Not exact matches
Leighton House — former home of the Victorian artist and friend of the Pre-Raphaelite Brotherhood Frederic Leighton — offers a rare chance to see more
than 100 drawings by Millais, Rossetti, Waterhouse and others from the collection of Canadian orthognathic dentist Dennis Lanigan in February, while further north the Walker Art Gallery reveals Liverpool's connection to the movement with an
expansive show of more
than 120
paintings.
Each of these larger
paintings is like a convoluted internal debate, ultimately
expansive and inclusive, gesturing toward a network of connected ideas rather
than a single conclusion.
New discoveries will be unveiled in this
expansive exhibition, featuring more
than 120 Homer
paintings, drawings, prints, photographs, and archival materials, including his camera, from the BCMA's extensive collection of the artist's work
With over 190 booths at the fair, whittling the «best» down to seven is an impossible task, so a hat - tip to the following notable mentions is more
than warranted: Salon 94's
expansive female - dominated booth, with Laurie Simmons's and Marilyn Minter's works in mischievous conversation, a large - scale
painting by Lorna Simpson that comes from the same series that debuted in Okwui Enwezor's «All the World's Futures» last week, and the delicate - meets - hardcore jewelry of sculptor Kara Hamilton; Kate MacGarry's sparse but refreshingly textural booth, where works by Josh Blackwell, Marcus Coates, Florian Meisenberg, and Francis Upritchard play off one another; Standard (OSLO)'s solo booth featuring Ian Cheng's virtual world; Andrea Rosen Gallery's Michael St. John - curated booth, featuring the likes of William Eggleston and Dash Snow; Galerie Buchholz's brilliant pairing of cross-generational counterparts (and Venice favorites) Simon Denny and Isa Genzken; and The Box's presentation of Judith Bernstein's sexually charged two - dimensional works.
The de Saisset Museum houses an
expansive collection of more
than 12,500 objects, including Fletcher Benton, Going Around the Corner with X, 2008,
painted steel, Gift of the artist with assistance from Paula Kirkeby, in honor of William Rewak, S.J., 2013.4.1.
Best known for her colossal sculptural projects, for more
than five decades Barlow has employed a distinct vocabulary of inexpensive materials such as plywood, cardboard, plaster, cement, fabric and
paint to create bold and
expansive installations that confront the relationship between objects and the space that surrounds them, in an approach that is grounded in an anti-monumental tradition.
On view through May 20, 2012, the exhibition brings together more
than 100 works from Downey's
expansive career, from his early experimental work with art and technology to his groundbreaking video art from the 1970s through the 1990s, the exhibition will include drawings,
paintings, video and photographic installations, and the artist's notebooks, which have never before been on view.
The
painting hints at an
expansive landscape scene, but it is relatively schematic and less forceful
than its monochrome companion.
[2] Kaprow absorbed lessons from Pollock about the
expansive possibilities of art making, seeing how as Pollock rhythmically moved around his canvases laid on the floor flinging and pouring
paint the act can become equal to or even greater
than the product.
Featuring half as many works by twice as many artists, Variations felt simultaneously more
expansive in scope
than The Forever Now and compellingly loose in its definition of
painting.