Sentences with phrase «exhibitions make apparent»

By revealing the mechanisms and means of digital processes in poetic installations and immersive projections, the works in the exhibition make apparent a new reality that situates itself in the materiality of media informed by data fluxes as the core of contemporary experience.

Focusing on the artistic innovations of the fourteenth to sixteenth centuries, this exhibition makes apparent why contemporaries could celebrate a rebirth or Renaissance of the art of classical antiquity.

Not exact matches

One of the features the exhibition and its accompanying substantial catalogue made apparent is that Matisse, at the same time he devoted himself fully to all elements of book production, maintained a catholic attitude, assessing each book project in its own terms, always attempting to innovate within a given form.

Two previous shows covered, with a kind of reverence that was not immediately apparent in the cheekiness of the gesture, David Hammons and Cady Noland, both famously reclusive artists entirely unlikely to make work available for exhibitions such as these.

Chaffee and Conaty emphasize that the openness of the exhibition space, and the sight lines between the galleries, will be important to the final layout of the show at each venue, making these connections between Bradley's bodies of work even more apparent.

Our impressive program of exhibitions, education, conservation research, and performing arts, as well as the ambitious plan for a new museum in Abu Dhabi, made it apparent that to further distinguish ourselves, we must capitalize on strengths,» said Mr. Armstrong.

A sense of mutual growth is apparent in the make - up of the exhibition: this is the first time Walter has combined his paintings to form diptychs and triptychs, allowing the viewer to discover visual accord between apparently disparate motifs and subject matter.

Curated by DIS, the art collective behind DIS magazine, the exhibition promised to be full of post-internet art, advertisements, and corporate aesthetics, as was made apparent by branding techniques and imagery on the Biennale website as early as 2014, when the curatorial team was announced.

More importantly, she developed a body of work — as the three paintings in her exhibition at THEODORE: Art make readily apparent — that stood in thoughtful and thorough opposition to the aesthetic attitudes — by - then widely upheld, institutionally sanctioned, particularly as they concerned abstraction — that emphasized particular techniques (staining), the historical necessity of flatness, and a literal (or anti-associational) mindset — all of which could be summed by Frank Stella's terse dictum, «What you see is what you see.»