From the Office Before an issue of DISCOVER can
exist as a physical object, it needs to be conceptualized, reported, written, edited, fact - checked, copyedited, designed, and supplemented with advertisements.
Not exact matches
Since 1975, you have taken
existing materials and presented them on a different plane, encouraging viewers to look at the material or remnant not only
as a poetic image, but
as a doubling of reality in a
physical and cultural sense,
as Germano Celant described it in «
Object and Display» (2015).
Existing as an idea rather than a
physical object, Weiner invites visitors to experience his work in tandem with the rich heritage of the Palace, using the building's historic collections
as a support structure for his artistic vision.
Like many other artists who began working in the late 1960s and 1970s, Weiner is deeply interested in methods of display that challenge the assumption that the work of art
exists as a discrete
object in the
physical world.
Revealed only
as experiences in the time and space they occupy, his works
exist for those who encounter them and in their memories, but not
as physical objects.
In the same way
as Marcel Broodthaers, Tony Cragg and Robert Filliou experiment and play with the
physical characteristics of the materials used with humor and wit, Isa Genzken, Abraham Cruzvillegas, Jean - Luc Moulène, Haegue Yang and Heimo Zobernig — inspired by the search of the original purpose of the
existing objects, assemblages and installations — reveal a distorted nature of the employed materials.
As the artist noted, «I see the plank as existing between two worlds, the floor representing the physical world of standing objects, trees, cars, buildings, [and] human bodies,... and the wall representing the world of the imagination, illusionist painting space, [and] human mental space.&raqu
As the artist noted, «I see the plank
as existing between two worlds, the floor representing the physical world of standing objects, trees, cars, buildings, [and] human bodies,... and the wall representing the world of the imagination, illusionist painting space, [and] human mental space.&raqu
as existing between two worlds, the floor representing the
physical world of standing
objects, trees, cars, buildings, [and] human bodies,... and the wall representing the world of the imagination, illusionist painting space, [and] human mental space.»