Sentences with phrase «exhibitions come about»

Curator Norman L. Kleeblatt explains how the exhibition came about: «I had been thinking for a long time about an exhibition that began with the idea of abstraction and the postwar period.
The exhibition came about because there were so many shows that I've done that have dealt technology in a really narrow sense.
The exhibition came about after co-curators Margery Gosnell - Qua and Beth Giles visited King's studio in East Hampton.
Studio International spoke to co-curator, Jon Wood, from the Henry Moore Institute, and Jill Constantine, head of the Arts Council Collection, about how the exhibition came about and what its main themes are.
Nevertheless, questions still remained: if Lucian had refused permission for his work to be exhibited in Vienna, how had this exhibition come about?
The exhibition came about through Olafur Eliasson's long - term engagement with Ethiopia and, in particular, the city of Addis Ababa, a relationship that has intensified over the last decade.
How did the exhibition come about?
I asked him how the exhibition came about and inquired whether the gallery represents Middleton's estate.
The idea for this exhibition came about in a conversation.
The exhibition came about as a result of the Gallery's continuing interest in exploring the practice of making portraits in a variety of media throughout history.
I caught up with Catherine Morris, one of the exhibition's curators, about how the idea for the exhibition came about, what to expect, and the importance of launching historical surveys today.

Not exact matches

While these concerns are weighty enough that they would probably have precluded my attending the Bodies exhibition had I known about them before I went, the objections to Bodies coming from First Things staffers and readers seem to run deeper.
Organised by the PPMA Group of Associations, the UK's leading trade association comprising the Processing and Packaging Machinery Association (PPMA), British Automation & Robot Association (BARA) and UK Industrial Vision Association (UKIVA), the exhibition is expected to welcome more than 8,000 attendees who will come together to see the latest machinery in action, find inspiration and new suppliers, as well as learn about the latest industry trends at the Learning Hub and enjoy light entertainment with RoboKeeper — the «World's Best Goalie» — and Titan the Robot.
There was a time Arsenal FC was billed ti come to my country Nigeria for a tour and an exhibition match at our stadium in Abuja, the tour couldnt happen cos Arsene was concerned about the state of the pitch of our National Stadium in Abuja.
During the day we had a slow trickle of visitors who had come to see our current exhibition, Shorn Keighley, and find out more about Folksy.
It is only centuries later, and a few exhibition rooms away, that we come across videos of surprising modern pundits — Tessa Jowell and Tory commentator Iain Dale speak alongside Campbell about today's political propaganda methods.
The most depressing statistic I know about patterns in U.S. film exhibition comes from Dan Talbot, veteran head of New Yorker Films.
In 1913, the International Exhibition of Modern Art (nicknamed the Armory Show) came to New York and forever changed the way Americans thought about art.
If you're coming along to this free exhibition drop by stand B4 to find out more about this transformative technology.
The New Jersey Education Association's annual convention came back yesterday in full force with capacity - crowd workshops, a busy exhibition hall, and plenty of questions about coming changes in how teachers do their jobs.
The first glimmering of the idea for this book came from an exhibition of Holbein drawings at the National Portrait Gallery about 10 years ago.
It's no secret that suites are what it's all about these days when it comes to premium cabin innovation, and at the ITB Berlin travel exhibition, Qatar Airways just revealed -LSB-...]
It's no secret that suites are what it's all about these days when it comes to premium cabin innovation, and at the ITB Berlin travel exhibition, Qatar Airways just revealed a game - changing business class product dubbed the «Q Suite.»
While both players would probably need little prodding to test their strength against each other, this exhibition match actually came about when GO1 called out SonicFox after his tournament win, grabbing a mike and simply saying «SonicFox, you're next».
Exhibitions about Laura Aguilar, queer Chicanx networks, and Mexican painting will come to museums around the world.
A chronological recounting of the artist's short career came next, followed by the story of how he began making the type of work he is best known for, and finally some information about upcoming institutional exhibitions overseas.
Select Group Exhibitions 2017 Monarchs: Brown and Native Contemporary Artists in the Path of the Butterfly, Bemis Center for Contemporary Art, Omaha, NE 2017 Buffalo in the American Living Room, Plains Art Museum, Fargo, ND 2017 All That Glitters, work on display in contemporary galleries at St. Louis Art Museum 2017 Now is the Time: Investigating Native Histories and Visions of the Future, IAIA Museum of Contemporary Native Arts, Santa Fe, NM 2016 Culture Shift, Art Mür, Montreal, Canada 2016 From the Belly of Our Being: art by and about Native creation, Oklahoma State University Museum of Art, Stillwater, OK 2016 Back Where They Came From, Sherry Leedy Contemporary, Kansas City, MO 2016 - 15 Woven Together, Regional Studies Museum Yekaterinburg, Orenburg Museum, Surgut Museum, Chelyabinsk State Regional Studies Museum, Izhevsk Municipal Exhibition Center Gallery, Glazov, Udmurt Republic, Yamal - Nenets Museum and Exhibition Center Salekhard, Orenburg Oblast, Russia 2015 Arriving at Fresh Water, Minneapolis Institute of Arts, Minneapolis, MN, Plains Art Museum, Fargo, ND 2015 superusted: the 4th Midwest Biennial, Soap Factory, Minnneapolis, MN, Urban Institute for Contemporary Art, Grand Rapids, MI 2014 Minnesota Biennial, Minnesota Museum of American Art, Minneapolis, MN 2014 McKnight Visual Artists Fellowship Exhibition, Minneapolis College of Art and Design, Minneapolis, MN 2013 Air, Land, Seed, 516 Arts, Albuquerque, NM and University of Venice, Ca» Foscari, Italy 2013 Dyani White Hawk and Philip Vigil, Shiprock Santa Fe Gallery, Santa Fe, NM 2012 Encoded, Tweed Museum of Art, Duluth, MN 2011 Soul Sister: Reimagining Kateri Tekakwitha, Museum of Contemporary Native Arts, Santa Fe, NM 2008 Playing, Remembering, Making: Art in Native Women's Lives, Museum of Indian Arts and Culture with School for Advanced Research Santa Fe, NM 2007 War Paint, Institute of American Indian Arts Museum, Santa Fe, NM
I've only the most marginal idea of what Chicago - based artist Conrad Freiburg's recent exhibition, «The Blind Light, the Pyre of Night,» is actually about, but have no doubt that he could account for every flick of a pencil and hammering of a nail, that it all comes together for him in pristine and irrefutable logic.
The news that Jones is joining Susanne Vielmetter comes about four months after the opening of «One Blood,» his first exhibition with the gallery.
The Portland Art Museum's sprawling new exhibition, «Riches of a City: Portland Collects,» announces its intention the moment you walk in the door: It's about the warmth and pleasures of domestic life — if not always in the art itself, at least in where it comes from.
About half of this 26 - work exhibition comes from those series, particularly «Unbranded: A Century of White Women, 1915 - 2015,» alongside real ads from the artist's personal archives.
«One knows that, by some accidental brushmarks, suddenly appearance comes in with a vividness that no accepted way of doing things would have brought about» — Francis Bacon This, according to Francis Bacon, is «the mystery of appearance in the mystery of making» — the title and structuring concept for the major new exhibition of -LSB-...]
The three - gallery project came about organically after the NPG began discussions with Dean for what will be its first - ever exhibition devoted to the medium of film.
Coming of age alongside Andreas Gursky, Candida Hoffer and Thomas Struth in what was to become known as the Düsseldorf School, Ruff's work explores the technologies of the camera and image production — from satellite cameras to digital lenses, from the analogue negative to the JPEG — to reflect on the picturing of our built environment, current affairs, pornography, disaster, the cosmos, exhibition making — and unlock what images tell us about modernity.
Follow the links below to read some of the articles, and then come check out the exhibition to see what the buzz is all about.
HR: Did the title of the exhibition, Natures, Natural and Unnatural, come after you were drawn to the works or was the nature motif something you were already thinking about?
His exhibition title came about during his stay at the Rauschenberg Residency in Florida (2017) where he found a path that had naturally emerged though the process of people repeatedly walking through a forest.
Around 2000, as time passed, I started to do more solo shows, and I came up with a lot of conceptual shows that were more about «the rule of the game,» and time - based exhibitions too, like «Do It» and «Cities on the Move,» co-curated with Hou Hanru.
Both galleries had already been working together on various projects, and were in the midst of planning a summer exhibition together when the opportunity to take their collaboration overseas came about.
Between these two exhibitions of seminal black artists who came to prominence in the late 60s, and other shows elsewhere in the state including the Blanton Museum's Witness: Art and Civil Rights in the 60s, a number of questions come to mind about race, art, and timing.
Every other year, and now three years after its last iteration, the Whitney Biennial forces curators and critics to come up with generalizations about an exhibition that is itself an amalgam of things.
You're talking about the 1993 exhibition you did together at the Kunsthalle Wien, «The Broken Mirror: Positions in Painting» — how did that show come together?
We take a look at the exhibitions to get excited about over the coming year.
The artists represented in the exhibition come from all over the U.S., with rooms devoted to groups such as AfriCOBRA, based in Chicago in the late 1960s, or East Coast Abstraction, which challenged the idea that art had to directly represent Black communities, prompting debate about Black aesthetics.
This comes up after I ask her about the Hong Kong exhibition.
WHITEWALL: How did the idea of a show focused on Kusama's «Infinity Mirror Rooms» rather than, say, a survey exhibition, come about?
Come together to view Rodney McMillian's timely exhibition Against a Civic Death, then take part in a conversation about art, politics, and race with Chas Moore, founder of the Austin Justice Coalition.
And demonstrating a stronger command in film production, this solo exhibition may be the herald of further explorations and stimulating projects about to come.
It's a collective of artists from across the country who have come together to create a dialog about art and curate exhibitions.
I wonder if you could talk about what this exhibition meant to you as an artist coming home to where it all began?
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