Sentences with phrase «exhibitions of realist»

She was not included in the major exhibitions of realist art that took place in the 1960s in, among other museums, the Museum of Modern Art, New York, in spite of her efforts at ingratiating herself with two of the major curators of the time, Frank O'Hara and Henry Geldzahler, by painting their portraits.

I saw the «New Objectivity» exhibition of realist painting from the Weimar Republic this summer at the Museo Correr in Venice, and those Christian Schad paintings could totally rock through a Lower East Side gallery today.

Not exact matches

In terms of providing a realist document that was unrestricted by the limitations of filmic practices, Vogel built upon the verisimilitude of August Underground by attempting to circumvent the traditional release patterns of theatrical exhibition or of release via VHS and DVD.

On view October 22, 2016 — January 22, 2017, this exhibition surveys the state of representational painting at the beginning of the 21st century and features approximately 40 works by 20 contemporary realist artists from throughout the United States and Canada.

Timed to celebrate Black History Month, Grenning Gallery has assembled a group show of contemporary African - American artists working in the realist mode for an exhibition that is long on the traditional portraiture for which the gallery is renowned.

1958 1958 Pittsburgh Bicentennial International Exhibition of Contemporary Painting and Sculpture, Museum of Art, Carnegie Institute, Pittsburgh (December 5, 1958 — February 8, 1959) A propos du baroque: Jean Degottex, Marcelle Ferron, Sam Francis, Simon Hantaï, Shirley Jaffe, Marcelle Loubchansky, Joan Mitchell, Judit Reigl, Jean - Paul Riopelle, Galerie Kléber, Paris (November — December) Some Contemporary Works of Art, Cleveland Museum of Art, Ohio (November 11 - December 31) American Symbolic Realists: Fifteen American Artists, Palazzo Collicola, Festival dei Due Mondi, Spoleto, Italy (June 8 — 29) 18th Annual Exhibition of the Society for Contemporary Art, Art Institute of Chicago (May 8 — June 8) The Museum and Its Friends: Twentieth - Century American Art from Collections of the Friends of the Whitney Museum, Whitney Museum of American Art, New York (April 30 — June 15) American Artists of Younger Reputation, New York Art Foundation, Rome (opened April 14) The Evocative Eye, Signa Gallery, East Hampton, New York (July 5 - 24) The International Art of a New Era: Informel and Gutai, Osaka Festival, Osaka, Japan (September 2 — 7) Action Painting, Dallas Museum of Contemporary Arts (March 5 — April 13) Abstract Impressionism, The Art Galleries, Portland Building, University of Nottingham, England (February 19 — March 19).

His work has been included in numerous group exhibitions including the ground - breaking «New Realists» show at the Sidney Janis Gallery, New York (1962), «Dokumenta IV» and «Dokumenta VI» (1968, 1977), the Venice Biennale (1988), and «Pop Art» (1991 - 1993) organized by the Royal Academy of Arts, London.

Just as 19th century American Realists shunned romanticized views of their world, the artists included in this exhibition have abandoned conventional ideals of scenic beauty to depict, in detail, unremarkable scenes of the rural landscape as they encounter it or AS IS.

Last week, while in L.A., I wandered into that show — also a collections - based exhibition (museum budgets are pinched nowadays)-- only to encounter, in the very first gallery, one of those funny, super-oversized, realist Charles Ray's sculptures of a woman dressed in deft business attire, placed where?

However, what distinguishes Staprans above all is the degree to which he infuses his realist art with psychological concerns and self - revelation, resulting in the turbulence and tranquility of the exhibition's title.

Opening in 1962, Willem de Kooning's New York art dealer, the Sidney Janis Gallery, organized the groundbreaking International Exhibition of the New Realists, a survey of new - to - the - scene American, French, Swiss, Italian New Realism, and British pop art.

The exhibition begins with the artist's earliest drawings, made in Los Angeles while studying at Otis College of Art and Design under the legendary social realist painter Charles White.

(New York — October 26, 2011) Michael Rosenfeld Gallery is pleased to present Otherworldliness, an exhibition of surrealist and magic realist paintings on view from November 5 to December 23, 2011.

The exhibition also presents works in the Ateneum collection by artists who represent the realist and classicist modernism of the 1920s and 1930s, such as Ragnar Ekelund, Greta Hällfors - Sipilä, Olli Miettinen, Yrjö Ollila, Martti Ranttila, Juho Salminen and Ilmari Vuori.

In 1962, she appeared alongside American Pop artists and European «Nouveaux Réalistes» in Janis's New Realists exhibition of 1962, which brought together a range of artists who used objects and imagery from everyday life in their work.

Moffett is the author of several books, including; volumes on Jules Olitski, [5] Fairfield Porter «A Realist Painter in the Age of Abstraction» (co-authored John Ashberryamong others to accompany the 1983 retrospective exhibition of Porter's work Moffett organized at the Boston Museum of Fine Arts of the American realist's work)[6][7] and Morris Louis.

Throughout her career, Ms. Flack's work has been featured in numerous traveling museum exhibitions, including «Twenty - two Realists» (1972) at the Whitney Museum of American Art, New York; «Super Realism» (1975 - 76) at the Baltimore Museum of Art; «American Painting of the Seventies» (1979) at the Albright - Knox Gallery, Buffalo, NY; Contemporary American Realism» (1981 - 83) at the Pennsylvania Academy of the Fine Arts, Philadelphia; «Toyama Now, 1981» (1981) at the Museum of Modern Art, Tokyo, Japan; and «Making Their Mark: Women Artists Move into the Mainstream» (1989) which traveled to the Cincinnati Art Museum, the New Orleans Museum of Art, the Denver Art Museum and the Pennsylvania Academy of the Fine Arts.

NY; Wabash College, Crawfordsville, IN; Tech Artists Course, Texas Technological College, Lubbock; Cummer Gallery of Art, Jacksonville, FL; San Francisco State College, San Francisco; Michigan State University, Kresge Art Center, East Lansing; Mercer State University, Macon, GA; University of Maryland, College Park) Bianchini Gallery, New York, Master Drawings: Pissaro to Lichtenstein, exhibition traveled to the Contemporary Arts Museum, Houston) Jewish Museum, New York, Environmental Paintings and Constructions Albright - Knox Art Gallery, Buffalo, NY, Contemporary Art Acquisitions 1962 - 65 Jewish Museum, New York, The Harry N. Abrams Family Collection Gallerie del Leone, Venice, 12 Super Realists

Hirschl & Adler's tribute to the Museum of Modern Art's 1943 exhibition «American Realists and Magic Realists» is dotted with forgotten names, recalling the museum's laissez - faire beginnings.

1962 Dwan Gallery, Los Angeles, My Country «Tis of Thee Finch College Museum of Art, New York, American Figure Painting: 1957 - 1962 Sidney Janis Gallery, New York, New Realists Museum of Modem Art, New York, Recent Painting U.S.A.: The Figure, exhibition traveled to Columbus Gallery of Fine Ms, Columbus.

Created during the year that Pop Art emerged as the major new artistic movement, two of his soup can paintings were included in the landmark Sidney Janis Gallery exhibition, «The New Realists.»

There were two types of painting in his exhibition: the alluring young Chinese women painted in a dark photo - realist style, and appropriations of details from historical Chinese landscape paintings, reinterpreted in oil on canvas in an expressionist style.

Lee was subsequently nominated for the Hugo Boss Prize in 1998, and selected to represent South Korea at the 1999 Venice Biennale (having already been included in Szeemann's curated exhibition)-- the year that another East Asian artist, Cai Guo - Qiang, won the coveted Golden Lion award for his controversial Venice's Rent Collection Courtyard (1999), a crumbling, recreated work of socialist realist propaganda.

[8] An important Realist movement beyond France was the Peredvizhniki or Wanderers group in Russia who formed in the 1860s and organized exhibitions from 1871 included many realists such as genre artist Vasily Perov, landscape artists Ivan Shishkin, Alexei Savrasov, and Arkhip Kuindzhi, portraitist Ivan Kramskoy, war artist Vasily Vereshchagin, historical artist Vasily Surikov and, especially, Ilya Repin, who is considered by many to be the most renowned Russian artist of the 19th century.

Steyerl's video was part of the group exhibition 14.12.13, which confronted the recent trend of speculative realist philosophy and object - oriented ontology (OOO) in contemporary art theory and practice.

The Woodside / Braseth Gallery is proud to host our first solo exhibition by the nationally recognized realist painter, David Kroll, with a selection of new works also accompanied by a new major publication, «David Kroll: Paintings».

Sidney Janis Gallery, New York, International Exhibition of the New Realists, Nov. 1 — Dec. 1.

While the exhibition's organizers, a group of artists led by Walt Kuhn and Arthur B. Davies, aimed to show off the talents of the most radical American artists, who were mostly realists, the unexpected outcome of the show was a virtual hijacking of the headlines by the European avant - garde.

He discusses Pop Art's place in art history; his initial feelings about being considered a Pop artist; the influence of Los Angeles and its environment on his work; his feelings about English awareness of America; a discussion of his use of words as images; a discussion of the Standard Station as an American icon; a discussion of the notion of freedom as it is perceived as a Southern California phenomenon; how he sees himself in relation to the Los Angeles mural movement (L.A. Fine Arts Squad); the importance of communication to him; his relationship with the entertainment world in Los Angeles and its misinterpretation of him; his books; collaboration with Mason Williams on «Crackers;» his approach toward conceiving an idea for paintings; personal feelings about the books that he has done; the importance of motion in his work; a discussion of the movies «Miracle» and «Premium;» his friendship with Joe Goode; his return from Europe and his studio in Glassell Park; his move to Hollywood in 1965; the problems of balancing the domestic life and the artistic life; his stain paintings and what he hopes to learn from using stains; a disscussion of bicentemial exhibition at the L.A. County Museum: «Art in Los Angeles: Seventeen Artists in the Sixties,» 1981; a discussion of the origin of L.A. Pop as an off shoot from the American realist tradition; his feelings about being considered a realist; the importance for him of elevating humble objects onto the canvas; a discussion on how he chooses the words he uses in his paintings; and his feelings about the future direction of his work.

The AFA also sponsored a Telfair exhibition of the works of George Bellows, the ebullient American realist painter.

These displays of European art were augmented by solo exhibitions for American modernists like Marsden Hartley (1877 - 1943), John Marin (1870 - 1953) and Arthur Dove (1880 - 1946), and Cubist - Realists like Charles Demuth (1883 - 1935), Paul Strand (1890 - 1976) and Charles Sheeler (1883 - 1965), the leader of Precisionism.

Entering its 11th year, the International Guild of Realism's Juried Exhibition is just one opportunity the organization hosts to showcase the best realist artists...

On the face of it, Liu Xiaodong's latest exhibition at the Lisson Gallery in London reinforces usual descriptions of the artist's work as «realist».

Mr. Tillim had 17 solo exhibitions and took part in many more group shows, including «22 Realists» at the Whitney Museum of American Art in 1970 and «Contemporary American Realism Since 1960» at the Pennsylvania Academy of Fine Arts in 1981.

Sullivan Goss is proud to present an exhibition of fresh paintings and drawings from the Estate of San Diego based magical realist, Jean Swiggett.

The ARC Salon is an international exhibition of the work of realist painters including award winners Ben Bauer, Rachel Bess, Daniel Bilmes, Candice Bohannon, Alex Callaway, Leslie Fornalik, Zoey Frank, David Gluck, Amanda Grieve, and Steven J. Levin.

The exhibition is comprised of Kim Il Soon's North Korean social realist paintings and an installation that covers the entire lower level of the gallery with «Choco · Pie,» a South Korean moonpie - like confectionary manufactured by the company Orion.

Recent exhibitions have included an exhibition of Po Kim's bright, modern works, and a show by American magical realist painter Colleen Browning.

Beal, along with Philip Pearlstein, was recently the focus of «Abstract Expressionism and the New American Realism», a travelling exhibition organized by the Columbus Museum in Georgia that examined their emergence as realists from out of the Abstract - Expressionist milieu.

An exhibition of hyper - realist sculptor Ron Mueck is well - timed.

Inspired by such leading Latin American realists as Claudio Bravo of Chile and Julio Larraz of Cuba, Meziat has participated in exhibitions since 1979 in such leading venues in Brazil and the United States as Hammer Galleries in New York City and various international art fairs.

Installed in the grey - walled galleries of the De La Warr Pavilion, the exhibition feels like the England of Saturday Night and Sunday Morning (the social realist film based upon the book by Alan Silitoe) rather than that of Blair's Cool Britannia.

The Directors of Marlborough Gallery announce an exhibition of paintings by the preeminent realist painter, Claudio Bravo.

As the title of the first major exhibition of his work, now at the Museum of Fine Arts, puts it, Fairfield Porter was a «realist painter in an age of abstraction.»

Exhibition explores full career of revolutionary Ashcan School artist WILMINGTON, DE American realist painter John Sloan (1871 — 1951) is best known for his images of New York during the early 20th century and as one of the pioneers of the Ashcan School.

Opening: «Kamakura: Realism and Spirituality in the Sculpture of Japan» at Asia Society A survey of sculptures from Japan's Kamakura period (dating from 1185 to 1333), this exhibition brings together a group of unique realist icons imbued with sacred powers.

The title of the exhibition at the Sidney Janis Gallery, International Exhibition of the New Realists, galvanizes the name «New Realists» for the American and British artists, who are represented alongside the work of the continental Europeans known as the Nouveaux exhibition at the Sidney Janis Gallery, International Exhibition of the New Realists, galvanizes the name «New Realists» for the American and British artists, who are represented alongside the work of the continental Europeans known as the Nouveaux Exhibition of the New Realists, galvanizes the name «New Realists» for the American and British artists, who are represented alongside the work of the continental Europeans known as the Nouveaux Realistes.

The exhibition addresses the varied concerns of modern and contemporary artists for the natural world: from realist landscapes to abstraction, Conceptual art to Pop art, Our Good Earth illuminates how artists reveal the marvels of nature, express compassion for the fragile beauty of flora and fauna, and caution against threats to the natural world.

Logan was an important client of the Anthony d'Offay gallery in the 1990's and bought a sculpture by hyper - realist former puppet modeller, Ron Mueck, in his first exhibition with d'Offay in 1998.»

A survey of American painting, sculpture, and printmaking of the twentieth century, this exhibition was drawn exclusively from the collections of our museum and presented the wide variety of contemporary styles which have developed in our country, ranging from the so - called modern primitives and realists to the various schools of abstraction.