This year, the Biennial acts as a platform — or even a forum if you will — for comprehending
the expanded fields of contemporary art in relation to performance, film, literary, multi-media and curatorial praxis.
The International
expands the field of contemporary art wider than I have ever experienced it before.
Outstanding Production in the context of
the expanding field of contemporary arts, dance, and performance practice
Outstanding Performer in the context of
the expanding field of contemporary arts, dance, and performance practice
Not exact matches
An
Expanded Field of Possibilities, curated by Miki Garcia, Santa Barbara
Contemporary Arts Forum, Santa Barbara, CA (catalogue) 2006 Red Eye: Los Angeles Artists from the Rubell Family Collection, Rubell Family Collection, Miami, FL (catalogue)
In her own words, Summer Wheat makes artworks — one
of which is currently included in the show «
Expanding the
Field of Painting» at Boston's Institute
of Contemporary Arts — that are «ugly but beautiful.»
[1] To that end, this exhibition explores the
expanded field of painting through a wide range
of works in a variety
of media (i.e., installation, video, sculpture, and painting) that provide fertile territory for examining the legacy and meaning
of painting and painterly practices in
contemporary art today.
This panel considers the
contemporary way curators are using language in experimental ways to
expand visual
art practices, and what effects the crossover
of these
fields has had on each.
The first Triennial, curated by Mari Carmen Ramírez, professed to place printmaking within the
expanded and hybrid
field of contemporary art, and defined the medium not by the technical expertise wielded by its practitioners but by the creation
of meaning through the imprint — whatever the material or process involved.
But in recent years, her visibility has increased exponentially — in significant exhibitions including The Mood Back Home (Momenta
Art), An
Expanded Field of Possibilities (Santa Barbara
Contemporary Arts Forum), Dirt on Delight (Institute
of Contemporary Art, Philadelphia), and Shape
of Things to Come: New Sculpture (the Saatchi Gallery).
Recent group exhibitions featuring Wheat's work include Paint Things: Beyond the Stretcher (2013) at the deCordova Sculpture Park + Museum and ICA Collection:
Expanding the
Field of Painting (2013 - 2014) at the Institute
of Contemporary Art, Boston.
Over the past 20 years Brun Fine
Art has expanded their knowledge on specialist fields such as bronze sculptures, continental furniture, Asian art and contemporary art and therefore offers today an extensive collection of high - quality fine and decorative a
Art has
expanded their knowledge on specialist
fields such as bronze sculptures, continental furniture, Asian
art and contemporary art and therefore offers today an extensive collection of high - quality fine and decorative a
art and
contemporary art and therefore offers today an extensive collection of high - quality fine and decorative a
art and therefore offers today an extensive collection
of high - quality fine and decorative
artart.
«Drawing», Kerry Schuss, New York, New York «Pure Pulp:
Contemporary Artists Working in Paper at Dieu Donné», The Ruth and Elmer Wellin Museum
of Art, Clinton, New York «Papier / Paper V, Zeichnung (Drawing), Clement & Schneider, Bern, Germany «Cornering the Round: Robert Mangold, Brice Marden, Robert Ryman and Kate Shepherd», Barbara Krakow Gallery, Boston, Massachusetts «The Good Earth», Kerry Schuss, New York, New York «Intersections @ 5», The Phillips Collection, Washington, D.C. «Oysters with Lemon», Ventana 244, Brooklyn, New York «Color Fields», Massachusetts College
of Art and Design, Boston, Massachusetts «Pica: Celebrating 20 Years Reflecting On The First Decade», Elizabeth Leach Gallery, Portland, Oregon «
Expanded Field.
Askeaton
Contemporary Arts and Lismore Castle
Arts present «The
Expanded Field», with international and Irish artists investigating the multifaceted nature
of the Munster region.
The Algae Summit is the first presentation
of The
Expanded Field, a new collaborative programme jointly organised by Askeaton
Contemporary Arts and Lismore Castle
Arts, Waterford.
Henry
Art Gallery, University
of Washington, Seattle, WA (2017); Her work has been included in recent museum exhibitions, including ICA Collection:
Expanding the
Field of Painting (2013 — 14), Institute
of Contemporary Art, Boston; Paint Things: Beyond the Stretcher (2013), deCordova Museum and Sculpture Park; and Paradox Maintenance Technicians: A Comprehensive Manual to
Contemporary Painting from Los Angeles and Beyond (2013), Torrance
Art Museum, Torrance, CA.
Works on Paper, Curt Marcus Gallery, New York, NY Landscape Reclaimed, The Aldrich Museum
of Contemporary Art, Ridgefield, CT Painting in an
Expanding Field, Usdan Gallery, Bennington College, Bennington, VT Individuals on Paper, Devon Golden Fine
Art Gallery, New York, NY
What I Did On My Summer Vacation, White Columns, New York, NY; (benefit photography project)(13 Sept. - 20 Oct.) Form als Ziel mündet immer in Formalismus (Mies van der Rohe) Galerie Rolf Ricke, Köln, Germany; (7 June -10 Aug.) Painting In An
Expanding Field, Usdan Gallery, Bennington College, Bennington, VT, organized by Saul Ostrow Square Bubbles, Nott Memorial
Art Museum, Union College, Schenectady, NY; curated by Arthur Gibbons Painting Outside Painting: 44th Biennial Exhibition
of Contemporary American Painting, The Corcoran Gallery
of Art, Washington, DC; curated by Terrie Sultan (Dec.), cat.
2014 Speaking
of People: Ebony, Jet, and
Contemporary Art, Studio Museum in Harlem, New York, NY Post Pop: East Meets West, Saatchi Gallery, London, UK Beyond the Classical: Imagining the Ideal Across Time, National Academy Museum, New York, NY Burn with Desire: Glamour in Photography and Film, Ryerson Image Center, Toronto, Canada Rauschenberg: Collecting & Connecting, Nasher Museum
of Art, Duke University, Durham, NC GIRL curated by Pharrel Williams, Galerie Perrotin, Paris, France Pop Departures, Seattle Museum
of Art, Seattle, WA Bash II, Kleinert / James Gallery, Woodstock, NY
Expanding the
Field of Painting, ICA Boston, Boston, MA Reflect, Cut, Construct, Wallach
Art Gallery, Columbia University, New York, NY Aljira at 30, Dream and Reality, New Jersey State Museum, Trenton, NJ Aspects
of the Self: Portraits
of Our Times, Center for the
Arts, Virginia Tech, Blacksburg, VA Domestic Unrest, Pippy Houldsworth Gallery, London, England Aftershock: The Impact
of Radical
Art, Edelman
Arts, New York, NY 30 Americans,
Contemporary Arts Center, New Orleans, LA The International Biennial
of Contemporary Art of Cartegena de Indias, Cartagena de Indias, Colombia Shakti, Brand New Gallery, Milan, Italy
2013 Show and Tell: Calder Jewelry and Mobiles, Salon 94, New York, NY
Expanding the
Field of Painting, The Institute
of Contemporary Art / Boston, MA Posing Beauty, The College
of Wooster
Art Museum, Wooster, OH; Spelman College, Atlanta, GA Seven Sisters, Karen Jenkins Gallery, San Francisico, CA Glyphs: Acts
of Inscription, Pitzer College, Claremont, CA Amor Fati, Pioneer Works Center for
Art and Innovation, Brooklyn, NY Du Bois In Our Time, University Museum
of Contemporary Art, University
of Massachusetts, Amherst, MA tête - à - tête, QF Gallery, East Hampton, NY Body Language, Studio Museum Harlem, New York, NY Desire, Yancey Richardson Gallery, New York, NY 30 Americans, Milwaukee
Art Museum, Milwaukee, WI; Frist Center for Visual
Arts, Nashville, TN Personal, Political, Mysterious, Flag
Art Foundation, New York, NY; Lora Reynolds Gallery, Austin, TX Décopolis: The Talent
of Others, The Proposition, Brooklyn, NY March On, Brooklyn Academy
of Music, Brooklyn, NY