Sentences with phrase «exhibitions by professional artists»

The Bakalar and Paine Galleries comprise the largest free, contemporary art space in New England, showing a variety of temporary exhibitions by professional artists.

We visited Sendai Mediatech where I was impressed by the way the venue is well attended by the community and used for a range of different activities from community based art projects to solo exhibitions by professional artists.

Not exact matches

The longest - running exhibition of African - American art in the U.S. features more than 100 dynamic works of art from amateur and professional African - American artists from around the nation, as well as a youth category which features work by a dozen area high school artists.

Arts programming includes daily classes taught by professional artist - educators, special arts programming for babies, toddlers and preschoolers (Kids Create), and a wide range of performing arts programs and special art exhibitions.

IN 1988 — Certificate of Excellence, New York ’88 International Art Competition, Art Horizons Exhibition, Larchmont, NY 1986 — Certificate of Excellence, North Coast Collage Society Exhibition, Hudson, OH 1986 — Honorable Mention, Nepenthe Mundi Society Exhibition, Kansas City, MO 1986 — Certificate of Excellence, Metro Art International Exhibition, Greene Street Gallery, Scarsdale, NY 1986 — Favorable Review by art historian & New York Times critic Mr. Hilton Kramer, Ultrasound, R.H. Love Gallery, Chicago, IL 1985 — New Jersey Chapter Award, 2nd Place, American Artists Professional League Exhibition New York, NY 1985 — Personal invitation by internationally known modern master, Kenneth Nolan, to work on the installation of his show 1984 — MWS Letters Award, Midwest Watercolor Society, Neville Public Museum, Green Bay, WI 1983 — Internorth Foundation Award, Midwest Watercolor Society, Davenport Art Gallery, Davenport, IA 1982 — Daniel Smith Award, Midwest Watercolor Society, West Bend Museum of Art, West Bend, WI

The core of our exhibitions are selected through a very competitive annual call for proposals, with selections made by our Artist Advisory Committee, comprised of local established artists and arts professionals.

Our exhibition programming features a full range of visual arts, including painting, drawing, photography, sculpture, printmaking, ceramics, and other media by local, regional, national, and international artists ranging from emerging to professional status.

In addition, UMOCA will support residents by offering workshops in professional development, special access to visiting artists and lecturers, and an exhibition in the A.I.R. Space Gallery at the culmination of their residency.

It ranges from the NMWA's women only collection and exhibition - programme to an entire wing of the Brooklyn Museum being dedicated to feminist art; there's also The Metropolitan Museum of Art's decision to show work by lesser - known artists like Helen Torr and Elizabeth Catlett that has never been on view in «Reimagining Modernism: 1900 — 1950» (the rehang of their modern art collection); and there's the recent acquisition by the Tate of a painting by Mary Beale, who is regarded as Britain's first professional female artist.

Frankenthaler's professional exhibition career began in 1950, when Adolph Gottlieb selected her painting Beach (1950) for inclusion in the exhibition titled Fifteen Unknowns: Selected by Artists of the Kootz Gallery.

Sessions provide information, instruction and professional guidance by addressing areas of practical concern to artists, among them curatorial practice, copyright law, exhibition and public art opportunities, gallery representation, grant writing, income taxes and marketing.

The exhibition, curated by Rachel Gugelberger and Reynard Loki, takes its name from the title of a 2010 special report published by The Economist that observed the emergence of «a new kind of professional... the data scientist, who combines the skills of software programmer, statistician and storyteller / artist to extract the nuggets of gold hidden under mountains of data.»

COUNTRY: The United States AWARDED BY: The DeVos Foundation WHAT IT IS: Numerous prizes ranging from $ 20,000 to $ 200,000, with the top honor awarded by public vote AIM: To promote critical dialogue and collaboration throughout the year with the goal of decentralizing the traditional, top - down art competition ELIGIBILITY: Any artist 18 or older who is able to secure an exhibition venue in Grand Rapids, Michigan, to show a specially created work NUMBER OF WINNERS: 10 winners chosen by the public and six winners chosen by a jury of art world professionalBY: The DeVos Foundation WHAT IT IS: Numerous prizes ranging from $ 20,000 to $ 200,000, with the top honor awarded by public vote AIM: To promote critical dialogue and collaboration throughout the year with the goal of decentralizing the traditional, top - down art competition ELIGIBILITY: Any artist 18 or older who is able to secure an exhibition venue in Grand Rapids, Michigan, to show a specially created work NUMBER OF WINNERS: 10 winners chosen by the public and six winners chosen by a jury of art world professionalby public vote AIM: To promote critical dialogue and collaboration throughout the year with the goal of decentralizing the traditional, top - down art competition ELIGIBILITY: Any artist 18 or older who is able to secure an exhibition venue in Grand Rapids, Michigan, to show a specially created work NUMBER OF WINNERS: 10 winners chosen by the public and six winners chosen by a jury of art world professionalby the public and six winners chosen by a jury of art world professionalby a jury of art world professionals.

We engage emerging artists, patrons, and creative professionals by providing studio and exhibition space, curatorial opportunities, workshops and classes, conferences, and other resources.

Since 1949 it has consistently supported contemporary visual artists to successfully transition from education into professional practice, primarily by means of an annual, nationally touring exhibition.

As part of the wider flora exhibition project originated by Oriel Davies flora.orieldavies.org we invite professional artists working across any medium from Wales and further afield to apply for a residency taking place at the acclaimed and unique setting of the National Botanic Garden of Wales, Carmarthenshire from October 2015.

From finely crafted furniture to fine oil paintings, this exhibition is an eclectic mix of work from the Noyes Museum's Signature Artists, a group pre-selected by a jury of regional arts professionals.

Her professional 2 of 3 exhibition career began in 1950, when Adolph Gottlieb selected her painting Beach (1950) for inclusion in the exhibition Fifteen Unknowns: Selected by Artists of the Kootz Gallery.

This group exhibition features work by eight compelling local artists who participated in the The Contemporary Austin's Crit Group — a seven - month - long program that supports a strong artistic practice through monthly critiques and professional development workshops.

The Korean Cultural Center Washington, D.C. proudly presents Dance of Light, a solo exhibition featuring 70 radiant, spiritual works that evoke an abstract vision of the natural world by Bang Hai Ja, celebrated as being among the first generation of professional artists from Korea to embrace abstract art in the modern era.

This collection - based exhibition is divided into a series of small thematic presentations organized by distinguished professors, artists, museum professionals, UChicago students, and notable Smart alumni.

We are dedicated to nurturing and supporting under - recognized, emerging, and mid-career artists in the creation and exhibition of new work, by providing access to vital basic supports including free and affordable workspace, exhibition opportunities, as well as professional development.

The accompanying exhibition catalog Dwan Gallery: Los Angeles to New York, 1959 — 1971, copublished by the National Gallery of Art and the University of Chicago Press, is a richly illustrated scholarly study of the history of the Dwan Gallery by Meyer with writings by Virginia Dwan on the movements and artists she showed, and a chronology of Dwan's life and professional activities and a complete exhibition history of the Dwan Gallery in Los Angeles and New York by Paige Rozanski, curatorial assistant in the department of modern art at the National Gallery of Art.

Submissions are reviewed by the Exhibitions Committee, which consists of artists and art professionals, as well as the Art Center's Director of Exhibitions and Executive Director quarterly.

This past weekend we stopped by artist and professional skater Chad Muska's private studio for a very special one night solo exhibition of his latest work, «Alignment.»

- Solo exhibition for the artist of year - the winner (individual artist or 1 team) will be eligible for travel and accommodation - production (printing, framing or related presentation material)- exhibition exposure at the Festival's main exhibition space / outdoor - inclusion in art magazine and any related press - long term festival representation and promotion on official website - publications / catalog - being seen by a substantial number of visual arts professionals and the media - having their work viewed by an international panel of influential experts in the field of photography

Led by Director of Education Mike Nourse, this six - month program is designed for a group of artists who create new works, connect with peers, present to visiting professionals, and culminate with an exhibition.

This fellowship is for emerging and mid-career professional American artists in conjunction with our inaugural salon - style exhibition, curated by critic Georgia Erger.

Presented by professional artists, these lectures and demonstrations are scheduled in conjunction with current exhibitions.

signed by numerous artists, curators, and arts professionals such as Christian Boltanski, Dahn Vo and Hans Ulrich Obrist was issued shortly after the news broke, declaring that «We are stupefied by the announced dismissal of a consummate professional who is internationally renowned for her curiosity, the pertinence of her curatorial programme, and the quality of her exhibitions... Through this letter, we assert our attachment to the CAPC and to the programme of its current director.

Building on the movement's lineage, the exhibition's opening reception will debut two performances: Bay Area artist and SFAI alumnus Guy Overfelt will break open the plane of painting atop a motorcycle in response to Saburo Murakami's Passing Through (1956); and Jeremiah Jenkins, also an alumnus, will respond to Kazuo Shiraga's Challenging Mud (1955) by taking on the materials as a professional wrestler, complete with WWF - style theatrics.

An open letter signed by numerous artists, curators, and arts professionals such as Christian Boltanski, Dahn Vo and Hans Ulrich Obrist was issued shortly after the news broke, declaring that «We are stupefied by the announced dismissal of a consummate professional who is internationally renowned for her curiosity, the pertinence of her curatorial programme, and the quality of her exhibitions... Through this letter, we assert our attachment to the CAPC and to the programme of its current director.

Alongside the gallery halls, Art Dubai's extensive not - for - profit programme includes a dynamic roster of commissioned projects, film and radio programmes; artists» and curators» residencies; educational initiatives for children through to professionals, including the year - round art school Campus Art Dubai; an annual exhibition of works by winners of The Abraaj Group Art Prize; and the critically - acclaimed Global Art Forum.

Under the leadership of Mary Ellen Goeke, Executive Director of FotoFocus; Raphaela Platow, Director of Contemporary Arts Center; and curated by Kevin Moore, Artistic Director of FotoFocus, the program will include an international roster of curators, critics, artists, and art world professionals who will meet for a two - day event on October 23 and 24, 2015, at the CAC, to discuss the significance and implications of the exhibition and Mapplethorpe's career and legacy as these have evolved over the past 25 years.

Sessions are facilitated by professional artists and educators, taking inspiration from the exhibitions on view and encouraging visitors to create collaboratively.

A Girls» Guide to ABMB is a resource produced by Girls» Club to bring attention to exhibitions, fairs, performances and programs featuring women artists, curators and art professionals during the 2015 ABMB festivities.

The judges then select ten short - listed artists to exhibit in a group show in November 2017 at Griffin Gallery, a high profile exhibition visited by collectors, curators and other art world professionals.

Professional artists who have been juried in a minimum of three annual exhibitions, will be considered for the honor of being elected to full member status into Allied Artists of America by the membership comartists who have been juried in a minimum of three annual exhibitions, will be considered for the honor of being elected to full member status into Allied Artists of America by the membership comArtists of America by the membership committee.

Highlighting the DMA's exceptional holdings of artwork by female artists working in Europe between the late 18th and early 20th centuries, this exhibition, a complement to Berthe Morisot, Female Impressionist, explores the challenges and limitations experienced by female artists seeking professional careers before women were admitted into fine art academies and / or gained widespread social acceptance.

Mary's work has been shown in many prominent exhibitions sponsored by such organizations as: Allied Artists of America, American Artists Professional League, Catharine Lorillard Wolfe Art Club in New York; Allied Artists of America Members Exhibition at The Butler Institute of American Art, Youngstown, OH; International Exhibition on Animals in Art, Baton Rouge, LA and Mystic International Maritime Exhibition in Mystic, CT..

The UB Anderson Gallery hosts exhibitions curated by faculty and visiting curators and features works from international and professional artist in its two floor facility.

These resources include organizing class visits by artists, curators, and other arts professionals, offering classes tours of current exhibitions, and organizing field trips for students and faculty to Bay Area museums and cultural centers.

Curated by Tricia Van Eck, Director of 6018North, the group exhibition Front & Center unveils artwork by the 2014 class of artists in this program that is dedicated to building critical dialogue for professional artists seeking to advance their work.

Submissions are reviewed by the Exhibitions Committee, which consists of artists and art professionals, as well as the Art Center's Director of Exhibitions and Executive Director.

The extracurricular programs offered by the Department of Art are significant experiences for all studio art students, allowing them to interact with professional artists and their work through exhibitions in the Allcott Galleries, installations of sculptural works in the Alumni Sculpture Garden, the Guest Artist in Printmaking Program, and the Hanes Visiting Artist Lecture Series.

Established in 1975, the Spruill Center for the Arts is a private, non-profit organization, whose mission is to foster understanding and appreciation of the visual arts, by offering an extensive and diverse program of classes, professional artist exhibition series and outreach programs.

Paul Klee: Works from Chicago Collections, January 16 — February 20 * Wit and Humor, February 28 — March 31 * Forty - Second Annual Exhibition by the Professional Members, April 8 — May 1 * Twentieth - Century Drawings from The Museum of Modern Art, New York, May 11 — June 6 Stephen Pace / George McNeil, June 11 — 30 Abstract Paintings from the Whitney Museum of American Art, October 1 — November 1 * Braque: An Exhibition to Honor the Artist on the Occasion of His Eightieth Anniversary, November 6 — December 8 * Stravinsky and the Dance, December 13, 1962 — January 10, 1963 *

DRAW / Boston, an exhibition of over 60 artists curated by Tomas Vu, toys with scale, color, style, and sound, wedding the scholarly air of a professional university gallery with the aesthetic resemblances of a working artist's studio.

Exhibitions or events of this kind help artists get involved in numerous ways and significantly benefit TCU students by enabling them to develop their professional networks with the local creative community.

Guild Hall's annual Artist Members Exhibition welcomes all artists who are members of the museum to submit one work for inclusion in the show and is judged by an art world professional.