Sentences with phrase «expanded field of painting»

About This Series Expanding on an expansive subject is a group exhibition that explores the expanded field of painting through nine artists» investigations into painting's range and potential as a cross-disciplinary medium.

Taking its title from David Hockney's iconic 1967 painting of a California swimming pool, «A Bigger Splash» will attempt to map the expanded field of painting - as - performance since Jackson Pollock.

[1] To that end, this exhibition explores the expanded field of painting through a wide range of works in a variety of media (i.e., installation, video, sculpture, and painting) that provide fertile territory for examining the legacy and meaning of painting and painterly practices in contemporary art today.

The works on view give evidence to a diverse and rigorous engagement with the expanded field of painting.

In her own words, Summer Wheat makes artworks — one of which is currently included in the show «Expanding the Field of Painting» at Boston's Institute of Contemporary Arts — that are «ugly but beautiful.»

Recent group exhibitions featuring Wheat's work include Paint Things: Beyond the Stretcher (2013) at the deCordova Sculpture Park + Museum and ICA Collection: Expanding the Field of Painting (2013 - 2014) at the Institute of Contemporary Art, Boston.

Her recent work probes the idea of geological and cinematic time in the expanded fields of painting and architecture.

Henry Art Gallery, University of Washington, Seattle, WA (2017); Her work has been included in recent museum exhibitions, including ICA Collection: Expanding the Field of Painting (2013 — 14), Institute of Contemporary Art, Boston; Paint Things: Beyond the Stretcher (2013), deCordova Museum and Sculpture Park; and Paradox Maintenance Technicians: A Comprehensive Manual to Contemporary Painting from Los Angeles and Beyond (2013), Torrance Art Museum, Torrance, CA.

Stella is the artist who launched 10,000 careers; artists as varied as Peter Halley, Sarah Morris, Ugo Rondinone, Matthew Ritchie, and Thomas Scheibitz, who have used Stella's structures, compositional strategies, and specific colors, to Isa Genzken, Mark Grotjahn, Jessica Stockholder, Katharina Grosse, Steven Parrino, and countless others who've followed Stella into the expanded fields of painting.

2014 Speaking of People: Ebony, Jet, and Contemporary Art, Studio Museum in Harlem, New York, NY Post Pop: East Meets West, Saatchi Gallery, London, UK Beyond the Classical: Imagining the Ideal Across Time, National Academy Museum, New York, NY Burn with Desire: Glamour in Photography and Film, Ryerson Image Center, Toronto, Canada Rauschenberg: Collecting & Connecting, Nasher Museum of Art, Duke University, Durham, NC GIRL curated by Pharrel Williams, Galerie Perrotin, Paris, France Pop Departures, Seattle Museum of Art, Seattle, WA Bash II, Kleinert / James Gallery, Woodstock, NY Expanding the Field of Painting, ICA Boston, Boston, MA Reflect, Cut, Construct, Wallach Art Gallery, Columbia University, New York, NY Aljira at 30, Dream and Reality, New Jersey State Museum, Trenton, NJ Aspects of the Self: Portraits of Our Times, Center for the Arts, Virginia Tech, Blacksburg, VA Domestic Unrest, Pippy Houldsworth Gallery, London, England Aftershock: The Impact of Radical Art, Edelman Arts, New York, NY 30 Americans, Contemporary Arts Center, New Orleans, LA The International Biennial of Contemporary Art of Cartegena de Indias, Cartagena de Indias, Colombia Shakti, Brand New Gallery, Milan, Italy

2013 Show and Tell: Calder Jewelry and Mobiles, Salon 94, New York, NY Expanding the Field of Painting, The Institute of Contemporary Art / Boston, MA Posing Beauty, The College of Wooster Art Museum, Wooster, OH; Spelman College, Atlanta, GA Seven Sisters, Karen Jenkins Gallery, San Francisico, CA Glyphs: Acts of Inscription, Pitzer College, Claremont, CA Amor Fati, Pioneer Works Center for Art and Innovation, Brooklyn, NY Du Bois In Our Time, University Museum of Contemporary Art, University of Massachusetts, Amherst, MA tête - à - tête, QF Gallery, East Hampton, NY Body Language, Studio Museum Harlem, New York, NY Desire, Yancey Richardson Gallery, New York, NY 30 Americans, Milwaukee Art Museum, Milwaukee, WI; Frist Center for Visual Arts, Nashville, TN Personal, Political, Mysterious, Flag Art Foundation, New York, NY; Lora Reynolds Gallery, Austin, TX Décopolis: The Talent of Others, The Proposition, Brooklyn, NY March On, Brooklyn Academy of Music, Brooklyn, NY

In 1996, I organized the exhibition «Painting into Photography / Photography into Painting» for MOCA, that focused on how contemporary artists were using photography to expand the field of painting conceptually and to bring new relevance to the act of painting.

Not exact matches

In much Abstract Expressionist painting of the 50s, notably paintings by Rothko and Newman, expanded abstract visual fields reflect the viewer's gaze, conjuring an awareness of self.

[21] The exhibition expanded the definition of color field painting.

As painter, writer and educator, my principal concern is painting - seeking its basis in perception, attention and awareness of the visual field, within the «expanded field» of photography and digital culture.

I had a general sense that I needed to expand the range of my palette, to create a richer field of colour and to intensify the atmospherics of the paintings.

According to Sara Reisman ``... Wojciech Gilewicz» practices is about expanding the scope of painting specifically and art art generally into the realm of daily life, usually public and sometimes private... Gilewicz... questions the very nature of art, dismantling it from the rarified, official spaces of culture to a much wider field that leads to the discovery that life itself as art.»

In addition, curators anywhere may expand on their field of study, as when a scholar of decorative arts became director of the Frick Collection, that marvel of European painting.

Between the Past and the Coming / Talk: Ruth Campau Thursday, February 12, 2015, 18:00 — 19:00 In the exhibition Between the Past and the Coming, Ruth Campau takes stock of her longstanding exploration of painting in an expanded field.

She has recently begun to approach painting as an expanded field, placing her canvases in the context of multimedia installations that include moving images, sculpture, and performances.

Comprising thirty - six works, it spanned more than three decades and focused on the artist's long - standing interrogation of painting via a practice that oscillates between representation and abstraction and locates the medium within an expanded field.

Landscape has always been an important element in my paintings, but the white on white wilderness and purity of Antarctica, its amazing wildlife and history soon convinced me to continue to work on the color field paintings but also to expand the vision in a number of other directions.

Its novelty and accessibility enabled an expanded field of expression, experimentation and documentation that broke away from the tired and restrictive modes of painting and sculpture.

His use of colour, form and material as elements in a compositional lexicon, as well as the stained or dyed fabrics which are his principal medium, declare the origin of his practice in the investigation of painting in an expanded field, while the way his compositions occupy and transform space are evidence of their sculptural nature.

The day explored Hoyland's art and times, while opening his painting up to new perspectives and the peculiar pressures of the «expanded field» in which art now operates.

Hubbard's videos «The Collapse of the Expanded Field I - III» (2007) and «Lost Loose Ends» (2008) bring together an assortment of materials, such as poured paint, flowers being cut with scissors and a Mylar drape pierced and torn by an old - fashioned walking cane.

When the talk ended, Mr. Dorsky dimmed the lights for a showing of Mr. Rowlett's film, Landscape Painting in the Expanded Field (2012), which takes as its inspiration the plein air painting trPainting in the Expanded Field (2012), which takes as its inspiration the plein air painting trpainting tradition.

The path forward in art - historical terms was split between those artistic movements more aligned with deeper investigations into the increasingly essential properties of a particular medium or reductive practices (e.g., Abstract Expressionism, Color Field painting, Minimalism) and those movements that actively sought an expansion of the arts into a plurality of new forms, hybrid media, and interactive experience (e.g., expanded cinema, intermedia, installation art, performance).13 Of these choices, hippie modernism would follow the latter course through experiments that drew upon the theatrical qualities and the participatory actions of the Happening, embraced Fluxus's democratic spirit in its everyone - is - an - artist philosophy, explored the work of experimental filmmakers seeking to expand cinematic experience, and experimented with the fluid nature of light and sound as well as the interactive qualities of kinetic arof a particular medium or reductive practices (e.g., Abstract Expressionism, Color Field painting, Minimalism) and those movements that actively sought an expansion of the arts into a plurality of new forms, hybrid media, and interactive experience (e.g., expanded cinema, intermedia, installation art, performance).13 Of these choices, hippie modernism would follow the latter course through experiments that drew upon the theatrical qualities and the participatory actions of the Happening, embraced Fluxus's democratic spirit in its everyone - is - an - artist philosophy, explored the work of experimental filmmakers seeking to expand cinematic experience, and experimented with the fluid nature of light and sound as well as the interactive qualities of kinetic arof the arts into a plurality of new forms, hybrid media, and interactive experience (e.g., expanded cinema, intermedia, installation art, performance).13 Of these choices, hippie modernism would follow the latter course through experiments that drew upon the theatrical qualities and the participatory actions of the Happening, embraced Fluxus's democratic spirit in its everyone - is - an - artist philosophy, explored the work of experimental filmmakers seeking to expand cinematic experience, and experimented with the fluid nature of light and sound as well as the interactive qualities of kinetic arof new forms, hybrid media, and interactive experience (e.g., expanded cinema, intermedia, installation art, performance).13 Of these choices, hippie modernism would follow the latter course through experiments that drew upon the theatrical qualities and the participatory actions of the Happening, embraced Fluxus's democratic spirit in its everyone - is - an - artist philosophy, explored the work of experimental filmmakers seeking to expand cinematic experience, and experimented with the fluid nature of light and sound as well as the interactive qualities of kinetic arOf these choices, hippie modernism would follow the latter course through experiments that drew upon the theatrical qualities and the participatory actions of the Happening, embraced Fluxus's democratic spirit in its everyone - is - an - artist philosophy, explored the work of experimental filmmakers seeking to expand cinematic experience, and experimented with the fluid nature of light and sound as well as the interactive qualities of kinetic arof the Happening, embraced Fluxus's democratic spirit in its everyone - is - an - artist philosophy, explored the work of experimental filmmakers seeking to expand cinematic experience, and experimented with the fluid nature of light and sound as well as the interactive qualities of kinetic arof experimental filmmakers seeking to expand cinematic experience, and experimented with the fluid nature of light and sound as well as the interactive qualities of kinetic arof light and sound as well as the interactive qualities of kinetic arof kinetic art.

The exhibition features new works from the artist's Kite paintings series, which combines aspects of Op Art and Color Field Theory, intermingled with concepts from Rosalind Krauss» theory of Sculpture in the Expanded Field.

John Bunker is a guest speaker at the Chelsea College of Arts (UAL) symposium — Colour, Emotion, Non-Figuration: John Hoyland Revisited (March 2016), where «The day will explore Hoyland's art and times, while opening his painting up to new perspectives and the peculiar pressures of the «expanded field» in which art now operates.»

Works on Paper, Curt Marcus Gallery, New York, NY Landscape Reclaimed, The Aldrich Museum of Contemporary Art, Ridgefield, CT Painting in an Expanding Field, Usdan Gallery, Bennington College, Bennington, VT Individuals on Paper, Devon Golden Fine Art Gallery, New York, NY

«My projects take into account the role of the artist in the expanded field of interdisciplinary practice to include socially oriented sculptural installation, abstract painting derived from social semiotics, and photography that treads the line between quotidian encounter and generic abstraction»

This hot off - hand elegant painting expands the field of the Abstract Expressionists, continuing their use paint as a physical thing.

Kim - Cohen's theory of an «expanded sonic practice» transposes Krauss» argument from her famous essay «Sculpture in the Expanded Field» into the register of sound art. 8 In that essay (and elsewhere), Krauss argues that the expanded situation of sculpture (meaning minimalist works, earthworks, installations and such) challenges the Modernist account of the artwork — perhaps epitomized in Clement Greenberg's famous essay, «Modernist Paintingexpanded sonic practice» transposes Krauss» argument from her famous essay «Sculpture in the Expanded Field» into the register of sound art. 8 In that essay (and elsewhere), Krauss argues that the expanded situation of sculpture (meaning minimalist works, earthworks, installations and such) challenges the Modernist account of the artwork — perhaps epitomized in Clement Greenberg's famous essay, «Modernist PaintingExpanded Field» into the register of sound art. 8 In that essay (and elsewhere), Krauss argues that the expanded situation of sculpture (meaning minimalist works, earthworks, installations and such) challenges the Modernist account of the artwork — perhaps epitomized in Clement Greenberg's famous essay, «Modernist Paintingexpanded situation of sculpture (meaning minimalist works, earthworks, installations and such) challenges the Modernist account of the artwork — perhaps epitomized in Clement Greenberg's famous essay, «Modernist Painting.»

More than any artist of his time, Majerus exemplifies what art historian Daniel Birnbaum calls «painting in the expanded field,» his prolific oeuvre reflecting the prepackaged newness and hybrid spaces of the Information Age.

What I Did On My Summer Vacation, White Columns, New York, NY; (benefit photography project)(13 Sept. - 20 Oct.) Form als Ziel mündet immer in Formalismus (Mies van der Rohe) Galerie Rolf Ricke, Köln, Germany; (7 June -10 Aug.) Painting In An Expanding Field, Usdan Gallery, Bennington College, Bennington, VT, organized by Saul Ostrow Square Bubbles, Nott Memorial Art Museum, Union College, Schenectady, NY; curated by Arthur Gibbons Painting Outside Painting: 44th Biennial Exhibition of Contemporary American Painting, The Corcoran Gallery of Art, Washington, DC; curated by Terrie Sultan (Dec.), cat.

2013 PAINT THINGS: beyond the stretcher, DeCordova Sculpture Park and Museum, MA Painting in the Expanded Field, Mary S. Byrd Gallery of Art, Georgia Regents University Impulse and Connoisseurship: Selections from the Forde Collection, Westmont Ridley - Tree Museum of Art P!

In his quest to transcend the idea of easel painting, the pictorial space is enlarged across expanded canvas fields, on which calligraphic signs reach maximum intensity through minimum resources, reflecting the artist's attempt to reach a square one of painting through simplicity and emptiness.

The five genres — Still Life, Landscape, Scenes of Everyday Life, Portraiture, and History Painting — serve as a productive point of dialogue with contemporary artwork created within an expanded field of artistic practices, including not only painting but also photography, video, and instaPainting — serve as a productive point of dialogue with contemporary artwork created within an expanded field of artistic practices, including not only painting but also photography, video, and instapainting but also photography, video, and installation.