Sentences with phrase «experience seen on film»

Not exact matches

It's going to take a lot more then «visions» experienced by people in emotional and suggestible states to convince me, something like something seen by dozens of people who are not in an emotional and suggestible state, which is caught on camera by a person who we can reasonably assume would not tamper with the film.

The song, which has been covered endlessly, has become the most played Christian single played on the radio and is about the experience when you see God face - to - face, so it will be interesting to see how that's conveyed in a feature film.

The DVD explored the experiences of young parents, mostly young women, so it was refreshing to see a young father's perspective on film.

Although Sally Field walked off with the statuette (for «Places In The Heart»), Judy's nomination can be seen as some compensation for the experience of working on the film, which was not, by all accounts, an especially happy one.

At the film's press day, actor Paul Giamatti, who's also an executive producer on the movie, talked about what drew him to John Dies at the End, his most memorable experience of the shoot, working with such new actors, how he sees the industry now, and that he doesn't think a film like Sideways would even get made today.

Ultimately, I found the film to be just OK, and as narcissistic and self - congratulatory as this is: the best part about the whole experience, was seeing myself on the big - screen as a panicked / witless civilian.

Alamo Drafthouse and Focus Features are teaming up as part of Maverick Cinema to present «Meet Me in Montauk», an event taking place on the beach, with mattresses for a «bed - in» experience, paying homage to one of the film's iconic scenes (seen above).

(remix) music video by Danger Mouse and Jemini; deleted scenes and alternative takes, five in total, including an alternative ending (9 min) with a less subtle conversation between Richard and Mark, but a haunting final image of Richard with Anthony; images from Anjan Sarkars graphic novel animation matched to actual dialogue from the films soundtrack (the scene where Herbie first sees the elephant); In Shanes Shoes (24 min) documentary featuring the premiere at the 2004 Edinburgh Film Festival, interviews with Shane Meadows about run - ins with violent gangs in his youth, and on - location clowning; Northern Soul (26 min) also made by Meadows in 2004, and starring Toby Kebbell as an aspiring wrestler with no actual wrestling experience or talent - this comic short is as amateurish as its protagonist, and serves only to show how much better Dead Mans Shoes is.

While the first film had a sense of newness on its side that made it somewhat effective as a straight - up shocker, we've seen all of the scary images in this sequel a few too many times to experience their original effect.

We all bring our own personal experiences into every film we see, or any work of art we explore really, and I have to say there's something about what Mills has been doing with his two most recent pictures that strikes me on a profound level that no one else has really been able to tap into.

I would not give this film any less than a 4 and I can't put a finger on why but I just enjoy watching it, it is refreshing, different, funny and light and just a great experience and I would not mind seeing it again.

I hope you will see Norman and then return to read on, but I do not want to risk spoiling the experience of «tasting» this terrific film for yourself.

You've seen more nuanced treatises on illegal immigration, but Jonás Cuarón's thriller, which premiered at Toronto and will serve as the L.A. film festival's closing - night offering, is a harrowingly visceral experience, centered around a cat - and - mouse game between a well - matched Gael Garcia Bernal and Jeffrey Dean Morgan.

The film noir slate was particularly rich as was the experience of seeing these film on the big screen — the lighting, the compositions, the close - ups all popped in a way that just doesn't happen when you watch these titles on TV.

The Room improbably went on to become the equivalent of a cult classic (if for all the wrong reasons), a film made in direct contradiction of every rule of «good» filmmaking, but also one of the most purely enjoyable (if only ironically) cinematic experiences made in the last two decades (best seen and heard in a group of like - minded, possibly inebriated friends, acquaintances, and strangers).

In an era when moviegoers are increasingly content to view films in multiplexes or on their computers or smartphones, this is a rare chance to see a collection of epic visions in the most sensorially overwhelming manner possible — the kind of cinematic experience that can make someone fall in love with the cinema all over again.

The Tribe / Ukraine (Director and screenwriter: Myroslav Slaboshpytskiy)-- Set at a Ukrainian boarding school for the deaf, the film's narrative unfolds purely through sign language without the need for employing subtitles or voiceover, resulting in a unique, never - before - seen cinematic experience that engages the audience on a new level.

In the remarkable animated sequence that dominates the second half of the film, Who Framed Roger Rabbit, the Fleisher Brothers, Fantastic Planet, Looney Tunes, Ralph Bakshi, and Yellow Submarine collide into a psychedelic experience unlike anything seen on screen before.

It's not just about having enough background and movie knowledge to put a film in the proper context, but it's also about whether or not you have enough life experience to relate to the things you're seeing on screen.

Seeing black representation portrayed on - screen at the film's world premiere on Monday was a powerful experience, she said.

So you were talking about this kind of karmic circle where it comes back around — where now «Hoop Dreams,» a film Ebert helped make successful, he was someone that shined a light on these less - well - known films that had weaker marketing budgets or so forth, drew people's attention to Errol Morris, who you saw on screen, really helped launch the careers of some of these people by shining that light on them... and you were saying how from your experience as a critic and all that, you say in your own words, you yourself feel the same desire, that your job is to cast that light.

Needless to say, seeing Chicago up on the big screen like that, especially after seeing all the stuff in the news from when they were filming it, was an awesome experience and the film remains a favorite to this day.

I was equally cheered by Chile's A Fantastic Woman winning for best - foreign - language film, and to see that film's star, Daniela Vega, on stage with her director Sebastián Lelio, who made a sober, compassionate film about a trans woman's experience starring a trans actress.

It's a recipe that provides an entertaining experience, but the dramatic moments depend perhaps too much on character and plot from previous films, so that they lose a great deal of punch if viewers haven't seen The Maze Runner or The Scorch Trials in some time - or at all.

From a technical standpoint, the film was one for the ages (this was one of those increasingly rare movies that cried out to be seen on the biggest screen possible and was even one of the few to make intelligent use of 3D technology) but what was even more surprising was how effective it was from a dramatic standpoint as well, thanks in no small part to the career - best work from Bullock and the deft use of Clooney's glib star quality to help orient viewers for what might have otherwise been an off - putting experience).

Isle of Dogs Behind the Scenes (in Virtual Reality) / (Lead Artists: A collaboration between Felix Lajeunesse & Paul Raphael and the Isle of Dogs production team)-- This virtual reality experience places the viewer inside the miniature world of Wes Anderson's upcoming stop - motion animated film, face to face with the cast of dogs as they are interviewed on set, while the crew of the film works around you to create the animation you are seeing.

A. I have never seen a more horrifying experience on film than what his character undergoes in «Touching the Void.»

I wanted to see what this great gambit was all about, and I also didn't want to experience the FOMO of seeing other people on my twitter feed talking about the film before I got a chance to see it.

It's a film you should experience on the big screen and come with friends so you can go have a drink afterward and discuss what you have seen.»

«Haunted Hospital: On Location» — Cast and crew discuss what it's like to film at a haunted location (Blu - ray exclusive) «Leigh Whannell's Insidious Journal» — A look at making the film through the perspective of writer / actor Leigh Whannell (Blu - ray exclusive) «Work in Progress: On Set Q&A» — Barbara Hershey, Patrick Wilson, Jason Blum, James Wan, and Leigh Whannell discuss their experiences filming «Insidious: Spectral Sightings» 3 - Part Webisodes — Specs & Tucker find an unexpected ally in their early days as paranormal investigators (Blu - ray exclusive) «Peripheral Vision: Behind the Scenes» — Go on the set and see how the second installment was created «Ghostly Transformation» — Discover how actors were transformed into ghosts in The Further through make - up effecOn Location» — Cast and crew discuss what it's like to film at a haunted location (Blu - ray exclusive) «Leigh Whannell's Insidious Journal» — A look at making the film through the perspective of writer / actor Leigh Whannell (Blu - ray exclusive) «Work in Progress: On Set Q&A» — Barbara Hershey, Patrick Wilson, Jason Blum, James Wan, and Leigh Whannell discuss their experiences filming «Insidious: Spectral Sightings» 3 - Part Webisodes — Specs & Tucker find an unexpected ally in their early days as paranormal investigators (Blu - ray exclusive) «Peripheral Vision: Behind the Scenes» — Go on the set and see how the second installment was created «Ghostly Transformation» — Discover how actors were transformed into ghosts in The Further through make - up effecOn Set Q&A» — Barbara Hershey, Patrick Wilson, Jason Blum, James Wan, and Leigh Whannell discuss their experiences filming «Insidious: Spectral Sightings» 3 - Part Webisodes — Specs & Tucker find an unexpected ally in their early days as paranormal investigators (Blu - ray exclusive) «Peripheral Vision: Behind the Scenes» — Go on the set and see how the second installment was created «Ghostly Transformation» — Discover how actors were transformed into ghosts in The Further through make - up effecon the set and see how the second installment was created «Ghostly Transformation» — Discover how actors were transformed into ghosts in The Further through make - up effects

The film relies on you having an emotional investment in the characters and the direction they're heading in, so if you want to experience The Last Jedi to the full, I'd suggest you ensure you've at least seen The Force Awakens first.

In what might be a unique film - going experience (smell - o - vision might be brought back), this stoner - comedy sees Matthew McConaughey as Moondog, a poet, rebel and, yes, beach bum who lives life on his own terms.

Following on from the latest UK trailer [watch it here], we now have a new UK poster for Lenny Abrahamson's award winning drama Room starring Brie Larson and Jacob Tremblay; check it out... SEE ALSO: Read our reviews for Room here and here An intensely powerful and wonderfully life - affirming experience, Room is the new film from acclaimed director, -LSB-...]

Regardless of which way you decide to see it, this is a film that has to be experienced on the big screen to fully appreciate.

It is worth seeing on the big digital projection screen, just to be engulfed in the experience but it is not the kind of film that will be cherished as a seminal cinematic event.

How faithful an adaptation he's hammered out remains to be seen, but if it remains close to the game, the film will involve Fassbender being kidnapped by a secret organisation, who force him to experience the memories of his assassin ancestors and send him on missions to locate artefacts that can control mankind.

I still browse B&N and I will purchase coffee table type books that need to be experienced in physical form such as, On Set with John Carpenter, The Wes Anderson Collection, etc (yup - I'm a film fan) But - Living in NYC - I don't see going back to lugging physical books around.

It also helps that each story stage is based on a segment on the film and builds on them, adding more sections and areas not seen in the movie to lengthen the whole experience, and includes scenes straight from the motion picture.

We were inspired to make this documentary by a short film we made on Alec Holowka of Infinite Ammo in Fall 2009 (see video here: http://vimeo.com/7956342), coupled with our experience covering the Game Developers Conference in Spring 2009.

Je Veux Voir (I want to see), 2010, an installation made especially for the exhibition, is based on Mroué's experience of co-starring with French actress Catherine Deneuve in a feature film (2008).

1I wonder if you've thought about the function of scale in terms of Robert Smithson's work, for example, in the distinct experiences of encountering the Spiral Jetty (1970), seeing the photographs or drawings, watching the film, walking on the actual artwork, reading the text, and thinking about the piece.

Another very common topic of conversation among Facebook users involves the match (or lack thereof) between people's real life experiences and what we see on those very same people's Facebook profiles - a topic that a short film that went viral in 2014 echoed.

External factors may include the media (younger people may want for more from a relationship after being socialised by images of romance on films and television), seeing friends and families in relationships (people who have divorced or separated parents may have a different CL to those with parents who are still married), or experiences from prior relationships, which have taught the person to expect more or less from a partner.