Sentences with phrase «exhibitions by men and women»

Not exact matches

The Museum's reputation for helping people understand the experience of modern conflicts is unrivalled, and I'm confident that members of the public will be inspired and motivated by the exceptional courage of the ordinary men, women and children featured in the outstanding exhibition.»

Founded in March 1997 by Colette Rousseau and her daughter Sarah Andelman, Colette is a three - floor concept store on rue Saint - Honoré in Paris offering a curated selection of men's and women's clothing and accessories, alongside an exhibition space, bookshop and «water bar» serving more than 100 brands of bottled water.

Statistics from 2012 reveal that 90 per cent of the visual artists featured in art books were men; work by women artists made up three to five per cent of major permanent collections in the US and Europe; artworks by female artists achieved none of the highest 100 auction prices; of The Art Newspaper's top 30 most visited exhibitions in New York, Paris, and London, only three were solo exhibitions featuring female artists.

«The art market is such a financial force,» says Cooper, «that the decisions about who is awarded exhibitions is probably influenced by the idea that women aren't as bankable as the men — precisely because they're not as well known and they don't have as many major shows.

Inequality in almost every area of the art world was obvious: male artists dominated both historic collections and also exhibitions of contemporary art; women were excluded or absent from major art history books; almost all the staff in art institutions and universities were men; and work by female artists had less commercial value.

Metabolism and Communication, Zentrum fur Kunst und Medientechnologie, Center for Art and Media, Karlsruhe, Germany 2003 Love, Magazin4 Vorarlberger Kunstverein, Bregenz, Germany Patty Chang, Tracy Emin, Naomi Fisher, Paul McCarthy, The Moore Space, Miami, FL (performance, April 26) Water, Water, curated by Lilly Wei, The Rotunda Gallery, Brooklyn, NY Awakenings, Center for Curatorial Studies at Bard College, Annandale - on - Hudson, NY Feminine Persuasion, The Kinsey Institute and the School of Fine Arts Gallery, Indiana Univeristy, Bloomington, Indiana 2002 Videos in Progress, The RISD Museum, Providence, Rhode Island Le Plateau Frac Ile - de-France (performance only, November 7), Paris, France Mirror, Mirror on the Wall, MASS MoCA, North Adams, MA The Body Electric: Video Art and the Human Body, Cheekwood Museum of Art, Nashville, TN Americas Remixed, La Fabbrica del Vapore, Milan, Italy (performance / exhibition) Extreme Existence, curated by Klaus Ottmann, Pratt Manhattan Gallery, NY (performance / exhibition)(catalogue) Moving Pictures, Guggenheim Museum, New York Fusion Cuisine, Deste Foundation Centre for Contemporary Art, Athens, Greece (performance / exhibition), (Catalog available) Time Share, Sara Meltzer Gallery, NY Le Studio, Yvon Lambert, Paris, France Oral Fixations, curated by Sandra Firmin, Center for Curatorial Studies, Bard College, Annandale - on - Hudson, NY Panorama, curated by Carmen Zita, Room Interior Products, NY Superlounge, curated by Andrea Salerno & Mari Spirito, Gale Gates, Brooklyn, NY About the Mind (Not Everything You Always Wanted to Know), Video Cafe, organized by Hitomi Iwasaki, Queens Museum, NY Mirror Image, curated by Russell Ferguson, UCLA Hammer Museum, Los Angeles, CA Traveled to: Bard College, Center for Curatorial Studies Museum, Annadale - on - Hudson, NY Perspectives: Artists of Chinese Descent in New York, Queens College Art Center, NY Traveled to: Firehouse Art Gallery, Nassau Community College, Garden City, NY, March - April 2003 2001 Bodily Acts, curated by Jennifer L. Gray, Center for Curatorial Studies, Bard College, Annandale - on - Hudson, NY Circus Maximus, BeganeGrond, Center for the Contemporary Arts, Utrecht, Holland Group Show, Hamburg Kunstverein, Germany (performance) Mimic, Gale Gates et al., Brooklyn, NY Casino 2001, 1st Quadrennial of Contemporary Art, Stedelijk Museum Voor Actuele Kunst and the Bijloke Museum, Gent, Belgium (performance / exhibition) Looking for Mr. Fluxus: In the Footsteps of George Maciunas, Art in General, NY La Hijas de la Tierra (The Daughters of the Earth), IODAC Museum of Contemporary, Spain Panic, Julie Saul Gallery, New York Video Jam, Palm Beach Institute of Contemporary Art, Lake Worth, Florida (brochure) 2001 Art + Performance + Technology, in conjunction with the 19th International Sculpture Conference, Wood Street Galleries, Pittsburgh, PA (performance) WET, Luise Ross Gallery, New York Trans Sexual Express Barcelona, Centre d'Art Santa Monica, Barcelona, Spain Smirk: Women, Art, and Humor, curated by Debra Wacks, Firehouse Art Gallery, Nassau Community College, New York 2000 Uncomfortable Beauty, Jack Tilton / Anna Kustera Gallery, New York Cross Female, Kunstlerhaus Bethanien, Berlin, Germany (performance / exhibition): Traveled to: Kunst - und Kunstgewerbeverein Pforzheim, Germany (April / May 2001) The Art of the Screen Saver, Stanford Art Museum / Cantor Art Center, Stanford, CA Traveled to: ICA, London, England (Feb - March 2002) Steamroller, performance festival organized by Galerie MXM, Prague, Czech Republic (Catalog available) Soma, Soma, Soma, The Sculpture Center, New York Performance Festival, Kunstpanorama, Lucern and USINE, Geneva The Standard Projection: 24/7, Standard Hotel, Los Angeles Deja vu, Art Miami 2000, Miami Beach Convention Center, Miami Beach Galerie Fons Welters (two person exhibition with Atelier van Lieshout), Amsterdam ID / y2k, Identity At The Millennium, Castle Gallery, College of New Rochelle, NY 1999 - 2000 Illusion Delusion Denial, 450 Broadway Gallery, New York Mug Shots, Center for Visual Art and Culture, University of Connecticut, Storrs, CT. 1999 IDENDITAT, hat man doch zu viel, Ort halle fur kunst, Feldstr.

The exhibition includes a number of commissioned works, including a major new braided sculpture by Diamond Stingily that snakes through gallery floors, trailing from the Fourth Floor all the way down to the Museum's Lobby, and alludes to the racial dimensions of beauty conventions as well as to Medusa, the mythological snake - haired woman whose gaze could turn men into stone.

The exhibition — a collaboration between Iziko South African National Gallery (ISANG), the country's premier public museum and host venue for this show, and The New Church Museum, a private collection with a contemporary focus — juxtaposes historical and contemporary works by 27 artists (20 men and seven women) to offer various critical insights about patriarchy and gendered tropes within figurative painting.

The exhibition will include a number of commissioned works, including a major new braided sculpture by Diamond Stingily that pierces through gallery floors, trailing from the Fourth Floor all the way down to the Museum's Lobby, and alludes to the racial dimensions of beauty conventions as well as to Medusa, the mythological snake - haired woman whose gaze could turn men into stone.

Ofili seemed to thrive on controversy around his work: in 1999, the New York mayor Rudolf Giuliani was appalled up by the «sacrilegious content» of Ofili's The Holy Virgin Mary posed pregnant against a backdrop interspersed with close - ups of women's genitalia cut from men's porn magazines, and he blocked the planned exhibition at Brooklyn Art Museum.

No Man's Land: Women Artists from the Rubell Family Collection This exhibition will focus on and celebrate work made by more than a hundred female artists of different generations, cultures and disciplines.

Caring for an Elderly Man by Clementine Hunter (c. late 1960s; collection of Scott H. Lang, Chicago) hangs in a corner with drawings by Nellie Mae Rowe and Juanita Rogers, two Southern women artists from the 1982 exhibition.

Group Exhibitions 2018 Stretch / Pulled / Inked, Impact Arts, as part of the Glasgow International, Glasgow (upcoming) Glasshouse, Glasgow Botanic Gardens, Glasgow (upcoming) 2017 Amazing Perplexity, Curated by Nathalie Hoyos, Rainald Schumacher and Alevtina Kakhidze, Residents Group Exhibition of FACE — Artist Residence Program in Kiev 2016 Factually Real Illusions, curated by Lorna McDowell, Cookhouse Gallery Chelsea College of Art, London Semi-Gloss, Semi-Permeable, Glasgow International Festival 2015 International Women's Contemporary Art Forum — A Crossing Section of Art, BankART Studio NYK, Yokohama Finite Project Altered When Open, David Dale Gallery, Glasgow Abstraction from Architecture, Edinburgh Print Studio Hold, Sway, Generator Projects, Dundee 2013 Editionshow, Chert, Berlin You're my wife now, Infernoesque project space, Berlin Every Day, GoMA, Gallery of Modern Art, Glasgow 2012 Tintenfisch, CNEAI =, Paris, organized by Chert & Motto in the frame of Berlin - Paris exchange 2011 Industrial Aesthetics: Environmental Influences on Recent Art from Scotland, Times Square Gallery of Hunter College, City University of New York Annuale, Edinburgh 2010 Drinnen & Draussen, Chert, Berlin A man, some chickens and one corner, with Petrit Halilaj and Heike Kabisch, Berlin — Paris exchange, Galerie Carlos Cardenas, Paris, with Chert, Berlin 2009 Spacioux, curated by Michela Arfiero, Paola Gallio, Daniela Lotta, Lambretto Art Project, Milan Motto & Chert & Roses, Tulips & Roses, Vilnius 2008 You can't hide your love forever, LH Gallery, Paris And So It Goes, Art news Projects, Berlin MFA Degree Show, Tramway, Glasgow Flock, Bezalel Gallery, Tel Aviv 2007 MFA Interim show, Glasgow School of Art, Glasgow Devil Blue Dress, The Factory, Impact Arts, Glasgow 2005 Tercet, Intermedia, King Street, Glasgow 2004 Pieces, The Factory, Impact Arts, Glasand Alevtina Kakhidze, Residents Group Exhibition of FACE — Artist Residence Program in Kiev 2016 Factually Real Illusions, curated by Lorna McDowell, Cookhouse Gallery Chelsea College of Art, London Semi-Gloss, Semi-Permeable, Glasgow International Festival 2015 International Women's Contemporary Art Forum — A Crossing Section of Art, BankART Studio NYK, Yokohama Finite Project Altered When Open, David Dale Gallery, Glasgow Abstraction from Architecture, Edinburgh Print Studio Hold, Sway, Generator Projects, Dundee 2013 Editionshow, Chert, Berlin You're my wife now, Infernoesque project space, Berlin Every Day, GoMA, Gallery of Modern Art, Glasgow 2012 Tintenfisch, CNEAI =, Paris, organized by Chert & Motto in the frame of Berlin - Paris exchange 2011 Industrial Aesthetics: Environmental Influences on Recent Art from Scotland, Times Square Gallery of Hunter College, City University of New York Annuale, Edinburgh 2010 Drinnen & Draussen, Chert, Berlin A man, some chickens and one corner, with Petrit Halilaj and Heike Kabisch, Berlin — Paris exchange, Galerie Carlos Cardenas, Paris, with Chert, Berlin 2009 Spacioux, curated by Michela Arfiero, Paola Gallio, Daniela Lotta, Lambretto Art Project, Milan Motto & Chert & Roses, Tulips & Roses, Vilnius 2008 You can't hide your love forever, LH Gallery, Paris And So It Goes, Art news Projects, Berlin MFA Degree Show, Tramway, Glasgow Flock, Bezalel Gallery, Tel Aviv 2007 MFA Interim show, Glasgow School of Art, Glasgow Devil Blue Dress, The Factory, Impact Arts, Glasgow 2005 Tercet, Intermedia, King Street, Glasgow 2004 Pieces, The Factory, Impact Arts, Glasand one corner, with Petrit Halilaj and Heike Kabisch, Berlin — Paris exchange, Galerie Carlos Cardenas, Paris, with Chert, Berlin 2009 Spacioux, curated by Michela Arfiero, Paola Gallio, Daniela Lotta, Lambretto Art Project, Milan Motto & Chert & Roses, Tulips & Roses, Vilnius 2008 You can't hide your love forever, LH Gallery, Paris And So It Goes, Art news Projects, Berlin MFA Degree Show, Tramway, Glasgow Flock, Bezalel Gallery, Tel Aviv 2007 MFA Interim show, Glasgow School of Art, Glasgow Devil Blue Dress, The Factory, Impact Arts, Glasgow 2005 Tercet, Intermedia, King Street, Glasgow 2004 Pieces, The Factory, Impact Arts, Glasand Heike Kabisch, Berlin — Paris exchange, Galerie Carlos Cardenas, Paris, with Chert, Berlin 2009 Spacioux, curated by Michela Arfiero, Paola Gallio, Daniela Lotta, Lambretto Art Project, Milan Motto & Chert & Roses, Tulips & Roses, Vilnius 2008 You can't hide your love forever, LH Gallery, Paris And So It Goes, Art news Projects, Berlin MFA Degree Show, Tramway, Glasgow Flock, Bezalel Gallery, Tel Aviv 2007 MFA Interim show, Glasgow School of Art, Glasgow Devil Blue Dress, The Factory, Impact Arts, Glasgow 2005 Tercet, Intermedia, King Street, Glasgow 2004 Pieces, The Factory, Impact Arts, GlasAnd So It Goes, Art news Projects, Berlin MFA Degree Show, Tramway, Glasgow Flock, Bezalel Gallery, Tel Aviv 2007 MFA Interim show, Glasgow School of Art, Glasgow Devil Blue Dress, The Factory, Impact Arts, Glasgow 2005 Tercet, Intermedia, King Street, Glasgow 2004 Pieces, The Factory, Impact Arts, Glasgow

«British Art Show 8», Southampton Art Gallery, Southampton «BIG», Big Hodges Gallery, New York «British Art Show 8», Norwich Castle Museum and Art Gallery, Norwich (cat) «The Female Gaze, Part Two: Women Look at Men», Cheim & Read, New York «Making & Unmaking: An exhibition curated by Duro Olowu», Camden Arts Centre, London (cat) «You go to my Head», Galerie Templon, Brussels «Drawn from Life: People on Paper», The Collection, Lincoln «Entanglements, Curated by Glenn Ligon», Luhring Augustine, New York «Stranger», Museum of Contemporary Art Cleveland, Cleveland «One Day, Something Happens: Paintings of People», The Atkinson, Southport «British Art Show 8», Scottish National Gallery of Modern Art, Edinburgh (cat)

The 17 paintings included in this exhibition were created by men and women who participated in Colombia's war.

Issues raised by the exhibition include the representation of the roles of women and men, social class, race, and same - sex marriage.

Her work was recently included in Black Sheep Feminism: The Art of Sexual Politics, a four - artist exhibition curated by Alison Gingeras at the Dallas Contemporary, and The Female Gaze, Part Two: Women Look at Men at Cheim and Read in New York.

The Rose's exhibition included large - scale canvases like Love and Violence (1965)-- in which a man grabs a woman by the throat, while frames from a horror film unfold below against a blood - red background — as well as photo and video documentation from the 1960s through the 1980s of Drexler's theater pieces, which premiered at such avant - garde New York venues as the Judson Poets» Theater and Theater for the New City.

This year's Summer Exhibition, which is co-ordinated by sculptor Richard Wilson RA, celebrates this phenomenon with works by more than 15 two - people partnerships: men, women, man and woman, women who have been men, twins, siblings, friends, lovers, ex-lovers, spouses.

This exhibition will include four works: a Giacometti painted bronze sculpture, Standing Woman, 1948; a large Mark di Suvero sculpture in metal and wood, entitled The A Train, 1966; a large - scale color photograph by Jeff Wall, A ventriloquist at a birthday party in October 1947, 1990; and a suite of seven carved wood sculptures by the American folk artist Edgar Tolson, entitled The Fall of Man.

The exhibition African Headwear: Beyond Fashion presents a selection of headwear that was once — and in some instances still is — worn by kings and chiefs, religious practitioners, warriors, and men, women, and infants in many parts of sub-Saharan Africa.

Examples from the exhibition include: William Moore McCulloch, who worked tirelessly for equal rights at the risk of political suicide and was recognized by President Kennedy for his important influence in passing the Civil Rights Act; Edward Brooke, one of the first Republicans to call on President Nixon to resign in light of the Watergate scandal; Mose Wright, who in 1955 testified at the trial of the men who brutally abducted, tortured, and murdered his great nephew, Emmett Till, for allegedly whistling at a white woman; and Lois Jenson, a Minnesota miner who, in 1988, filed Lois E. Jenson v. Eveleth Taconite Co. and won the first class - action sexual harassment lawsuit in the United States.

Anchored by the 1986 Bruce Nauman video «Violent Incident (Man - Woman Segment)», Spooner's Violent Incident exhibition, co-curated with Gortzak is the longest - running component of Spooner's solo show and includes none of her own work.

This exhibition loosely inspired by Jean - Luc Godard's 1966 masterpiece Masculin Féminin, aims to explore the challenge of representing the mysterious, at times ineffable and immaterial, dynamics that occur or do not occur between a woman and a man.

Jeffrey Stockbridge's first solo exhibition at the gallery coincides with the publication of his book by the same name, and features several large format color photographs (shot with a 4 × 5 film camera) of men and women caught in the grip of drug addiction and prostitution along Kensington Avenue in North Philadelphia, Pennsylvania.

• February Women's Show & Goddess Festival, Varga Gallery, 130 Tinker St., Woodstock Contact: [phone] http://www.VARGAgallery.com Notes: The annual exhibition celebrates artwork by or about women and includes works by men as well as wWomen's Show & Goddess Festival, Varga Gallery, 130 Tinker St., Woodstock Contact: [phone] http://www.VARGAgallery.com Notes: The annual exhibition celebrates artwork by or about women and includes works by men as well as wwomen and includes works by men as well as womenwomen.

Created in 2002 by British - German artist Tino Sehgal, who was shortlisted for the prestigious Turner Prize last week in Britain, the work is a «constructed situation» where a pair of museum guards - two men, two women or a man and a woman - kiss each other when a visitor enters an exhibition space.

- the final results of our survey on the impact of social media and technology on relationships - the unveiling of a community mosaic mural to celebrate Harmony Day - the expansion of our workplace services program - the evaluation of a family violence program for Vietnamese speaking men - a special exhibition in Shepparton featuring stories by women affected by family violence.