Sentences with phrase «experience developing an exhibition»

Seniors gain experience developing an exhibition of current student work within the major.

Not exact matches

The workshop» Architecture of Skagen — Before and Now» is an international workshop with the aim of developing and executing an exhibition with one theme experienced through a variation of approaches.

Eli Slaydon: The painting «A Choir,» which was included in the 2016 Prince Street Gallery Juried Exhibition, is a direct result of a process of painting that developed during my experience at NYSS.

In developing the concept for this exhibition we were interested in the experience of observation and perception.

The Department of Exhibition and Performance Spaces (DEPS) is dedicated to the College's mission to develop and showcase student bodies of work by providing hands - on experience with all aspects of the exhibitioExhibition and Performance Spaces (DEPS) is dedicated to the College's mission to develop and showcase student bodies of work by providing hands - on experience with all aspects of the exhibitionexhibition process.

Against this backdrop, a new generation of black and Asian artists, writers and curators began to respond to the political, social and sexual issues of the day, getting together to create exhibitions and develop subversive strategies, and to produce art, film and literature that reflected their diverse identities and experiences.

«The Young Masters exhibition highlights the artistic talent and creativity of these young students, whose skills have been cultivated and developed through hard work with experienced AP teachers,» remarked Edith O'Donnell, who founded the program in 1994.

Drawing on her experience as an architect and her fascination with this strange and unfamiliar landscape Tooney Phillips has developed a body of work for her solo exhibition that explores our very perception of space.

Nicola Moss» solo exhibition - Culture Ecology - presents new works developed from her artist in residence experiences at Hill End.

The exhibition presents an experimental form of storytelling through a combination of video, photography, sculpture, drawing, and an artist's book, that examines the way narratives develop through geography, history, mythology, fiction and personal experience.

Local high school students experience the entire curatorial process including visiting professional artist studios, connecting with arts professionals, developing arts writing skills, installing an exhibition, and learning arts administration.

We collaborate with artists and guest curators to develop solo and group exhibitions with the goal of creating transformative experiences and in depth audience engagement.

Richard Parrish draws from his experience as an architect to develop his landscape - based works in kiln - formed glass for Aerial Perspectives, a traveling exhibition previously mounted at The Rockwell Museum in Corning, New York; the Bullseye Resource Center New York in Mamaroneck; and the Bullseye Resource Center Bay Area in Emeryville, California.

She will bring her expansive knowledge of film detailing the experience of the African diaspora to the ICA, while also developing film programs that complement the ICA's exhibition program and institutional vision more broadly.

Exhibition Interns will gain vital experience in developing workshops and organizing performances during this season.

Exhibit designers (or exhibition designers) use a wide range of technologies and techniques to develop experiences that will resonate with diverse audiences — enabling these targeted audiences to access the messages, stories and objects of an exhibit.

For this reason, much of the work she has done has consisted in developing ideas and projects with artists to facilitate meetings points — whether these are in the form and space of exhibitions, events or printed matter — for audiences to experience art in unconventional ways.

Through Art Museums Partnership for Education (AMPED), high school teachers work with Williams College students to develop in - depth experiences using the collections and exhibitions available at the Clark Art Institute, Williams College Museum of Art, and MASS MoCA.

Through this unique hands - on experience and professional development program, Artist Residents develop valuable insight and experience in contemporary exhibition making.

In looking at self - organised exhibitions, off - site projects, commercial gallery and museum shows over this 20 - year period, Periodical Review 20/16 aims to share a spectrum of practices, creating dialogue and critical reflection to help develop and support Irish contemporary art as a whole; and to act as an accessible survey of contemporary art for a wider audience, showing an expanded experience of art practices from around the country.

The exhibition was developed to address this demographic of artists who are seriously making art and have little to no experience exhibiting their work in a professional gallery.

Wim Waelput draws on his experience of organizing Dekyndt's recent solo exhibition at KIOSK in Ghent in the Spring of 2010; he particularly focuses on Carousel, a new site - specific installation developed for KIOSK, as a resource for understanding the dimension of time in her practice as a whole.

Upon returning, participants have developed these experiences into artwork for an exhibition.

«Deepest Harmony» is a series created specifically for this exhibition and further develops Neish's exploration of time and experience through the layering of paint, color and texture.

A nonprofit institution founded in 1909, the AFA is dedicated to enriching the public's experience and understanding of the visual arts through organizing and touring art exhibitions for presentation in museums around the world, publishing exhibition catalogues featuring important scholarly research, and developing educational programs.

The solo exhibition titled «Initiation to Fantastic Realism» focused on a illustrating and developing personal experiences through his travels and adventures as a graffiti artist.

The title of the exhibition is a play on PTSD — Post Traumatic Stress Disorder, a psychological disorder that can develop as a consequence of one or more traumatic experiences.

Immersive works can only be experienced in their own respective temporality — they need a phase of departure, of immersion and emergence for which the exhibition will develop a specific dramaturgy.

Together they participated in the landmark «Metavisual, Tachiste, Abstract» exhibition at the Redfern Gallery, London, in 1957, which included Lanyon, Wynter, Hilton, Gear and Heath, Davie, Denny, Ayres and Blow all of whom would go on to develop their own paths in response to their experience of the world, both internal and external.

«In addition to managing our works - on - paper collection, her extensive experience makes her the perfect person to catalogue and develop a major exhibition based on the Chéret gift.»

Brielmaier, the curator, notes that completing the rich array of materials, techniques and textures developed by these artists, the exhibition also features two soundscapes» by DJ Rekha installed at listening stations in the gallery, providing an alternate sensory experience to the visual representations presented.

The University Galleries» role is to organize world - class exhibitions, develop new collections, program lectures, produce publications, and create other unique opportunities to experience professional museum contexts on campus.

Corresponding to her critically acclaimed exhibition Harriet Tubman and Other Truths [which was co-produced by Grounds For Sculpture and Goya Contemporary, with guest curators Patterson Sims and Lowery Sims], this latest exhibition [curated by Amy Eva Raehse] further develops narrative around social and political injustices, sexism, racism, violence, systems of power, and biases within the artist's personal history, and our collective experience.

In this way, the exhibition presents a plurality of voices, cultural perspectives, and art - making strategies that develop and expand organically, accumulating and metabolizing different materials and visitors» experiences.

The First Hawaiian Center exhibition program was the idea of then First Hawaiian Bank chairman and chief executive officer Walter A. Dods, Jr., who invited The Contemporary Museum, Honolulu (now Honolulu Museum of Art Spalding House) to organize exhibitions focused on the work of artists living and working in the islands, artists born and / or raised here who moved away for training and to develop their careers, and artists from elsewhere who visited Hawai`i and then made work inspired by their experiences here.

Hannah has continuously developed her career in the Fine Art field with solid education and various experiences as an artist, educator, publisher and the director of art consulting firm, which specializes in curatorial work, planning exhibitions, scouting prospective artists and participating in art fairs.

He offers HCCC a wealth of experience in arts administration, including project and fiscal management, fundraising, scholarship programs and exhibitions, as well as a passion for developing and fostering national relationships in the world of contemporary craft.

Their impetus was to merge and cross pollinate their experiences in picture making, video installation and cinema to develop new audiovisual narrative forms of exhibitions.

Fellowship artists are awarded a grant and a residency in the Park's outdoor studio and are also provided with technical support and access to tools, materials and equipment to facilitate the production of new sculptures and installations for exhibition in the Park.The artists develop their projects throughout the summer in the open studio and on site in the landscape, offering visitors the opportunity to experience both the creation and presentation of their works.Representing a broad range of materials, working methods and subject matter, the diverse sculptural works in this exhibition are presented against the Park's spectacular waterfront view of the Manhattan skyline.

In Conversation with Sheela Gowda 5.00 — 6.00 pm, Johnston Suite Sheela Gowda discusses her work with co-curators Annie Fletcher and Grant Watson, and reflects on their shared experiences of developing the retrospective exhibition for its touring venues.

Wintemberg has used the skills he began developing at his alma mater, Pratt Institute, to design and assist in the development of many dozens of exhibitions spanning the Museum's diverse art and science collections to create unique visitor experiences.

McDermott & McGough are particularly drawn to the mysterious and theatrical nature of the rapidly developing science of photography in their chosen era and the exhibition presents a series of magical experiments sourced from Les Récréations Scinetifiques and hints at the possible use of photography to communicate across time to different psychic spaces, as in the eponymous Experience of Amusing Chemistry, 1884 (1996) and Curious Experience of Equilibrium with Three Sticks, 1884 (1990).

On the occasion of the exhibition Zaha Hadid: Early Paintings and Drawings a series of experimental virtual reality experiences have been specially developed with Zaha Hadid Virtual Reality Group in partnership with Google Arts & Culture.

The Studio's primary focus on distinctive offerings developed around four key themes: urban experience, artist and process, art and the environment, and crossing cultural boundaries deepens the organization's craft niche, and strengthens ties to our exhibitions of work by national and international artists for a complete educational experience.

Fine art graduates develop a range of practical and creative skills, and gain valuable experience of entering exhibitions, competitions and building up a portfolio of work

PROFESSIONAL HIGHLIGHTS • Over 5 years of work experience as a Curator at Local Museum • Highly skilled in planning, developing and presenting exhibitions • Hands on experience in buying items relevant to displays at a museum • Competent at identifying artifacts and managing restorations