Under the direction of the former
exhibitions secretary Norman Rosenthal, the Academy has hosted ambitious exhibitions of contemporary art.
Not exact matches
Schnabel was elected an Honorary Royal Academician in 2009; and the catalogue accompanying the
exhibition includes an essay by
Norman Rosenthal, former
Secretary of
Exhibitions of the Royal Academy of Arts from 1977 to 2008.
A catalogue will accompany the
exhibition and include an essay by
Norman Rosenthal, former
Secretary of
Exhibitions of the Royal Academy of Arts 1977 - 2008.
Norman Rosenthal, the former
exhibitions secretary of Royal Academy of Arts, summed up the mood.
His hyperstylized robotic woman — as — idol remains a constant iconographic feature of his work, as this fifty - year survey, organized by Sir
Norman Rosenthal, former longtime
exhibitions secretary at the Royal Academy of Arts in London, amply documents.
Staff alumni include Sir
Norman Rosenthal, the retired
exhibitions secretary of the Royal Academy of Arts; Sandy Nairne, the director of the National Portrait Gallery; and Iwona Blazwick, the director of the Whitechapel Gallery.
A pencil portrait of
Norman Rosenthal,
Exhibitions Secretary at the Royal Academy of Arts from 1977 to 2008.
During his 31 years as the
exhibitions secretary at London's Royal Academy, Sir
Norman Rosenthal staged groundbreaking
exhibitions of art including the legendary show, «A New Spirit in Painting» (1981), which brought artists such as Joseph Beuys, Gerhard Richter and Georg Baselitz to broader recognition.
In a move as brazen as his art, Hirst invited the Tate director Nicholas Serota and brought
Norman Rosenthal, then
exhibitions secretary at the Royal Academy of Arts, to the show in a taxi.
Norman Rosenthal,
exhibitions secretary at the Royal Academy agrees.
The Breeze at Dawn will be accompanied by a fully illustrated catalogue with a foreword written by
Norman Rosenthal, independent curator and former
Exhibition Secretary of the Royal Academy of Arts.
Norman Rosenthal,
Exhibitions Secretary at the Royal Academy, writes an introduction to the
exhibition, Richard...