The visual language of sport hunting over the course of history informs much of the work; incongruities exist within
existing art historical traditions, and too, manifest in the reconfiguring of forms and tradition that plays a role in Crombach's practice.
Using canonical and amateur parochial artworks as source material, Jason Brooks crops and reproduces
existing paintings in order to develop a nonlinear
art -
historical tradition rooted in form and color, rather than chronology.