Sentences with phrase «exhibitions in both commercial galleries»

Since then, he has been the subject of exhibitions in both commercial galleries and leading public institutions around the world.

Five year — develop symbiosis of practice and research across employment in higher edu (specific universities), and a solo exhibition in a commercial gallery in London (specific ones).

I fell in love with the idea of making historical exhibitions in a commercial gallery.

Every edition of the Biennale brings together the Main Project curated by internationally renowned curators; Special Guests programme featuring retrospective shows of the major contemporary artists; Special Projects realised in the key Moscow non-commercial art institutions; Parallel Programme that includes exhibitions in commercial galleries.

Since 1999, she has had solo exhibitions in commercial galleries in Berlin, Cologne, and London.

Stephen Ongpin presents the first exhibition in a commercial gallery in living memory of drawings by the 18thcentury father and son, Giambattista and Domenico Tiepolo.

And he is having his first exhibition in a commercial gallery in the US.

Once called the Fellini of photography, LaChapelle has worked for the most prestigious international publications, and has been the subject of exhibitions in both commercial galleries and leading public institutions around the world.

Not exact matches

This would probably work best for an English - speaking artist in North America who is interested in public or commercial gallery exhibition.

Anderson converted the building into a state - of - the - art exhibition space and managed it as a commercial gallery beginning in 1991 before donating it to the University at Buffalo in 2000.

In January 2015 the gallery opened its new 4500 sq. ft. exhibition space in the warehouse art district of downtown Los Angeles at 1923 S. Santa Fe Ave., consisting of three CB1 exhibition galleries, plus an addition «Guest Annex» which serves as an exhibition gallery for national and international commercial galleries as well as non-profit organizationIn January 2015 the gallery opened its new 4500 sq. ft. exhibition space in the warehouse art district of downtown Los Angeles at 1923 S. Santa Fe Ave., consisting of three CB1 exhibition galleries, plus an addition «Guest Annex» which serves as an exhibition gallery for national and international commercial galleries as well as non-profit organizationin the warehouse art district of downtown Los Angeles at 1923 S. Santa Fe Ave., consisting of three CB1 exhibition galleries, plus an addition «Guest Annex» which serves as an exhibition gallery for national and international commercial galleries as well as non-profit organizations.

This month, however, solo exhibitions dominate the commercial gallery landscape... are there are a lot of good ones in the mix.

In 2013 the gallery opened an additional 7000 sq ft Chicago venue whose inaugural exhibition, Roxy Paine's Apparatus, was selected by The International Association of Art Critics as the Best Show in a Commercial Gallery NationallIn 2013 the gallery opened an additional 7000 sq ft Chicago venue whose inaugural exhibition, Roxy Paine's Apparatus, was selected by The International Association of Art Critics as the Best Show in a Commercial Gallery Natigallery opened an additional 7000 sq ft Chicago venue whose inaugural exhibition, Roxy Paine's Apparatus, was selected by The International Association of Art Critics as the Best Show in a Commercial Gallery Nationallin a Commercial Gallery NatiGallery Nationally.

Returning to London four years later, he rejoined Alecto and continued to collaborate with commercial galleries on exhibitions exploring aspects of modern British art, before eventually opening his own premises, the Albemarle Gallery, off Piccadilly, in 1986.

In 1957 he joined the St Ives - based Penwith Society of Artists; he exhibited regularly, and with great success, in commercial and public galleries from 1959; was selected in 1963 for the fourth John Moores exhibition; and was the subject of several filmIn 1957 he joined the St Ives - based Penwith Society of Artists; he exhibited regularly, and with great success, in commercial and public galleries from 1959; was selected in 1963 for the fourth John Moores exhibition; and was the subject of several filmin commercial and public galleries from 1959; was selected in 1963 for the fourth John Moores exhibition; and was the subject of several filmin 1963 for the fourth John Moores exhibition; and was the subject of several films.

Locks Gallery is honored to announce that The Body in Spirals has been nominate for «Best Exhibition in a Commercial Space Nationally» by the International Association of Art Critics for the 2014 exhibition of the late Philadelphia artist Thomas ChExhibition in a Commercial Space Nationally» by the International Association of Art Critics for the 2014 exhibition of the late Philadelphia artist Thomas Chexhibition of the late Philadelphia artist Thomas Chimes work.

Her first solo exhibition occurred at the Stable Gallery in New York in 1952 and she presented almost annually at numerous institutional and commercial galleries throughout the United States.

For the commercial galleries, project spaces, and pop - up exhibition venues that populate the area, it's a dramatic win for the city that many hope will help nourish the continuing growth of the gallery scene (and which jaded Nashvillians hope won't damage the ability of independent spaces to operate in the area).

Weiner has presented a number of projects and exhibitions across the UK since the early 1970s: at ICA, London; Pier Arts Centre, Orkney; The Fruitmarket Gallery, Edinburgh; The Henry Moore Sculpture Trust, Halifax; Art Transpennine, Hull; Inverleith House in Edinburgh; several engagements with Bury Art Gallery, including their Text Festivals; a solo show at the National Maritime Museum, London; and occasional shows in commercial galleries, the most recent at Lisson Gallery in 2013.

Jessica Meuninck - Ganger and Nathaniel Stern's collaborative print and video work has been exhibited in group and solo exhibitions at commercial and experimental galleries and public museums across Africa, Europe and the Americas.

There, in the pictures, are young Moses, Bengston and Ruscha alongside the likes of Frank Gehry, Dennis Hopper and Andy Warhol (who, though New York - based, had his first commercial gallery exhibition at Ferus in 1962).

It looks like a major exhibition in a massive commercial gallery with nothing to sell, as if he has tricked White Cube into doing something for the love of art alone.

Curiously some of the commercial galleries that represent the apotheosis of the contemporary art industry and market, such as, here in NY, Gagosian and Zwirner, have been able to mount museum quality shows the past few years, including for example excellent Picasso and Frankenthaler exhibitions at Gagosian and the recent exhibition of Ad Reinhardt's work at Zwirner, in spaces that either are as beautiful as any museum or that are just functional in a good way, with few frills, just good walls and space.

In Unison: 20 Washington, DC Printmakers, Group Exhibition, Jurors: Sam Gilliam, Judy Goldberg, Director, Kreeger Museum, Marsha Mayteka, Marsha Mayteka Gallery 2011 Traveling exhibition; Galleria Terre Rare, No Commercial Potential, Group Exhibition 2010 Garage N. 3 Gallery, Spazio espositivo «Barrique», Italy, No Commercial Potential, Curator Maurizio Follin, Group Exhibition 2010 Museum of Fine Arts of Parana» Parana, Argentina, Diversity Coordinated by Silivina Luchi and the Art Department of Inadi Entire Rios, Group Exhibition 2010 CCBC Catonsville Gallery, CatonsvExhibition, Jurors: Sam Gilliam, Judy Goldberg, Director, Kreeger Museum, Marsha Mayteka, Marsha Mayteka Gallery 2011 Traveling exhibition; Galleria Terre Rare, No Commercial Potential, Group Exhibition 2010 Garage N. 3 Gallery, Spazio espositivo «Barrique», Italy, No Commercial Potential, Curator Maurizio Follin, Group Exhibition 2010 Museum of Fine Arts of Parana» Parana, Argentina, Diversity Coordinated by Silivina Luchi and the Art Department of Inadi Entire Rios, Group Exhibition 2010 CCBC Catonsville Gallery, Catonsvexhibition; Galleria Terre Rare, No Commercial Potential, Group Exhibition 2010 Garage N. 3 Gallery, Spazio espositivo «Barrique», Italy, No Commercial Potential, Curator Maurizio Follin, Group Exhibition 2010 Museum of Fine Arts of Parana» Parana, Argentina, Diversity Coordinated by Silivina Luchi and the Art Department of Inadi Entire Rios, Group Exhibition 2010 CCBC Catonsville Gallery, CatonsvExhibition 2010 Garage N. 3 Gallery, Spazio espositivo «Barrique», Italy, No Commercial Potential, Curator Maurizio Follin, Group Exhibition 2010 Museum of Fine Arts of Parana» Parana, Argentina, Diversity Coordinated by Silivina Luchi and the Art Department of Inadi Entire Rios, Group Exhibition 2010 CCBC Catonsville Gallery, CatonsvExhibition 2010 Museum of Fine Arts of Parana» Parana, Argentina, Diversity Coordinated by Silivina Luchi and the Art Department of Inadi Entire Rios, Group Exhibition 2010 CCBC Catonsville Gallery, CatonsvExhibition 2010 CCBC Catonsville Gallery, Catonsville, MD..

In 2015, he became the first Chinese artist to show with the Fine Art Society, London's oldest commercial gallery on Bond Street, where he has since staged two solo exhibitions.

Art of the South - sponsored annually by art journal Number Magazine - is an event that supports Southern artists by showcasing their work in a juried exhibition hosted in a rotating roster of prominent commercial and academic gallery spaces.

In the gallery director Fiona van Schendel curates every year a group show that goes beyond the format of a commercial gallery exhibition and encompasses a collaboration with other galleries, artists and museums.

She started a free lance commercial art business in 1963; copyrighted a National Cartoon, 1976 she served as Exhibition Director for San Francisco Woman Artists Gallery and the San Francisco Museum of Modern Art, 1976 - 1978.

The International Association of Art Critics (AICA) has named Pace's exhibition «Happenings: New York, 1958 — 1963» the Best Show in a Commercial Gallery in New York in 2012.

Despite it's current prevalence in degree shows, commercial exhibitions and international biennales, video art can still be overlooked in contemporary galleries.

CB1 Gallery was the first commercial gallery in Los Angeles to show Alexander Kroll starting in 2010, with solo exhibitions in 2011 anGallery was the first commercial gallery in Los Angeles to show Alexander Kroll starting in 2010, with solo exhibitions in 2011 angallery in Los Angeles to show Alexander Kroll starting in 2010, with solo exhibitions in 2011 and 2012.

In 2014, Michael Rosenfeld Gallery presented our fourth solo exhibition for the artist — Nancy Grossman: The Edge of Always, Constructions from the 1960s — which was awarded Best Show in a Commercial Space in New York by the International Art Critics Association of AmericIn 2014, Michael Rosenfeld Gallery presented our fourth solo exhibition for the artist — Nancy Grossman: The Edge of Always, Constructions from the 1960s — which was awarded Best Show in a Commercial Space in New York by the International Art Critics Association of Americin a Commercial Space in New York by the International Art Critics Association of Americin New York by the International Art Critics Association of America.

Hauser Wirth & Schimmel's seven - building complex in Los Angeles» downtown arts district is a commercial gallery with institutional ambitions, promising thematic exhibitions, high - profile loans, publishing, and scholarship.

The Polkes later settled in Düsseldorf, which proved to be an excellent incubator for a budding artist: it was the location of the first postwar Dadaist exhibition in 1958 and in the 1960s a local commercial gallery began showing the work of Rauschenberg and Cy Twombly.

Mark Flood's exhibition FACEBOOK FARM at beta pictoris gallery one of the finalists AICA's 2013 «Best Show in a Commercial Space Nationally» Award

Several works here are by artists included in the historic Ninth Street Exhibition of 1951, mounted by Vicente and other Club members in a building that was slated for demolition — a kind of proto - alternative space that shifted attention away from the commercial galleries of 57th Street to the downtown artists» scene.

One theme of the exhibition is mobility, made possible by commercial aviation at the time when Dwan founded her gallery in Los Angeles — only a few years before she owned and operated galleries on both coasts.

Despite O'Doherty's debunking of this context, the white cube mode of exhibiting continues to underpin much exhibition - making in the West, from commercial galleries that are designed to look like modern art museums (think of David Zwirner's minimalist 30,000 square foot space on 20th Street in New York) to websites such as Contemporary Art Daily that tend to privilege the flattened picture surfaces of post-minimalist paintings, which look good filtered through the even light of a laptop screen.

Despite O'Doherty's debunking of this context, the white cube mode of exhibiting continues to underpin much exhibition - making in the West, from commercial galleries that are designed to look like modern art museums (think of David Zwirner's minimalist 30,000 square foot space on 20th Street in New York) to

This summer, four shows at commercial galleries in London — White Cube, Lisson, Carl Freedman and Paradise Row — were located at various points between these two poles of exhibition - making.

Hare opened a commercial photography studio in New York in 1940, and in the same year the Julien Levy Gallery, New York, gave him a solo exhibition.

(1) Condo is a collaborative exhibition staged by 36 commercial galleries whose represented artists are shown across 15 commercial spaces in London.

During that time she was part time registrar at a small commercial gallery in the LES, followed by a production intern at Creative Time, completed a fellowship at Independent Curators International and moved on to the Museum of the City of New York as their Registrar for Exhibitions and Loans.

Located at 4733 McPherson Avenue in Saint Louis» Central West End, projects + gallery is a commercial art space designed to feature contemporary exhibitions and artists that blur the boundaries of traditionally understood artistic disciplines and practices.

Each exhibition is presented in collaboration with a well - known commercial gallery.

Mark Flood's exhibition FACEBOOK FARM at beta pictoris gallery one of the finalists AICA's 2013 «Best Show in a Commercial Space Nationally» Award BURNAWAY ARTSpeak interview with beta pictoris gallery owner Guido Maus (click on image to listen to the interview on BURNAWAY.com)

Ephemerality is sometimes lacking in most gallery exhibitions due to the market pressure in our current commercial climate, so I felt my approach could rekindle aspects of 60's and 70's avant - garde performances as well as engage with the concept of sculpture as the medium, or starting point, for drawing.

Her first commercial gallery exhibition was held at London's White Cube Gallery igallery exhibition was held at London's White Cube Gallery iGallery in 1993.

The Zabludowicz Collection Invites series is a unique opportunity for UK - based artists without commercial gallery representation to showcase their work in a solo exhibition at a dedicated project space at Zabludowicz Collection.

Exhibiting extensively in regional and national competitive and invitational exhibitions, as well as solo shows in Michigan and Chicago, Whitaker received regional attention from the media, museum curators, and commercial galleries immediately out of graduate school.