Sentences with phrase «experience in feature films»

Not exact matches

Most of all, the experience has been gratifying, as God has taken the story he first caused to be lived out in my experiences, and now is blessing others by its retelling in this first - class feature film.

The song, which has been covered endlessly, has become the most played Christian single played on the radio and is about the experience when you see God face - to - face, so it will be interesting to see how that's conveyed in a feature film.

With his experience after producing TV commercials for clients such as: Nike, BMW and Mercedes, culminating in the classic «Joga Bonito» World Cup campaign for Nike, Tim Elliott started collaborating with feature film directors as a ghost writer and creative assistant.

Her film and writing work have been experienced by millions of people and featured in international press.

Writer and director John C. Walsh based Pipe Dream in part on his own experiences as he was making his first feature film, Ed's Next Move.

The Movie: The idea of George Clooney playing a (mostly) silent assassin holed up in the Italian countryside with gorgeous European women sounds like recipe for a solid dramatic experience, so why Focus Features is marketing «The American» as some sort of action thriller when in fact it's an arty European film, will throw some moviegoers off and just outright anger others.

Next is Into The Wild: The Experience, 17 minutes of talk with the same individuals from the first feature, this time examining what goes into 8 - months of filming over 30 different locations, and how that filming in practice mimicked McCandless's rough - and - tumble experiences - also enthralling subject matter, and also too short.

A bit more suspense would have gone a long way here, and while director David Gelb, whose prior experience had been in the crowd - pleasing documentary Jiro Dreams of Sushi, has turned in a slick - looking feature for one with such a small budget (reportedly, only $ 5 mil), it really can't compete with better films out there in terms of quality, while it's too straight - faced in execution to at least give us some choice b - movie thrills.

Patrick Marber, who is no stranger to controversial material, having adapted his play into film script with Closer, makes some alterations to the more subtle tone in Heller's book, but does make it more compelling for the purpose of a feature film experience.

Written and directed by William Savage (In Lieu of Flowers is his feature film debut), the story is inspired by personal experiences, although he is coy to say just how much.

Alamo Drafthouse and Focus Features are teaming up as part of Maverick Cinema to present «Meet Me in Montauk», an event taking place on the beach, with mattresses for a «bed - in» experience, paying homage to one of the film's iconic scenes (seen above).

(remix) music video by Danger Mouse and Jemini; deleted scenes and alternative takes, five in total, including an alternative ending (9 min) with a less subtle conversation between Richard and Mark, but a haunting final image of Richard with Anthony; images from Anjan Sarkars graphic novel animation matched to actual dialogue from the films soundtrack (the scene where Herbie first sees the elephant); In Shanes Shoes (24 min) documentary featuring the premiere at the 2004 Edinburgh Film Festival, interviews with Shane Meadows about run - ins with violent gangs in his youth, and on - location clowning; Northern Soul (26 min) also made by Meadows in 2004, and starring Toby Kebbell as an aspiring wrestler with no actual wrestling experience or talent - this comic short is as amateurish as its protagonist, and serves only to show how much better Dead Mans Shoes iin total, including an alternative ending (9 min) with a less subtle conversation between Richard and Mark, but a haunting final image of Richard with Anthony; images from Anjan Sarkars graphic novel animation matched to actual dialogue from the films soundtrack (the scene where Herbie first sees the elephant); In Shanes Shoes (24 min) documentary featuring the premiere at the 2004 Edinburgh Film Festival, interviews with Shane Meadows about run - ins with violent gangs in his youth, and on - location clowning; Northern Soul (26 min) also made by Meadows in 2004, and starring Toby Kebbell as an aspiring wrestler with no actual wrestling experience or talent - this comic short is as amateurish as its protagonist, and serves only to show how much better Dead Mans Shoes iIn Shanes Shoes (24 min) documentary featuring the premiere at the 2004 Edinburgh Film Festival, interviews with Shane Meadows about run - ins with violent gangs in his youth, and on - location clowning; Northern Soul (26 min) also made by Meadows in 2004, and starring Toby Kebbell as an aspiring wrestler with no actual wrestling experience or talent - this comic short is as amateurish as its protagonist, and serves only to show how much better Dead Mans Shoes iin his youth, and on - location clowning; Northern Soul (26 min) also made by Meadows in 2004, and starring Toby Kebbell as an aspiring wrestler with no actual wrestling experience or talent - this comic short is as amateurish as its protagonist, and serves only to show how much better Dead Mans Shoes iin 2004, and starring Toby Kebbell as an aspiring wrestler with no actual wrestling experience or talent - this comic short is as amateurish as its protagonist, and serves only to show how much better Dead Mans Shoes is.

Puzzle is directed by American producer / filmmaker Marc Turtletaub, an experienced indie film producer, directing his second feature film after Gods Behaving Badly in 2013.

The music - driven feature film combines a bold narrative and spectacular live - performance footage of one of the most popular and influential rock bands in history to produce a bracing, raw andvisceral cinematic experience.

Gravity is less a feature film than cinema as experience: a new frontier in filmmaking that will likely appeal to studios trying to attract people to movie theaters.

Along with the trade show floor that featured the latest technological advances, concession goodies, comfort seating and more to enhance the theater audience movie going experience, each of the movie studios presented a sneak peak of their upcoming films slated for release in 2012 and beyond, many which were being seen for the very first time.

It was released theatrically in North America as part of a double feature with Quentin Tarantino's Death Proof under the title Grindhouse, to emulate the experience of viewing exploitation films in a «grindhouse» theater.

«I am a Flatbush girl», first - time feature director Eliza Hittman said proudly at the world premiere of It Felt Like Love in the Next section (it later went to Competition in Rotterdam), and, while not entirely autobiographical, the film draws from her experience of growing up in this largely working - class neighbourhood of New York City's most populous borough, of these endless summers where you have to escape to the sea with your friends for fear of melting like the asphalt under your feet.

As one contributor in the film says, African - Americans and black people worldwide are likely going to be intimately familiar with many of the issues and experiences you feature in the film.

Snyder himself hosts an ongoing commentary - «The Ultimate Watchmen Experience» - featuring behind - the - scenes shots, a timeline covering the history of the Watchmen universe, remarks from the director himself and (best of all) a side - by - side comparison between shots in the film and frames from the graphic novel.

Hopefully it will find an audience on DVD and, appropriately, online, because Blackhat is a sublime merging of form and content, a film about the experience of living in our interconnected world on a psychological, political and philosophical level that conveys this experience beautifully through its narrative, stylistic and generic features.

She noted that even with her experience in television and having directed episodes of «Buffy» and «Girlfriend's Guide,» making her first feature film was still something new.

«I'm thrilled that the Extended Edition will give fans the opportunity to experience certain key scenes in the film as they were originally shot, as well as an abundance of special features.

Certainly, his latest film exhibits many of his most characteristic features: an early static shot of a concert audience once again emphasises spectatorship as a primary concern; we meet, as so often, a bourgeois family about to experience severe suffering; Emmanuelle Riva follows Isabelle Huppert, Juliette Binoche and Naomi Watts in giving an extraordinary performance in response to psychological terror; and violence, with its attendant guilt, comes as a shocking intrusion into this world.

Grindhouse — Quentin Tarantino and Robert Rodriguez's double feature ode to the crappy genre films of the 70s was one of my most enjoyable film experiences of the last few years, but I think the films work best in that format, back to back with fake trailers and missing scenes.

The music - driven feature film combines a bold narrative and spectacular live - performance footage of one of the most popular and influential rock bands in history to produce a bracing, raw and visceral cinematic experience.

Reel FX launched its feature length development and production slate in 2010 after almost 20 years of experience as an award - winning one - stop studio for the creation of animated content including films, special attraction / live venue projects, and interactive projects for companies like Fox, Warner Bros. and Universal Studios.

The Criterion set features both versions, and the theatrical cut features commentary by Bertolucci (who launches in to the film before he remembers to introduce himself), screenwriter Mark Peploe (who calls it «the biggest screenwriting experience of my life»), producer Jeremy Thomas, and composer / actor Ryuichi Sakamoto, all recorded separately and edited together in a dense, meaty that builds on the accumulation of observations and insights.

In his much celebrated feature debut «Hedwig and the Angry Inch,» the actor / director pealed his own creation from the stage and molded it into a cinematic experience that became one of the most accomplished films of 2001.

The film is directed by acclaimed Indian director Tarsem Singh and features upcoming actors Lily Collins and Armie Hammer in lead roles alongside the experienced Julia Roberts.

The four - minute visual work of art is a fully - immersive, 360 ° narrative experience set in the world of the upcoming feature film The Divergent Series: Insurgent and features stars from the film including Academy Award winner Kate Winslet, Miles Teller and Mekhi Phifer.

Whereas Guy Ritchie hosted this feature on the first film, Robert Downey Jr. does the honors here for an in - movie experience titled «Inside the Mind of Sherlock Holmes.»

But I'm terribly glad I did catch up to it, because Mike Mills «sophomore feature, based on the director's own experiences of his father coming out in his 60s and dying not long after, is an absolute gem, a melancholy and joyous film that's both deeply, specifically personal and strangely universal.

And you can always watch these in the «Grindhouse Experience,» which plays the double feature through with trailers, movie bumpers and snack bar promos before and between the films.

Among the notable events at CinemaCon 2015 was «The Legend of Cinema Luncheon: A Salute to Clint Eastwood,» on Wednesday, featuring the legendary film icon participating in a one - on - one discussion with moderator Stephen Galloway, Executive Features Editor of The Hollywood Reporter, on his filmmaking process and his passion for the moviegoing experience.

X-Men director Bryan Singer has promised that the «Rogue Cut» offers fans a «different experience» to the film they saw in cinemas last year, with 17 minutes of unseen footage featuring a subplot involving Anna Paquin's character Rogue.

Wiseau released The Room on DVD in December 2005, and produced another, promotional, DVD that featured fans of the film at screenings praising the Room experience.

Though some of the features are available on the DVD edition, the Blu - ray set The Bourne Trilogy is without doubt the best way to experience these films and to bone up before the in - development fourth entry reaches theaters.

According to the casting call, casting directors are looking for «experienced actors, both male and female, age 30 - 50, all ethnicities» to work on the upcoming feature film filming in Philadelphia during November to December.

Special Features Learning From Experience: Director Nancy Meyers and the cast discuss bridging the «generation gap» in a humorous way Designs On Life: Learn about the film's runway - ready looks and eye - popping interior design The Three Interns: An exclusive interview with Comedy Central fan faves Adam DeVine, Zack Pearlman and newcomer Jason Orley

If any single title could stand in for the sublimated yet radical titillation of all pre-Stonewall gay cinema, it's the 26 - minute Un chant d'amour (50), the one and only feature made by Jean Genet, and a complete sensual experience: film as erogenous zone.

The description makes it sound like this is a fantasy film more about the human experience than CGI — the boy has to tell stories to keep the monster happy — and distributor Focus Features surely seems confident in the project, recently moving it to an awards - friendly release date in December.

A different form of improvisation is felt in «Touchy Feely,» the fifth feature from Lynn Shelton; instead of the loose outlines and dialogue of the director's recent films («Your Sister's Sister,» «Humpday»), it's the film's subjective and technical experience that feels crafted on the spot and cemented in the editing room.

The first feature is a «Storyreel Picture - in - Picture Experience» where you can view the theatrical cut with a early version of the film that features rough animation, hand - drawn storyboards and other artwork.

«Career Opportunities in Organized Crime,» the first ever feature - length film shot with 360 - degree virtual reality cameras, is set to premiere at the VR / AR Experience Expo at SXSW in Austin, Texas.

Along with a trade show floor that featured the the latest technological innovations, theatre seating, food concession goodies and more that enhance the movie going experience, the annual highlight for attendees is the opportunity to get a sneak peak at some of the most highly anticipated films from the major studios» upcoming slate, attend the screenings of several full lengths films and to catch special in person appearances by big name stars and filmmakers.

As Donna in Halloween: Resurrection, Daisy McCrackin suffered a grisly and very creepy death at the hands of Michael Myers, but the actress tells us that her experiences on the set of the eighth entry in the franchise were nothing but positive, leaving her with fond memories of her feature film debut.

A film graduate (M.F.A. in Directing from the American Film Institute) who to this point, has had more experience working as a playwright, Bill Oliver has moved feature film into the forefront with his directorial debut.

Malick's film, like many of his past, is created to be a tone poem, a feature to be experienced more through the senses than the intellect, one that begs for deeper reflection and requires its audience to bring into it a certain sense of their own consternation but all the banks in the world couldn't lend Knight of Cups an inherent sense of completion.This complaint is made more egregious by the fact that Knight of Cups feels like a self - congratulatory brag - a-thon.

Stacy Grouden sat down with award - winning filmmaker Steph Green to discuss her feature - length directorial debut, «Run & Jump», and her experience working in the Irish film industry.