Sentences with phrase «expanded field of sculpture»

She holds a BFA from the Cooper Union where she studied performance and film in the expanding field of sculpture and is now pursuing an MFA from Bard College in Music / Sound.

Nasher XChange will extend the museum's core mission beyond its walls and into Dallas» diverse neighborhoods, alongside key community partners, to present key advances in the rapidly expanding field of sculpture, raise the level of discourse on the subject within the city, and contribute to broader national and international conversations on public sculpture,» said Nasher Director Jeremy Strick.

When presented in the gallery spaces, the nine works move to a private form of encounter, and rooted within a centre dedicated to the study of sculpture they become situated within the ever - expanding field of sculpture.

These programs — including panel discussions, lectures, and symposia — will be held in cities around the world on a yearly basis, offering engagement with various audiences, and providing myriad perspectives and insight into the ever - expanding field of sculpture.

Not exact matches

The erotic aspect of his art, repeatedly emphasized by Chamberlain himself, was most recently studied in detail in David J. Getsy, «Immoderate Couplings: Transformations and Gender in John Chamberlain's Work,» in Getsy, Abstract Bodies: Sixties Sculpture in the Expanded Field of Gender (New Haven and London: Yale University Press, 2015), pp. 97 — 145.

In this way Anthony McCall's light - beams, outlined against mist, expanding upon the specifically plastic properties of film, cross the frontiers of cinema history to join the minimalist propositions of 1970s sculpture and rank alongside the geometric structures of Robert Morris, Sol LeWitt or Carl Andre, Dan Flavin's fields of color, or Fred Sandback's spans of colored yarn.»

Serra said this about his works: ``... if I had to give a brief on what I thought sculpture needed to be, it was to do away with the object, to get sculpture off the pedestal and expand the space of the field, to open up the container and to foreground time and bodily movement in relation to the intensity of place and context.»

In her evocative introductory essay for Vitamin 3 - D, Anne Ellegood uses Rosalind Krauss's landmark 1978 essay «Sculpture in the Expanded Field» as the basis to explore the wildly inclusive breadth and depth of work that the term «sculpture» can now be applied to within contemporary practice — and the key historical moments that serve as the precedents for what we now understand as both sculpture and instSculpture in the Expanded Field» as the basis to explore the wildly inclusive breadth and depth of work that the term «sculpture» can now be applied to within contemporary practice — and the key historical moments that serve as the precedents for what we now understand as both sculpture and instsculpture» can now be applied to within contemporary practice — and the key historical moments that serve as the precedents for what we now understand as both sculpture and instsculpture and installation.

12 Lower - Division Sculpture (4) Introduction to the challenges, strategies, and techniques of 3D artmaking within the expanding fields of traditional and contemporary sSculpture (4) Introduction to the challenges, strategies, and techniques of 3D artmaking within the expanding fields of traditional and contemporary sculpturesculpture.

To celebrate the publication of Abstract Bodies: Sixties Sculpture in the Expanded Field of Gender, David Getsy presented a lecture at the National Gallery of Art on October 25, 2015.

[1] To that end, this exhibition explores the expanded field of painting through a wide range of works in a variety of media (i.e., installation, video, sculpture, and painting) that provide fertile territory for examining the legacy and meaning of painting and painterly practices in contemporary art today.

She has recently begun to approach painting as an expanded field, placing her canvases in the context of multimedia installations that include moving images, sculpture, and performances.

Of course, this is not entirely fair, as each work in the expanded field of his art is a sculpture before it is anything elsOf course, this is not entirely fair, as each work in the expanded field of his art is a sculpture before it is anything elsof his art is a sculpture before it is anything else.

The inclusion of Caldas's work demonstrates the exhibition's broadened purview through the very domain — sculpture — for which Rosalind Krauss first articulated her notion of the «expanded field.»

His work is rooted in the history of drawing but continues to expand into the fields of sculpture and animation.

Its novelty and accessibility enabled an expanded field of expression, experimentation and documentation that broke away from the tired and restrictive modes of painting and sculpture.

But in recent years, her visibility has increased exponentially — in significant exhibitions including The Mood Back Home (Momenta Art), An Expanded Field of Possibilities (Santa Barbara Contemporary Arts Forum), Dirt on Delight (Institute of Contemporary Art, Philadelphia), and Shape of Things to Come: New Sculpture (the Saatchi Gallery).

David J. Getsy Abstract Bodies: Sixties Sculpture in the Expanded Field of Gender (Yale University Press, 2015)

Recent group exhibitions featuring Wheat's work include Paint Things: Beyond the Stretcher (2013) at the deCordova Sculpture Park + Museum and ICA Collection: Expanding the Field of Painting (2013 - 2014) at the Institute of Contemporary Art, Boston.

Over the past 20 years Brun Fine Art has expanded their knowledge on specialist fields such as bronze sculptures, continental furniture, Asian art and contemporary art and therefore offers today an extensive collection of high - quality fine and decorative art.

Gallery Talk starts at 5:30 pm; Booksigning to follow Gallery Talk and Reception with art historian David J. Getsy, celebrating the release of his new book Abstract Bodies: Sixties Sculpture in the Expanded Field of Gender, published by Yale University Press.

His innovative approach to scale, form and materials to «expand the language of sculpture» has not only won him international plaudits but has revolutionised the field of three - dimensional art.

The exhibition features new works from the artist's Kite paintings series, which combines aspects of Op Art and Color Field Theory, intermingled with concepts from Rosalind Krauss» theory of Sculpture in the Expanded Field.

Henry Art Gallery, University of Washington, Seattle, WA (2017); Her work has been included in recent museum exhibitions, including ICA Collection: Expanding the Field of Painting (2013 — 14), Institute of Contemporary Art, Boston; Paint Things: Beyond the Stretcher (2013), deCordova Museum and Sculpture Park; and Paradox Maintenance Technicians: A Comprehensive Manual to Contemporary Painting from Los Angeles and Beyond (2013), Torrance Art Museum, Torrance, CA.

But because the connection between the constructions and the expanded field of reference is so unclear, it is easier to see Mr. Gillick's sculptures simply as suave, eminently salable designer objects.

Kim - Cohen's theory of an «expanded sonic practice» transposes Krauss» argument from her famous essay «Sculpture in the Expanded Field» into the register of sound art. 8 In that essay (and elsewhere), Krauss argues that the expanded situation of sculpture (meaning minimalist works, earthworks, installations and such) challenges the Modernist account of the artwork — perhaps epitomized in Clement Greenberg's famous essay, «Modernist Paintingexpanded sonic practice» transposes Krauss» argument from her famous essay «Sculpture in the Expanded Field» into the register of sound art. 8 In that essay (and elsewhere), Krauss argues that the expanded situation of sculpture (meaning minimalist works, earthworks, installations and such) challenges the Modernist account of the artwork — perhaps epitomized in Clement Greenberg's famous essay, «Modernist PaintinSculpture in the Expanded Field» into the register of sound art. 8 In that essay (and elsewhere), Krauss argues that the expanded situation of sculpture (meaning minimalist works, earthworks, installations and such) challenges the Modernist account of the artwork — perhaps epitomized in Clement Greenberg's famous essay, «Modernist PaintingExpanded Field» into the register of sound art. 8 In that essay (and elsewhere), Krauss argues that the expanded situation of sculpture (meaning minimalist works, earthworks, installations and such) challenges the Modernist account of the artwork — perhaps epitomized in Clement Greenberg's famous essay, «Modernist Paintingexpanded situation of sculpture (meaning minimalist works, earthworks, installations and such) challenges the Modernist account of the artwork — perhaps epitomized in Clement Greenberg's famous essay, «Modernist Paintinsculpture (meaning minimalist works, earthworks, installations and such) challenges the Modernist account of the artwork — perhaps epitomized in Clement Greenberg's famous essay, «Modernist Painting.»

Miss's 1977 installation Perimeters / Pavilions / Decoys at the Nassau County Museum of Art, served as one of Rosalind Krauss's inspirations when she defined postmodern sculpture in her article, «Sculpture in the Expanded Fielsculpture in her article, «Sculpture in the Expanded FielSculpture in the Expanded Field.»

2013 PAINT THINGS: beyond the stretcher, DeCordova Sculpture Park and Museum, MA Painting in the Expanded Field, Mary S. Byrd Gallery of Art, Georgia Regents University Impulse and Connoisseurship: Selections from the Forde Collection, Westmont Ridley - Tree Museum of Art P!

Mass Effect: Art and the Internet in the Twenty - First Century,» «Roy Lichtenstein: Drawing First,» «Abstract Bodies: Sixties Sculpture in the Expanded Field of Gender,» «Frank Stella: A Retrospective,» «Picasso Sculpture,» «Kerry James Marshall: Look See» and «Irrational Judgments: Eva Hesse, Sol LeWitt, and 1960s New York.

Bell's understanding of the potential of glass and light allows him to expand visual and physical fields of perception, and his sculptures to surpass traditional bounds of the medium.

In these sculptures Smithson expanded the cartographic aspect of his field trips to disrupt the premises of traditional sculpture.