Sentences with phrase «experience as an art director»

While in residence at the Torpedo Factory for the month of September, glass artist Joseph Cavalieri will present a lecture on the best ways to get the attention of editors and get your work into the press, based on his experiences as Art Director at GQ, People, and Good Housekeeping magazines.

He also has several years of experience as an art director and supervisor...

With proven experience as an art director in magazine publishing and advertising design I offer the very best in visual presentation and concept development.

Not exact matches

Susan Notter, CEPC ®, of Lancaster, Pennsylvania, is pastry - arts program director at The Pennsylvania School of Culinary Arts — YTI Career Institute, Lancaster, and has more than 30 years of experience as a pastry carts program director at The Pennsylvania School of Culinary Arts — YTI Career Institute, Lancaster, and has more than 30 years of experience as a pastry cArts — YTI Career Institute, Lancaster, and has more than 30 years of experience as a pastry chef.

Writer / director Kornél Mundruczó delivers a powerful and challenging, metaphorical experience as only examples of art outside the Hollywood system can offer.

Designers Branch: Five years experience and four screen credits as production designer, art director or set decorator.

«Asil's experiences as an English learner shaped her interest in the science and art behind literacy education, even as a math educator in an urban district,» says Senior Lecturer Pamela Mason, faculty director of L&L.

During the meeting, Mrs. Cecile Guidote - Alvarez accepted to become honorary membership at Global Education Magazine and she also made a speech about her experience as Director of the Philippine Center of International Theater Institute / Earthsavers UNESCO DREAM Center and Interdisciplinary Creative Arts Therapeutic Emergency Response for the area affected by earthquake and super Typhoon Haiyan in Bohol, as she had made in a previous interview with Global Education Magazine.

She has over 25 years of experience in the field of fine arts and arts education as a choral director, clinician, arts advocate, and instructional leader with extensive knowledge in performing arts curriculum development, fine arts curriculum standards, arts administration, professional development and training, strategic planning, and curriculum alignment.

He brings nearly 20 years of experience working in Human Resources at diverse, mission - driven organizations, formerly serving as the head of HR for the Sports & Arts in Schools Foundation and in progressive leadership roles at Safe Horizon, where he served as the senior director of HR.

With 30 years of combined experience as an educator, Will began his career as a high school teacher, but has since held positions as an elementary school principal, a Language Arts / Media Supervisor, K - 12 Curriculum Director, Assistant Superintendent, and Area Superintendent.

Over the years in my capacity as The Graduate Institute's Academic Director for the Master of Arts in Learning and Thinking degree program, I have had the fortunate experience of working with hundreds of Connecticut educators from around the state, many of whom are from urban districts.

In my years of experience in the marketing and advertising trade as a designer, art director and copy writer, I learned to embrace a simple checklist that taught me to get my head on right and keep my expectations in line with what is possible, considering the depth of my pockets.»

She is passionate about making art accessible to all and enjoys living on the Oregon coast, where she has made her home for almost 15 years and is excited to serve as Program Director for the Cannon Beach Arts Association where she brings her experience in planning and management to an organization whose mission is strongly aligned with her own.

At least 2 years of experience as an Art Lead / Art Director in a current generation console or PC game project

Lead Designer Ed Beach and Lead Producer Dennis Shirk, along with Art Director Brian Busatti, collectively have over 30 years of experience at Firaxis Games and have been crucial in helping Civilization V achieve its current standing as the most - played strategy game on Steam.

After 16 wonderful years at Pixar, working on most of the studios» films as a character, environment, graphic artist, art director and production designer, I was excited to bring my experience and passion for visual storytelling to Dynamighty.

Randy Smith is a creative director, game designer, and writer with 20 years of experience working with AAA game studios including an Electronic Arts collaboration with Steven Spielberg, key innovators such as Looking Glass and Arkane, and his own award - winning indie studio Tiger Style, creators of the 2012 sci - fi, ecosystem Mobile Game of the Year, Waking Mars.

Mike brings his experience in world building, and detail oriented polishing as a Production Artist (Power Rangers, Digimon, Mattel, Monsuno) and Art Director (Whispering Willows, The Weaponographist) to the world of Aberford.

Taking inspiration from her experience working for several years in the fashion industry as a shoe designer, and in magazines as a designer and art director, Sara aims to capture the glamour and power conveyed by the lips and mouth — and gives it a seasonal, snowflake twist.

-- NYTimes The Larry Gagosian Effect — Wall Street Journal World's Biggest Museum Opens in China — Studio 360 Top Exhibitions of 2010 — The Art Newspaper Recent Art News - Texas Week of 03/27/11 Ed Ruscha at the Modern Museum of Fort Worth — CBS New: Sunday Morning (Video) Simpsons Takes Shots at Dallas Football, Arts District — FrontRow A work in progress: The Dallas Arts District gathers trophy buildings, but still searches for urban vitality — Chicago Tribune James Turrell mound at Rice University - Glasstire Richard Serra, Pushing the Boundaries of Drawing — ARTnews Recent Art News - National - International Week of 03/27/11 Ed Ruscha Street Photography — LATimes Stephen Colbert Exposes Himself to Art (the Appropriate Way)-- NYTimes (Video) Jerry Saltz on Andy Warhol's Portraits of Liz Taylor — NYMag Eduardo Souto de Moura, Architect from Portugal, Wins Pritzker — NYTimes Recent Art News - Texas Week of 03/20/11 Neiman Marcus to feature artwork in Windows — FrontRow MAC director resigns — Glasstire Recent Art News - National - International Week of 03/20/11 Jerry Saltz: How a Joyride in Gavin Brown's Volvo Became Art — NYMag Walker Art Center to Acquire Merce Cunningham's collection — Art in America Cultural Complex in Santiago di Campostela is expensive mistake - The Art Newspaper Toshiko Takaezu, Ceramic Artist, Dies at 88 — NYTimes Recent Art News - Texas Week of 03/13/11 Artpace San Antonio — YouTube Crow Collection To Expand, Add Asian Sculpture Garden — FrontRow Donor's Son Sues Dallas Museum Over Art Collection, 25 Years Later — NYTimes Recent Art News - National - International Week of 03/13/11 Abramovic wins two - year copyright battle — The Art Newspaper Scents and Sensibility, Artists use scent to create new experience in museums — ARTnews Spark: How Creativity Works, by Julie Burstein, Kurt Andersen — Amazon.com (Book) Michelangelo's David «could collapse due to high - speed train building» — Telegraph Recent Art News - National - International Week of 03/06/11 Norman Foster to Design Huge Hong Kong Cultural District — NYTimes Recent Art News - Texas Week of 02/27/11 AMOA leaving downtown, focusing on Laguna Gloria — Austin 360 Recent Art News - Texas Week of 02/13/11 Amon Carter's Director of Education Named National Educator of the Year — Amon Carter Museum Blanton curator heads to National Gallery of Art — Austin 360 Director Dana Friis - Hansen departs from the Austin Museum of Art — The Austin Chronicle Dallas Architecture Forum wins AIA National Collaborative Achievment Award — Dallas Archicture Forum Recent Art News - National - International Week of 02/13/11 Egyptian Archeological Sites Were Looted, Says Antiquities Minister — NYTimes Tracey Emin, the visionary, emerges as Margate's answer to William Blake — Guardian What's The Matter With Kansas... Thdirector resigns — Glasstire Recent Art News - National - International Week of 03/20/11 Jerry Saltz: How a Joyride in Gavin Brown's Volvo Became Art — NYMag Walker Art Center to Acquire Merce Cunningham's collection — Art in America Cultural Complex in Santiago di Campostela is expensive mistake - The Art Newspaper Toshiko Takaezu, Ceramic Artist, Dies at 88 — NYTimes Recent Art News - Texas Week of 03/13/11 Artpace San Antonio — YouTube Crow Collection To Expand, Add Asian Sculpture Garden — FrontRow Donor's Son Sues Dallas Museum Over Art Collection, 25 Years Later — NYTimes Recent Art News - National - International Week of 03/13/11 Abramovic wins two - year copyright battle — The Art Newspaper Scents and Sensibility, Artists use scent to create new experience in museums — ARTnews Spark: How Creativity Works, by Julie Burstein, Kurt Andersen — Amazon.com (Book) Michelangelo's David «could collapse due to high - speed train building» — Telegraph Recent Art News - National - International Week of 03/06/11 Norman Foster to Design Huge Hong Kong Cultural District — NYTimes Recent Art News - Texas Week of 02/27/11 AMOA leaving downtown, focusing on Laguna Gloria — Austin 360 Recent Art News - Texas Week of 02/13/11 Amon Carter's Director of Education Named National Educator of the Year — Amon Carter Museum Blanton curator heads to National Gallery of Art — Austin 360 Director Dana Friis - Hansen departs from the Austin Museum of Art — The Austin Chronicle Dallas Architecture Forum wins AIA National Collaborative Achievment Award — Dallas Archicture Forum Recent Art News - National - International Week of 02/13/11 Egyptian Archeological Sites Were Looted, Says Antiquities Minister — NYTimes Tracey Emin, the visionary, emerges as Margate's answer to William Blake — Guardian What's The Matter With Kansas... ThDirector of Education Named National Educator of the Year — Amon Carter Museum Blanton curator heads to National Gallery of Art — Austin 360 Director Dana Friis - Hansen departs from the Austin Museum of Art — The Austin Chronicle Dallas Architecture Forum wins AIA National Collaborative Achievment Award — Dallas Archicture Forum Recent Art News - National - International Week of 02/13/11 Egyptian Archeological Sites Were Looted, Says Antiquities Minister — NYTimes Tracey Emin, the visionary, emerges as Margate's answer to William Blake — Guardian What's The Matter With Kansas... ThDirector Dana Friis - Hansen departs from the Austin Museum of Art — The Austin Chronicle Dallas Architecture Forum wins AIA National Collaborative Achievment Award — Dallas Archicture Forum Recent Art News - National - International Week of 02/13/11 Egyptian Archeological Sites Were Looted, Says Antiquities Minister — NYTimes Tracey Emin, the visionary, emerges as Margate's answer to William Blake — Guardian What's The Matter With Kansas... This Time?

An avid lover of black culture and art, Kimberly first experienced the art world as an intern in the Director's Office of the Studio Museum in Harlem.

She is a graduate of the Rhode Island School of Design and has over 35 years of experience as a working artist, gallery director and art advisor to major corporations, public institutions and individuals.

Rod Bigelow has served as executive director of Crystal Bridges Museum of American Art since 2013, guiding all facets of the museum's development and reflecting his more than 20 years of experience in management of arts and cultural institutions.

Christa returns to the Foundation after serving as its Deputy Director, bringing with her many years of leadership and arts programming experience.

Likewise, Ilesanmi brings her experiences working with artists — as a curator, grants administrator, and the Executive Director of arts presenter The Laundromat Project — to the Foundation's work.

The December 3 event featured renowned visual artists Shirin Neshat and Pratt alumna Mickalene Thomas (B.F.A.» 00), and Heidi Zuckerman, director of the Aspen Art Museum, who explored the qualities that define female artists and leaders in art today, as well as inspiration and challenges related to their own experiences in overcoming obstacles to achieve succeArt Museum, who explored the qualities that define female artists and leaders in art today, as well as inspiration and challenges related to their own experiences in overcoming obstacles to achieve succeart today, as well as inspiration and challenges related to their own experiences in overcoming obstacles to achieve success.

Her experience also includes a stint as artistic director of the Washington Project for the Arts, in Washington, D.C., and as head of the international exhibitions program at the International Center of Photography in New York City.

Her extensive nonprofit experience includes five years as Communications & Grants Manager for Atlantic Center for the Arts and three years as Director of Grants Administration for the Coalition for the Homeless of Central Florida.

Moderated by Artistic Director, Elizabeth Ferrill, Esteban del Valle takes us on a journey through his experiences as a young art student, to gallery representation, to supporting himself as an artist, and answers your most burning questions about becoming a vital participant in the contemporary art world.

As Robert Raczka, Professor of Art and Gallery Director at Allegheny College, has put it, «The beauty that Kyoung Ae Cho's work attains is a source of considerable pleasure as well as a locus of attention promoting a feeling of centeredness in the viewer — an experience that continues to be desired by many though it is increasingly rare in a culture spinning with information and spectacle.&raquAs Robert Raczka, Professor of Art and Gallery Director at Allegheny College, has put it, «The beauty that Kyoung Ae Cho's work attains is a source of considerable pleasure as well as a locus of attention promoting a feeling of centeredness in the viewer — an experience that continues to be desired by many though it is increasingly rare in a culture spinning with information and spectacle.&raquas well as a locus of attention promoting a feeling of centeredness in the viewer — an experience that continues to be desired by many though it is increasingly rare in a culture spinning with information and spectacle.&raquas a locus of attention promoting a feeling of centeredness in the viewer — an experience that continues to be desired by many though it is increasingly rare in a culture spinning with information and spectacle.»

Originally conceived by the Michener's former director Bruce Katsiff, these exhibitions were juried from submissions by some of the most accomplished artists in the Philadelphia region, using the experience and skills both of Michener staff members and two distinguished curatorial consultants: writer and independent curator Judith E. Stein and Judith Tannenbaum, who recently retired from her position as Richard Brown Baker Curator of Contemporary Art at the Museum of Art Rhode Island School of Design.

In only two years as Director of the Fine Arts Museums of San Francisco, he presided over crowd - drawing exhibitions like «Casanova: The Seduction of Europe» and «The Summer of Love Experience: Art, Fashion and Rock & Roll,» while also reigning in the institution's unbalanced budget.

Thomas W. Jones, a seasoned museum professional with over thirty years experience as a director and curator of American museums announced his resignation today as Executive Director of The Old Jail Art Center effective October 3director and curator of American museums announced his resignation today as Executive Director of The Old Jail Art Center effective October 3Director of The Old Jail Art Center effective October 30, 2012.

With more than 25 years of experience in public arts education, Wong joins the Barnes from Providence CityArts for Youth, a nationally recognized community - based arts organization serving at - risk children, where she served as executive director for 16 years.

Since coming to Chicago in 2010, first as a graduate student and then as Assistant Director of Exhibition's at the School of the Art Institute's Department of Exhibitions and Exhibitions Studies, Ross expanded curricular exhibitions on the campus and transformed graduate and undergraduate led exhibitions and programs into research driven and collaborative experiences.

«Carla brings a strong curatorial focus on the intersection of social justice and contemporary art, as well as a wealth of experience as a respected international curator and writer,» said Museum Director Marc - Olivier Wahler.

In his book Capital Culture: J. Carter Brown, the National Gallery of Art, and the Reinvention of the Museum Experience, author Neil Harris reviews the twenty - three year tenure of J. Carter Brown as National Gallery of Art director.

His 42 - year academic experience included six years in Detroit Public Schools, 19 years at the University of the Pacific in Stockton, CA (7 years as Department Chairman) and 17 years at Georgia State University in Atlanta, GA (11 years as Director of the School of Art and Design).

We very much look forward to having him as a colleague in Cleveland, and to experiencing the ways that he will encourage our audiences to engage with historic and contemporary African art,» said William M. Griswold, director of the Cleveland Museum of Aart,» said William M. Griswold, director of the Cleveland Museum of ArtArt.

Her previous professional experience includes positions as Registrar at the Mobile Museum of Art in Alabama, Director of the Martin LaBorde Gallery in Carmel, California, and sales at Bee Galleries in New Orleans.

Her prior experience includes ten years as a dealer of 19th and 20th century American painting and sculpture at a Boston gallery and 18 years as Curator and Acting Director of the Fuller Museum of Art in Brockton, Massachusetts.

But as Bonnie Pitman, director of the Dallas Museum of Art, explains it, «It's not that the mission is going to change; it's about how we respond — how we champion the experience and power of aArt, explains it, «It's not that the mission is going to change; it's about how we respond — how we champion the experience and power of artart.

She specializes in performance art and site specific art having gained her experience as Managing Director of Dansmakers Amsterdam, a production house and workplace for research and development of contemporary experimental dance by emerging choreographers and as Managing Director of theater collective Aardlek, which specializes in street arts and site specific theater starting from the realities of public space.

Join the ranks of talented B.F.A. graduates who move on to some of the country's top graduate and professional schools, and to exciting and fulfilling careers such as - user experience architect, web developer, web designer, animator, art director, creative director, graphic designer, shoe designer, teacher, gallery director, decorator, to name a few.

Six artists / curators were selected on the basis of their relevant knowledge and experience as mentors in a six month mentoring programme: Michelle Cotton (then independent curator and writer and holder of Cubitt Gallery curator's bursary, now Curator at Firstsite), Harriet Godwin (curator of Modern and Contemporary Art, Norwich Castle Museum and Art Gallery), Andrew Hunt (director, Focal Point Gallery), Simon Liddiment (artist), Sally O'Reilly (writer and event organiser and now Wysing Ambassador), Jamie Shovlin (artist).

She is also an arts worker, with administrative and curatorial experience at various non-profit arts organizations, including the Oakland Museum of California, Machine Project, Momenta Art, Bronx Museum of the Arts, and most recently, at Clockshop, as Director of Public Prograrts worker, with administrative and curatorial experience at various non-profit arts organizations, including the Oakland Museum of California, Machine Project, Momenta Art, Bronx Museum of the Arts, and most recently, at Clockshop, as Director of Public Prograrts organizations, including the Oakland Museum of California, Machine Project, Momenta Art, Bronx Museum of the Arts, and most recently, at Clockshop, as Director of Public ProgrArts, and most recently, at Clockshop, as Director of Public Programs.

Selin Turam decided to challenge her experience with Art Fairs, worked as the Assistant to Creative Director (Stephane Ackermann)(2013 - 2014) at Art International Istanbul, where she was responsible for the Artistic Projects that took place within the Fair.

Julie Delliquanti brings a variety of experiences — in arts education, administration and community engagement — to her new position as executive director of the Atlanta Contemporary Art Center.

Paul has a wide range of professional experience, from his work as technologist at various entertainment companies (MTV, New Line Cinema and Showtime Networks) to his work as an artist and educator having served as Artistic Director of Painting and Chair of Exhibitions and Artist Projects at Anderson Ranch Arts Center in Aspen, Colorado.