Sentences with phrase «experience working with a publisher»

Tell us about your experience working with a publisher.

Not exact matches

With more than two decades of design experience, Gil Martinez has worked for publishers throughout North America.

Produced and directed by Boston - based visionary youth sports parenting expert and author, Brooke de Lench, and drawing both on her experience as a parent of a concussed high school football and lacrosse player and as the founder and publisher of MomsTEAM.com, the acknowledged «pioneer» in youth sports concussion education, «THE SMARTEST TEAM» documents how de Lench worked with a high school in Newcastle, Oklahoma to address the challenges concussions pose in football.

Produced and directed by visionary youth sports parenting expert and author, Brooke de Lench, and drawing both on her experience as a parent of a concussed high school football and lacrosse player and as the founder and publisher of MomsTEAM.com ®, the acknowledged «pioneer» in youth sports concussion education, «The Smartest Team» documents how de Lench worked with a high school in Newcastle, Oklahoma to address the challenges concussions pose in football.

Produced and directed by visionary youth sports parenting expert and author, Brooke de Lench, and drawing both on her experience as a parent of a concussed high school football and lacrosse player and as the founder and publisher of MomsTEAM.com ®, the acknowledged «pioneer» in youth sports concussion education, «The Smartest Team» documents how de Lench worked with a high school in rural Oklahoma to address the challenges concussions pose in football.

Techland has been developing games for over 20 years, even working as a distributor and publisher in Central and Eastern Europe, and now it feels the time is right to move into global publishing with all the experience it's been able to gain through those years.

But it appears like both Nintendo and the third - party publishers and developers it's partnered with are working much harder to please gamers looking for more engrossing experiences.

While the author retains creative control when working with a hybrid publisher, they have the opportunity to utilize the services of experienced editors, designers, etc..

Experienced with publishers and independent authors, fiction and non-fiction (including academic work).

With different choices and different publishers participating in content providers» catalogs, libraries find themselves with a good deal of leg work in order to provide the best value and best experieWith different choices and different publishers participating in content providers» catalogs, libraries find themselves with a good deal of leg work in order to provide the best value and best experiewith a good deal of leg work in order to provide the best value and best experience.

Authors know that when they work with a publisher, they're partnering with a company that has years, decades or even centuries of experience choosing, editing, designing, marketing and selling books.

It's easy for an experienced self - publisher to dismiss the idea of co-publishing as a risky profit - suck, but for authors — some elderly ones for example — who are never going to engage with social media or effectively promote or even produce) their work in these digital times, a co-publisher might not be a bad option, especially if their book has some market potential.

Nada Backovic is an award - winning book designer, graphic designer and illustrator with more than 20 years» experience working with major publishers and self - publishers in Australia and the UK.

Our team incorporates the experience of book promotion and understanding of the publishing industry to ensure that publishers, publicists and authors will be working with a team that understands the unique opportunities and challenges of the publishing industry.

This experience includes inside and outside book printing and general commercial printing, owner of a specialized Independent Publisher, successful self - publisher as well as just under twenty years» experience working with self - publishers as a principal and founder of RJ Communications, now Self PublishiPublisher, successful self - publisher as well as just under twenty years» experience working with self - publishers as a principal and founder of RJ Communications, now Self Publishipublisher as well as just under twenty years» experience working with self - publishers as a principal and founder of RJ Communications, now Self Publishing, Inc..

With more than 30 globally deployed professionals that we call our «Reality Team» and a dedicated «Australian team» (with over 20 + years experience) we work to each Author / Publishers best interest, with rigorous attention to publication integrity whilst ensuring all rights and royalties are maintaiWith more than 30 globally deployed professionals that we call our «Reality Team» and a dedicated «Australian team» (with over 20 + years experience) we work to each Author / Publishers best interest, with rigorous attention to publication integrity whilst ensuring all rights and royalties are maintaiwith over 20 + years experience) we work to each Author / Publishers best interest, with rigorous attention to publication integrity whilst ensuring all rights and royalties are maintaiwith rigorous attention to publication integrity whilst ensuring all rights and royalties are maintained.

The biggest news, though, is that we're working with a number of major publishers (and important smaller ones) to provide a storefront that contains deluxe digital graphic novels aimed at the «real mainstream,» the audience for graphic novels that reads Maus or Fun Home or Dotter of Her Father's Eyes but would never think of going into a comic shop guarded by a dodgy life - size statue of She - Hulk... We think the immersive «lean back» experience that tablets provide, along with purchase ease - of - use and the ubiquitous availability that app stores provide, can, if handled right, create a sea change in the consumption of graphic novels — and, if we have our way, the whole thing will have absolutely * nothing * to do with superheroes.

Publishers Launch Conferences expand on consultant Mike Shatzkin's two decades of organizing and presenting forward - looking publishing conferences around the world, and maximize his deep experience as a top consultant for the digital era in publishing, working over the last 15 years with everyone from Google, Ingram, HP, and Overdrive to Panasonic, Copia, Sprout and even SoftBook as well as a host of major publishers on both sides of thePublishers Launch Conferences expand on consultant Mike Shatzkin's two decades of organizing and presenting forward - looking publishing conferences around the world, and maximize his deep experience as a top consultant for the digital era in publishing, working over the last 15 years with everyone from Google, Ingram, HP, and Overdrive to Panasonic, Copia, Sprout and even SoftBook as well as a host of major publishers on both sides of thepublishers on both sides of the Atlantic.

You know, working with Spark is always a joy, and I will say that I did take my experience working with IngramSpark, and the plethora of publishers and authors that come through Spark, and I've used that actually multiple times in my relationships with multiple national accounts, including Barnes and Noble.

One of my friends is a well - established and highly successful audiobook narrator with years of experience working in commercial studios for traditional publishers.

Our editors are carefully selected, with at least ten years of professional experience working directly with publishers, literary agents, various publications - as well as having published their own work.

I'm hoping to maintain a balance that works for me where I can still have projects through traditional publishers, but reap the benefits and gain experience with being an indie author for certain projects.

We also had an additional three years of experience working with self publishers and learning from their successes and failures.

«Working with Publisher Services, and specificallly, Gordon Kalbaic, was a wonderful experience for me as a new and unpublished writer.

From our headquarters in Denmark, our customers have benefited from our many years of experience of working with and supporting the system and from our cooperation with users from all types of organisations from independent publishers to some of the largest media concerns in the world.

This guide reflects our 30 + years of experience working with independent authors and publishers.

According to Jeff Jankowski, owner and founder of hoopla digital — who has over 25 years of experience working with libraries — public libraries are an evergreen, reliable, and trusted channel, offering publishers over 12,000 outlets reaching urban, suburban and rural communities and serving a complete audience demographic.

They highlight his seeming support for the idea that publishers should be championing writers and artists working to exploit the creative potential of digital formats to provide readers with experiences that may be challenging and disruptive, but also exhilarating and boundary pushing.

The BlackBerry PlayBook and its QNX - based BlackBerry Tablet OS is going to deliver an awesome gaming experience, and we've already seen that EA (who I believe bought your publisher, but now you're so big you don't need a publisher so I don't get what your corporate dealio is anymore) is working with RIM to put Need for Speed Undercover and Tetris onto the PlayBook.

Experience what it's like to work with a reliable, successful and affordable high integrity publisher and book marketer.

We aim to develop the Japanese business further by increasing the range of digital content working with publishers or partners, expanding the lineup of compatible devices, such as Xperia or PS Vita, cooperating with CRM platforms such as My Sony Club, and enhancing the accessibility of the store service such as offering extending it to PCs, and enriching IPhone / iPad experience.»

«I'd like to see music embedded in some of the classics, where a publisher works with Sony Music to enhance the experience of reading an older mainstay book that may be declining in popularity.

What has been your experience of working with a traditional publisher, if any?

You'll be working directly with the creator, and this person will be emotionally invested in the project and possibly not have much experience of navigating the publishing world as a professional business owner (a hat self - publishers must decide to wear if they want to be successful).

Gradually, more and more publishers, content owning institutions and indie writers have chosen to work with experienced external creative partners.

Because of a somewhat discouraging encounter with a so - called «traditional» publisher (who ended up on the Writer Beware list, thus the quotes), I made the decision to learn how to self - publish by using my own works as my learning experience.

Note: new presses that work with experienced counsel, or have experienced editors or publishers at the helm, generally present a smaller risk in this regard.

Independent Editors Group (IEG) is a small group of top freelance editors, all with at least 20 years experience working for the major book publishers.

She loves meeting and working with publishers as well as authors of all experience levels — though she has a special passion for working with independent authors and those new to the craft, as well as those writing science fiction, fantasy, horror, romance, suspense, or any combination thereof.

When you combine this with 12 years of experience planning, developing and publishing print and Internet project, you have the background needed to create a tightly - organized, resource - filled, usable guide to author - driven book marketing a book in today's online world... regardless whether you're self - publishing or working with a large publisher.

When I replied that I've worked with four editors at six publishers — both Big Six houses and smaller independents — over the course of eight novels, and have never had my work mutilated or adulterated, much less transformed into a cookie, she told me that I was «very lucky,» for she knew of many traditionally published writers who'd had the opposite experience.

The reason that there are so many slightly folorn authors is that «they have tried doing it themselves, and it hasn't worked: they have a much better experience with a publisher.»

Most Reedsy professionals have experience working with top publishers and bestselling titles.

As someone who had already published a dozen books with traditional publishers by that time, I knew that royalty statements could be challenging to figure out — previous experiences with publishers had occurred where not all sales were reported and I had to work hard to get what was due me.

Education is not a factor in employment so much as experience, with many publishers working their way up through the industry holding a variety of jobs before reaching their current level of employment.

Learn what it takes to work at home and make a living as an internet entrepreneur.GET 2 BUSINESS IDEAS AND IMPLEMENT THE BEST ONE THAT FITS YOU.No Huge Capital, No Business Experience & No Expertise Required.Here's what you'll get in this bundle: SHORT BOOKS, BIG MONEY - A step by step instructions on how to make a living as an Amazon self - publisher - The 3 step process of finding a category and then confirming if it'll make money or not - How to choose the perfect sub-category for you - The exact Best - Seller ranking table and how you can use this to confirm if a market will make you money or not - Why quantity is as important as quality when you're just starting out - A real life example of how to analyze BSR - How to pick the perfect title for your book (with examples!)

«Not too far in the future, the author comes to the Pubslush site,» Ioannou says, «gets a checklist of the steps that the book needs; gets to choose an editor who has lots of experience with that kind of book or a young editor just starting out who will do the work more cheaply; sees samples of the work of a lot of cover designers and picks one; sees an array of publishers who might be interested in publishing the book — or gets various options to self - publish; and gets help to pay for it all» with crowdfunding «or can just pay for it all on the spot if that option appeals more.»

Due to our 18 years of experience and the large number of publishers we have worked with, we can offer you stability at the same time as being very open to new channels and new formats.

My traditional - published experiences have been largely positive — working with Clive and the people at G.P. Putnam's was a great experience, and I've had about ten of my books bought by trad publishers in other countries, so that's exciting.

Seth has worked in publishing for 10 years, with previous experience at Publishers Weekly and The American Collective Stand / Combined Book Exhibit.