Sentences with phrase «experience films from»

Not exact matches

Whether or not the critical acclaim already experienced by O.J.: Made in America means that television viewers can expect more long - form, multi-part films from ESPN remains to be seen, as Schell said the longer format is difficult to sustain without the right subject matter.
Peirone took inspiration from Jean - Paul Sartre's play No Exit, about the hell experienced by three people trapped in a room, as well as such haunting films as The Shining, Mulholland Drive, and Heavenly Creatures.
These are the words of Msgr. Lorenzo Albacete, from his interview for the film The Human Experience.
The main street looks like a set from a Hallmark film — worn storefronts, light posts wearing seasonal decorations and a certain kind of bustle most cities never experience.
While I can completely understand where both of them are coming from, that wasn't my experience with the film at all.
This brings me to a second important lesson learned from my experience with the film «Parable.»
Aldous Huxley's Brave New World — published in 1932, just after the transition from silent film to «talkies» — depicts futuristic cinema experiences called «feelies,» in which metal knobs on moviegoers» armrests transmit realistic sensations of whatever the on - screen actors are feeling.
A short film featuring a never - before - heard track from electronic music duo, Empire of the Sun, leads the campaign by showcasing real experiences of Absolut nightlife.
«Turning the term partnership on its head, Ne - Yo has really served as the Creative Director of Malibu Red from beginning to end — lending his «smooth» talents and creative vision to create a product experiencefrom flavor to film — that will push boundaries in the spirits category.»
The film contains stories and remarkable personal experiences from infants, children and adults.
During the filming, did you get any firsthand accounts from farmers who had experience working with large corporations like Monsanto?
In the new documentary film $ 29 Billion Reasons to Lie About Cholesterol, Justin Smith states,»... between 1994 and 2006 the percentage of men aged 65 to 74 with «high» cholesterol decreased from 87 % to 54 %... Despite this, the rate of coronary heart disease for this age group stayed about the same... Other age groups have experienced an increase in the rate of heart disease as the number of people with «high» cholesterol has decreased.»
This whole experience from visiting Morocco again and filming DVF's Journey of A Dress in Morocco feels very special to me since my best friend Jennia filmed it for me (edited by my Wesley Mason) and to think how far I've come.
By using Wattpad Studios, romance writers and dating experts can draw from their own experiences and create stories for other media, and as a result, they have an opportunity to see their stories turned into books, films, and TV shows.
The film's indie vibe and quirkiness prevent it from being a truly immersive experience, but the superb performances from Plummer and McGregor provide an emotional kick nevertheless.
The film, with its transcendentally beautiful visuals and mysterious and detached narration from Bill's actual younger sister Linda (Linda Manz), who tags along with them, is a rich and rewarding experience, then as now celebrated for its intricacy and slowness.
From start to finish, the film delivered a spectacular visual experience.
The cast here are well chosen in the parts they play and with effective direction, the film becomes a worthwhile viewing experience that is lots of fun from start to finish.
These minor points aside, Beginners is without doubt one of the best films of 2011, with an outstanding performance from Plummer, great writing, and through being an immensely rewarding viewing experience in general.
«The Intern» does benefit from an experience writer in this genre, which is why most of the film is so great.
The film veers from being peppy to long dull spots, which show up Ms. Lloyd's lack of filmmaking experience.
Getting short - shrift in all of this is Kevin (Thomas Ian Nicholas, The Rules of Attraction), who is pushed mostly to the side here — although that may be intended irony, since his character was the most sexually experienced in the original film, making him the guy most likely to have had his glory day in high school, only to go downhill from there.
The servicemen have also provide their own amateur films of their experiences in addition to the footage from the NBC news vaults.
It's a life — and now a film about a life — built from disparate strands of experience, but one that makes sense exactly because she is Grace Jones, and being Grace Jones means synthesizing Grace Jones from all available material.
A national health care crisis in the United States yields this tense drama from screenwriter James Kearns and director Nick Cassavetes, who experienced a real - life dilemma with his daughter's congenital heart disease that mirrors the one in this film.
The influence of cheap»80s and»90s genre cheapies like «Dollman vs. Demonic Toys» from Full Moon Features is baked into the film, not that it will enhance the experience.
There's something to be gained from letting the mystery be, surrendering to the experience of the film, and to the reminder that in real life, there's so much we never get to know.
As someone who saw The Room, I can only truly speak from one perspective, and there's certainly an aware layer of recognition and expectation that is experienced from seeing a film you know so much about come together before you.
Swinging from the madcap to the macabre and back again, the film is an exhilarating experience that will leave you quite literally blown away
The first feature from Rupert Goold, artistic director of London's Almeida Theatre, the film owes a dramatic and stylistic debt to Capote, another stage veteran's big - screen debut about the complicated relationship between a prisoner facing a murder rap and the writer looking to capitalize on his experiences.
FLIX ® is a celebration of all things cinema, from knee - slapping comedy to face - slapping film noir, get ready to experience the history of Hollywood, one classic at a time.
Far be it from me to expect any sort of cerebral experience from a slasher about a doll, but it's evident that a degree of thought DID go into this, which makes its overall failure as a horror film all the more disappointing.
Taking inspiration from the personal life of his leading man (Lustig is a widowed grocer upon whose stories the screenplay is loosely based), Weinstein draws on his experience as a documentary film - maker to conjure a drama rooted in the reality of these characters and their community.
De Palma remains their only interview subject as he chronologically spins fascinating tales of his experiences intercut with photos and key scenes from his films.
In this lively, illuminating and unexpectedly moving documentary, directors Noah Baumbach and Jake Paltrow engage in a personal and candid discussion with De Palma, exploring not only his life and work but also his singular approach to the craft of filmmaking and his remarkable experiences navigating the film business, from his early days as the bad boy of New Hollywood to his more recent years as a respected veteran of the field.
It's a frustrating experience at times, but the script from Ben Ketai and «The Strangers» filmmaker Bryan Bertino eventually allows the family to take some satisfying actions in the second half of the film.
Filmed without narration, subtitles, or any comprehensible dialogue, Babies is a direct encounter with four babies who stumble their predictable ways to participating in the awesome beauty of life.Needless to say, their experience of the first year of life is vastly different, yet what stands out is not how much is different but how much is universal as each in their own way attempts to conquer their physical environment.Though the language is different as well as the environment, the babies cry the same, laugh the same, and try to learn the frustrating, yet satisfying art of crawling, then walking in the same way.You will either find Babies entrancing or slow moving depending on your attitude towards babies because frankly that's all there is, yet for all it will be an immediate experience far removed from the world of cell phones and texting, exploring up close and personal the mystery of life as the individual personality of each child begins to emerge.
Next is Into The Wild: The Experience, 17 minutes of talk with the same individuals from the first feature, this time examining what goes into 8 - months of filming over 30 different locations, and how that filming in practice mimicked McCandless's rough - and - tumble experiences - also enthralling subject matter, and also too short.
When Anne (Riva) experiences a moment of lost time one day at the breakfast table across from her husband of over 40 years, Georges (Trintignant), it's fleeting, but it signals the end of the active - senior's life — proudly attending concerts starring world - famous former piano students, doing the shopping, being generally engaged and mobile in their affluent retirement — we've briefly glimpsed at the beginning of the film.
Given the outline from the plot alone this isn't a film that should be taken too seriously... «A lonely teenage horror - movie fan discovers a mysterious computer game that uses hypnosis to custom - tailor the game into the most terrifying experience imaginable.
From our experience with the type of entertaining films we are producing we find VR doesn't take you away from the real world, it connects you more with the real woFrom our experience with the type of entertaining films we are producing we find VR doesn't take you away from the real world, it connects you more with the real wofrom the real world, it connects you more with the real world.
There will always be things that the film will cut out that you as a reader will have wanted to have seen kept from the source material - but why let that spoil what is an easily enjoyable and visually energizing cinema experience?
An excerpt from Magnolia's description of the film says: «Following a long fascination with [Scientology] and with much experience in dealing with eccentric, unpalatable and unexpected human behavior, the beguilingly unassuming Louis Theroux won't take no for an answer when his quest to enter the Church's headquarters is turned down.
The film also goes a bit easy on its characters considering the time period (apart from Carol's custody battle, they don't experience any persecution), and while it looks gorgeous — like an oil painting of soft pastels — you don't feel the romance as much as you should; it's sensual, but emotionally distant.
A Separation offers its viewers an experience that is both challenging and heartbreaking and, as with all truly great cinema, you come away from this film feeling just that little bit changed for having seen it.
If this were the case then Touchy Feely would have done well to spend more time on tightening this idea rather than giving Abby somewhat confusing additional storylines, for instance the five - ten minutes she experienced the drug «ecstasy» seemed utterly disconnected from the film.
Renny Harlin's found footage horror tale «The Dyatlov Pass Incident» has scored a new title and North American release date though IFC Midnight.Now called «Devil's Pass,» the film takes elements from the real life mysterious disappearance of nine experienced...
Panelists will address questions from students after discussing topics in filmmaking and their firsthand experiences related to women in film.
During this 1 - on - 1 phone interview with Collider, actress and filmmaker Heather Graham talked about wanting to make a movie celebrating women and friendship, the biggest challenges in getting this film going, having her voice heard, as a female filmmaker, what she most enjoyed about playing Honey, putting together this cast, funny moments on set, what she enjoyed about the experience of directing, her hope to do it again, juggling three different writing projects, and doing the British TV series Bliss, from David Cross.
A slippery stylist, Soderbergh's films hop from genre to genre with creative restlessness appearing to be his defining characteristic whether filming glossy, expensive star laden confections such as the Oceans series or experimenting with digital video and unknown actors on low budget conceits such as Bubble or The Girlfriend Experience.
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