 — 1950» (the rehang of their modern art collection); and there's the recent acquisition by the Tate of a painting by Mary Beale, who is regarded as Britain's first professional female artist.

Guests visited more than 100 student studios during cocktails and viewed «Electric Palace,» a one - night only all - female exhibition featuring works by 11 artists, including Thomas and Zanele Muholi.

Hot on the heels of the Princess Zeid show at Tate Modern, which runs until October 8th, is a much smaller and shorter - lived exhibition at the Saatchi Gallery, by an artist also Middle Eastern, royal, and female, which runs only until August 18th.

Contributed by Jonathan Stevenson / Mixed Greens» enterprising group exhibition «Common Thread,» on view through August 28, positions a 1973 Bauhaus grid study by Anni Albers and Ellen Lesperance's 2009 grid - based gouache deconstruction of her pre-Josef Albers sweater pattern as aesthetic and cultural springboards for work by nine contemporary female artists.

By juxtaposing these seminal post-war and contemporary female artists, the exhibition examines affinities between their works, the variety of their practices, and how their works and sensibilities interact.

By showing him alongside his many imitators, this exhibition cast Caravaggio in a league of his own, and was a rare instance of a female painter — in this case Artemisia Gentileschi — being acknowledged as one of the very few who came close to matching the great master.

To mark its 20th anniversary the museum is presenting a group exhibition featuring works by 20 black female artists from Africa, the Caribbean and the United States, including Amy Sherald, Aya V. Jackson, Toyin Ojih Odutola, Ebony G. Patterson, and Brenna Youngblood.

This catalog from the exhibition presents artists from all over the world who have been inspired by Virginia Woolf and her female contemporaries.

«SECRET GARDEN: The Female Gaze on Erotica» is an exhibition of dozens of women's art in all forms curated by Indira Cesarine.

This year's Kabinett sector includes thematic group exhibitions, art - historical showcases and solo presentations by both established and emerging artists; more than half of the participants will feature work by female artists.

«As one of the first commissioned works by a living female artist to be installed at the entrance of an American museum, Pas de Deux (Plaza Monument) will serve as a beacon for the DMA's intent to broaden its collecting and exhibition habits.»

In 1956 Peláez exhibited with Sánchez and Soldevilla in a group show at the Galería Cubana, and again with Sánchez at a special exhibition of female painters at the VIII National Salon organized by the Ministerio de Educación of the Instituto Nacional de Cultura.

Curated by Michael Klein, the exhibition includes 40 works that passed through the galleries of influential female dealers in the» 40s,»50s and»60s, including Betty Parsons, Jill Kornblee, Grace Borgenicht, Virginia Dwan, Peggy Guggenheim and Marian Willard.

The exhibition is part of NOW: a dialogue on female Chinese contemporary artists, a programme led by Manchester's Centre for Chinese Contemporary Art in collaboration with five other UK art institutions.

In 2012 she curated exhibitions such as You, Me, We, She, an all - female exhibition including artwork by Martha Wilson, DISBAND, Mika Rottenberg, Annika Eriksson, Johanna Billing, Corita Kent, and Justine Kurland, among others.

During the special event on Thursday 17 January between 6 - 9 pm all female visitors will be invited to contribute to the exhibition by creating their own self - portrait.

annual exhibition hosted by Desert Caballeros Western Museum in Arizona features contemporary female artists working in the Western genre.

The exhibition Women Artists — 1st International Biennial of Macao features works by 132 female artists from 23 countries and regions.

The exhibition features a selection of photography, painting, sculpture, mixed media, and video by 20 female artists including Ellen Jong, Leah Schrager, Logan White, Meredith Ostrom.

The dearth of exhibitions by black and female artists continues.

In our group exhibition we offered that potential by selecting a variety of female artists from intergenerational, international and intersectional perspectives.»

The Tate St Ives is thus an appropriate first home for Virginia Woolf: An Exhibition Inspired By Her Writings, an assemblage of works by more than female 80 artistBy Her Writings, an assemblage of works by more than female 80 artistby more than female 80 artists.

The exhibition, curated by Leo Koenig, includes over 90 paintings, sculptures, photographs, works on paper and videos by an international and multi-generational roster of female artists dating from the 1950s to 2017...

The exhibition creates both the historical context for female erotic work, and a contemporary forum for further sexual art by women.

This exhibition brings together four bodies of work by the Lebanese - American photographer Rania Matar that trace the development of female identity through portraiture.