Sentences with phrase «experience the film installation»

Not exact matches

Aside from the well - noted fact that more superior long - form drama (and comedy) can be found on television than in cinemas, the two most interesting motion picture experiences I had in 2012 were in galleries: The Clock (Christian Marclay, 2010), a staggering and hypnotic achievement of which I still have some of its 24 hours to catch up with, and two multi-screen installations by Candice Breitz: «Him» and «Her» in which many scenes from the films of Jack Nicholson (in Him) and Meryl Streep (in Her), isolate the actors from their filmic background leaving the actors to speak to and interrogate each other across space and time on many themes of character, identity, success, failure, anger and disappointment.

The promise of «a new kind of festival for a new age of making» by co-founder, supporter and Lancashire - born designer, Wayne Hemingway, was fulfilled with 30,000 people taking part in over 100 making experiences, encountering 57 invited makers, spanning food, technology, major manufacturing, engineering and crafts, alongside indoor and outdoor markets, street performance, art installations, film screenings, celebrity cookery demonstrations and the opportunity to experience making with some of Pennine, Lancashire and the UK's most significant manufacturers.

Pierre Huyghe (Paris, France) creates films, installations, and public events that blur the traditional distinction between fiction and reality, revealing the experience of fiction to be as palpable as anything in daily life.

The Varieties of Experience, 2008 16 mm film, color, silent 8:00 minutes Installation view, The Possibility of an Island Museum of Contemporary Art, Miami, USA Photo: Steven Brooke

The Varieties of Experience, 2008 16 mm film, color, silent 8:00 minutes Installation view, Mungo Thomson: The Varieties of Experience John Connelly Presents, New York, USA, 2009

Throughout the day, visitors are encouraged to move through the galleries and experience the installation through film, soundscape, kinetic sculpture, and immersive set design; live performances will take place at 1 and 4 pm.

Untitled (Margo Leavin Gallery, 1970 ---RRB-, 2009 Super-16mm film, color, silent 5:11 minutes Installation view, Mungo Thomson: The Varieties of Experience John Connelly Presents, New York, USA

Smith's films, installations, and objects deploy the tactics of these disciplines, while offering a phenomenological experience for spectators and participants.

Drawing on personal experiences, Emin often reveals emotional situations with brutal honesty and poetic humor in a wide variety of media including painting, drawing, embroidery, neon, installation, sculpture, and film.

Drawing from personal experiences, Emin reveals emotional situations with brutal honesty and humor in a wide variety of media, including painting, drawing, embroidery, neon, installation, sculpture, and film.

Recent projects include Another Utopia (2015), a year - long project culminating in an installation and film exploring the squatting and housing co-operative movement of the 70's and 80's in London, and The Potential Space (2014), a film looking at parallels between making utilitarian objects and artistic practice, developed with members of Friends of Cathja, a charity that supports people experiencing mental health issues.

Kusama's oeuvre is extraordinarily diverse - traversing the mediums of fashion, painting, sculpture, printmaking, installation, film and performance — but it is marked by focus, and an obsessive desire to immerse the viewer in her psychological experiences, and to explore the idea of the infinite.

«How to Act» is an installation that offers an immersive cinematic experience without the use of film images.

Like the movement of a film in which one frame follows another, the viewer's passage through one of her installations unfolds a series of physical and conceptual experiences.

As part of my continued interest in artists who consciously insure that the medium they use is integral to the content of their work, this summer the gallery presents three installations reliant not only on technological equipment but on the prior experience of technology; the way we have learned to perceive and respond to film, recorded messages, and computer - generated material.

«Encompassing architecture, film, painting, installation, design, and fashion, our upcoming season promises to foster new insights across disciplines and deliver impactful art experiences for all visitors.»

Citing Cy Twombly's scratches and scribbles on canvas, Granat physically etches into her film strips and notes the performative and physical aspect of her film installations — both during the creative process but also as a finished product for the viewer as they take in an environmentally visual and aural experience.

These experiences were manifest beginning in the late 1950s in his happenings, and from the 1960s on in his films, installations, paintings, prints, and sculpture.

Whether through writing, film, installation, or immersion, Barry utilizes a research - based methodology that places the viewer in direct conversation with the piece, thus providing subjectivity and multiplicity to the viewing experience.

He explains that the fantastic voyages a film viewer can experience begin upon entering the gallery in which his installations are presented.

You and I, Horizontal (2005), a digital projection — and recent SFMOMA acquisition — by McCall, draws on his 1970s - era solid - light film installations to create an engaging experience of light as a -LSB-...]

For this new exhibition modern and contemporary painting, sculpture, installation, and film and video works are brought together to explore how our experience of the present is influenced by the juxtaposition between the archaic, or the obsolete, and an imagined future.

Other contents include an essay by Karl Ove Knausgaard (presented as a removable book); 100 frames from Lotte Reininger's 1926 animation The Adventures of Prince Achmed introduced by John Canemaker; two film treatments by screenwriter Hampton Fancher (Blade Runner), based on Esopus subscribers» submissions; anonymous photographs from the collection of Peter Cohen; materials from MoMA's archives on events and installations in the Museum's garden over the past 60 years; a piece on the creative process behind the survivalist game The Long Dark; a new installment of a regular series, «Guarded Opinions,» for which guards from the Barnes Foundation discuss works they oversee; a comic book by George Cochrane; and a CD of new music inspired by «close calls» experienced by 15 musicians, including Jo Lawry, YC the Cynic and Lemolo.

From the perspective of the so - called post-internet generation, his sculptures, films and online projects — often arranged as installations — are concerned with the relationship between real and virtual everyday worlds, that is, with life and experience in the internet age and the effects this has on social reality.

Since the mid-1990s, his installations, films and collaborative works have looked at the relationship between our experiences, the past, our expectations and the future.

British artist Marianna Simnett creates fable - like film, performance, sound and light installations that examine the sense of intimacy yet anxious unfamiliarity we experience with our own bodies.

• Jane & Louise Wilson are a Turner Prize — nominated sibling duo who use film, photography and sculpture to create a series of highly theatrical and atmospheric installations that investigate the darker side of human experience.

Themes of colonization, sexuality, loss and resilience — the complexities of historic and contemporary Indigenous experience — are explored in a variety of mediums, including painting, film / video, performance and installation.

Explore the Royal Academy and experience live sets, immersive installations, workshops, discussions, band performances, film screenings and more.

For one night only the RA's Burlington House will be transformed into the Manhattan experienced by the Abstract Expressionist artists with a unique lineup of performers, installations, musicians, film screenings and more.

As she is deeply concerned with the experience of viewing, Islam's films are often presented within the context of deliberately minimal, sober installations.

2012Dallas Paul, A Rogue's Gallery of Gorgeousness: Charles Atlas and Anthony's Turning, FilmMaker Magazine, 16th November 2012 Atlas, Charles «Filming Cunningham Dance: In Conversation with Nancy F. Becker, 1983» Dance, Documents of Contemporary Art, Andre Lepecki, 2012 Verlaek, Jolien, «I got a book and learned video» Interview Charles Atlas, Metropolism Online, 16 April 2012 Goings on about town: Dance, The New Yorker Online, The New Yorker Online, 14 April, 2012 Boynton, Andrew, Ballet's Punk, Grown Up, The New Yorker Online, 12 April, 2012 Millar, Iain, A 21st - century take on art films, The Art Newspaper Online, 11 April, 2012 Sutton, Benjamin, Charles Atlas Crunches the Numbers at Luhring Augustine's New Brooklyn Outpost, Art Info Online, 9 April, 2012 Macaulay, Alastair, Films That Allow the Elusive to Elude, Charles Atlas Captures Merce Cunninghams «Ocean» on Film, The New York Times, Critics Notebook, 9 April, 2012 Kourlas, Gia, A Rock Star May Steal the Show, The New York Times, 6 April, 2012 Hawthorne, Julien, Payne, Jenny, The Whitney Biennial Experience, Columbia Spectator, 30 March, 2012 Huff Jason, Charles Atlas» Delirious Digital Projections Dazzle in Bushwick, Blouin Artinfo Online, 26 March, 2012 Charles Atlas: Views on Video, Petrine Archer BLOG, 26 March, 2012 First Charles Atlas museum exhibition in The Netherlands Includes large Video Installations, www.artdaily.org, 19 March, 2012 De hallen Haarlem opens Charles Atlas.

Erecting an environment in which her drawings and films — reflecting the experience of driving throughout the city — became «central ploys in a scenario explor [ing] the boundaries of fantastic and urban escapism,» her site - specific installations were enhanced through incorporating elements of the city's hallmark materiality.

Happy Together: Collaborators Collaborating was a new work, comprising a live event and a film installation, but it also functioned as a form of retrospective, collectively formed through the memories and experiences of Öğüt's collaborators.

SB14 will feature exhibitions by curators Zoe Butt, Omar Kholeif and Claire Tancons, bringing together a range of experiences and works — including major commissions, large - scale public installations, performances and films to explore how contemporary life, enabled by rapid technological change, has created a seemingly inescapable «echo chamber» of information, complex personal networks and shifting narratives that are physical, spiritual and virtual.

Among the most important artists to emerge during the 1990s, Los Angeles — based Diana Thater creates groundbreaking and influential works of art in film, video, and installation that challenge the normative ways in which moving images are experienced.

The largest and widest selection of work by Davis and Joseph ever shown in a museum, Young Blood highlights the notion of a narrative continuum built through varied mediums of contemporary storytelling — including painting, sculpture, film, and installation — that creates an immersive sensory experience.

In the spirit of multimedia editions of the past such as Andy Warhol's Index and the mid-sixties journal Aspen, The Sleepwalkers Box is designed to encourage audiences to create their own multisensory experiences as they explore a kaleidoscopic universe of printed images, motion pictures, and audio recordings drawn from Doug Aitken's groundbreaking 2007 Museum of Modern Art public film installation.

Audiences in Cardiff as well as London will get a chance to experience his large - scale installations and surrealist videos as Williams is nominated for the # 40k Artes Mundi 7 prize (National Museum Cardiff & Chapter, 21 Oct to 26 Feb 2017), alongside six others, including Akomfrah, as well as Angolan performance artist Nástio Mosquito and German - Japanese film - maker Hito Steyerl.

Je Veux Voir (I want to see), 2010, an installation made especially for the exhibition, is based on Mroué's experience of co-starring with French actress Catherine Deneuve in a feature film (2008).

He is renowned not only for his visually rich films, but also for their innovate installation, creating an immersive experience for the viewer.

From a search for Mexican revolutionary Pancho Villa's hidden treasure and a speakeasy bar in Berlin to a vision quest into the Sonora desert and a trip to the Mayan homelands in Southern Mexico to experience the end of the world, Sarabia's new video / film installation will not only revisit the artist's complex oeuvre but depict how popular culture, personal histories, and ordinary events can be potent metaphors to understand the complexities of moments of cultural contact and exchange.

The exhibition brings together short films, drawings, photographs, ephemera, sculptures and installations where we see Franco draw upon childhood experiences including notions of identity, masculinity, sexuality and other essential life experiences and culminates in presenting a rejection of normative parenthood and suggesting alternative paradigms for parental relations.

Described as a visual poet, social critic, and aesthetic researcher, she uses film, photography, performance, installation and mixed media as platforms to communicate the complex experience of being a diasporic person and to wrestle with the notion of a disembodied identity.

The exhibition brings together four works: «Looking for Alfred» (2004), an homage to Hitchcock's cameo appearances in his films, with a cast of look - alikes; «Hitchcock didn't have a Belly Button: Interview with Karen Black» (2010), a recorded interview of the actress recounting her experiences with the legendary filmmaker; «You Tube Me and I Tube You,» a two - channel interaction installation and web project initiated in 2010; and «I may have forever lost my umbrella» (2011), a color short with a narration based on Fernando Pessoa's Book of Disquiet underneath the images of YouTube videos of the 2011 earthquake and tsunami in Japan, which will be shown in New York for the first time in this exhibition.

While California - born artist Doug Aitken is best known for his experience in photography, sculpture, film and sound installations, his paint series «To Give It All Away» offers insight into his endless artistic talent.

«Isolated Above, Connected Down,» her recent exhibition at Tanya Bonakdar Gallery and her first solo outing at a major U.S. gallery, was a tripartite viewing experience, demonstrating her facility in photography, film, and room - filling installation.

Themes of colonization, sexuality, loss, and resilience - the complexities of historic and contemporary Native American experience - are explored in a variety of mediums, including painting, film / video, performance, and installation.

The works in this exhibition incorporate new media, mostly film and photography but also installation, in an effort to transmit the idea of embodiment for the viewer: how each body's experience of the world is a form of world - making itself.

His films often explore the modern condition, and his transformative installations create immersive cinematic experiences.