Sentences with phrase «existing visual language»

In other words, the artist attempts to manifest an idea visually without utilizing existing visual language.

Interestingly, my existing visual language continued to evolve and thrive on the smaller surfaces.

Not exact matches

«In previous experiments, we found that iambic - trochaic rhythms also exist in the visual domain, and hopefully we would find an analogy between the auditory and visual domain given the existence of visual languages, such as sign languages for the deaf,» explains Nespor.

However, reports of brain hyper - connectivity in ASD also exist in the domains of visuomotor processing (Mizuno et al., 2006; Turner et al., 2006), visual search (Shih et al., 2011), emotion processing (Welchew et al., 2005), memory (Noonan et al., 2009), and language (Shih et al., 2010).

In the opening shot of Skyfall, Roger Deakins» (The Assassination of Jesse James by the Coward Robert Ford, Shawshank Redemption) cinematography has established a very distinct visual language that doesn't exist in Bond films prior.

English language arts lessons will take on a whole new dimension with this site, as students can create visuals to match original stories, or craft the images to fit existing prose.

Visual Thinking Strategies for Preschool shows how teachers can add visual thinking strategies (VTS) to their existing curriculum to encourage language, critical thinking, and social skills for children ages three toVisual Thinking Strategies for Preschool shows how teachers can add visual thinking strategies (VTS) to their existing curriculum to encourage language, critical thinking, and social skills for children ages three tovisual thinking strategies (VTS) to their existing curriculum to encourage language, critical thinking, and social skills for children ages three to five.

The works» own features — line, form, texture, color, volume — are weaved into fresh and poetic, alternative visual language that is outside of existing preconceptions or representation systems, and play out as spatial development with rich sensory engagement.

Chapter 1: Things Must be Pulverized: Abstract Expressionism Charts the move from figurative to abstract painting as the dominant style of painting (1940s & 50s) Key artists discussed: Willem de Kooning, Barnett Newman Jackson Pollock, Mark Rothko Chapter 2: Wounded Painting: Informel in Europe and Beyond Meanwhile in Europe: abstract painters immediate responses to the horrors of World War II (1940s & 50s) Key artists discussed: Jean Dubuffet, Lucio Fontana, Viennese Aktionism, Wols Chapter 3: Post-War Figurative Painting Surveys those artists who defiantly continued to make figurative work as Abstraction was rising to dominance - including Social Realists (1940s & 50s) Key artists discussed: Francis Bacon, Lucien Freud, Alice Neel, Pablo Picasso Chapter 4: Against Gesture - Geometric Abstraction The development of a rational, universal language of art - the opposite of the highly emotional Informel or Abstract Expressionism (1950s and early 1960s) Key artists discussed: Lygia Clark, Ellsworth Kelly, Bridget Riley, Yves Klein Chapter 5: Post-Painting Part 1: After Pollock In the aftermath of Pollock's death: the early days of Pop, Minimalism and Conceptual painting in the USA (1950s and early 1960s) Key artists discussed: Jasper Johns, Robert Rauschenberg, Frank Stella, Cy Twombly Chapter 5: Anti Tradition - Pop Painitng How painting survives against growth of mass visual culture: photography and television - if you can't beat them, join them (1960s and 70s) Key artists discussed: Alex Katz, Roy Lichtenstein, Gerhard Richter, Andy Warhol Chapter 6: A transcendental high art: Neo Expressionism and its Discontents The continuation of figuration and expressionism in the 1970s and 80s, including many artists who have only been appreciated in later years (1970s & 80s) Key artists discussed: Georg Baselitz, Jean - Michel Basquiat, Anselm Kiefer, Julian Schnabel, Chapter 7: Post-Painting Part II: After Pop A new era in which figurative and abstract exist side by side rather than polar opposites plus painting expands beyond the canvas (late 1980s to 2000s) Key artists discussed: Tomma Abts, Mark Grotjahn, Chris Ofili, Christopher Wool Chapter 8: New Figures, Pop Romantics Post-cold war, artists use paint to create a new kind of «pop art» - primarily figurative - tackling cultural, social and political issues (1990s to now) Key artists discussed: John Currin, Peter Doig, Marlene Dumas, Neo Rauch, Luc Tuymans

By reducing concept to a simple idea and aesthetics to basic geometric shapes while introducing an ancient Japanese belief that beauty exists in imperfection, Stout creates a visual language that is timely, critical, and rich with texture.

The visual language of sport hunting over the course of history informs much of the work; incongruities exist within existing art historical traditions, and too, manifest in the reconfiguring of forms and tradition that plays a role in Crombach's practice.

The artist's use of language and her visual reference to Victorian posters in the Remarkable series relates to Bury Art Museum's existing collections, including the theatre posters in their social history collection.

He structured his own visual language, setting up photographs with jaunty geometric grace and inventing visual elements where none existed thus adding complexity and depth to his portraits.

Thus, the scope is broad and the paintings exist as both a tangible material and as a catalog of visual language of different styles of image making.

Abstract art uses a visual language of form, color and line to create a composition which may exist with a degree of independence from visual references in the world.

From the Automatistes in Montreal to the conceptual art movement in Halifax, to the influence of Clement Greenberg through the Emma Lake workshops on the Prairies in the 1940s, the visual language of shape, form, colour and line that exists for its own sake without reference to external reality, changed the artistic landscape in this country.

The second is the visual language used between older apps and newer ones - both Camera and Nokia Camera exist as tiles within our install, which is confusing.