In these first few minutes, which span the film's opening credits, the director sums up
the expansive world of the film in a delightfully unorthodox, alphabetical, and rather musical manner.
Not exact matches
Props to the powers that be at the Burns for recognizing that Red Dead Redemption is freaking awesome and giving Rockstar a venue for showing a bunch
of hardcore
film people (not to mention all the hip youngsters who brought hard copies
of the game to be autographed by the Rockstar crew) what's up in the increasingly
expansive world of interactive entertainment.
Though it's not particularly difficult to tell what Ellis will ultimately choose (think
of the name
of the movie, after all), the
film sets up such an
expansive world on both sides that it's never really a black - and - white decision.
This is exactly the sort
of film I needed to see at that point in time; it was a wake - up call, a reminder that not all horror was the Final Destination series, that I didn't need to watch every supernatural horror flick (see: The Eye, The Grudge, The Skeleton Key etc.) the studios pushed out every year — even though there was nothing wrong with enjoying them — and that there was an
expansive and varied
world of horror out there.
Produced by Michael Deluca and Dana Brunetti the
film will capture the adrenalin
of the racing
world and a human dimension will be inspired by GT Academy LittleBigPlanet HUB, a new free - to - play service heading to PS3 later in the year was unveiled, offering gamers from novices to hard - core enthusiasts ease
of access to the extensive library
of games and
expansive array
of entertainment services Upcoming independent titles showcased including FEZ (Polytron Corporation), Rogue Legacy (Cellar Door Games) and Supermagical (Tama Games) The RRP
of the PS3 12 GB model will be reduced to AUD$ 269.95 as
of 2nd September 2013 in Australia
In the presentation at Matt's Gallery in 2012, the viewer walked through an
expansive sculptural installation, in which motifs from the
film were played out; giant diagrammatic stick figures in the warning colours
of yellow and black tower over a school girl inhabiting the
world of School
of Change.
To see the
film the viewer walks through an
expansive sculptural installation, in which motifs from the
film are played out; giant diagrammatic stick figures in the warning colours
of yellow and black tower over a school girl inhabiting the world of SCHOOL OF CHANG
of yellow and black tower over a school girl inhabiting the
world of SCHOOL OF CHANG
of SCHOOL
OF CHANG
OF CHANGE.
Inspired by Electric Earth, the single channel version
of Doug Aitken's
expansive video installation from 1999 available at EVR, this program
of experimental and documentary short
films explores the power
of imagination, the potential
of the supernatural that derives from the foundations
of our highly technological
world.
Scholz, a painter and filmmaker, edited, shot, and directed the
film in a number
of semi-improvised sequences cowritten and coproduced with art theorist and science fiction author von Schlegell, incorporating an
expansive cast
of actors and collaborators from the
worlds of art,
film, music, and literature.