Sentences with phrase «experience color all space»

Individual memory and experience color all space.»

Not exact matches

Johnson is proposing a unique approach to combat the depressingly repetitive, dehumanizing experiences that black people and other people of color too frequently experience in retail spaces.

In other words, while the substance remains largely the same, the presentation has been given a considerable makeover: the new policy is considerably shorter, written in English rather than legalese, and reformatted (more space and color) for an easier reading experience.

One of my primary goals as a yoga teacher of color is to create spaces were diverse populations of yoga practitioners can feel safe, see themselves and their life experiences reflected in their teacher, and know that even their differences will be seen and honored.

Crafting a space that has space for standing and sitting, is quiet in some areas and loud in others, and transitions between vivid and neutral colors can replicate the experience of being outside.

Dear Customer: If you are looking for a comfortable throw pillow covers for your sweet family, or you want to add some color to decorative your living space, SLOW COW can offering a great experience of embroidery cushion cover with special design.

A New Orleans based cultural organizer, philanthropy strategist, and curator with 13 years experience at the forefront of the arts and culture sector, her organizing and advocacy is focused on building spaces for the most marginalized to create work, and redirecting resources to communities of color as a matter of justice.

The Barbara Jackson Scholars Network represents for me a call for institutions and communities to challenge the silencing of scholars of color and simultaneously provide a space where the voices, contributions, and lived experiences of emerging scholars of color are valued.

This model sets itself apart with modern tech and entertainment features, responsive handling, cargo space, smooth ride, and Classic muscle - car appearance Options: 276 - Watt Amplifier Remote Usb Port (6) Boston Acoustics Speakers Uconnect Hands - Free Communication W / Bluetooth Bluetooth Streaming Audio Media Center 430 - Inc: Am / Fm Stereo W / Cd / Dvd / Mp3 Player Usb Port 40Gb Hard Drive W / 28Gb Available 6.5 Touch Screen Rear Window Antenna Aux Audio Input Rear Spoiler Spare Tire Delete Body - Color Mirrors Fog Lamps Variable - Intermittent Wipers Satin Chrome Grill Hid Headlamps Body - Color Fascias Bright Fuel Filler Door Body - Color Door Handles P245 / 45Zr20 All - Season Performance Tires Dual Black Center Stripes 20 X 9.0 Aluminum Srt Design Wheels Fold - Away Pwr Heated Mirrors Functional Hood Scoop Solar Control Glass Automatic Headlamps Tire Service Kit 6 - Way Pwr Driver Seat Illuminated Entry 12V Pwr Outlet Traveler / Mini Trip Computer Pwr Trunklid Release Rear 60/40 Split - Folding Bench Seat Keyless Entry Speed Control Cargo Compartment Dress - Up Cell Phone Storage Steering Wheel Audio Controls Leather - Wrapped Steering Wheel Premium Leather - Trimmed Bucket Seats Illuminated Door Pull Handles Illuminated Cupholders Tilt & Telescopic Steering Column Universal Garage Door Opener Pwr Accessory Delay Instrument Cluster W / Performance Display Screen Front & Rear Climate Control Outlets Heated Steering Wheel Silver Metal Brush Center Stack Bezel Rear Courtesy Lamps Vehicle Info Center Rear Seat Armrest W / Cupholder Pwr Windows W / Front 1 - Touch Down Heated Front Seats Leather - Wrapped Shift Knob Front Reading / Map Lights Passenger Assist Handle Floor Console W / Armrest Air Conditioning W / Auto Temp Control Auto - Dimming Rearview Mirror W / Microphone Trunk Lamp Temp & Compass Gauge Luxury Front & Rear Floor Mats 180 - Mph Speedometer Security Alarm Keyless Go Visors W / Illuminated Mirrors Active Head Restraints Sentry Key Theft Deterrent System Remote Proximity Keyless Entry Speed - Sensitive Pwr Locks Pwr 4 - Way Driver Lumbar Floor Carpet Satin Silver Lock Knobs Bright Pedals Rear Window Defroster 4 - Wheel Anti-Lock Performance Disc Brakes Hill Start Assist Rear Stabilizer Bar 6.4 L Srt Hemi V8 Engine Sport Mode Anti-Spin Rear Differential Dual Bright Exhaust Tips Rear Wheel Drive 220 - Amp Alternator Performance Tuned Pwr Rack & Pinion Steering Active Dampening Suspension Engine Oil Cooler Independent High Performance Suspension 6 - Speed Manual Tremec Transmission 730 Cca Maintenance - Free Battery Severe Duty Ii Engine Cooling Dual Rear Exhaust 3.92 Axle Ratio Child Seat Upper Tether Anchorages Dual - Note Electric Horns (5) 3 - Point Seat Belts Electronic Stability Control Brake Assist All - Speed Traction Control Supplemental Front Side Airbag Ready Alert Braking Front Passenger Seat Belt Alert Knock Back Mitigation Brake / Park Interlock Rain Brake Support Supplemental Side Airbag Tire Pressure Monitor Display Supplemental Front & Rear Side - Curtain Airbags Advanced Multi-Stage Front Airbags - Inc: Passenger Airbag Cutoff Hydraulic Assist Brake Booster Srt Track Experience

TWO), the leading innovator of electronic ink technology in the world, today announced that E Ink Prism ™, the groundbreaking product designed to transform the way spaces and surroundings are experienced, will be available in seven different colors: Voyage (dark blue), Daydream (cyan), Blush (red), Sprout (green), Zest (yellow), Harvest (brown) and Waltz (black).

It provides more than enough customisations, such as customisable font size, font color, style, brightness, indent and spacing, that will guarantee a wonderful reading experience.

It allows the user to fully customize their reading experience, with options to change the font type, font size, font and background colors, margin, alignment, line spacing, brightness, display orientation and navigation control.

Fully customizable reading experience: font type, font size, font and background colors, margin, alignment, line spacing, brightness, display orientation and navigation control are all adjustable to fit your personal reading preference

I»VE BEEN CHATTING with travel writers, activists and personalities of color about their experiences navigating the media industry and the globe with an intersectional lens, while exploring themes like power, privilege, place, and identity, themes that are rarely touched on in the mainstream travel space.

Founder and CEO Zim Ugochukwu created the community as a space for people of color to share and bond over experiences abroad.

Additional signature elements of the brand experience featured in the hotels will include world - class Athletic Studios; calming relaxation zones to unwind; flexible work spaces to stay productive or host impromptu meetings; and guest rooms featuring eucalyptus linens, a color changing mood light and the In - Room Training Zone.

BB: «The work of the eyes is done» is certainly an interesting quote to hear from an observational painter, as is the notion that images are «imprisoned within...» Applied to your paintings though, these notions speak to the kinds of interior spaces you paint, the rooms of your house at different times of day, for instance, or your color, which can be muted, but also evokes a rich vision of everyday experience.

Truitt's exploration of memory and experience as embodied by color in space could not be outsourced to industrial fabricators.

Viewers see a kaleidoscopic play of color and light, along with multiple views of their own reflections and those of the other viewers looking through the portholes, all creating an illusion of infinite space and an extraordinary shared experience.

The letters are not painted, but painted around, allowing the background color to come through, and I think the viewer experiences the space created by that.

Compositional elements: space, light, form, and in particular color, are essentials in his works, «combining with the perception of the viewer to create an individual and particular experience.»

Faena Art Center's inaugural project, Ernesto Neto's first major exhibition in Argentina, promises to bring together his key interests within the striking space of an old mill, enlivening the space with sound, color, and spatial and sensory experiences, as well as the artist's exquisitely beautiful forms.

GLENN LIGON: The early»90s saw the rise of identity politics, the moment when artists of color were entering museum and gallery spaces with work that was reflective of their own experience.

For previous site - specific installations, Halley has delivered mural - sized variations of his vibrantly - colored geometric conduit imagery, which he links to the deconstructionism of Jean Baudrillard and Michel Foucault and the social experience of space in our society.

Simultaneously, the work appears to both actively materialize and dissolve into the surrounding environment, allowing the experience of pure color and form in space.

Yet if the origins of Hofmann's grasp of space - making and his sense of the emotional potency of color can be connected with his experience of the French avant garde, his unmistakable palette and equally unmistakable ways of handling paint forcibly remind us that he was a Northern European, specifically a German.

All of the second - floor galleries were retrofitted, new walls were constructed, and projectors were installed to create intimate viewing spaces that allow the viewer to experience each video work to the exact installation requirements of the artists — this includes specific wall colors, audio parameters, sound panels, other installed materials, projection angles, and screen selection.

The memory palace also serves as a metaphor for the academic experience: In an MFA program, the school supplies the quantitative structures that order the experience — the space, the time, the schedules, the deadlines — and the students furnish the bureaucratic boxes with color, with strangeness, with life.

This intervention creates an opportunity to engage with the architecture in a new way — prompting questions about how we experience color, light, and space and how those elements alter the social and physical environment.

Pulled together for their affinity for color that results in a very diverse viewing experience, the exhibition features paintings that range from reference - based representation (Fimmel) to subtractive abstraction (Blank) and experimentation with stencil and negative space based abstraction (Gonzales).

For Kapoor Leviathan is «a single object, a single form, a single color» that creates a space within a space, and which hopefully manages «through strictly physical means, to offer a completely new emotional and philosophical experience.»

In the work of Ann Veronica Janssens and Diana Thater, colored light is projected onto the walls of the gallery whereby the architectural space becomes the arena for an experience that melds physical and immaterial / mental coordinates.

In a review of her 1963 show at the Feiner Gallery, ArtNews called her canvases «marvelously colored» and «constantly expanding» concluding the review with an encapsulation of the writer's experience as follows: «Shapes sink and rise like drum beats leaving other spots in a dead space long enough to vibrate, and then the relationship moves on catching other lights from other places.

An outdoor intervention extends the dialogue into the public space, a strategy in which the artist invites viewers to integrate an experience with color into their daily routines.

The work takes the form of exhibition as a medium, executed through a system of sculptural, spatial and color interventions within the space of CCS Bard Galleries, establishing a spatio - temporal framework that responds to the theme of Derangement and determines the total experience of the exhibition.

The artists whose work principally addresses painterly issues — Emily Berger, Hovey Brock, and Karen Nielsen - Fried — all rely to a greater or lesser degree on the illusion of space to move the viewer's experience of color in their work beyond the simply decorative.

Chihuly's artworks will bring forward an extraordinary experience in the newly opened space, inviting audiences into a wondrous kaleidoscopic world, where all can enjoy a miraculous feast of color, light and form.

Using different color systems and ways of organizing space, his paintings and sculptures negotiate the contemporary experience of time, labor and the body.

From a reservoir of largely vintage ephemera, Letscher creates a dense pictorial space in which words, images, colors and shapes tell a story about the world we imagined for ourselves as children and the often - painful real world we experience as adults.

Bill will work with experienced painters on ways they can structure pictorial space by relying primarily on color.

Resembling a sensual, otherworldly flower sprinkling drips of color in the infinite space, the work amalgamates the effects of some major formative experiences in Francis's career: the time the artist spent in Tokyo and his interest in Japanese calligraphy, his fascination with compositions resembling aerial views as a one - time pilot and his studies of botany as a Berkeley student.

[1] Today, amid growing social tensions and extreme xenophobia, Rosenberg's Color for the People intended to create space for remembering the vital roles that color (and food) continue to play in shaping our consciousness and in fostering shared experiences of pleasure and joy, which are, as Rosenberg says, «medicine for times like these.&rColor for the People intended to create space for remembering the vital roles that color (and food) continue to play in shaping our consciousness and in fostering shared experiences of pleasure and joy, which are, as Rosenberg says, «medicine for times like these.&rcolor (and food) continue to play in shaping our consciousness and in fostering shared experiences of pleasure and joy, which are, as Rosenberg says, «medicine for times like these.»

Even though there is some variety between the works, and they are not all of the exact same sensibility and color, the space still feels conceived as one unifying visual experience.

Amid growing social tensions and extreme xenophobia, Color for the People intends to create space for remembering the vital roles that art and food continue to play in fostering shared experiences of pleasure and joy, which are, as the artist says, «medicine for times like these.»

Vibrating with hues, textures, and emotions, Humphrey's paintings demonstrated a consistent commitment to color, space, and structure — elements he used to move abstraction beyond formal considerations to that of the human experience.

Artworks in the exhibition comment directly on our cognitive relationship with these forces or manipulate mass, density, color, light, and space to render for the viewer a transportive experience.

Inspired by seating charts of famous opera houses and theatres around the world, Kuitca's theatre collages are mysterious abstractions, explosions of space and color that capture the vivid and dramatic experience of being in a theatre, either in the audience or on the stage.

For example, a concrete wall interrupts one of the colored walls, jutting four feet into the gallery space, further complicating the viewer's perceptive experience.

I can report that these distinctions are more or less borne out by my own experience with the spot paintings (while his assistants choose the individual colors in the paintings, I suspect Hirst has carefully identified the parameters of the palette — an oddly shaped color space, for instance, would make sincere forgeries — unlike mine — next to impossible to produce).

Swoon's work is at home in a highly textured, unfinished underground space, and Maya Hayuk's installation is nearly a religious experience complete with plantlife and natural light shining through transluscent colors on the windows.