Sentences with phrase «existing paint surface»

It leaves a hint of color over the existing paint surface, and depending on how dark you want the wash to be, you can do more than one coat.
Maintained existing paint surfaces through matching and tinting of appropriate paint products.

Not exact matches

Acting as a visual analogy, the algae-esque surfaces of Krone's Screen Paintings comparably relate to the evolving and growing algal bloom that physically exists within the lonesome tank that stands only feet away.
His masterful technique is achieved through the scrutiny and emulation of the compositional devices, graphic rhythms, and refined surfaces of sixteenth - and seventeenth - century Northern European painting, while his eroticized subjects exist at odds with the popular dialogue and politics of contemporary art.
This does not happen in a vacuum of course but painting is a unique aesthetic situation where color can exist as color, as visible phenomenon of light and surface.
From Odita's perspective, the flat surface of his paintings further suggests a «ground of whiteness» that exists prior to the application of color.
The transcendental quality of Georg Baselitz new exhibition Wir fahren aus at White Cube Bermondsey exists in the blurred surfaces of the artist's new paintings.
This is to say that Poons has become less intent in his ongoing desire to harness the look of a surface or to take on the toil of the ages insofar as the history of recent painting exists.
The exhibition promises to be filled with twelve luscious oil paintings that literally dissolve on the surface, rendering each subject in a semi-abstract manor where the paint simultaneous exists as material and image.
In the film Schnabel remarks: «I started to use different kinds of materials because I was looking for some kind of new way to paint... working with things that already exist affords you associations that are beyond your invention... I see opportunities everywhere as paintings, in images that already exist, in surfaces that will repsond to paint a certain way, or it might come from an accident... I realized a picture could be the architecture of a painting... so I would select thigns that already had pictures - images of things impregnated on them - and then I could treat them as a blank canvas... let them inform what I was doing and make me react to what was there and come out with a hybrid painting... it has a much to do with reacting rather than acting.»
Cox writes: «Acting as a visual analogy, the algae-esque surfaces of Krone's Screen Paintings comparably relate to the evolving and growing algal bloom that physically exists within the lonesome tank that stands only feet away.»
While motifs are shared between the drawings and gouaches, the two bodies of work exist in distinct domains, one furrowed and creased, a progression of elements roughly scored onto the paper, the other a set of color - infused structures residing on the Apollonian sheen of the painted surface.
The fluid nature of the surface exists in stark contrast to the precise timecode of the file capture, placing the painting not solely by year but to the precise second it was generated.
One of the techniques that Tyson uses is to paint over an existing work or on a blank canvas, and then scrape paint over the surface.
The slug - like painted forms in the two Untitled works appear to devour the formal geometric elements of the painting and one senses that with the passing of time these works will return to the pristine plain white surfaces that existed prior to Ingram making his marks.
Folk Art paintings have been executed on sandpaper; Folk Art paintings exist where painted surfaces abut photographs, news clippings and other memorabilia.
Keyser's works here hold great reminiscence to the combines of Robert Rauschenberg with hints of Thornton Dial, and her often appropriated, mixed media techniques force each of her paintings to fill their surfaces (or at least what exists of them) with feeling and movement.
Michael Rey's wall - based artworks exist at the juncture between painting and sculpture, combining three - dimensional forms with painted surfaces.
It exists as a painted surface as a material fact.
Her project is to transform existing surfaces into paintings or drawings, taking them from the everyday world and giving them a new status.
Pierre Soulages, Nicolas de Staël and Hans Hartung taught him that an illusion of space existed within the materiality of a painting's surface, something dismissed by previous abstract artists who focused on flatness.
Coloured grounds can significantly speed up the drawing and painting process because much of the work is done by the existing surface colour.
Getting back to basics, a painting is «spatial» because it is an object existing in the world; it has dimensions, width, height and at least virtual depth (although it's usually seen as surface).
Art in America described Mossé's layered surfaces as «seductive skin that shifts from the opaque to the lustrous and delicately transparent... As paint transubstantiates into light, it parallels the mystery that exists at the heart of matter, that is the heart of the matter.»
Each painting has elusive shapes existing just beneath the surface: a combination of non-black, non-blue and non-red.
2 1/2» XPS rigid insulation and 1» polyisocyanurate rigid insulation were added to the interior of the foundation wall and 2» XPS rigid insulation was added over the existing slab with cracks sealed and surface covered with epoxy paint.
• Train 15 new maintenance technicians in reading and understanding the role of blueprints in facilities maintenance work • Introduce a series of initiative building exercises to focus technicians» work on potential projects • Inspect buildings and structures to determine malfunctions in existing systems and needs for repair • Make lists of work that has to be performed each day and schedule technicians to work accordingly • Provide training to maintenance technicians by informing them of best practices • Handle minor plumbing and electrical maintenance procedures such as repair of leaks and replacing fixtures • Prepare surfaces for painting and buffing purposes and ensure that both work is performed in a time efficient manner • Act as the primary point of contact for all personnel requiring assistance with building issues such as heating and air conditioning
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