Sentences with phrase «exhibitions over the following decades»

During the 1970s Bridgwater resumed work, largely in collage, and her earlier work featured in numerous surrealist retrospective exhibitions over the following decades.

Not exact matches

The exhibition follows IL LEE: New Paintings / 40 Years in New York celebrating Il Lee's career over the past four decades in...

The exhibition, Kay WalkingStick: An American Artist, includes more than 65 of WalkingStick's most notable paintings, drawings, sculptures, notebooks, and diptychs, following her artistic career over more than four decades.

Over the following decades, Judd wrote a number of essays on Russian artists, including «Kandinsky and his Citadel,» a review of the exhibition, Vasily Kandinsky, 1866 — 1944: A Retrospective Exhibition, at the Solomon R.Guggenheim Museum in 1963; a review of Kazimir Malevich, an exhibition in 1963 also at the Guggenheim Museum; and in 1981, a long essay «Russian Art in Regard to Myself,» on the importance of Russian art of the early twentieth century for Arexhibition, Vasily Kandinsky, 1866 — 1944: A Retrospective Exhibition, at the Solomon R.Guggenheim Museum in 1963; a review of Kazimir Malevich, an exhibition in 1963 also at the Guggenheim Museum; and in 1981, a long essay «Russian Art in Regard to Myself,» on the importance of Russian art of the early twentieth century for ArExhibition, at the Solomon R.Guggenheim Museum in 1963; a review of Kazimir Malevich, an exhibition in 1963 also at the Guggenheim Museum; and in 1981, a long essay «Russian Art in Regard to Myself,» on the importance of Russian art of the early twentieth century for Arexhibition in 1963 also at the Guggenheim Museum; and in 1981, a long essay «Russian Art in Regard to Myself,» on the importance of Russian art of the early twentieth century for Art Journal.

Over the following decade Byars lived and worked in Japan where he presented many performances and exhibitions, including «The Performable Square» in the National Museum of Modern Art, Kyoto, in 1962.

This exhibition, following the Kemper Art Museum's 2011 exhibition Island Press: Three Decades of Printmaking, presents a survey of artworks created in the last decade by over a dozen visiting artists, including Radcliffe Bailey, Orly Genger, Trenton Doyle Hancock, Nina Katchadourian, Dario Robleto, James Siena, and Paula Wilson, among others.

In 1967 he began to work outside traditional exhibition spaces, with the first instances of that «creative collaboration» he developed over the following decades by bringing together artists from different disciplines and diverse sectors of society.

The latter would exhibit the artist's own work in a group exhibition entitled «Surréalisme» in 1932 and over the course of the following three decades Cornell would further hone his approach to his signature bric - a-brac assemblages, integrating seemingly contrary, fetishized objects such as marbles, seashells, butterflies, postcards, navigational tools, toys, and sundry paper ephemera - which he sourced from antique and junk shops in New York - into highly sophisticated, strikingly organic tableaux.

This exhibition is called The Curve Paintings 1961 - 2014 and it follows one kind of line — a curvy one — through Riley's art over more than five decades.

Over the following two decades, as Klee came to occupy a central place in the collection, his art became a prominent feature of numerous group and solo exhibitions and permanent collection installations, attracting increasingly receptive American artists and visitors.