In addition to presenting
exhibitions by international contemporary artists, the Museum serves thousands of children and adults annually through its varied education programs and offers a rich program of films, performances, and lectures.
In the Art Space Pythagorion, curated
exhibitions by international contemporary artists will be presented annually during the summer months, parallel to the Samos Young Artists Festival.
Located in New Orleans, May produces original, context specific artworks and installations for public
exhibition by international contemporary artists, and concurrently provides educational public programming to New Orleans and Southeastern United States.
Not exact matches
This
exhibition continues Atlanta
Contemporary's efforts to present and debut newly commissioned work
by national /
international artists to our community.
Remixed is our new Online Shop
exhibition, with work
by international contemporary artists Lulwa Al - Khalifa, Hermoine Carline, Denise Dmochowski, Alex Gough, Caroline Hall, Christoffer Joergensen, James Ryan, and Annya Sand.
She has realized major commissions
by artists including Robert Irwin, Kay Rosen, Tony Feher, Orly Genger, Julianne Swartz, and Ghada Amer, and curated numerous
exhibitions of works
by international contemporary artists including Amy Cutler, Ingrid Calame, Maria Magdalena Campos - Pons, Ernesto Neto, and Tara Donovan.
These
exhibitions by local, national, and
international artists will open the
Contemporary up to new perspectives that echo the world we live in.
1957 1957 Annual
Exhibition of
Contemporary American Sculpture, Paintings and Watercolors, Whitney Museum of American Art, New York (November 20, 1957 — January 12, 1958) Group 1, Douglass College Art Gallery, New Brunswick, New Jersey (October 9 - 30) American Paintings, 1945 — 1957, Minneapolis Institute of Arts, Minnesota (June 18 — September 1) The Fourth
International Art
Exhibition of Japan, 1957, (American
artists selected
by Frank O'Hara).
Art Basel Miami Beach, with GAVLAK Los Angeles / Palm Beach, Miami, FL (catalogue) Ten Year Anniversary Show, Gavlak, Palm Beach, FL and Los Angeles, CA Re (a) d, curated
by Ryan Steadman, Nathalie Karg Gallery, New York, NY The Valentine's Day Cardiovascular, Geoffrey Young Gallery, Great Barrington, MA Puente, KINMAN, London, UK 2014 The Go Between: Selections from the Ernesto Esposito Collection, Museo di Capodimonte, Naples, Italy Art Basel Miami Beach, Gavlak booth, Miami Beach, FL 100 Painters of Tomorrow: New York
Exhibition, One Art Space, New York, NY Inaugural
Exhibition, Gavlak, Los Angeles, CA The Armory Show, Gavlak Booth, Pier 94, New York NY Painting: A Love Story,
Contemporary Arts Museum Houston, Houston, TX (catalogue) 2013 Art Basel Miami Beach, Gavlak Booth, Miami Beach, FL (catalogue) This is the Story of America, Brand New Gallery, Milan, Italy Rema Hort Mann Foundation LA Arts Initiative Auction, Hannah Hoffman Gallery, Los Angeles, CA Acid Summer, Curated
by Matthew Craven, DCKT
Contemporary, New York, NY All Fucking Summer, Gavlak, Palm Beach, FL Whitney Museum Art Party Benefit Auction, Whitney Museum of American Art, New York, NY MiArt2013, Gavlak Booth, Milan, Italy The Armory Show, Focus: USA, Gavlak Booth # 908, New York, NY (catalogue) Art Rotterdam, Office Baroque Gallery, Rotterdam, Netherlands My Echo, My Shadow, Gavlak, Palm Beach, FL 39 Great Jones, Galerie Eva Presenhuber, Zurich (catalogue) 239 Days, School of Visual Arts MFA Alumni Show, Allegra LaViola Gallery, New York, NY 2012 News From Chicago and New York City, Curated
by Henning Strassburger, Fiebach Minninger, Cologne, Germany Time, After Time, Curated
by ARTNESIA, Ronchini Gallery, London, UK (catalogue) SUNY New Paltz Alumni Show, Dosky Projects, Long Island City, NY What's the Point, Jen Bekman Gallery, New York, NY It's a Small, Small World, Curated
by Marilyn Minter and Organized
by Hennessy Youngman, Family Business, New York, NY The Virgins Show, Curated
by Marilyn Minter, Family Business, New York, NY Just the Tip, SVA MFA Fine Arts Thesis
Exhibition, Organized in Collaboration with Mike Egan, Visual Arts Gallery, New York, NY (catalogue) 2011 MFA Fine Arts Fall Open Studios, School of Visual Arts, New York, NY Sentimental Education, Gavlak, Palm Beach, FL Things Fall Apart, Curated
by Asya Geisberg, Visual Arts Gallery, New York, NY Abstract Means, Curated
by Richard Brooks, Visual Arts Gallery, New York, NY MFA Fine Arts Spring Open Studios, School of Visual Arts, New York, NY Celebrating 15 Years: Young
Artists at Heckscher, Heckscher Museum of Art, Huntington, NY College Art Association New York MFA
Exhibition, Hunter College / Times Square Gallery, New York, NY Vuu Collective W / S 2011 Show, K&K Gallery, Brooklyn, NY 2010 MFA Fine Arts Winter Open Studios, School of Visual Arts, New York, NY Emerge to be Seen, Westside Gallery, New York, NY Marks That Matter, Juried
by Gillian Jagger, Muroff Kotler Visual Arts Gallery, SUNY Ulster, Stone Ridge, NY The New, Art (That Matters), Oyster Bay, NY New York Art & Culture
Exhibition Series, Albany
International Airport, Albany, NY 2009 No Girls Allowed: BFA Thesis
Exhibition, Samuel Dorsky Museum of Art, SUNY New Paltz, New Paltz, NY Best of Show: 2009 Best of SUNY
Exhibition, State University Plaza, Albany, NY 2008 Crit 3: Work from Students and Alumni of SUNY New Paltz, Curated
by Kathy Goodell, Spencertown Art Gallery, Spencertown, NY Somewhere I Have Never Traveled, Smiley Art Gallery, New Paltz, NY Three, Smiley Art Gallery, New Paltz, NY SPECIAL PROJECTS 2013 Shinola x Andrew Brischler, Installation & Capsule Collection, Tribeca Flagship Store, New York, NY Converse Footwear for Publicolor, organized
by Grey Area COLLECTIONS Norton Museum of Art, West Palm Beach, FL AWARDS AND HONORS 2015 Painting Fellowship, New York Foundation for the Arts
Originally commissioned as»11 Rooms»
by Manchester
International Festival, the
International Arts Festival RUHRTRIENNALE 2012 - 2014 and Manchester Art Gallery, this landmark
exhibition will now be extended and presented at Pier 2/3 in Sydney's Walsh Bay including new and re-imagined works, specially commissioned for this project,
by some of the world's most celebrated
contemporary artists spanning six continents.
The proceeds of the sale of Charley's Space and Doig's Snowballed Boy (1995) will support a programme
by The Donald R. Sobey Foundation in conjunction with the Sobey Art Foundation to strengthen
international exhibition opportunities for
contemporary Canadian
artists.
1977 Tokyo Gallery
Exhibition, Tokyo Gallery, Tokyo, Japan Five
Contemporary Artists Drawing and Watercolor, Kaneko Art Gallery, Tokyo, Japan Painting and Photography from 1980 to Today, Kunsthaus Zurich, Zurich, Switzerland Documenta 6, Kassel, Germany Drawings
by Five
Artists, Minami Gallery, Tokyo, Japan Forms Today Architecture and Sculpture, Tokyo Central Annex, Tokyo, Japan
Contemporary Art in Japan Domestic Art and
International Art, 5th Anniversary of Tochigi Prefectural Museum of Fine Arts, Tochigi Prefectural Museum of Fine Arts, Japan
Artists Today»77 The Richness of Painting, Yokohama Civic Art Gallery, Kanagawa, Japan The 10th Japan Art Festival, Nihonbashi Takashimaya Department Store, Tokyo, Japan
The
exhibition offers a unique, hands - on experience which encourages viewers to browse or peruse an eclectic selection of
contemporary works
by an
international group of
artists including John Baldessari, Nan Goldin, Jenny Holzer, Sol LeWitt, Rosemarie Trockel, and William Wegman among many others.
Recent
exhibitions include: Paris - New York: IL LEE, Galerie Gana - Beaugourg, Paris, France (2005); Next Next Art, curated
by Dan Cameron, Brooklyn Academy of Music, Brooklyn, NY (2004); IL LEE: New Drawings and Paintings, Art Projects
International, New York, NY (2004); Open House: Working in Brooklyn, curated
by Charlotta Kotik and Tumelo Mosaka, Brooklyn Museum of Art, Brooklyn, NY (2004); Marking: Drawings
by Contemporary Artists from Korea, The Korea society, New York, NY (2003); and New Acquisitions, National Museum of
Contemporary Art, Seoul, Korea (2002).
In addition to a foundation of
exhibitions throughout the year, the gallery participates in a number of
international art fairs, continuing to expand its
exhibition program
by introducing cutting edge
contemporary artists to Los Angeles and
Selected
by Clare Lilley Director of Programme, Yorkshire Sculpture Park, and featuring leading
international galleries, Frieze's first - ever summer
exhibition in Regent's Park will bring together 25 new and significant works
by leading 20th - century and
contemporary artists from around the world.
By interning with Berlin Art Link, you will gain valuable exposure and insight to
artist studio visits, local and
international curatorial projects,
exhibitions and current events, and the overall ins - and - outs of the
contemporary art scene of Berlin.
Metabolism and Communication, Zentrum fur Kunst und Medientechnologie, Center for Art and Media, Karlsruhe, Germany 2003 Love, Magazin4 Vorarlberger Kunstverein, Bregenz, Germany Patty Chang, Tracy Emin, Naomi Fisher, Paul McCarthy, The Moore Space, Miami, FL (performance, April 26) Water, Water, curated
by Lilly Wei, The Rotunda Gallery, Brooklyn, NY Awakenings, Center for Curatorial Studies at Bard College, Annandale - on - Hudson, NY Feminine Persuasion, The Kinsey Institute and the School of Fine Arts Gallery, Indiana Univeristy, Bloomington, Indiana 2002 Videos in Progress, The RISD Museum, Providence, Rhode Island Le Plateau Frac Ile - de-France (performance only, November 7), Paris, France Mirror, Mirror on the Wall, MASS MoCA, North Adams, MA The Body Electric: Video Art and the Human Body, Cheekwood Museum of Art, Nashville, TN Americas Remixed, La Fabbrica del Vapore, Milan, Italy (performance /
exhibition) Extreme Existence, curated
by Klaus Ottmann, Pratt Manhattan Gallery, NY (performance /
exhibition)(catalogue) Moving Pictures, Guggenheim Museum, New York Fusion Cuisine, Deste Foundation Centre for
Contemporary Art, Athens, Greece (performance /
exhibition), (Catalog available) Time Share, Sara Meltzer Gallery, NY Le Studio, Yvon Lambert, Paris, France Oral Fixations, curated
by Sandra Firmin, Center for Curatorial Studies, Bard College, Annandale - on - Hudson, NY Panorama, curated
by Carmen Zita, Room Interior Products, NY Superlounge, curated
by Andrea Salerno & Mari Spirito, Gale Gates, Brooklyn, NY About the Mind (Not Everything You Always Wanted to Know), Video Cafe, organized
by Hitomi Iwasaki, Queens Museum, NY Mirror Image, curated
by Russell Ferguson, UCLA Hammer Museum, Los Angeles, CA Traveled to: Bard College, Center for Curatorial Studies Museum, Annadale - on - Hudson, NY Perspectives:
Artists of Chinese Descent in New York, Queens College Art Center, NY Traveled to: Firehouse Art Gallery, Nassau Community College, Garden City, NY, March - April 2003 2001 Bodily Acts, curated
by Jennifer L. Gray, Center for Curatorial Studies, Bard College, Annandale - on - Hudson, NY Circus Maximus, BeganeGrond, Center for the
Contemporary Arts, Utrecht, Holland Group Show, Hamburg Kunstverein, Germany (performance) Mimic, Gale Gates et al., Brooklyn, NY Casino 2001, 1st Quadrennial of
Contemporary Art, Stedelijk Museum Voor Actuele Kunst and the Bijloke Museum, Gent, Belgium (performance /
exhibition) Looking for Mr. Fluxus: In the Footsteps of George Maciunas, Art in General, NY La Hijas de la Tierra (The Daughters of the Earth), IODAC Museum of
Contemporary, Spain Panic, Julie Saul Gallery, New York Video Jam, Palm Beach Institute of
Contemporary Art, Lake Worth, Florida (brochure) 2001 Art + Performance + Technology, in conjunction with the 19th
International Sculpture Conference, Wood Street Galleries, Pittsburgh, PA (performance) WET, Luise Ross Gallery, New York Trans Sexual Express Barcelona, Centre d'Art Santa Monica, Barcelona, Spain Smirk: Women, Art, and Humor, curated
by Debra Wacks, Firehouse Art Gallery, Nassau Community College, New York 2000 Uncomfortable Beauty, Jack Tilton / Anna Kustera Gallery, New York Cross Female, Kunstlerhaus Bethanien, Berlin, Germany (performance /
exhibition): Traveled to: Kunst - und Kunstgewerbeverein Pforzheim, Germany (April / May 2001) The Art of the Screen Saver, Stanford Art Museum / Cantor Art Center, Stanford, CA Traveled to: ICA, London, England (Feb - March 2002) Steamroller, performance festival organized
by Galerie MXM, Prague, Czech Republic (Catalog available) Soma, Soma, Soma, The Sculpture Center, New York Performance Festival, Kunstpanorama, Lucern and USINE, Geneva The Standard Projection: 24/7, Standard Hotel, Los Angeles Deja vu, Art Miami 2000, Miami Beach Convention Center, Miami Beach Galerie Fons Welters (two person
exhibition with Atelier van Lieshout), Amsterdam ID / y2k, Identity At The Millennium, Castle Gallery, College of New Rochelle, NY 1999 - 2000 Illusion Delusion Denial, 450 Broadway Gallery, New York Mug Shots, Center for Visual Art and Culture, University of Connecticut, Storrs, CT. 1999 IDENDITAT, hat man doch zu viel, Ort halle fur kunst, Feldstr.
Ruffneck Constructivists, a group
exhibition curated
by artist Kara Walker, brings together 11
international artists in order to define a
contemporary manifesto of urban architecture and change.
In addition to participating in an
international array of group
exhibitions including the Venice Biennale (1997, 1980, 1976), the Whitney Museum of American Art Biennial (1995, 1977), and Documenta, Kassel, Germany (1972), Martin has been the recipient of multiple honors including the Lifetime Achievement Award on behalf of the Women's Caucus for Art of the College Art Association (2005); the Governor's Award for Excellence and Achievement in the Arts given
by Governor Gary Johnson, Santa Fe, New Mexico (1998); the National Medal of Arts awarded
by President Clinton and the National Endowment for the Arts (1998); the Distinguished
Artist Award for Lifetime Achievement
by the College Art Association (1998); the Golden Lion for Contribution to
Contemporary Art at the Venice Biennale (1997); the Oskar Kokoschka Prize awarded
by the Austrian government (1992); the Alexej von Jawlensky Prize awarded
by the city of Wiesbaden, Germany (1991); and election to the American Academy and Institute of Arts and Letters, New York (1989).
The
exhibition features photographic work made in the late 1980's and early 1990's
by Maud Sulter and Jeanne Moutoussamy Ashe, curated
by international artist Lubaina Himid, Professor of
Contemporary Art at UClan.
MARC STRAUS is proud to present The Incredible Likeness of Being, a group
exhibition that investigates the «Self» through new paintings
by five
international contemporary artists.
Several
contemporary approaches
by young
international artists dealing with the spatial development of sculptures are taken up in the
exhibition.
Committed to comprehensive, large - scale projects
by major
international artists for presentation to the public, Ayn Foundation's current projects include Andy Warhol's The Last Supper and Maria Zerres's September Eleven located in the west Texas town of Marfa; an installation of work
by Dan Flavin at Fisherbau in Polling, Germany; and an
exhibition of paintings
by Arnulf Rainer at Mana
Contemporary.
2006 Estrecho Dudoso, TEOR / éTica, San José, Costa Rica, curated
by Virginia Pérez Ratton and Tamara Díaz Bringas (Catalog) Festival des Cinémas Différents de Paris, (screening), Centre Culturel La Clef, Paris, France Estudio Abierto, Palacio de Correos, Buenos Aires, Argentina 10 Defining Experiments: cifo 2006 Grant Program Recipients, Cisneros Fontanals Art Foundation (cifo), Miami, Florida (Catalog) Manifesta 6 School, Nicosia, Cyprus, curated
by Mai Abu ElDehab, Anton Vidokle and Florian Waldvogel (Cancelled) Prevailing Climate, (screening), Sara Meltzer Gallery, New York, curated
by Rachel Gugelberger and Jeffrey Walkowiak 3 Biennale Adriatica di Arti Nuove, San Benedetto del Tronto, Italy, curated
by Antonio Arévalo (Catalog) Whitney Museum of American Art Independent Study Program
Exhibition, Chelsea Museum, New York El Museo's 4th Bienal: The (S) Files, Museo de Arte de Puerto Rico, San Juan, Puerto Rico (Catalog) 4ème Festival
international du Cinéma iranien en Exil, (Screening), Paris, France When
Artists Say We,
Artists Space, New York, organized
by Andrea Geyer and Christian Rattemeyer Bzzzz, Fundacion Cu4rto Nivel Arte Contemporaneo, Bogota, Colombia, curated
by Jaime Cerón Russia: Significant Other, Institute for
Contemporary Art at the Anna Akhmatova Museum, St Petersburg, Russia, curated
by Olga Kopenkina Surveillance, Jersey City Museum, Jersey City, NJ, curated
by Rocio Aranda Moving Time, Gallery Korea, Korean Cultural Service, New York, curated
by Hwang Yu Jin, Jeeyun Kim, Inhee Iris Moon Featured
Artist Projects, Center for Book Arts, New York
Work
by the
artist has been extensively included in
international group
exhibitions, including This Will Have Been: Art, Love & Politics in the 1980s, which was first hosted
by the Museum of
Contemporary Art Chicago in 2012.
The
exhibitions by local, national, and
international artists open Atlanta
Contemporary up to new perspectives that echo the world we live in.
1993 Les Amis des Musées de Verviers: Aspects de la mouvance construite internationale, Fondation Pro Mesures Art
International, Verviers, Belgium (catalogue) Yale Collects Yale, Yale University Art Gallery, New Haven, CT Skowhegan 93, Colby College Museum of Art, Waterville, ME (booklet) Building a Collection: The Department of
Contemporary Art, Museum of Fine Arts, Boston, MA
Artists» Photographs: A Private View, Blum Helman Gallery, New York Live in Your Head, Hochschule für Angewandte Kunst and Galerie Metropol, Vienna (curated
by Robert Nickas, catalogue) The Tradition of Geometric Abstraction in American Art 1930 — 1990, Whitney Museum of American Art, New York 15th Anniversary Group
Exhibition, Arthur Roger Gallery, New Orleans, LA Drawing the Line Against AIDS, AmFAR Art Against AIDS, Venice Biennale, Venice Looking at Collecting Today, Chateau de Tanlay, Burgundy, France Legend In My Living Room, Rhona Hoffman Gallery, New York I Love You More than My Own Death, Venice Biennale, Venice Italia - America, L'Astrazione Ridefinita, Galleria Nazionale d'Arte Moderna, San Marino, Italy (curated
by Demetrio Paparoni, catalogue) New York Painters, Sammlung Goetz, Munich (catalogue) Legend in My Living Room, Rhona Hoffman Gallery, New York Wall Works, Edition Schellmann, Cologne, Germany Works on Paper, Kohn Abrams Gallery, Los Angeles Twenty Years, Daniel Weinberg Gallery, Santa Monica, CA Peter Halley, Todd Levin, Thread Waxing Space, New York (video project) Living with Art: The Collection of Ellyn & Saul Dennison, The Morris Museum, Morris, NJ (catalogue) Color, Pamela Auchincloss Gallery, New York New York on Paper, Galerie Thaddaeus Ropac, Paris
LAND supports dynamic and unconventional artistic practices using a tripartite approach: Commissioning public projects of site - and situation - specific works with national and
international contemporary artists Collaborating with a variety of institutions and organizations, such as universities, museums, and theaters as well as other types of spaces, industries, and entities Offering additional programs such as performances, workshops, residencies, discussions, and publications LAND is an ongoing endeavor with three primary types of annual programming: LAND 1.0 projects are large - scale, multi-
artist, multi-site
exhibitions and single - site group
exhibitions, LAND 2.0 projects feature a new commission
by a single mid-career or established
artist, and LAND 3.0 projects feature new work
by lesser known or emerging
artists
The
exhibition includes drawings
by Italian, German, French, Dutch, and Flemish
artists of the Renaissance and baroque periods; German draftsmen of the nineteenth century; and an
international contingent of modern and
contemporary draftsmen.
The current
exhibition at the Museum of
Contemporary Art (MOCA) in North Miami, Florida, features works
by 23
international artists.
The Multimedia Art Museum, Moscow presents as part of the 11th
International Month of Photography in Moscow PHOTOBIENNALE 2016, Past and Present in Three Parts an
exhibition by Japanese
artist, photographer and architect Hiroshi Sugimoto, a universally recognized luminary of
contemporary art.
With over 600 square meters of
exhibition space designed
by Beijing - based
artist / architect Ai Weiwei, Pekin Fine Arts strives to represent and to promote the best and most innovative
contemporary artists from Asia, focusing on individuals adept at working in a wide - variety of medium, with experience in both domestic and
international exhibitions.
The
Contemporary Austin teen council showed You [th] Pace members around the galleries at the Jones Center featuring an
exhibition by former Artpace
International Artist - in - Residence Do Ho Suh.
About the Bemis Center for
Contemporary Arts Founded in 1981,
by artists for
artists, the Bemis Center for
Contemporary Arts supports today's
artists through an
international artist - in - residence program, temporary
exhibitions and commissions, and innovative public programs.
Organized
by the SCAD
exhibitions department and overseen
by Laurie Ann Farrell, SCAD executive director of
exhibitions, with support from chief curator Isolde Brielmaier, Ph.D., the 2013 schedule includes
exhibitions of work
by major
international contemporary artists with a diverse range of practices and media, including Ursula von Rydingsvard, Uta Barth, Candice Breitz, Chakaia Booker and Regina Silveira, among others.
In addition to
contemporary works
by the gallery's stable of
international artists (including important L.A. figures such as Paul McCarthy, Mark Bradford and Richard Jackson), there will also be museum - grade
exhibitions organized
by Schimmel and other curators.
About Bemis Center for
Contemporary Arts Founded in 1981,
by artists for
artists, the Bemis Center for
Contemporary Arts supports today's
artists through an
international artist - in - residence program, temporary
exhibitions and commissions, and innovative public programs.
During this period the Pavilion has hosted
exhibitions by many of the most significant
artists of the day, providing successive generations with one of the most important platforms for the showcasing of
contemporary art to an
international audience.
The
exhibition, which runs from May 5th until May 23rd, forms a brand new series of works completed
by Cánovas during his
international artist residency at the innovative and
contemporary art center.
The Edward and Betty Marcus Foundation's gift allows for the commissioning,
exhibition, and acquisition of new works of art
by leading
international contemporary artists as well as the preservation of the works and Laguna Gloria grounds.
in Art News, vol.81, no. 1, January 1982 (review of John Moores Liverpool
Exhibition), The Observer, 12 December 1982; «English Expressionism» (review of exhibition at Warwick Arts Trust) in The Observer, 13 May 1984; «Landscapes of the mind» in The Observer, 24 April 1995 Finch, Liz, «Painting is the head, hand and the heart», John Hoyland talks to Liz Finch, Ritz Newspaper Supplement: Inside Art, June 1984 Findlater, Richard, «A Briton's Contemporary Clusters Show a Touch of American Influence» in Detroit Free Press, 27 October 1974 Forge, Andrew, «Andrew Forge Looks at Paintings of Hoyland» in The Listener, July 1971 Fraser, Alison, «Solid areas of hot colour» in The Australian, 19 February 1980 Freke, David, «Massaging the Medium» in Arts Alive Merseyside, December 1982 Fuller, Peter, «Hoyland at the Serpentine» in Art Monthly, no. 31 Garras, Stephen, «Sketches for a Finished Work» in The Independent, 22 October 1986 Gosling, Nigel, «Visions off Bond Street» in The Observer, 17 May 1970 Graham - Dixon, Andrew, «Canvassing the abstract voters» in The Independent, 7 February 1987; «John Hoyland» in The Independent, 12 February 1987 Griffiths, John, «John Hoyland: Paintings 1967 - 1979» in The Tablet, 20 October 1979 Hall, Charles, «The Mastery of Living Colour» in The Times, 4 October 1995 Harrison, Charles, «Two by Two they Went into the Ark» in Art Monthly, November 1977 Hatton, Brian, «The John Moores at the Walker Art Gallery, Liverpool» in Artscribe, no. 38, December 1982 Heywood, Irene, «John Hoyland» in Montreal Gazette, 7 February 1970 Hilton, Tim, «Hoyland's tale of Hofmann» in The Guardian, 5 March 1988 Hoyland, John, «Painting 1979: A Crisis of Function» in London Magazine, April / May 1979; «Framing Words» in Evening Standard, 7 December 1989; «The Famous Grouse» in Arts Review, October 1995 Januszcak, Waldemar, «Felt through the Eye» in The Guardian, 16 October 1979; «Last Chance» in The Guardian, 18 May 1983; «Painter nets # 25,000 art prize» in The Guardian, 11 February 1987; «The Circles of Celebration» in The Guardian, 19 February 1987 Kennedy, R.C., «London Letter» in Art International, Lugano, 20 October 1971 Kent, Sarah, «The Modernist Despot Refuses to Die» in Time Out, 19 - 25, October 1979 Key, Philip, «This Way Up and It's Art; Key Previews the John Moores Exhibition» in Post, 25 November 1982 Kramer, Hilton, «Art: Vitality in the Pictorial Structure» in New York Times, 10 October 1970 Lehmann, Harry, «Hoyland Abstractions Boldly Pleasing As Ever» in Montreal Star, 30 March 1978 Lucie - Smith, Edward, «John Hoyland» in Sunday Times, 7 May 1970; «Waiting for the click...» in Evening Standard, 3 October 1979 Lynton, Norbert, «Hoyland», in The Guardian, [month] 1967 MacKenzie, Andrew, «A Colourful Champion of the Abstract» in Morning Telegraph, Sheffield, 9 October 1979 Mackenzie, Andrew, «Let's recognise city artist» in Morning Telegraph, Sheffield, 18 September 1978 Makin, Jeffrey, «Colour... it's the European Flair» in The Sun, 30 April 1980 Maloon, Terence, «Nothing succeeds like excess» in Time Out, September 1978 Marle, Judy, «Histories Unfolding» in The Guardian, May 1971 Martin, Barry, «John Hoyland and John Edwards» in Studio International, May / June 1975 McCullach, Alan, «Seeing it in Context» in The Herald, 22 May 1980 McEwen, John, «Hoyland and Law» in The Spectator, 15 November 1975; «Momentum» in The Spectator, 23 October 1976; «John Hoyland in mid-career» in Arts Canada, April 1977; «Abstraction» in The Spectator, 23 September 1978; «4 British Artists» in Artforum, March 1979; «Undercurrents» in The Spectator, 24 October 1981; «Flying Colours» in The Spectator, 4 December 1982; «John Hoyland, new paintings» in The Spectator, 21 May 1983; «The golden age of junk art: John McEwen on Christmas Exhibitions» in Sunday Times, 18 December 1984; «Britain's Best and Brightest» in Art in America, July 1987; «Landscapes of the Mind» in The Independent Magazine, 16 June 1990; «The Master Manipulator of Paint» in Sunday Telegraph, 1 October 1995; «Cool dude struts with his holster full of colours» in The Sunday Telegraph, 10 October 1999 McGrath, Sandra, «Hangovers and Gunfighters» in The Australian, 19 February 1980 McManus, Irene, «John Moores Competition» in The Guardian, 8 December 1982 Morris, Ann, «The Experts&raqu
Exhibition), The Observer, 12 December 1982; «English Expressionism» (review of
exhibition at Warwick Arts Trust) in The Observer, 13 May 1984; «Landscapes of the mind» in The Observer, 24 April 1995 Finch, Liz, «Painting is the head, hand and the heart», John Hoyland talks to Liz Finch, Ritz Newspaper Supplement: Inside Art, June 1984 Findlater, Richard, «A Briton's Contemporary Clusters Show a Touch of American Influence» in Detroit Free Press, 27 October 1974 Forge, Andrew, «Andrew Forge Looks at Paintings of Hoyland» in The Listener, July 1971 Fraser, Alison, «Solid areas of hot colour» in The Australian, 19 February 1980 Freke, David, «Massaging the Medium» in Arts Alive Merseyside, December 1982 Fuller, Peter, «Hoyland at the Serpentine» in Art Monthly, no. 31 Garras, Stephen, «Sketches for a Finished Work» in The Independent, 22 October 1986 Gosling, Nigel, «Visions off Bond Street» in The Observer, 17 May 1970 Graham - Dixon, Andrew, «Canvassing the abstract voters» in The Independent, 7 February 1987; «John Hoyland» in The Independent, 12 February 1987 Griffiths, John, «John Hoyland: Paintings 1967 - 1979» in The Tablet, 20 October 1979 Hall, Charles, «The Mastery of Living Colour» in The Times, 4 October 1995 Harrison, Charles, «Two by Two they Went into the Ark» in Art Monthly, November 1977 Hatton, Brian, «The John Moores at the Walker Art Gallery, Liverpool» in Artscribe, no. 38, December 1982 Heywood, Irene, «John Hoyland» in Montreal Gazette, 7 February 1970 Hilton, Tim, «Hoyland's tale of Hofmann» in The Guardian, 5 March 1988 Hoyland, John, «Painting 1979: A Crisis of Function» in London Magazine, April / May 1979; «Framing Words» in Evening Standard, 7 December 1989; «The Famous Grouse» in Arts Review, October 1995 Januszcak, Waldemar, «Felt through the Eye» in The Guardian, 16 October 1979; «Last Chance» in The Guardian, 18 May 1983; «Painter nets # 25,000 art prize» in The Guardian, 11 February 1987; «The Circles of Celebration» in The Guardian, 19 February 1987 Kennedy, R.C., «London Letter» in Art International, Lugano, 20 October 1971 Kent, Sarah, «The Modernist Despot Refuses to Die» in Time Out, 19 - 25, October 1979 Key, Philip, «This Way Up and It's Art; Key Previews the John Moores Exhibition» in Post, 25 November 1982 Kramer, Hilton, «Art: Vitality in the Pictorial Structure» in New York Times, 10 October 1970 Lehmann, Harry, «Hoyland Abstractions Boldly Pleasing As Ever» in Montreal Star, 30 March 1978 Lucie - Smith, Edward, «John Hoyland» in Sunday Times, 7 May 1970; «Waiting for the click...» in Evening Standard, 3 October 1979 Lynton, Norbert, «Hoyland», in The Guardian, [month] 1967 MacKenzie, Andrew, «A Colourful Champion of the Abstract» in Morning Telegraph, Sheffield, 9 October 1979 Mackenzie, Andrew, «Let's recognise city artist» in Morning Telegraph, Sheffield, 18 September 1978 Makin, Jeffrey, «Colour... it's the European Flair» in The Sun, 30 April 1980 Maloon, Terence, «Nothing succeeds like excess» in Time Out, September 1978 Marle, Judy, «Histories Unfolding» in The Guardian, May 1971 Martin, Barry, «John Hoyland and John Edwards» in Studio International, May / June 1975 McCullach, Alan, «Seeing it in Context» in The Herald, 22 May 1980 McEwen, John, «Hoyland and Law» in The Spectator, 15 November 1975; «Momentum» in The Spectator, 23 October 1976; «John Hoyland in mid-career» in Arts Canada, April 1977; «Abstraction» in The Spectator, 23 September 1978; «4 British Artists» in Artforum, March 1979; «Undercurrents» in The Spectator, 24 October 1981; «Flying Colours» in The Spectator, 4 December 1982; «John Hoyland, new paintings» in The Spectator, 21 May 1983; «The golden age of junk art: John McEwen on Christmas Exhibitions» in Sunday Times, 18 December 1984; «Britain's Best and Brightest» in Art in America, July 1987; «Landscapes of the Mind» in The Independent Magazine, 16 June 1990; «The Master Manipulator of Paint» in Sunday Telegraph, 1 October 1995; «Cool dude struts with his holster full of colours» in The Sunday Telegraph, 10 October 1999 McGrath, Sandra, «Hangovers and Gunfighters» in The Australian, 19 February 1980 McManus, Irene, «John Moores Competition» in The Guardian, 8 December 1982 Morris, Ann, «The Experts&raqu
exhibition at Warwick Arts Trust) in The Observer, 13 May 1984; «Landscapes of the mind» in The Observer, 24 April 1995 Finch, Liz, «Painting is the head, hand and the heart», John Hoyland talks to Liz Finch, Ritz Newspaper Supplement: Inside Art, June 1984 Findlater, Richard, «A Briton's
Contemporary Clusters Show a Touch of American Influence» in Detroit Free Press, 27 October 1974 Forge, Andrew, «Andrew Forge Looks at Paintings of Hoyland» in The Listener, July 1971 Fraser, Alison, «Solid areas of hot colour» in The Australian, 19 February 1980 Freke, David, «Massaging the Medium» in Arts Alive Merseyside, December 1982 Fuller, Peter, «Hoyland at the Serpentine» in Art Monthly, no. 31 Garras, Stephen, «Sketches for a Finished Work» in The Independent, 22 October 1986 Gosling, Nigel, «Visions off Bond Street» in The Observer, 17 May 1970 Graham - Dixon, Andrew, «Canvassing the abstract voters» in The Independent, 7 February 1987; «John Hoyland» in The Independent, 12 February 1987 Griffiths, John, «John Hoyland: Paintings 1967 - 1979» in The Tablet, 20 October 1979 Hall, Charles, «The Mastery of Living Colour» in The Times, 4 October 1995 Harrison, Charles, «Two
by Two they Went into the Ark» in Art Monthly, November 1977 Hatton, Brian, «The John Moores at the Walker Art Gallery, Liverpool» in Artscribe, no. 38, December 1982 Heywood, Irene, «John Hoyland» in Montreal Gazette, 7 February 1970 Hilton, Tim, «Hoyland's tale of Hofmann» in The Guardian, 5 March 1988 Hoyland, John, «Painting 1979: A Crisis of Function» in London Magazine, April / May 1979; «Framing Words» in Evening Standard, 7 December 1989; «The Famous Grouse» in Arts Review, October 1995 Januszcak, Waldemar, «Felt through the Eye» in The Guardian, 16 October 1979; «Last Chance» in The Guardian, 18 May 1983; «Painter nets # 25,000 art prize» in The Guardian, 11 February 1987; «The Circles of Celebration» in The Guardian, 19 February 1987 Kennedy, R.C., «London Letter» in Art
International, Lugano, 20 October 1971 Kent, Sarah, «The Modernist Despot Refuses to Die» in Time Out, 19 - 25, October 1979 Key, Philip, «This Way Up and It's Art; Key Previews the John Moores
Exhibition» in Post, 25 November 1982 Kramer, Hilton, «Art: Vitality in the Pictorial Structure» in New York Times, 10 October 1970 Lehmann, Harry, «Hoyland Abstractions Boldly Pleasing As Ever» in Montreal Star, 30 March 1978 Lucie - Smith, Edward, «John Hoyland» in Sunday Times, 7 May 1970; «Waiting for the click...» in Evening Standard, 3 October 1979 Lynton, Norbert, «Hoyland», in The Guardian, [month] 1967 MacKenzie, Andrew, «A Colourful Champion of the Abstract» in Morning Telegraph, Sheffield, 9 October 1979 Mackenzie, Andrew, «Let's recognise city artist» in Morning Telegraph, Sheffield, 18 September 1978 Makin, Jeffrey, «Colour... it's the European Flair» in The Sun, 30 April 1980 Maloon, Terence, «Nothing succeeds like excess» in Time Out, September 1978 Marle, Judy, «Histories Unfolding» in The Guardian, May 1971 Martin, Barry, «John Hoyland and John Edwards» in Studio International, May / June 1975 McCullach, Alan, «Seeing it in Context» in The Herald, 22 May 1980 McEwen, John, «Hoyland and Law» in The Spectator, 15 November 1975; «Momentum» in The Spectator, 23 October 1976; «John Hoyland in mid-career» in Arts Canada, April 1977; «Abstraction» in The Spectator, 23 September 1978; «4 British Artists» in Artforum, March 1979; «Undercurrents» in The Spectator, 24 October 1981; «Flying Colours» in The Spectator, 4 December 1982; «John Hoyland, new paintings» in The Spectator, 21 May 1983; «The golden age of junk art: John McEwen on Christmas Exhibitions» in Sunday Times, 18 December 1984; «Britain's Best and Brightest» in Art in America, July 1987; «Landscapes of the Mind» in The Independent Magazine, 16 June 1990; «The Master Manipulator of Paint» in Sunday Telegraph, 1 October 1995; «Cool dude struts with his holster full of colours» in The Sunday Telegraph, 10 October 1999 McGrath, Sandra, «Hangovers and Gunfighters» in The Australian, 19 February 1980 McManus, Irene, «John Moores Competition» in The Guardian, 8 December 1982 Morris, Ann, «The Experts&raqu
Exhibition» in Post, 25 November 1982 Kramer, Hilton, «Art: Vitality in the Pictorial Structure» in New York Times, 10 October 1970 Lehmann, Harry, «Hoyland Abstractions Boldly Pleasing As Ever» in Montreal Star, 30 March 1978 Lucie - Smith, Edward, «John Hoyland» in Sunday Times, 7 May 1970; «Waiting for the click...» in Evening Standard, 3 October 1979 Lynton, Norbert, «Hoyland», in The Guardian, [month] 1967 MacKenzie, Andrew, «A Colourful Champion of the Abstract» in Morning Telegraph, Sheffield, 9 October 1979 Mackenzie, Andrew, «Let's recognise city
artist» in Morning Telegraph, Sheffield, 18 September 1978 Makin, Jeffrey, «Colour... it's the European Flair» in The Sun, 30 April 1980 Maloon, Terence, «Nothing succeeds like excess» in Time Out, September 1978 Marle, Judy, «Histories Unfolding» in The Guardian, May 1971 Martin, Barry, «John Hoyland and John Edwards» in Studio
International, May / June 1975 McCullach, Alan, «Seeing it in Context» in The Herald, 22 May 1980 McEwen, John, «Hoyland and Law» in The Spectator, 15 November 1975; «Momentum» in The Spectator, 23 October 1976; «John Hoyland in mid-career» in Arts Canada, April 1977; «Abstraction» in The Spectator, 23 September 1978; «4 British
Artists» in Artforum, March 1979; «Undercurrents» in The Spectator, 24 October 1981; «Flying Colours» in The Spectator, 4 December 1982; «John Hoyland, new paintings» in The Spectator, 21 May 1983; «The golden age of junk art: John McEwen on Christmas
Exhibitions» in Sunday Times, 18 December 1984; «Britain's Best and Brightest» in Art in America, July 1987; «Landscapes of the Mind» in The Independent Magazine, 16 June 1990; «The Master Manipulator of Paint» in Sunday Telegraph, 1 October 1995; «Cool dude struts with his holster full of colours» in The Sunday Telegraph, 10 October 1999 McGrath, Sandra, «Hangovers and Gunfighters» in The Australian, 19 February 1980 McManus, Irene, «John Moores Competition» in The Guardian, 8 December 1982 Morris, Ann, «The Experts» Expert.
1963 Phoenix College Library, Phoenix, AZ 158th Annual
Exhibition: Watercolors, Prints, Drawings, Pennsylvania Academy of the Fine Arts, Philadelphia, PA The Ascendancy of American Painting, Columbia Museum of Fine Arts, Columbia, SC US Government Art Projects: Some Distinguished Alumni, Allen Memorial Art Museum, Oberlin College, OH; Mercer University, Macon, GA; University of Nevada, Academy of Art Galleries, Bloomfield Hills, MI; Carleton College, Northfield, MN; Coe College, Cedar Rapids, IO; Pomona College, Claremont, CA Works on Paper: Avery, Bigelow, Diebenkorn, Feininge &, Graves, The Waddington Galleries, London, England 11th Annual
Exhibition, Museum of Ogunquit, Ogunquit, ME
Exhibition & Sale of Works of Art Donated
by Artists to the Foundation for the
Contemporary Performance Arts, Allan Stone Gallery, New York, NY Dunn
International, The Tate Gallery, London, England WR Valentiner Memorial
Exhibition, J.L. Hudson Gallery, Detroit, MI Pacific Northwest Art: The Haseltine Collection, University of Oregon Museum of Art, Eugene, OR Drawings USA, Saint Paul Art Center, Saint Paul, MN
In the last two decades, work
by Graves has been featured in a number of solo and group
exhibitions, most notably Klange des Inneren Auges: John Cage, Mark Tobey, Morris Graves (Sounds of the Inner Eye: John Cage, Mark Tobey, Morris Graves) at the Kunsthalle Bremen, Germany and the Museum of Glass:
International Center for
Contemporary Art, Tacoma, WA (2002); Immeasurable Spaces, Incalculable Energies: Tobey, Graves, Callahan, Anderson at the Tacoma Art Museum, Tacoma, WA (2003); The Third Mind: American
Artists Contemplate Asia, 1860 - 1989 at the Solomon R. Guggenheim Museum, New York, NY (2009); John Cage with Morris Graves and Mark Tobey at The Phillips Collection, Washington, DC (2012); and Modernism in the Pacific Northwest: The Mythic and the Mystical at the Seattle Art Museum (2014).
An
exhibition in honor of Women's History Month, featuring
contemporary works
by international artists supporting the advancement of women's rights.
The first major
exhibition in Australia of work
by acclaimed Italian
contemporary artist Francesco Clemente, and second in the annual Schwartz Carriageworks series of major
international visual arts projects, Encampment includes six of Clemente's celebrated large - scale tents, transforming 30,000 square feet of the precinct into an opulent tented village.
Contemporary Arts Center's 2016
Exhibitions Schedule Features
International Artists and New Commission
by Tomás Saraceno (CINCINNATI, OH), February 8, 2016... The
Contemporary Arts Center (CAC)...
Recognized as an innovative and dynamic leader for building greater community engagement and creating programs of national and
international impact, Bedford served as director of the Rose Art Museum at Brandeis University for four years prior to joining the BMA and was appointed as Commissioner for the U.S. Pavilion for the 2017 Venice Biennale, the world's most prestigious
contemporary art
exhibition, which debuted an
exhibition of new work
by American
artist Mark Bradford.
1962 Introductions 1936 - 1948, Willard Gallery, New York, NY Masters of American Watercolor, Whitney Museum of American Art, New York, NY The First 5 Years: Acquisitions
by the Friends of the Whitney Museum of American Art 10th Annual
Exhibition, Museum of Art of Ogunquit, Ogunquit, ME The
Artist's Environment: The West Coast, Amon Carter Museum of Western Art, Fort Worth, TX American Art Since 1950, Institute of
Contemporary Art, Boston, MA 7th Annual
International Exhibition of Modern Art, Mary Washington College, Fredericksburg, VA
Future Shock is a large - scale
exhibition of works
by international artists that articulates the profound impact of the acceleration of technological, social, and structural change upon
contemporary life.