Sentences with phrase «experience curating exhibitions»

Potsic has extensive experience curating exhibitions and installations for museums, galleries, art organizations, and public spaces.

Holden Luntz has had over 30 years of experience curating exhibitions and representing photographers.

Requirements — Extensive experience curating exhibitions, including artistic production, loans, shipping, and a pragmatic familiarity with installing exhibitions.

Not exact matches

The Festival champions emerging and established voices; discovers award - winning filmmakers and creators; curates innovative experiences; and introduces new technology and ideas through premieres, exhibitions, talks, and live performances.

Curated by Rollins students, this exhibition considers «the complex sociopolitical forces linked to the black imagination in the American experience.»

Text 2018 Ted Stamm Woosters, essay by Alex Bacon, Lisson Gallery, ISBN 978 -0-947830-67-0 2018 From Stasis to Kinesis: The Woosters of Ted Stamm by Robert C. Morgan, Art Critical, April 2018 2018 New York: Ted Stamm at Lisson Gallery by E. Macdonald, Art Observer, April 2018 2017 Ted Stamm: DRM 1980, The Estate of Ted Stamm and Karma, New York, ISBN 978 -1-942607-66-3 2013 Ted Stamm: Marianne Boesky by Robert Pincus - Witten, Artforum, Summer 2013 2013 Ted Stamm: Paintings at Marianne Boesky by Will Heinrich, Observer Culture, April 2013 2013 Revisions: Another Alan Uglow and Ted Stamm's Minimalisms by Saul Ostrow, Art Experience: New York City, 2013 2012 Times Square Show Revisited by Robert Pincus - Witten, Artforum, December 2012, pp 274-275 1997 Painting Advance Stamm 1990 (1989) by Robert C. Morgan, Between Modernism and Conceptual Art, 1997 Published by McFarland & Company, Inc., 1997, ISBN 0 -7864-0332-2 1990 Painting Speed by Tiffany Bell, Art In America, November 1986, pp 140-143 1990 Reconstructivism: Neo Modern Abstraction in the US by Peter Frank, Artspace, March / April 1990 1990 Rekonstructivisims: Neo Moderne Abstraktion in der Vereinigen Staaten by Peter Frank, Kunstforum, January 1990 1986 Ted Stamm Painting Advance 1990, essay by Tiffany Bell, Hillwood Art Gallery, C.W. Post College, curated by Per Haubro Jensen 1985 Constructures: New Perimetries in Abstract Painting by Peter Frank, essay for exhibition Nohra Haime Gallery 1984 Can Small Works Carry It Off by William Zimmer, essay for small works exhibit, Muhlenberg College, pp. 9 - 10.

Nikki is curating a traveling drawing exhibition; «Drawn Out, Drawn Over: Mapping the Territory of Experience and in the last year has had two solo exhibitions and participated in numerous group exhibitions.

2010 Size Does Matter, FLAG Art Foundation, New York, USA Passion Fruits, Collectors Room, Berlin, Germany The Global Africa Project Exhibition, Museum of Arts and Design, New York, USA Personal Identities: Contemporary Portraits, Sonoma State University Art Gallery, Sonoma, USA Pattern ID, Akron Art Museum, Akron, Ohio, USA Wild Thing, Roberts & Tilton, Culver City, USA Summer Surprises, Pennsylvania Academy of the Fine Arts, Philadelphia, USA Individual to Icon: Portraits of the Famous and Almost Famous from Folk Art to Facebook, Plains Art Museum, Fargo, USA The Library of Babel / In and Out of Place, 176 Zabludowicz Collection, London, England Searching for the Heart of Black Identity: Art and the Contemporary African American Experience, Kentucky Museum of Art and Craft, Louisville, USA The Gleaners: Contemporary Art from the Collection of Sarah and Jim Taylor, Victoria H. Myhren Gallery, Denver, USA From Then to Now: Masterworks Contemporary African American Art, Curated by Margo Ann Crutchfield, Museum of Contemporary Art, Cleveland, USA

Call me only if you are in the gutter, Grice Bench, Los Angeles, CA Exalted Position, curated by Vlad Smolkin, Peter Blum Gallery, New York, NY Pipe Dream, presented by Night Gallery and Rachel Uffner Gallery, 170 Suffolk Street New York, NY Gallery Artist Group Show, Rachel Uffner Gallery, New York, NY TDW: Three Way Weekend, Blum & Poe, Art Los Angeles Contemporary, and ROGERS, Los Angeles, CA 2015 The John Riepenhoff Experience, Misako & Rosen, Tokyo, Japan Intimacy in Discourse: Unreasonable Sized Paintings, School of Visual Arts Chelsea Gallery, New York, NY Let's Be Real, Projekt 722, New York, NY 2014 The Crystal Palace, Rachel Uffner Gallery, New York, NY QUALIA, FJORD Gallery, Philadelphia, PA 2013 The Room and its Inhabitants, organized by Patrick Howlett, Susan Hobbs Gallery, Toronto, Canada The 2013 deCordova Biennial (with Dushko Petrovich), deCordova Sculpture Park and Museum, Lincoln, MA 2012 Love, curated by Stephen Truax, One River Gallery, Engelwood, NJ Art on Paper 2012, curated by Xandra Eden, Weatherspoon Art Museum, Greensboro, NC Take Shelter in the World, curated by Dushko Petrovich, Boston University Art Gallery, Boston, MA In Plain Sight, organized by Nicole Russo and Lumi Tan, Mitchell - Innes & Nash, New York, NY 2011 The Idea of the Thing That it Isn't, curated by Rachel Uffner, Halsey McKay, East Hampton, NY Channel to the New Image, Friedrich Petzel Gallery, New York, NY Exhibition of Work by Newly Elected Members and Recipients of Honors and Awards, American Academy of Arts and Letters, New York, NY Paper A-Z, Sue Scott Gallery, New York, NY Invitational Exhibition of Visual Arts, American Academy of Arts and Letters, New York, NY Battle of the Brush, organized by Corporate Art Solutions at Bryant Park, New York, NY 2010 The Pencil Show, Foxy Production, New York, NY ITEM, Mitchell - Innes & Nash, New York, NY S (l) umm (er) ing on Madison Avenue, curated by Jo - ey Tang, The Notary Public, New York, NY Kristin Calabrese, Andy Parker, Mary Weatherford, Roger White, Kathryn Brennan Gallery, Los Angeles, CA 2009 What's Bin Did and What's Bin Hid», curated by Ryan Steadman, 106 Green Gallery, Brooklyn, NY Cave Painting: Installment # 2, organized by Bob Nickas, Gresham's Ghost, New York, NY The Audio Show, organized by Seth Kelly, Friedrich Petzel Gallery, New York, NY 2008 The Merits of Silence, Gallery Min Min, Tokyo 2007 Heralds of Creative Anachronism, D'Amelio Terras, New York, NY The Price of Nothing, EFA Gallery, NY 2006 Mystic River, Southfirst, Brooklyn, NY / Arcadia University, Glenside, PA 2005 Kevin Bruk Gallery, Miami, FL You Are Here, Ballroom Marfa, Marfa, TX The Most Splendid Apocalypse, PPOW Gallery, New York, NY Crits» Pix, Black and White Gallery, Brooklyn, NY 2004 Halloween Horror Films,, Southfirst Gallery, Brooklyn NY Summery Summary, 58 N3, Brooklyn, NY 2003 Dreamy, ZieherSmith Gallery, New York, NY Escape from New York, New Jersey Center for Visual Arts, Summit, NJ Late to Work Everyday, Dupreau Gallery, Chicago, IL 2001 Learnedamerica, P.P.O.W. Gallery, New York, NY Tirana Bienalle 1, National Gallery, Tirana, Albania 2000 Columbia University M.F.A. Thesis Show, Brooklyn, NY 1999 All Terrain, Friedrich Petzel Gallery, New York, NY Wight Biennial, UCLA Wight Gallery, Los Angeles, CA 1998 Episode 1, Gair Building, Brooklyn, NY

Curated by David E. Little, the exhibition presented a new genre of large - scale color photography depicting history and contemporary experience from unconventional perspectives.

Saskia Bos, Dean at the School of Art at The Cooper Union, will be speaking about a few recent projects she (co --RRB- curated at Cooper and about aspects of her 30 year experience in exhibition making.

She has recently participated in the exhibitions Surround Audience: New Museum Triennial 2015, New Museum, New York; Draped Down, Studio Museum in Harlem, New York (2014); Sound Vision, Nasher Museum of Art, Duke University, Durham, NC (2014); Meeting in Brooklyn, curated by Monica Lenaers, Landcommandery of Alden - Biesen, Bilzen, Belgium (2014); Shaktiat, Brand New Gallery, Milan (2014); I Always Face You, Even When It Seems Otherwise, Tiwani Contemporary, London (2013); Domestic Experiences, Foreign Interiors, Sensei Exchange, New York; I Still Face You, Franklin Art Works, Minneapolis (2013); New Works, Gallery Zidoun, Luxembourg; Jump Cut, Marianne Boesky Gallery, New York (2013); Housewarming, BRIC, New York (2013); Bronx Calling: The Second AIM Biennial, Bronx Museum of the Arts, Bronx, NY (2013); Primary Sources, Studio Museum in Harlem (2012); and Lost and Found: Belief and Doubt in Contemporary Pictures, Museum of New Art, Detroit (2012).

The exhibition reflects the exchanges between both art forms, and is curated on the premise that these exchanges should be experienced through visitor interaction and activation by performers.

Hilton Als, a theater critic at The New Yorker, who curated the Alice Neel exhibition in Chelsea, writes, «In the years since her death, viewers young and old have experienced the kind of thrill I feel, still, whenever I look at Neel's work, which, like all great art, reveals itself all at once while remaining mysterious.»

Project Curate provides a class of advanced art students from Juan Morel Campos High School an opportunity to experience contemporary curatorial practices by working closely with a professional curator for the whole school year, culminating with an exhibition at NURTUREart Gallery.

The exhibition, imaginarii, curated by Francesco Stocchi analyzes the contemporary notion of space and its experience, in this era where you see more artwork through a monitor, imaginarii tells us to take our time, go out and experiment art in the real physical space.

Zone 2 / BOS # 49 / Real on Rock Street @ Rock Street between Morgan and Bogart Curated by Deborah Brown and her gallerist Lesley Heller, this outdoor sculpture exhibition is one of the best opportunities to experience sculpture on the scale that exceeds the studio.

She recently curated «Dreamlands: Immersive Cinema and Art 1905 - 2016», a large thematic exhibition addressing issues of the immersive cinematic experience in relation to the body and technology.

The major exhibition, curated by Elena Crippa and Laura Castagnini, will celebrate how artists have captured intense moments of life in paint, portraying personal and immediate experiences.

2007 PURE, Sean Kelly Gallery, New York, USA I Remember Heaven: Jim Hodges and Andy Warhol, Contemporary Art Museum, St. Louis, Missouri, USA Like Colour in Pictures, Aspen Art Museum, Aspen, Colorado, USA Ensemble, ICA, University of Pennsylvania, Philidelphia, USA; curated by Christian Marclay Sparkle Then Fade, Tacoma Art Museum, Tacoma, Washington D.C., USA New Prints 2007, IPCNY, New York, USA 2006 Shiny, Wexner Center for the Arts, The Ohio State University, Columbus, Ohio, USA Out of Line: Drawings from the Collection of Sherry and Joel Mallin, Herbert F. Johnson Museum of Art, Cornell University, Ithaca, New York, USA The Last Time They Met, Stephen Friedman Gallery, London, England The Fluidity of Time: Selections from the MCA Collection, Museum of Contemporary Art, Chicago, Illinois, USA Gay Art Now, Paul Kasmin Gallery, New York, USA; curated by Jack Pierson Artpeace at the Schoolhouse: For Rosa Parks and Martin Luther King, Schoolhouse Gallery, Provincetown, Massachusetts, USA The Missing Peace: Artists Consider the Dalai Lama, UCLA Fowler Museum, Los Angeles, California, USA 2005 Art inside the Park, Memorial Park, Jefferson City, Missouri, USA Suspended Narratives, Lora Reynolds Gallery, Austin, Texas, USA Landscape Confection, Wexner Center for the Arts, Columbus, Ohio, USA Universal Experience: Art, Life and the Tourist's Eye, Museum of Contemporary Art, Chicago, USA; toured to Hayward Gallery, London, England Visual Music: 1905 - 2005, Museum of Contemporary Art, Los Angeles, California, USA Ten Year Anniversary Exhibition, Stephen Friedman Gallery, London, England

She's curated exhibitions internationally, including the performance and print programme for Chart Art Fair in 2015, The Dark Cube at the Palais de Tokyo, E-vapor-8 at Site Sheffield and 319 Scholes in New York, along with numerous other shows in European project spaces, showing a keen and experienced eye, which was demonstrated in Manifesta 11 by including a diverse group of artists such as Martine Syms, Coco Fusco, Aleksandra Domanović, Trisha Baga and Frances Stark.

Aaron Seeto has over 15 years of experience working to advance the goals of contemporary arts organizations, curating significant exhibitions of artists from Asia and Pacific regions, and strengthening community engagement with the arts.

With over 35 years individual experience in the international art world, Mary and Howard have curated major exhibitions renown artists including Georg Baselitz, Markus Lupertz, Sigmar Polke, Julian Schnabel, William Wegman among many others.

Curated by Myriam Ben Salah, the exhibition features 20 artists and collectives — Dora Budor, Fischli & Weiss, Martine Syms, Mélanie Matranga, Caroline Mesquita and Katja Novitskova among them — and comes accompanied by a piece of prose comparing global celebrity Kim Kardashian's Snapchat to a «Near Death Experience».

In winter of 2017 at Carnegie Mellon University's Miller Gallery she will curate HACKING / MODDING / REMIXING as feminist protest, a survey exhibition of women working at the intersection of art and technology intervening on dominant voices in technology and popular culture, producing critical works from the last 30 years that give visibility to women's perspectives and experiences that have been marginalized, ignored, or dismissed.

The Nude Man in Art from 1800 to the Present Day Musèe d'Orsay, Paris, France «Eye to I... 3,000 years of Portraits» Katonah Museum of Art, Katonah, NY 30 Americans, Milwaukee Art Museum, Milwaukee, WI Through the Eyes of Texas: Masterworks from Alumni Collections, The Blanton Museum of Art, Austin, TX 2012 Looped, Utah Museum of Contemporary Art, Salt Lake City, UT The Human Touch: Selections from the RBC Wealth Management Art Collection, RedLine Gallery, Denver, CO The Soul of a City: Memphis Collects African American Art, Memphis Brooks Museum of Art, Memphis, TN 30 Americans, Chrysler Museum of Art, Norfolk, VA All I Want is a Picture of You, Angles Gallery, Los Angeles, CA BAILA con Duende: Group Art Exhibition, Watts Towers Arts Center and Charles Mingus Youth Arts Center, Los Angeles, CA The Bearden Project, The Studio Museum in Harlem, New York, NY The Human Touch: Selections from the RBC Wealth Management Collection, The Scottsdale Museum of Contemporary Art, Scottsdale, AZ 2011 Parallel Perceptions, NYC Opera, New York, NY Who, What, Wear: Selections from the Permanent Collection, Studio Museum Harlem, New York, NY Capital Portraits: Treasures from Washington Private Collections, National Portrait Gallery, Smithsonian Institution, Washington, D.C. Becoming: Photographs from the Wedge Collection, The Nasher Museum of Art at Duke University, Durham, NC Human Nature: Contemporary Art from the Collection, Broad Contemporary Art Museum (BCAM) at Los Angeles County Museum of Art, (LACMA) Los Angeles, CA Beyond Bling: Voices of Hip - Hop in Art, Ringling Museum of Art, Sarasota, FL 30 Americans: Rubell Family Collection, Corcoran Gallery of Art, Washington, D.C.. For a Long Time, Roberts & Tilton, Culver City, CA RE-Envisioning the Baroque, I.D.E.A. at Colorado College, Colorado Springs, CA 2010 Size Does Matter, FLAG Art Foundation, New York NY Passion Fruits, Collectors Room, Berlin The Global Africa Project Exhibition, Museum of Arts and Design, New York, NY Personal Identities: Contemporary Portraits, Sonoma State University Art Gallery, Sonoma, CA Patter ID, Akron Art Museum, Akron, OH Wild Thing, Roberts & Tilton, Culver City, CA Summer Surprises, Pennsylvania Academy of the Fine Arts, Philadelphia, PA Individual to Icon: Portraits of the Famous and Almost Famous from Folk Art to Facebook, Plains Art Museum, Fargo, ND The Library of Babel / In and Out of Place, 176 Zabludowicz Collection, London, England Searching for the Heart of Black Identity: Art and the Contemporary African American Experience, Kentucky Museum of Art and Craft, Louisville, KY The Gleaners: Contemporary Art from the Collection of Sarah and Jim Taylor, Victoria H. Myhren Gallery, Denver, CO From Then to Now: Masterworks of Contemporary African American Art, Cleveland Art Museum, Cleveland, OH 2009 Enchantment, Joseloff Gallery, Hartford, CT Reconfiguring the Body in American Art, 1820 - 2009, National Academy Museum, New York Creating Identity: Portraits Today, 21C Museum, Louisville, KY Other People: Portraits from Grunwald and Hammer Collections, Curated by Cindy Burlingham and Gary Garrels, Hammer Museum, Los Angeles, CA 2008 30 Americans, Rubell Family Collection, Miami, FL Recognize: Hip Hop amd Contemporary Portraiture, Smithsonian Institution National Portrait Gallery, Washington, D.C. Macrocosm, Roberts & Tilton, Culver City, CA 21: Contemporary Art at the Brooklyn Museum, The Brooklyn Museum, Brooklyn, NY Selected Drawings, Museum of Contemporary Art, Cleveland, Cleveland, OH Down, Museum of Contemporary Art, Detroit, Detroit, MI

Laboratorio de Artes Binarios (LAB)- Santurce, Puerto Rico Curated by Carla Acevedo - Yates By María Arlette de la Serna This exhibition reminds me that big cities invite us - almost force us - to experience opposites simultaneously.

Curated by Milen Nae, the exhibition is titled «Confusion» and built on the central question of «Is it possible to create a new diaspora for those who share, not the same place of origin, nationality, race or religion, but the same feelings and experiences?»

Melvin Edwards included in the exhibition AfroFantastic: Black Imagination and Agency in the American Experience curated by Rollins students under the direction of Julian Chambliss, Ph.D., Professor of History, at The Cornell Fine Arts Museum at Rollins College, FL..

To celebrate the closing of SECTOR 2337's inaugural exhibition The New [New] Corpse, Christy LeMaster of The Nightingale curates a program of the same name and inquiry featuring six moving image works that frustrate our usual experience of bodies onscreen.

During the yoga sessions, Winkler will interject verbal statements that will consider curating (manipulating space — both mental and physical) as an artistic practice; the participant / viewer as an artwork; and the lived experience of the class in the gallery as the exhibition.

Curated by Juan Roselione - Valadez as well as Mera and Don Rubell, the exhibition is the result of repeated visits by the Rubell family to Brazil, where they have been building and fostering relationships with the artists on view over time: «Going to Brazil, meeting artists, and experiencing their work, we were particularly intrigued by certain artists who engaged a more intuitive and spiritual approach to their practice,» tell Mera and Don Rubell.

Group Exhibitions 2016 Regrouping, Edward Thorp Gallery, New York, NY Spaced, Edward Thorp Gallery, New York, NY Philadelphia Painters, Kutztown University, Kutztown PA 2015 Summer Group Exhibition, Edward Thorp Gallery, New York, NY Haunted Summer, One Mile Gallery, Kingston, NY The Nothing That Is: Chapter 1 DDDRRRAAAWWWIIINNNGGG, CAM Raleigh, Raleigh, NC (Curated by Bill Thelen and Jason Polan) Paintings in Trees, The People's Garden, Brooklyn, NY 2014 Mark DeLong and Sarah Gamble, Edward Thorp Gallery, New York, NY Katherine Bradford and Sarah Gamble, Adams / Ollman Gallery, Portland, OR Listening In: Philly Artists Speak, Abington Art Center, Philadelphia, PA (with Grizzly Grizzly) Begin Where You Are, Crane Arts, Icebox Project Space, Philadelphia, PA Love's Industrial Park, Salena Gallery, Long Island University, Brooklyn Campus, Brooklyn, NY Between Matter and Experience, Presidents Gallery, University of the Arts, Philadelphia, PA Underdonk Selects, Underdonk Gallery, Brooklyn, NY 2013 Reprefantasion: Abstracting Reality / Representing Fantasy, Fleisher / Ollman Gallery, Philadelphia, PA Drawing Down the Moon, Vox Populi Gallery, Philadelphia, PA Group Show: Paintings and Drawings, Edward Thorp Gallery, New York, NY Love's Industrial Park, Grizzly Grizzly, Philadelphia, PA Psychedelphia, Pageant Soloveev Gallery, Philadelphia, PA Season Review: Selected Artists, Edward Thorp Gallery, New York, NY 2012 Assembly 2012, Edward Thorp Gallery, New York, NY First Contact, Field Projects Gallery, New York, NY Peep, A Curious Look Into Painting, Little Berlin Gallery, Philadelphia, PA 2011 Free Range: Painting at the University of Pennsylvania, University of Pennsylvania, Morgan Gallery, Philadelphia, PA 2010 Lee Arnold, Sarah Gamble, Andrew Gbur, Fleisher / Ollman Gallery, Philadelphia, PA Philadelphia Painters, The Painting Center, New York, NY Places, Everyone, Cross McLeaf Gallery, Philadelphia, PA 2009 Art of the State, Pennsylvania Museum of Art, Harrisburg, PA Former AIR, Bemis Center for Contemporary Art, Omaha, NE 2008 Philagrafika Invitational Portfolio, University of the Arts, Philadelphia, PA Vision Quest, School 33 Gallery, Baltimore, MD 2007 Sarah Gamble and Terra Fuller, PS122 Gallery, New York, NY minty, VoxPopuli Gallery, Philadelphia, PA 2006 New Trends in Painting, Concordia University, Seward, NE Omaha Hobo Showbo, Bemis Center for Contemporary Art, Omaha, NE Wrote For Luck, Kouros Gallery, New York, NY 2004 Voxenniel, Vox Populi, Philadelphia, PA Bad Touch, Lump Gallery, Rose Museum at Brandeis, Rose Museum at Brandeis University 2003 The New Acropolis, Fleisher / Ollman Gallery, Philadelphia, PA

Seeing / Knowing Curated by Gund Gallery director Natalie Marsh, the inaugural exhibition Seeing / Knowing explores the experience of information in contemporary art.

We asked this year's panel of judges, Exhibitions curator Dr Adrian Locke, RA Schools student Julie Born Schwartz and artist Humphrey Ocean RA to tell us about their experiences curating this unique exhibition.

Similarly, The Future Can Wait was conceived by Zavier Ellis and Simon Rumley as an ambitious, curated exhibition of young artists offering an alternative experience to the traditional gallery and art fair systems.

With linked solo and curated projects by contemporary artists, designers and performers, the exhibition provides a sensory experience that is capable of reorienting the body to consider spatial and interpersonal relationships in a new light.

How we turn this melancholic experience of loss into a form of satisfaction is the subject of Tate Britain's exhibition Ruin Lust, curated by Brian Dillon (editor of Ruins, a 2011 collaboration with the Whitechapel Gallery).

Sandra Higgins, one of AWAD's founding members, is an Independent Art Advisor and Curator with more than 20 years of experience in the art world of London and she represents international artists as their agent and has curated exhibitions for clients at Imperial Wharf, Old Broad Street Headquarters of Landmark Plc..

The three - day contemporary art event introduces emerging and established artists in China to an international audience of collectors, museum curators, art professionals and art lovers, while shining a light on the fact that art is often best experienced in a thoughtfully curated gallery exhibition.

NLE Curatorial Lab will give emerging curators both the theoretical, practical and supportive experience of curating a site - specific, public art exhibition starting in September 2013.

Which leads to the age - old question - Can the African - American experience and voice be heard through an exhibition not curated by an African - American?

He has experience (co --RRB- curating a number of other major international exhibitions.

Exhibitions like Do - It - Yourself, Communal Table, and others brought together some of the neighborhood's strongest talents for curated experiences that were better than those of previous years.

«This exhibition was curated as an invitation to experience the poetics and artistic perception of both three dimensional and pictorial space.»

The exhibition, which is curated by Jake Chapman, was conceived by photographer Bran Symondson following his experiences as a soldier in Afghanistan.

Corresponding to her critically acclaimed exhibition Harriet Tubman and Other Truths [which was co-produced by Grounds For Sculpture and Goya Contemporary, with guest curators Patterson Sims and Lowery Sims], this latest exhibition [curated by Amy Eva Raehse] further develops narrative around social and political injustices, sexism, racism, violence, systems of power, and biases within the artist's personal history, and our collective experience.

Her past experiences include: Concrete Matters curated exhibition, Bankspace Gallery London (UK), Between Crinkles curated exhibition, Palazzo Montevecchio Turin (IT); Norma Mangione Gallery, Turin (IT); Fondazione Sandretto Re Rebaudengo, Turin (IT).

Her curatorial experience has involved research, curating and co-curating exhibitions and writing for several art publications and journals on emerging Indian, Asian and international artists and art practices; in India as well as internationally.

MFA thesis projects have included solo exhibitions, feature - length documentaries, physical and e-book publications, performances, social practice experiences, curated exhibitions, film festivals, publishing projects, workshops, and other activities.