Sentences with phrase «exhibitions with other artists»

Are these encouraged when you collaborate on exhibitions with other artists?

I'm here for a study day and walk - through of the John Altoon exhibition with other artists...

I'm interested in making art, and if I'm in a group exhibition with other artists, I'm interested in their success as well so that the show can be a success.

He introduced it in spring 2016 at the Abyssinian Meeting House in Portland, in a community exhibition with other artists of color from Maine.

Now, she's now considering ways to make her practice more collaborative — perhaps by curating an exhibition with other artists, participating in panel discussions, or working with more writers.

Perhaps there was a need to compensate for lack of access to Rubens» most famous paintings by supplementing the exhibition with other artists» work.

Not exact matches

Significant space and priority is given to the professional category of Illustrators, who can find at Bologna Children's Book Fair support and encouragement to develop their work and opportunities to meet with other operators in the publishing market and other sectors: first of all, the annual Illustrators Exhibition, but also the Illustrators Café — a space for conferences and meetings — and the Illustrators Survival Corner, with a rich programme of workshops, portfolio reviews and meetings with international artists.

Entries are open until April 20th, after which point the crème de la crème of the submitted artwork will be chosen to appear in ACA's exhibition, which will kick off with an awards ceremony where artists can mix and mingle with potential buyers and other art industry professionals.

Publishing on the Web is good for an artist's creative vision, as it allows him or her to «hear instant feedback from readers, meet and collaborate with other artists, disseminate their work and see their creative visions through to the end,» says Sarra Scherb, curator of «Morning Serial: Webcomics Come to the Table,» a current exhibition at Seattle's Henry Art Gallery (www.henryart.org).

«I realized it was such an interesting topic that it's a question I raised with other artists I knew, and it had a great impact on my own encounters with art,» says Garrels, who went on to organize the exhibition, which included Grotjahn, Amy Sillman, Charline von Heyl, Mary Heilmann, Wade Guyton, and Christopher Wool.

So I run my own exhibitions usually solos but sometimes with other artists.

Beginning today, an online exhibition of 18 artworks by African - American artists in the BMA's collection can be viewed by people around the world thanks to a new partnership between the Google Cultural Institute and more than 40 other organizations with African - American artworks and historical artifacts.

During this unique five - year project IMMA will present a series of different and exclusive Lucian Freud related exhibitions, with a new programme of events and openings each year, including works and new commissions by other modern and contemporary artists in response to Freud, and will reveal exciting new perspectives on this major artist today.

With this small but diverse selection of artists, the exhibition provokes an open - ended dialogue on the state of photography as an increasingly diversified medium that intersects and informs other fields of art making.

Presented through all of MUMA's recently designed galleries, the inaugural exhibition sees artists explore performative, media and event cultures, and the post-industrial architecture of the urban fringe, whilst others work with sound, light, sculpture, film, and painting in its diverse and expanded forms, offering a multi-sensory register of art and everyday life, from complex cultural perspectives.

► ART BASEL MIAMI: Artwork (originally created for the Charles H. Wright Museum «VISIONS» exhibition) will be showcased along with 43 other renowned and acclaimed Artists of Color commissioned for the laudable exhibition during an upcoming exhibition at the Black Archives Historic Lyric Theater Cultural Arts Complex with «VISIONS OF OUR 44TH PRESIDENT.»

The Atlanta Contemporary Art Center is featuring three 2009 grantees from San Francisco (Gobel, Smith, and Walker) in this exhibition, along with two other artists.

Other major exhibitions at Nielsen Gallery included «Jackson Pollock: Forty Four Psychoanalytic Drawings, 1939 - 41; and The Self - Reliant Spirit, featuring a comparison of four contemporary artists with Albert Pinkam Ryder, Ralph Albert Blakelock, Arthur Dove, Marsden Hartley.

Owned by 13 artists and collaborations, Regina Rex strives to present exhibitions that capture their engagement with other artists.

They might easily have rubbed shoulders with each other at exhibitions and in the bars and cafes favoured by artists at a time when the art world was much smaller.

The exhibition brings together emerging and established artists, some with deep histories in the region and others who have arrived from elsewhere.

Considering Moss» artistic relationship with Mondrian is a way of reconsidering her impact, but also the other conversations represented in the & Model exhibition, with British Construction and Systems artists such as Norman Dilworth, Anthony Hill, Peter Lowe, David Saunders, Jeffrey Steele, Gillian Wise and others, form part of a bigger and very necessary exchange artists are making now with modernist positions that are far from redundant.

At the center of the space is a cube, its outer walls lined with what she calls «Tête - à - Tête,» a constantly changing group exhibition of pieces by artists — Derrick Adams, Malick Sidibé, Carrie Mae Weems, among others — whose work has influenced Thomas's.

Edited by the exhibitions's co-curators Frances Morris and Tiffany Bell, and with essays by leading scholars that give a context for Martin's work — her life, relationship with other artists, the influence of South - Asian philosophy — alongside focused shorter pieces on particular paintings, this beautifully designed volume is the definitive publication on her oeuvre.

The exhibition begins with works by early Minimalist artists such as Sol LeWitt and Carl Andre; drawings by conceptual artists Lawrence Weiner, William Wegman, and Mark di Suvero, among others; and continues with recently celebrated artists Fiona Banner, Teresita Fernandez, Jutta Koether, and Tracey Emin.

After opening with an exhibition of an artist at the height of his fame, Georges Mathieu, subsequent exhibitions were devoted to work by Frank Auerbach, R.B. Kitaj and Joe Tilson, as well as Kenneth Armitage, Lynn Chadwick, Ben Nicholson, Victor Pasmore, John Piper, Georges Vantogerloo and others.

Although several sculptures employ crackle glaze and other nods to traditional pottery, the works in this exhibition are notable for the wide range of effects achieved with such contemporary materials as epoxy resin, catalyzed polyurethane, and high - gloss automotive paint mixed to the artist's specifications and applied with an airbrush.

A key part of this exhibition will be ongoing conversations with the artists, but also with each other.

Exhibitions at West 19th Street, New York, and 24 Grafton Street, London, balance the program's historical component with presentations of recent painting, photography, sculpture, and video, among other mediums, by boundary - pushing contemporary artists like Kerry James Marshall, Oscar Murillo, Diana Thater, Wolfgang Tillmans, and Jordan Wolfson.

Oscar Murillo will be in conversation with Andrew Nairne, Director of Kettle's Yard, and other artists included in the exhibition.

BOOKSHELF Published to coincide with the exhibition, «Speaking of People: Ebony, Jet and Contemporary Art» features full - color images and contributions from Studio Museum in Harlem Director Thelma Golden, curator Lauren Haynes, and artist Hank Willis Thomas, among others.

Mind and Matter and these other exhibition and incidental installations of individual works are part of an ongoing initiative among women curators at MoMA to delve deeply into the permanent collection in order to find out what works by women artists they already own and then see how gaps in the collection can be filled through acquisitions, with assistance from the Modern Women's Fund.

Collaborations include an exhibition with the Picker Art Gallery, Colgate University, followed by collaborations with the Reading Public Museum, Demuth Museum, Stetson University and New Art Centre in UK, among others have extended the ability to show artists of international scope.

The artists in this exhibition were familiar to each other and with each other's work.

The Exhibition itself will run for ten weeks (opening times below) and five other artists will be exhibiting for two week periods with Griffin — bookmark this page for further details about these exhibitions and further events.

Jury artists into the program along with other Curator Residents and CAC's Director of Exhibitions and Residencies

The exhibition is a lively collection of works from a group of impressive and challenging artists, many of whom have influenced and worked with each other in the past, such as Holzer and Barbara Kruger, or Hammons and Nauman.

In addition to an internationally oriented program of exhibitions and presentations of artists from Berlin and other German cities, KW regularly cooperates with various partners, including the Venice Biennale (Club Berlin, 1995) and documenta X (Hybrid Workspace, 1997).

Through audio interviews with founders and key staff, a reading room of magazines and publications, documentation, ephemera and narrative descriptions, the exhibition will tell the story of pioneering spaces — like P.S. 1, Artists Space, Fashion Moda, Taller Boricua, ABC No Rio, The Kitchen, Franklin Furnace, Exit Art, 112 Greene Street, White Columns, Creative Time, Electronic Arts Intermix, Anthology Film Archives, Storefront for Art and Architecture, Just Above Midtown, and many more — as well as document a new generation of alternative projects such as Cinders, Live With Animals, Fake Estate, Apartment Show, Pocket Utopia, Cleopatra's, English Kills Art Gallery, Triple Candie, Esopus Space, and othwith founders and key staff, a reading room of magazines and publications, documentation, ephemera and narrative descriptions, the exhibition will tell the story of pioneering spaces — like P.S. 1, Artists Space, Fashion Moda, Taller Boricua, ABC No Rio, The Kitchen, Franklin Furnace, Exit Art, 112 Greene Street, White Columns, Creative Time, Electronic Arts Intermix, Anthology Film Archives, Storefront for Art and Architecture, Just Above Midtown, and many more — as well as document a new generation of alternative projects such as Cinders, Live With Animals, Fake Estate, Apartment Show, Pocket Utopia, Cleopatra's, English Kills Art Gallery, Triple Candie, Esopus Space, and othWith Animals, Fake Estate, Apartment Show, Pocket Utopia, Cleopatra's, English Kills Art Gallery, Triple Candie, Esopus Space, and others.

His diverse interests and methods have led him to undertake a varied range of projects, which at times have included long - term collaborative efforts with other artists, musicians, and writers resulting in ambitious traveling shows and exhibition catalogues.

«Borrowed» Art Gets Show — For «Thanks,» his new group show at Lu Magnus Gallery about the ways in which artists crib ideas and inspiration from each other, artist and curator Adam Parker Smith used unusual means to acquire works for the exhibition: he stole them, surreptitiously absconding with everything from paintings to personal articles during studio visits with other artists (he plans to return them after the show).

With work by both post-war artists and emerging practitioners — including Pablo Picasso, Roy Lichtenstein, Bruce Nauman, Carolee Schneemann, Jason Rhoades, Martin Kippenberger, Elaine Sturtevant, Anna Oppermann, Tetsumi Kudo, and Andrea Zittel, among others — the exhibition reflects the museum's expanded curatorial purview in its new home, which creates intergenerational dialogues between post-war and contemporary artists, and champions new narratives that provide insight into the most innovative artists working today.

The collective set up its own space, Hafriyat - Karaköy, in 2006, holding exhibitions and gatherings, and hosting other artists and collectives who deal with similar issues — many of whom I mention below.

A great rendering of this period was the 2014 British Museum exhibition (Germany divided: Baselitz and his generation from the Duerckheim Collection), where, among other key post-war artists, Baselitz participated with eleven of his Heroes series and other iconic works of the late 1960s.

In the first exhibition at Observatory, Brooklyn, on view through November 15th, James Walsh presents photos and prints in conjunction with an evening program of projections, performances, poetry, and other events by various artists throughout the run of the show.

As can be seen in the rash of exhibitions recently or currently on view, the digital revolution has been a double - edged sword for artists who work with or in the medium of ephemera and miscellany; on one hand, artists can easily manufacture their own work; on the other, some printed materials may soon be obsolete, changing the nature of the visual landscape and cultural communications.

Showcasing paintings and drawings spanning from 1992 to 2017 and demonstrating the singular ambition and dynamism of Saville's work, this exhibition spans five rooms of the Scottish National Gallery of Modern Art and places the artist alongside major new works, installations and photography from five other artists preoccupied with the body, performance, process and materiality: Sara Barker, Christine Borland, Robin Rhode, Markus Schinwald, Catherine Street, and others.

Their activities have taken many forms, including an exhibition space in Düsseldorf, Germany, various publishing projects, sustained collaborations with other artists, as well as exhibitions, realized both individually and together with a loose network of artists and cultural producers.

Additionally, the work is layered with references to literature, film and other artists, including David Hockney and Derek Jarman, whose paintings also feature in the exhibition.

The exhibition also includes works by other artists who have been influenced by and collaborated with the Groupe.