Sentences with phrase «experience further the exhibition»

Not exact matches

Adele Irving and fellow researcher Oliver Moss are conducting further research on the experiences of homeless people in the North East and will showcase this research at an exhibition as part of the Economic and Social Research Council's 2014 Festival of Social Science.
After visiting the exhibitions you can be further astounded by going to catch a film at the IMAX 3D cinema, a truly unforgettable London dating experience!
Gilbert joins a team of accomplished travel industry veterans, and her expertise will further cement the wealth of travel trade knowledge and experience in the WTM portfolio and parent company Reed Travel Exhibitions.
UFC created and edited tons of video footage for the game, and peppering it throughout the career and exhibition modes serves to draw the player even further into the experience.
When all is said and done this enormous exhibition at the Whitney Museum of American Art, The American Century: Art and Culture 1900 - 1950 falls far short of any expectations of experiencing the true greatness of American Art.
If you'd like to return to further experience the exhibition on another day, a great option is to apply the price of your ticket toward a Museum membership, which allows for another free exhibition visit.
2005 Experiencing Duration, Biennale d'art Contemporain de Lyon, Lyon, France Ten Year Anniversary Exhibition, Stephen Friedman Gallery, London, England Ecos y Contrastes, Museo de Arte y Diseño Contemporáneo, San José, Costa Rica Colleció Fundació La Caixa - 20 anys amb l'art contemporani, Caixa Forum, Barcelona, Spain Tropicalia, touring exhibition, Museum of Contemporary Art, Chicago, USA Urban Cocktail, Walker Art Center, Minneapolis, USA Here Comes the Sun, Magasin 3, Stockholm, Sweden Always a Little Further, 51st Biennale di Venezia, Venice, Italy Como é doce morrer no mar, Museu de Arte Contemporânea do Ceará - Centro Dragão do Mar de Arte e Cultura, Fortaleza, Brazil 5th Biennal de Arte do Mercusol, Porto Alegre, Brazil Water Event, The Astrup Fearnley Museum, Oslo, Norway Desenhos: A-Z, Porta 33, Madeira, Portugal EducaExhibition, Stephen Friedman Gallery, London, England Ecos y Contrastes, Museo de Arte y Diseño Contemporáneo, San José, Costa Rica Colleció Fundació La Caixa - 20 anys amb l'art contemporani, Caixa Forum, Barcelona, Spain Tropicalia, touring exhibition, Museum of Contemporary Art, Chicago, USA Urban Cocktail, Walker Art Center, Minneapolis, USA Here Comes the Sun, Magasin 3, Stockholm, Sweden Always a Little Further, 51st Biennale di Venezia, Venice, Italy Como é doce morrer no mar, Museu de Arte Contemporânea do Ceará - Centro Dragão do Mar de Arte e Cultura, Fortaleza, Brazil 5th Biennal de Arte do Mercusol, Porto Alegre, Brazil Water Event, The Astrup Fearnley Museum, Oslo, Norway Desenhos: A-Z, Porta 33, Madeira, Portugal Educaexhibition, Museum of Contemporary Art, Chicago, USA Urban Cocktail, Walker Art Center, Minneapolis, USA Here Comes the Sun, Magasin 3, Stockholm, Sweden Always a Little Further, 51st Biennale di Venezia, Venice, Italy Como é doce morrer no mar, Museu de Arte Contemporânea do Ceará - Centro Dragão do Mar de Arte e Cultura, Fortaleza, Brazil 5th Biennal de Arte do Mercusol, Porto Alegre, Brazil Water Event, The Astrup Fearnley Museum, Oslo, Norway Desenhos: A-Z, Porta 33, Madeira, Portugal Educação, Olha!
Elena Bajo pushes this question further, giving us a multiform answer that is not expressed merely with language, but with a full sensory exploration communicated by dance, sound, and experience in her exhibition «With Entheogenic Intent (Burn the Witch)» at 18th Street Arts Center in Santa Monica.
Built from the foundation of five early paper negatives by Baron Adolphe Humbert de Molard (b. 1800), first exhibited as part of a three - person show originally presented ten years ago at Andrew Kreps Gallery, New York and Galerie Nelson, Paris, this expanded exhibition further investigates a premise that expounds the ways in which our perception of such work, historically bound to context and experience, has shifted over time, and continues to generate a discursivity and evaluation of content.
The foundation of the second exhibition of contemporary art was inspired by gallery owners and art collectors who have experienced artgenève, strengthening the ties between Geneva and Monaco even further.
We welcome all members of our community near and far to experience accessible facilities, wide - ranging exhibitions and thoughtful programming.
«We look forward to supporting and presenting the work of these artists and to further engaging with our visitors through the exhibitions and accompanying public programs — connecting our local experience with those across the country and the globe.»
The exhibition further relies on several immersive experiences where gallery - goers will create collaborative «fakes», envision non-visible art, and confess their Real / Fake sins at a confessional.
Hull - House also partnered with Alexandria Eregbu, a West Side based artist and designer, to further interpret the designs by 360 Nation students into logo graphics that communicate key values related to the exhibition and the student's experience.
Further, the natural world as experienced through the passage of time is seen in two of the video works in the exhibition.
For her first solo exhibition in Switzerland, British artist Rachel Howard presents a new body of paintings which explore the furthest reaches of human experience.
In an effort to further expand opportunities for education, this journal features essays, interviews and other writings that provide context for 1708 Gallery's exhibitions and promote further dialogue about contemporary art. 1708 Gallery works with a range of writers, from graduate students to professional writers, to allow for multiple voices and experiences to contribute to this project.
@theexhibitionistldn is an insight into current exhibitions with the outlook of Art students specifically in mind, from helpful academics texts you can use to further your knowledge on an exhibition's subject matter to certain memberships that students can use to their financial advantage — it aims to better the academic experience behind exhibitions.
As part of the exhibition, HEHG has invited three NYC - based artists to respond to the exhibition with a new commission that further explores the connections among the collecting process, societal change, and gendered experience.
We have yet to experience an uprising against artist residencies without stipends, academic - art positions that require constant instability or relocation, or exhibition venues that are far from
«Deepest Harmony» is a series created specifically for this exhibition and further develops Neish's exploration of time and experience through the layering of paint, color and texture.
The artworks presented in this exhibition incite multi-disciplinary discussions and interrogations with diverse readings, involving further forms of awareness and themes — from the significance of experience as a shaper of memory, captured by Veronika Pausova, Cynthia Gutiérrez, Barb Smith and Megan Pahmier, to the relationship between bodily movement and spatial perception, as seen in Mario Navarro, Francisco Ugarte, Adrián S. Bará and Javier M. Rodríguez's work.
Thanks to an unprecedented collaboration with the Calder Foundation, this exhibition provides visitors with a rare opportunity to experience works as the artist intended — set in motion by motors or air currents and further animated by touch.
Corresponding to her critically acclaimed exhibition Harriet Tubman and Other Truths [which was co-produced by Grounds For Sculpture and Goya Contemporary, with guest curators Patterson Sims and Lowery Sims], this latest exhibition [curated by Amy Eva Raehse] further develops narrative around social and political injustices, sexism, racism, violence, systems of power, and biases within the artist's personal history, and our collective experience.
Founded in 1983 by local photographers as a challenge to media representation of the city's experience of conflict, our exhibitions, publications and collaborative and community photography projects continue to reflect a socially engaged ethos, while responding to contemporary currents in photography and politics further afield.
PUBLIC PROGRAMS: Enhance your experience of Abstract Expressionism: Looking East from the Far West with lectures, films, performances, and discussions held throughout the duration of the exhibition.
Thanks to an unprecedented collaboration with the Calder Foundation, this exhibition will provide visitors with a rare opportunity to experience works as the artist intended — set in motion by motors or air currents and further animated by touch.
To coincide with the exhibition, the Museum's Gallery or Mediator staff have been trained to deliver tours using audio description, as a means of enhancing visitors» experience further.
Furthermore, there was a strong association between a high level of musculoskeletal pain and the exhibition of psychosomatic symptoms in both women and men; this is an interaction that may intensify the total experience of illness and thus needs to be further investigated.
a b c d e f g h i j k l m n o p q r s t u v w x y z