Sentences with phrase «expect out of the movie»

«And I think the fans are gonna get more than they expect out of this movie, from all characters.

With such an interesting basic premise its core, there is almost no time spent on plot or character development and, depending on what exactly it is that you're expecting out of a movie like this, it could very well annoy and bother viewers.

Not exact matches

If in the case of the movie Contact again, even if Foster's character stayed with him, bought him presents, took care of him when sick, got him b - day cards or cried at his funeral, someone could always say «Well she could be a psychopath and is just pretending to love him because its expected of her or she expects to get something out it like inheritance.»

Expect me to look like I just stepped out of a horror movie at least five evenings a week.

Deanna starts to become a fixture at Maddy's sorority, and we expect mother and daughter to clash, but here the movie throws one of its few curves — Deanna's maternal boosterism turns out to be good not only for Maddy, but for all of the young women in the house, who come to rely on her support during a stressful senior year.

I'm told that Alex Garland's film, out February 23, veers considerably from the plot of Jeff VanderMeer's hit 2014 novel; those going in expecting a faithful adaptation will be disappointed, and may spend the bulk of the movie frustrated about what's not there instead of appreciating what is.

Much of the movie hinges on characters not revealing information to each other that no sane person would ever keep a secret; Baby Mama doesn't have a plot so much as a series of contrivances that play out completely as expected.

Between the heavy voiceover narration, the multiple literary lectures (Scott Speedman turns up as the teacher who provides the allusions), and the stilted scenes of Bolger and her friends hanging out, the film plays like TV - movie gothic, plodding along to the expected revelations and bloodlettings.

Parents familiar with previous X-Men movies can expect a somewhat greater degree of violence than last outings.

Still, it's a bit of a tall order to expect families to shell out movie - theater dollars for such material barely a step above generic and forgettable, especially for a formula we're experiencing for the fourth time around, so without bringing more to the proceedings worth loading up the minivan for.

Expect The LEGO Movie Videogame — out Friday — to join it in the upper echelon of chart next week.

Having said all of that, with my thoughts on the trailers out of the way, this wasn't nearly as bad a movie as I would have reasonably expected.

Audiences who go to see The American expecting a conventional Hollywood spy thriller will no doubt be disappointed to find out they've stumbled into an art - house film — and an unrelentingly grim one at that — but those seeking relief from the inanity and bombast of the summer movie season will be pleasantly surprised.

As you'd expect from a movie that's the first half of a book, there isn't really an ending to the movie, and it doesn't naturally end on much of a cliffhanger either, so if you walk out of the theater feeling tepid, this will likely be one of the major reasons.

Of course we expect Kate to loosen her belt, warm up and reach out to people at some point in movie.

The idea behind the scene is funny, because what can we expect from a movie like Cop Out, which quickly establishes a nine - year partnership between two cops played by a straight - up straight man like Willis and an absurdist, stream - of - consciousness comedian like Morgan, except the formulas and clichés to which we've become accustomed?

There are a lot of gags here we'd expect in a typical, envelope - pushing, American gross - out movie, but director Frank Oz handles them like they're more sophisticated jokes.

When a movie's title and trailers constantly reference a period of time when people were afraid of witchcraft and constantly used religion as an excuse to seek out scapegoats for their problems, audiences will come to expect a magic - filled, action - packed thriller.

The movie turns out a crowd pleaser as expected, but King's take on the next chapter of the optimistic bear in London holds more substance than that.

The two have pretty good chemistry working and fighting together, which keeps some interest; but those expecting something stimulating out of this buddy movie won't find it.

McAdams has cemented her place in these movies, and doesn't appear to be breaking the mold anytime soon, so expect fans of romance and McAdams to come out in droves; it helps that the movie is directed by «Love Actually's» Richard Curtis.

The movie doesn't go so far that its redemption plot can not be taken seriously, but at 116 minutes, it runs a lot longer than expected or needed and some trims of the less funny gross - out material would have certainly sharpened it.

That is, until I talked to our own Zach Gayne and then read his review out of SXSW, which concluded: «The Disaster Artist is not only far funnier than you might expect, it's also far deeper than a film about the worst movie of the 21st century has any right to be.»

The reason for that is because so many of the year - end hopefuls did not turn out to be the Big Oscar Movies everyone had come to expect after years like 2012 and 2013.

By this point, we've come to expect that every Pirates of the Caribbean movie needs a milquetoast hero at its center, to balance out the quirkiness of Johnny Depp's Jack Sparrow.

When Tatum and Hill are on screen together and allowed to just bounce off one another hilarity ensues as the two have perfected a kind of rhythm and chemistry that I doubt anyone could have expected from the stars of Step Up and Superbad back before the first movie came out.

The film plays out mostly as you would expect and if, like me, you have seen the trailer every time you went to the movies over the past few months, then you have seen most clips of most of the movie.

Some of the narrative towards the end is also cobbled together in a jarring manner (a few characters get written out of the movie surprisingly earlier than expected), but again, it's just hard to get to up in arms about it; the movie is so damn infectiously uproarious.

For fans of the actors, or period pieces, the movie is worth checking out, but remember, don't believe everything that you see, and don't expect to see anything memorable.

Not being familiar with much of The New 52 comic series, I could definitely tell that this movie was a little bit different from what we've come to expect from the past DC Animated Universe films that have come out over the past couple days.

You do watch a movie like this expecting to get something worthwhile out of the time devoted.

I wouldn't be surprised if Mark doesn't rush out to see this film, considering his history with Will Ferrell movies (see Talladega Nights: The Ballad of Ricky Bobby or Anchorman: The Legend of Ron Burgundy), but this film certainly wouldn't be what he expected.

A crime chase movie ends up evolving into a three - pronged character drama in the middle of the desert and just when the movie taunts the idea of a final shoot - out, it once again goes for an ending that isn't what you expect.

This does mean that the final fight is more of a tense shoot - out than a pulse - pounding punch - up (as one might expect from a Statham movie), but it satisfies in its own way.

Paranoid Park is certainly the filmmaker's most inaccessible effort to date, as the movie - which is chock full of all his expected stylistic quirks, including long tracking shots of people walking - ultimately feels as though it's about 20 minutes worth off story stretched out to fill a 90 minute running time.

I pointed out yesterday that Fox Searchlight is operating on a different plane when it comes to turning out the vote for its movies, and alongside the aforementioned surprise little hit of the final quarter of 2007 ($ 85 million and counting), further evidence arrives in the form of Tamara Jenkins» The Savages, which, despite not (yet) having connected at the box office (it's made only $ 3.6 million in a month and a half of release), garnered an expected Best Original Screenplay nomination, but also a Best Actress nod for Laura Linney, probably coming at the expense of Angelina Jolie and A Mighty Heart.

Director Lucas Reiner (Carl's son) tries to imbue the movie with a satirical edge, but fails miserably; these are the kind of jokes one expects out of a third - rate sitcom.

Of course, you don't got to a movie like «Danny Collins» expecting to see one of those bleak, dark - underbelly - of - the - music - biz movies like «Payday» or «Crazy Heart» or «Inside Llewyn Davis,» and that's certainly not what Fogelman sets out to deliveOf course, you don't got to a movie like «Danny Collins» expecting to see one of those bleak, dark - underbelly - of - the - music - biz movies like «Payday» or «Crazy Heart» or «Inside Llewyn Davis,» and that's certainly not what Fogelman sets out to deliveof those bleak, dark - underbelly - of - the - music - biz movies like «Payday» or «Crazy Heart» or «Inside Llewyn Davis,» and that's certainly not what Fogelman sets out to deliveof - the - music - biz movies like «Payday» or «Crazy Heart» or «Inside Llewyn Davis,» and that's certainly not what Fogelman sets out to deliver.

The movie features all of the expected smarmy gross - out and sex humor but completely lacks any sense of fun or charm.

Kaya Scodelario does very well out of this movie, with a villain character who does the opposite of what you expect.

In order to combat that feeling of repetitiveness, what they do here is add a few more fight scenes and a very interesting shoot out that's not exactly what we've come to expect from any action movie.

But I don't think even Peele himself could have expected his debut feature film, Get Out, was going to become one of the best and most talked - about movies of 2017.

In the Motion Picture — Animated category expected Oscar nominee «Anomalisa» wasn't part of the, um, mix as traditional fare such as «Inside Out,» «The Good Dionsaur,» «Hotel Transylvania 2,» «Minions» and «The Peanuts Movie» rounded out the fieOut,» «The Good Dionsaur,» «Hotel Transylvania 2,» «Minions» and «The Peanuts Movie» rounded out the fieout the field.

I suppose one should never really expect a great movie out of a film that has Cole Hauser (Paparazzi, 2 Fast 2 Furious) and Morris Chestnut (Ladder 49, Anacondas) as the two biggest box - office attractions, which leads me to wonder why they didn't just opt for more convincing actors altogether.

Variety Cher has dropped out of her expected return to acting with Flint, a TV movie about the water crisis in Michigan citing «serious family issues» (sending her good vibes) Coming Soon Joseph Gordon - Levitt & Channing Tatum will team - up for an R rated jukebox musical called Wingmen about two pilots who crash land in Vegas Variety Lola Albright film actress of the 1940s and 1950s and know for TV's Peter Gunn has died at 92

In a film year marked by gothic imagery, twisted interpretations of classic myth, and send - ups of modern art, who'd expect all three from the sequel to John Wick, the surrealist action movie par excellence that cast Keanu Reeves as a hit man out to avenge his dog?

There's no reason to expect anything more out of a low - budget Canadian movie from a director whose directing has been limited to television and three direct - to - video Hellraiser sequels,

I had the chance to see the movie the week before its UK premiere, and while expectations are undoubtedly high for their third (and hopefully not last) cinematic outing together, Wright and Co. have produced another excellent comedy that, although it falls a little short of their previous two films, still delivers all the laughs that we've come to expect from the trio.

Granted, Marvel, too, has a huge list of movies expected to be released in the next few years, but MCU (Marvel Cinematic Universe) has already realised its full potential with seventeen movies released counting Thor Ragnarok, and we are yet to see a fully fleshed out DC universe.

In many ways, the movie plays out like the first Harry Potter film adaptation, a hyper - aggressive checklist of events that must happen to propel the lengthy plot forward as well as hit all the story beats fans of the source material would expect.