In February, the company announced it will be developing «a car that offers the luxury of a Rolls - Royce in a vehicle that can cross any terrain [and] meets our customers» highly mobile, contemporary lifestyle expectations.&raqu
In February, the company announced it will be developing «a car that offers the
luxury of a Rolls - Royce
in a vehicle that can cross any terrain [and] meets our customers» highly mobile, contemporary lifestyle expectations.&raqu
in a
vehicle that can cross any terrain [and] meets our customers» highly mobile, contemporary lifestyle
expectations.»
Somehow, no matter how many times I see Dan Flavin's work, I always seem to harbor the exact same misconceived
expectation, namely that I'm going to encounter things of striking perceptual
luxury — light mobilized within spatial scenarios à la James Turrell or Olafur Eliasson, say,
in which the physical apparatus of the lamp is simply a
vehicle for producing the radiant focus of the show, a nonphysical (even metaphysical) form of illumination that envelops and swallows the viewer
in its lyrical maw.