Sentences with phrase «expansive scale of the work»

Not exact matches

Gray is aided by the astonishing work of cinematographer Darius Khondji, who draws on the deeply - textured, golden - hued aesthetic of The Immigrant on an equally rich but far more expansive scale.

The Museum is intimate in scale yet expansive in scope, offering a respite from the rush of daily life, a revitalizing experience of extraordinary works of art, and an opportunity to delve deeply into the study of art and culture.

Installed within the expansive, vaulted architecture of Navy Pier's Festival Hall, IN / SITU features large - scale, suspended sculptures and site - specific works.

For All Inside of Itself, Close, Baras continues to work intuitively in her medium while taking an expansive step forward in both the scale and structure of her paintings.

His work, from early minimal objects to increasingly expansive and complex forms, has always dealt with such central issues of the sculptural tradition as size and scale, balance and imbalance, figuration and abstraction.

Filling the museum's expansive first - floor galleries, Simon's exhibition features large - scale immersive works — ASSEMBLED AUDIENCE + A COLD HOLE — as well as the first - ever major museum installation of the artist's bookwork.

These works, in monumental size and scale, engulf viewers with their expansive, painterly surfaces that depict moments of intense observation in the landscape — what Katz describes as «flashes» of perception or «quick things passing.»

Fuchs has produced an extraordinary body of work that is a testament to the meaning and potency of painting, ranging from small to large - scale works, and characterized by an expansive vocabulary of soft lines, gestural brushwork, and a subdued, muted palette.

Having created such expansive and defining large scale pieces in the past; the artist sets himself a problematic contrast; the effect of the works physicality is like being surrounded by seven gigantic shimmering CDs.

The 2015 Artistic Projects will present an expansive collection of works from high profile Indian and international artists, including a large - scale in - situ installation piece by renowned French artist Daniel Buren.

In 1996, Iglesias was invited to build her first large - scale public work Deep Fountain, using water for the city of Antwerp which resulted in a dynamic, expansive well in the large public square in front of the Museum Voor Schone Kunsten.

With over 190 booths at the fair, whittling the «best» down to seven is an impossible task, so a hat - tip to the following notable mentions is more than warranted: Salon 94's expansive female - dominated booth, with Laurie Simmons's and Marilyn Minter's works in mischievous conversation, a large - scale painting by Lorna Simpson that comes from the same series that debuted in Okwui Enwezor's «All the World's Futures» last week, and the delicate - meets - hardcore jewelry of sculptor Kara Hamilton; Kate MacGarry's sparse but refreshingly textural booth, where works by Josh Blackwell, Marcus Coates, Florian Meisenberg, and Francis Upritchard play off one another; Standard (OSLO)'s solo booth featuring Ian Cheng's virtual world; Andrea Rosen Gallery's Michael St. John - curated booth, featuring the likes of William Eggleston and Dash Snow; Galerie Buchholz's brilliant pairing of cross-generational counterparts (and Venice favorites) Simon Denny and Isa Genzken; and The Box's presentation of Judith Bernstein's sexually charged two - dimensional works.

Ceramics Finds Its Place in the Art - World Mainstream Lilly Wei writes... From the first generation of modernists who worked in clay to contemporary practitioners, all have made breakthroughs: in scale, in single objects as well as expansive installations; in technical experimentation; in increasingly original formal resolutions from the abstract to the realistic; and in content, exploring issues about the body, identity, politics, history, feminism, domesticity, means of production, and beauty... more

Still presents a series of new works of various scale, from expansive installations to small stand - alone objects.

Intimate in scale yet expansive in scope, the Museum offers a respite from the rush of daily life, a revitalizing experience of extraordinary works of art and an opportunity to delve deeply into the study of art and culture.

The breadth of the exhibition — chronologically and stylistically — is illustrated when comparing a work such as Greene's # 10 (1935), composed of densely layered papers on a small scale in a variety of textures, shapes, and palette of muted hues, to Vicente's Untitled (1980), the expansive picture plane dominated by emphatic vertical and horizontal linear forms in deep greens, purples, and reds.

The works mark a dramatic expansion of Chetwynd's painting practice, substituting the miniature scale of her long - running Bat Opera series for a newly expansive and multifarious format.

To work through issues of race, identity and community, Yashua Klos employs techniques like woodcutting and etching to produce innovative, large - scale collages, expansive figurative portraits of friends and fellow artists rendered in a quasi-cubist, bricolage style.

In the early 1990s, the artist took Polaroids of the underside of a table and chairs in his kitchen and was struck by the expansive and immersive world they conveyed.2 He sought to re-create this experience in the round, and beginning in 1992 his work turned from handmade to industrially fabricated, from modestly scaled to nearly four times life - size, and from somewhat abstracted to more directly representational.

The first large - scale retrospective of Merz's work in the U.S., «The Sky Is a Great Place» looks at the Italian artist's influential and expansive five - decade - long career.

On Wed, July 6 at 7 pm, Cruz will perform How To Order A Chocolate Cake, in addition to performances by artists Jaamil Olawale Kosoko and David Thomson.To work through issues of race, identity and community, Yashua Klos employs techniques like woodcutting and etching to produce innovative, large - scale collages, expansive figurative portraits of friends and fellow artists rendered in a quasi-cubist, bricolage style.

Dancy often works on a large - scale, filling her canvases with expansive nudes rendered in a vibrant array of colors and with calligraphic, sweeping, sinuous lines.

Though many also work on a smaller scale, the artists on our list defy the convention of sculpture as standalone, constructing often - expansive works that respond to or reflect their environments.

Join this exclusive guided tour of the 2017 IN / SITU program, installed within the expansive, vaulted architecture of Navy Pier's Festival Hall, featuring large - scale, suspended sculptures and site - specific works.