Curator Norman L. Kleeblatt explains how
the exhibition came about: «I had been thinking for a long time about an exhibition that began with the idea of abstraction and the postwar period.
The exhibition came about because there were so many shows that I've done that have dealt technology in a really narrow sense.
The exhibition came about after co-curators Margery Gosnell - Qua and Beth Giles visited King's studio in East Hampton.
Studio International spoke to co-curator, Jon Wood, from the Henry Moore Institute, and Jill Constantine, head of the Arts Council Collection, about how
the exhibition came about and what its main themes are.
Nevertheless, questions still remained: if Lucian had refused permission for his work to be exhibited in Vienna, how had
this exhibition come about?
The exhibition came about through Olafur Eliasson's long - term engagement with Ethiopia and, in particular, the city of Addis Ababa, a relationship that has intensified over the last decade.
How did
the exhibition come about?
I asked him how
the exhibition came about and inquired whether the gallery represents Middleton's estate.
The idea for
this exhibition came about in a conversation.
The exhibition came about as a result of the Gallery's continuing interest in exploring the practice of making portraits in a variety of media throughout history.
I caught up with Catherine Morris, one of the exhibition's curators, about how the idea for
the exhibition came about, what to expect, and the importance of launching historical surveys today.
Not exact matches
While these concerns are weighty enough that they would probably have precluded my attending the Bodies
exhibition had I known
about them before I went, the objections to Bodies
coming from First Things staffers and readers seem to run deeper.
Organised by the PPMA Group of Associations, the UK's leading trade association comprising the Processing and Packaging Machinery Association (PPMA), British Automation & Robot Association (BARA) and UK Industrial Vision Association (UKIVA), the
exhibition is expected to welcome more than 8,000 attendees who will
come together to see the latest machinery in action, find inspiration and new suppliers, as well as learn
about the latest industry trends at the Learning Hub and enjoy light entertainment with RoboKeeper — the «World's Best Goalie» — and Titan the Robot.
There was a time Arsenal FC was billed ti
come to my country Nigeria for a tour and an
exhibition match at our stadium in Abuja, the tour couldnt happen cos Arsene was concerned
about the state of the pitch of our National Stadium in Abuja.
During the day we had a slow trickle of visitors who had
come to see our current
exhibition, Shorn Keighley, and find out more
about Folksy.
It is only centuries later, and a few
exhibition rooms away, that we
come across videos of surprising modern pundits — Tessa Jowell and Tory commentator Iain Dale speak alongside Campbell
about today's political propaganda methods.
The most depressing statistic I know
about patterns in U.S. film
exhibition comes from Dan Talbot, veteran head of New Yorker Films.
In 1913, the International
Exhibition of Modern Art (nicknamed the Armory Show)
came to New York and forever changed the way Americans thought
about art.
If you're
coming along to this free
exhibition drop by stand B4 to find out more
about this transformative technology.
The New Jersey Education Association's annual convention
came back yesterday in full force with capacity - crowd workshops, a busy
exhibition hall, and plenty of questions
about coming changes in how teachers do their jobs.
The first glimmering of the idea for this book
came from an
exhibition of Holbein drawings at the National Portrait Gallery
about 10 years ago.
It's no secret that suites are what it's all
about these days when it
comes to premium cabin innovation, and at the ITB Berlin travel
exhibition, Qatar Airways just revealed -LSB-...]
It's no secret that suites are what it's all
about these days when it
comes to premium cabin innovation, and at the ITB Berlin travel
exhibition, Qatar Airways just revealed a game - changing business class product dubbed the «Q Suite.»
While both players would probably need little prodding to test their strength against each other, this
exhibition match actually
came about when GO1 called out SonicFox after his tournament win, grabbing a mike and simply saying «SonicFox, you're next».
Exhibitions about Laura Aguilar, queer Chicanx networks, and Mexican painting will
come to museums around the world.
A chronological recounting of the artist's short career
came next, followed by the story of how he began making the type of work he is best known for, and finally some information
about upcoming institutional
exhibitions overseas.
Select Group
Exhibitions 2017 Monarchs: Brown and Native Contemporary Artists in the Path of the Butterfly, Bemis Center for Contemporary Art, Omaha, NE 2017 Buffalo in the American Living Room, Plains Art Museum, Fargo, ND 2017 All That Glitters, work on display in contemporary galleries at St. Louis Art Museum 2017 Now is the Time: Investigating Native Histories and Visions of the Future, IAIA Museum of Contemporary Native Arts, Santa Fe, NM 2016 Culture Shift, Art Mür, Montreal, Canada 2016 From the Belly of Our Being: art by and
about Native creation, Oklahoma State University Museum of Art, Stillwater, OK 2016 Back Where They
Came From, Sherry Leedy Contemporary, Kansas City, MO 2016 - 15 Woven Together, Regional Studies Museum Yekaterinburg, Orenburg Museum, Surgut Museum, Chelyabinsk State Regional Studies Museum, Izhevsk Municipal
Exhibition Center Gallery, Glazov, Udmurt Republic, Yamal - Nenets Museum and
Exhibition Center Salekhard, Orenburg Oblast, Russia 2015 Arriving at Fresh Water, Minneapolis Institute of Arts, Minneapolis, MN, Plains Art Museum, Fargo, ND 2015 superusted: the 4th Midwest Biennial, Soap Factory, Minnneapolis, MN, Urban Institute for Contemporary Art, Grand Rapids, MI 2014 Minnesota Biennial, Minnesota Museum of American Art, Minneapolis, MN 2014 McKnight Visual Artists Fellowship
Exhibition, Minneapolis College of Art and Design, Minneapolis, MN 2013 Air, Land, Seed, 516 Arts, Albuquerque, NM and University of Venice, Ca» Foscari, Italy 2013 Dyani White Hawk and Philip Vigil, Shiprock Santa Fe Gallery, Santa Fe, NM 2012 Encoded, Tweed Museum of Art, Duluth, MN 2011 Soul Sister: Reimagining Kateri Tekakwitha, Museum of Contemporary Native Arts, Santa Fe, NM 2008 Playing, Remembering, Making: Art in Native Women's Lives, Museum of Indian Arts and Culture with School for Advanced Research Santa Fe, NM 2007 War Paint, Institute of American Indian Arts Museum, Santa Fe, NM
I've only the most marginal idea of what Chicago - based artist Conrad Freiburg's recent
exhibition, «The Blind Light, the Pyre of Night,» is actually
about, but have no doubt that he could account for every flick of a pencil and hammering of a nail, that it all
comes together for him in pristine and irrefutable logic.
The news that Jones is joining Susanne Vielmetter
comes about four months after the opening of «One Blood,» his first
exhibition with the gallery.
The Portland Art Museum's sprawling new
exhibition, «Riches of a City: Portland Collects,» announces its intention the moment you walk in the door: It's
about the warmth and pleasures of domestic life — if not always in the art itself, at least in where it
comes from.
About half of this 26 - work
exhibition comes from those series, particularly «Unbranded: A Century of White Women, 1915 - 2015,» alongside real ads from the artist's personal archives.
«One knows that, by some accidental brushmarks, suddenly appearance
comes in with a vividness that no accepted way of doing things would have brought
about» — Francis Bacon This, according to Francis Bacon, is «the mystery of appearance in the mystery of making» — the title and structuring concept for the major new
exhibition of -LSB-...]
The three - gallery project
came about organically after the NPG began discussions with Dean for what will be its first - ever
exhibition devoted to the medium of film.
Coming of age alongside Andreas Gursky, Candida Hoffer and Thomas Struth in what was to become known as the Düsseldorf School, Ruff's work explores the technologies of the camera and image production — from satellite cameras to digital lenses, from the analogue negative to the JPEG — to reflect on the picturing of our built environment, current affairs, pornography, disaster, the cosmos,
exhibition making — and unlock what images tell us
about modernity.
Follow the links below to read some of the articles, and then
come check out the
exhibition to see what the buzz is all
about.
HR: Did the title of the
exhibition, Natures, Natural and Unnatural,
come after you were drawn to the works or was the nature motif something you were already thinking
about?
His
exhibition title
came about during his stay at the Rauschenberg Residency in Florida (2017) where he found a path that had naturally emerged though the process of people repeatedly walking through a forest.
Around 2000, as time passed, I started to do more solo shows, and I
came up with a lot of conceptual shows that were more
about «the rule of the game,» and time - based
exhibitions too, like «Do It» and «Cities on the Move,» co-curated with Hou Hanru.
Both galleries had already been working together on various projects, and were in the midst of planning a summer
exhibition together when the opportunity to take their collaboration overseas
came about.
Between these two
exhibitions of seminal black artists who
came to prominence in the late 60s, and other shows elsewhere in the state including the Blanton Museum's Witness: Art and Civil Rights in the 60s, a number of questions
come to mind
about race, art, and timing.
Every other year, and now three years after its last iteration, the Whitney Biennial forces curators and critics to
come up with generalizations
about an
exhibition that is itself an amalgam of things.
You're talking
about the 1993
exhibition you did together at the Kunsthalle Wien, «The Broken Mirror: Positions in Painting» — how did that show
come together?
We take a look at the
exhibitions to get excited
about over the
coming year.
The artists represented in the
exhibition come from all over the U.S., with rooms devoted to groups such as AfriCOBRA, based in Chicago in the late 1960s, or East Coast Abstraction, which challenged the idea that art had to directly represent Black communities, prompting debate
about Black aesthetics.
This
comes up after I ask her
about the Hong Kong
exhibition.
WHITEWALL: How did the idea of a show focused on Kusama's «Infinity Mirror Rooms» rather than, say, a survey
exhibition,
come about?
Come together to view Rodney McMillian's timely
exhibition Against a Civic Death, then take part in a conversation
about art, politics, and race with Chas Moore, founder of the Austin Justice Coalition.
And demonstrating a stronger command in film production, this solo
exhibition may be the herald of further explorations and stimulating projects
about to
come.
It's a collective of artists from across the country who have
come together to create a dialog
about art and curate
exhibitions.
I wonder if you could talk
about what this
exhibition meant to you as an artist
coming home to where it all began?