Sentences with phrase «experience as a painter»

I will share that the amount of time to complete what I have done so far is relative to your experience as a painter.

I really like your strategy of interleaving short chapters with your paintings, as that seems really appropriate to capture your life experience as a painter - writer.

As part of Henri Art Magazine's series on Romanticism, painter George Hofmann recounts his personal experiences as a painter beginning in the 1960's.

The interview detailing Hershberg's history and experience as a painter is richly illustrated with a number of his still life and landscape paintings.

Heerkens continues to strengthen her concepts step by step in her most recent work; principles from previous series she confronts anew with her by now rich experience as a painter, and works emerge that shimmer in one's eyes.

Through her lyrical videos, Behbahani stages a contemporary cultural critique by layering and juxtaposing allusions to past and present sociopolitical circumstances with a language that she draws from her experience as a painter.

In addition, my inherent passion for visual arts — including my personal experience as a painter — will help to encourage and inspire young art students.

I will share that the amount of time to complete what I have done so far is relative to your experience as a painter.

Not exact matches

1935 Maserati sports - racer (part 2)-- Ken Painter condudes the history of the resurrection of his 4C5 / Bay to Birdwood Run — A report from Dennis Harrison on this huge Australian biennial pilgrimage / Australian All - Veteran Rally — This colourful event is described for us by Ross McGown / The 1920s Windsor — Michael Worthington - Williams tells the story of this high quality London - made light car / 1934 Triumph sports - tourer — On this month's «Excursion'the Editor experiences a car once described as «an enthusiast's ideal» / Hill - climbs in the North — A.B. Demaus continues his series of articles on pre.war hill - climb locations / Hershey Meet USA — The biggest old - car meet in the world was wet this year!

Many female painters also responded to personal triggers in their own firsthand experience; some abstractions might even be thought of as interior, emotional gesture.

BB: «The work of the eyes is done» is certainly an interesting quote to hear from an observational painter, as is the notion that images are «imprisoned within...» Applied to your paintings though, these notions speak to the kinds of interior spaces you paint, the rooms of your house at different times of day, for instance, or your color, which can be muted, but also evokes a rich vision of everyday experience.

As a painter of memories and experiences, many of the works capture the artist's sensory impressions of India, from fierce blazing sunsets to heavy oppressive rains, landscapes and cities he has visited, and portraits of the people he has befriended.

[Google Map] I will be speaking about my painting and also about my experience as an art blogger and about Painters» Table.

I'd always advise the less experienced painter to give at least some thought beforehand as to what background they might use.

Though the experience of space and light in the studio, one can imagine, is essential for a painter, Neel's developments were certainly the fruit of many years of practice and gaining freedom of expression — as an individual unbound to conventions in figuration.

Crossings: Larry Rivers & His Milieu Curated by Nicholas Martin March 29 - May 7 «Crossings» tracks Larry Rivers's work as a painter, poet, and performer, as well as the influential experiences and relationships that informed his practice.

Katherine Sophie Dreier is better remembered today as a propagandist for modernism, and a patron, co-conspirator, and possible intimate partner of Marcel Duchamp's; she was, however, a life - long painter whose pre-Armory experiences took her to Europe, where she was galvanized by the work of Vincent Van Gogh.

Guston briefly provides biographical information and spends the remainder of his time speaking of his experiences working on the Mural Project (PWAP) in Los Angeles; his move to New York working under Reginald Marsh as a non-relief artist; his multiple mural projects in New York (Penn Station Subway, Queensbridge Housing Project, WPA Mural for the World's Fair, etc.); his success in WPA Fine Arts competitions; his move to Woodstock, New York; his time spent teaching at the University of Iowa; his many influences (Renaissance, Modern and Abstract Painters); his personal / professional feelings about the WPA as well as his political feelings about it.

While at Yale, Fish attended the Skowhegan Summer School in Maine, an experience which inspired her to move to New York to pursue a career as a painter, diverting her focus from the sculpture.

Camille Henrot told us about the thinking behind her unique alchemy of the Internet and myth, Margaret Lee explained how the aesthetics of Chinatown helped her crack the code on contemporary experience, Jordan Wolfson spoke about using «anger as a frequency» in his hypnotically engrossing videos, Amy Sillman was both hilarious and incisive on the subject of what it means to be a painter today, and Paul Chan offered up a text interview that was totally unexpected, amazing, and an artwork in its own right.

Jennifer Packer, born in Philadelphia in 1984 and living in New York, is a painter who uses portraiture to explore deeply personal experiences as well as the grand, convoluted narratives of history.

The limited edition print Damned Youth (2011) was produced by Wilhelm Sasnal exclusively for the Whitechapel Gallery and the title plays on the fleetingness of youth, alluding to the artist's experience of looking back at twenty years of working as a painter.

Emin has always been inspired by expressionist painters Edvard Munch and Egon Schiele (evident in her Diploma Work Trying to Find You, although it is also explicitly feminist.Viewing her work generates a experience of intimacy as a result of Emin's emotional honesty.

«Art Critic Estelle Lovatt FRSA has the experience of being on both sides of the canvas; having trained as a painter, read art history and as a gallery exhibition curator, Estelle is able to teach, judge and talk about works of art, from Cave Art to Banksy, with expert opinion.»

Portugese - born painter Paula Rego was made a Dame Commander by the Queen today, and described the honour as a «wonderful experience».

The experience of growing up in New York City, surrounded by an extraordinary human landscape, along with my early background as a dancer, and then as a figurative painter, laid the foundation for my subject of choice.

Scully spent several years supporting himself working as a house painter and carpenter and this experience manifests itself in an architectonic approach to making his paintings.

In their respective works, painter Njideka Akunyili Crosby and filmmaker and video artist Akosua Adoma Owusu explore their experiences as African artists living and work in the United States.

As the culmination of their project, and for one night only, see a pop - up exhibition of each painters» recent work and join the conversation as they reflect on their experience as Rebuild's inaugural painting fellowAs the culmination of their project, and for one night only, see a pop - up exhibition of each painters» recent work and join the conversation as they reflect on their experience as Rebuild's inaugural painting fellowas they reflect on their experience as Rebuild's inaugural painting fellowas Rebuild's inaugural painting fellows.

Known primarily as a painter, she creates works that reflect on historical notions of what constitutes art, ranging from painting genres to «acceptable» art experiences.

Primarily self - taught as a painter and printmaker, Gottlieb aimed to synthesize an intellectual approach to painting with his own emotional experience.

Martin has cited his experience as an art therapist in the 1990s, when he worked with drug and HIV - positive patients, as a catalyst to be braver and more daring as a painter.

For the latest installment of our interview series around Phaidon's Vitamin P3 compendium of contemporary painting, Artspace's Loney Abrams met the painter in MoMA's courtyard to discuss how the New York art scene has changed since the «70s, Binion's experience as the rare black artist downtown, and his secret to finding success later in life.

However, I suggest that in all of the work selected here, there are both changes in subject matter and formal concerns that relate to our experience as long - term survivors and as painters living and working with HIV.

She feels that the physicality, the risk taking and the intensity of that experience, that the struggle against the elements, gravity, fear and ones own weaknesses is expressed in her ambition as a painter.

Frank Hobbs and Ron Boehmer shared their knowledge as painters and I will always be grateful for that experience.

For Oliver, «getting into painting» meant a degree in Art History at Bristol University, three intensive years studying in Florence as a portrait painter followed by work experience at notable galleries Hauser & Wirth and White Cube.

Self - identified as a painter at the time, he was in the process of refining his work to the point that it was accessible only through direct experience.

Trained as an actress, singer, and painter, Louise Nevelson experienced a major turning point at Christmas 1957, when she received a case of liquor as a gift and realized that «the crate, with its cellular divisions... was in itself a sculpture.»

Florence Henri, who began her artistic career as a painter, had a similar experience.

When it comes to Francis Bacon or Alice Neel or any number of other amazing painters, I feel like I know them in the way I think you mean when you say painting is experienced as text.

The Irish - American painter has been reinterpreting abstract art since the 1960s, not as a purely formal exploration of color, form, planes, structure, body and light, but as a medium whose means of expression is tied to external and internal moods, literary influences and physical experiences.

The ability to experience light, value, color, and atmospheric changes within nature firsthand has been crucial in my development as a landscape painter.

Realist painters such as Isaak Brodsky and Alexander Gerasimov — Stalin's favorite artist and the creator of his most famous portraits — continued working in the same style they had mastered before the revolution while experiencing a tremendous increase in funding and prestige.

a painter / artist in the studio... I am always caught between seeing life as being absurd and me aching to find / create meaning... I love the idea that I am on this journey and yet I keep coming back to familiar terrain but it is always a new experience, a deeper understanding of something.»

Painter, William Roberts, started out as a poster designer and studied at the Slade; leaving the school in 1913 he travelled in France and Italy and fought in the trenches during WWI, the sheer horror of the experience, as with many other artists who went to fight, significantly changing the direction of his work.

At three locations in Basel — the Kunstmuseum and the Museum für Gegenwartskunst as well as the Kunsthalle — the show traced a long arc from the early twentieth to the dawn of the twenty - first century and invited audiences to experience the different ways painters had explored and scrutinized their world.

Entering this space evokes the experience of stepping into a painting, informed by Baggesen's formal training as a figurative painter in the Netherlands in the 1990s (she studied at the Rijksakademie from 1996 — 1997 under painter Luc Tuymans).

Kaprow's 1959 «18 Happenings in 6 Parts» «involved an audience moving together to experience elements such as a band playing toy instruments, a woman squeezing an orange, and painters painting,» according to the artist's 2006 obituary by New York Times art critic Holland Cotter.

Physical experience is revaluated as an alternative to intellectual experience in Barlow's oeuvre much in a similar vein as it is in that of Brazilian installation artist and painter Lygia Clark (1920 - 1988) or German concept artist Franz Erhard Walther (born 1939): I'm interested in an experience that is to do with how you move around space, how you move around objects, and how sculpture relates to that.»