Sentences with phrase «experienced visual artists»

The Visiting Artist Program is a professional development opportunity for emerging and experienced visual artists.

The Visiting Artist Program is intended as a professional development opportunity for emerging and experienced visual artists, and to expose visitors to a new group of artists and projects.

Emerging and experienced visual artists apply for a residency of anywhere from one to three months, setting up shop in the studio of an artist who's traveling or on sabbatical.

The Visiting Artist Program is open to all emerging and experienced visual artists over the age of 21 who are not currently leaseholders with the Torpedo Factory Art Center.

Not exact matches

Fraley, aided by his business partner and wife, Carol, surrounds himself with a team of young artists with strong visual sensibilities and experience with the construction techniques essential to dinosaur assembly.

A visual effects artist / cinematographer / director with more than 10 years of experience.

Manifesto offers Gallery visitors a rich, visual experience and the chance to explore the role of artists — and artists» manifestos — today.

«It will be as unique as Elton's life, told in a non-linear and hyper - visual manner that will transport people through the many intense experiences, some wonderful, some not, that helped define Elton as an artist, musician and man.»

She draws not only on her own and other current research, but also on personal experience as a visual artist, writer, and educator.

Secondly, pure arts experiences in visual and performing arts are brought into the school by artists and teaching artists to enrich the lives of students and teachers by increasing their skills and knowledge in all arts disciplines.

The master classes are a way to connect with more high schools and give students an opportunity to receive hands - on instruction from a professional artist in dance, theatre, visual arts, or music for a short, intensive experience that adds to the regular arts curriculum.

Workshop presenters Louise Pascale and Susan Fisher, authors of the Multi-Arts Resource Guide and Connecticut Dance artist and founder of Kimnetics, Kim Renee Thibodeau will provide opportunities to learn about Universal Design and experience adapted inclusive units of study featuring Music and Social Studies, Visual Arts and Literacy, and Dance and Science.

As in the beginning, the event still focuses on a wide range of visual and performing arts, offering the opportunity to meet artists and discuss their work, listen to local musicians, take in gallery events and experience why Cannon Beach has been recognized as one of «The 100 Best Art Towns in America.»

A visual effects artist / cinematographer / director with more than 10 years of experience.

Sanzaru is looking for Technical Artists specializing in visuals to join our cutting edge, experienced development team in crafting visually stunning and immersive worlds.

The session will also address difficulties encountered during the production, and feature demonstrations and artist - friendly explanations of the lighting - related graphical features that were requested and implemented in the CryENGINE to ensure one of the best visual experiences to date.

They have worked on feature films as well as mass market games, crafted innovative visual experiences for games and films for clients like Disney, Logic Artists, Kiloo etc..

After 16 wonderful years at Pixar, working on most of the studios» films as a character, environment, graphic artist, art director and production designer, I was excited to bring my experience and passion for visual storytelling to Dynamighty.

Featuring artists Noisia, Flux Pavilion, Katy B, The Prototypes, Neosignal and many more, Aaero is sure to keep all the player's senses engaged while soaring through distinctly designed levels crafted to deliver a fantastic aural and visual experience.

, an interactive experience engineered by IMGD Instructor Archie Prakash alongside the award winning artist Corazon Del Sol, received the Visual Design Award.

In all these senses he is provisional, almost with a capital P. Where Wragg differs — or at least the most crucial of the many ways in which he differs — from those artists gathered under Rubinstein's rubric is in his evident and overriding belief in art, and in abstract art, as a place of meaningful and compelling visual experience.»

Emily Mason: A Painting Experience is a short documentary portrait about the prolific visual artist Emily Mason.

A visual and aural experience, the exhibition feature's some of the artist's most celebrated and innovative creations, including Aviarium works that explore wave vectors of bird vocalizations; and examples from his sculptural Recital series paying homage to overlooked figures such as blues legend Bessie Smith and Arctic explorer Matthew Henson.

During the twentieth century several important British artists began to paint features of visual experience rarely ever painted before, including...

Andrews seems to follow no canons of visual selection besides those that originate within his own experience — as an artist who reached maturity when Abstract Expressionism was in its heyday, as a black man in America, plus a good deal of native stubbornness about not just doing what's expected of him.

Our President and Board Chair, Michele Tortorelli, draws on her 25 years of experience as a lawyer to share her perspective on a landmark interpretation of artist protection under the Visual Artist Rightartist protection under the Visual Artist RightArtist Rights Act.

The artists who exhibited in Ideal are committed to an abstract art practice that communicates directly through the experience of pure visual information.

The artistic goal of all of these artists was to recover something like a pre-cognitive sensation of visual experience: an image of the world as a field of colored patches and films.

We work with international and UK artists to produce extraordinary experiences, creating an exciting mix of thought - provoking drama, dance, film and contemporary visual art with a strong focus on international work, new commissions and talent development.

This display encompasses many artists taking different political positions and of differing identities and backgrounds, but a lot of the work on display is looking at how social and political experience is reflected in broader visual culture, including pop culture.

Either directly on the walls or primed canvases, the Swiss artist has used exclusively a mix of highly - pigmented chalk pastels to achieve a lively visual experience with a fresh, graphic sensibility.

Never intentionally nostalgic or sentimental, close examination does reveal that each artist's personal experience and desire to replicate the rural landscape is often intuitive and informed by senses and emotions other than the strictly visual.

Call me only if you are in the gutter, Grice Bench, Los Angeles, CA Exalted Position, curated by Vlad Smolkin, Peter Blum Gallery, New York, NY Pipe Dream, presented by Night Gallery and Rachel Uffner Gallery, 170 Suffolk Street New York, NY Gallery Artist Group Show, Rachel Uffner Gallery, New York, NY TDW: Three Way Weekend, Blum & Poe, Art Los Angeles Contemporary, and ROGERS, Los Angeles, CA 2015 The John Riepenhoff Experience, Misako & Rosen, Tokyo, Japan Intimacy in Discourse: Unreasonable Sized Paintings, School of Visual Arts Chelsea Gallery, New York, NY Let's Be Real, Projekt 722, New York, NY 2014 The Crystal Palace, Rachel Uffner Gallery, New York, NY QUALIA, FJORD Gallery, Philadelphia, PA 2013 The Room and its Inhabitants, organized by Patrick Howlett, Susan Hobbs Gallery, Toronto, Canada The 2013 deCordova Biennial (with Dushko Petrovich), deCordova Sculpture Park and Museum, Lincoln, MA 2012 Love, curated by Stephen Truax, One River Gallery, Engelwood, NJ Art on Paper 2012, curated by Xandra Eden, Weatherspoon Art Museum, Greensboro, NC Take Shelter in the World, curated by Dushko Petrovich, Boston University Art Gallery, Boston, MA In Plain Sight, organized by Nicole Russo and Lumi Tan, Mitchell - Innes & Nash, New York, NY 2011 The Idea of the Thing That it Isn't, curated by Rachel Uffner, Halsey McKay, East Hampton, NY Channel to the New Image, Friedrich Petzel Gallery, New York, NY Exhibition of Work by Newly Elected Members and Recipients of Honors and Awards, American Academy of Arts and Letters, New York, NY Paper A-Z, Sue Scott Gallery, New York, NY Invitational Exhibition of Visual Arts, American Academy of Arts and Letters, New York, NY Battle of the Brush, organized by Corporate Art Solutions at Bryant Park, New York, NY 2010 The Pencil Show, Foxy Production, New York, NY ITEM, Mitchell - Innes & Nash, New York, NY S (l) umm (er) ing on Madison Avenue, curated by Jo - ey Tang, The Notary Public, New York, NY Kristin Calabrese, Andy Parker, Mary Weatherford, Roger White, Kathryn Brennan Gallery, Los Angeles, CA 2009 What's Bin Did and What's Bin Hid», curated by Ryan Steadman, 106 Green Gallery, Brooklyn, NY Cave Painting: Installment # 2, organized by Bob Nickas, Gresham's Ghost, New York, NY The Audio Show, organized by Seth Kelly, Friedrich Petzel Gallery, New York, NY 2008 The Merits of Silence, Gallery Min Min, Tokyo 2007 Heralds of Creative Anachronism, D'Amelio Terras, New York, NY The Price of Nothing, EFA Gallery, NY 2006 Mystic River, Southfirst, Brooklyn, NY / Arcadia University, Glenside, PA 2005 Kevin Bruk Gallery, Miami, FL You Are Here, Ballroom Marfa, Marfa, TX The Most Splendid Apocalypse, PPOW Gallery, New York, NY Crits» Pix, Black and White Gallery, Brooklyn, NY 2004 Halloween Horror Films,, Southfirst Gallery, Brooklyn NY Summery Summary, 58 N3, Brooklyn, NY 2003 Dreamy, ZieherSmith Gallery, New York, NY Escape from New York, New Jersey Center for Visual Arts, Summit, NJ Late to Work Everyday, Dupreau Gallery, Chicago, IL 2001 Learnedamerica, P.P.O.W. Gallery, New York, NY Tirana Bienalle 1, National Gallery, Tirana, Albania 2000 Columbia University M.F.A. Thesis Show, Brooklyn, NY 1999 All Terrain, Friedrich Petzel Gallery, New York, NY Wight Biennial, UCLA Wight Gallery, Los Angeles, CA 1998 Episode 1, Gair Building, Brooklyn, NY

The new Studio Museum will provide the custom - built and expanded facilities, enriched visitor experience and strong architectural presence appropriate to a premier center for contemporary artists of African descent, the principal visual art institution in Harlem and a magnet for visitors from around the world.

For Holliday's second exhibition at Taylor De Cordoba, the artist presents a new series of acrylic paintings that continue an exploration of a meditative visual experience.

Undertaken as a public - private initiative with support from the City of New York, the five - story, 82,000 - square - foot project will provide the custom - built and expanded facilities, enriched visitor experience and strong architectural presence appropriate to a premier center for contemporary artists of African descent, the principal visual art institution in Harlem and a magnet for visitors from around the world.

The volumes offer a visual experience through illustrations and installation images of the featured works and a reading experience through critical essays providing insights about the artist and their work.

The enigmatic visual and sensual experiences reflect the artist's belief in «life being a variety of experiences, and living your life in a way that you don't know what's going to happen.»

Adam Craemer is a South African artist who devised a practice of creating pieces of portraiture and adding abstract elements that further the visual experience.

The African American Atelier continues today as a viable organization and an exciting community experience providing an environment for visual and cultural exposure, educational exchange and a showcase for African American art and artists.

Invitation to Artists: The Artist Residency is open to all visual artists and will accommodate all levels of experience, from the beginner, who is seeking to develop basic skills, to the advanced artist, who may be interested in insights into the instructor's approach and praArtists: The Artist Residency is open to all visual artists and will accommodate all levels of experience, from the beginner, who is seeking to develop basic skills, to the advanced artist, who may be interested in insights into the instructor's approach and pracArtist Residency is open to all visual artists and will accommodate all levels of experience, from the beginner, who is seeking to develop basic skills, to the advanced artist, who may be interested in insights into the instructor's approach and praartists and will accommodate all levels of experience, from the beginner, who is seeking to develop basic skills, to the advanced artist, who may be interested in insights into the instructor's approach and pracartist, who may be interested in insights into the instructor's approach and practices.

With a masterful use of shimmering color and precise linear compositions, these works exemplify the artist's unwavering commitment to the primacy, complexity and mystery of visual experience.

Through the studio's unique blend of backgrounds as designers, artists, architects, and educators, they are able to approach every project from a fresh perspective to create rich spatial, graphic, interactive, and visual experiences.

The interests of the great American minimalist artists such as Donald Judd, Sol Lewitt, Agnes Martin and Kenneth Noland lay in the eradication of any reference to the visual world; the only objective being to allow the viewer to experience the work without the distractions of composition or theme.

As a student in 1949 at the Art Students League of New York, for example, he laid paper on the floor of the building's entrance to capture the footprints of those entering and exiting.10 The creation of receptive surfaces on which to record, collect, or index the direct imprint of elements from the real world is especially central to the artist's pre-1955 works.11 Leo Steinberg's celebrated 1972 article «Reflections on the State of Criticism» isolated this particular approach to surface as collection point as the singular contribution of Rauschenberg's works of the early 1950s, one which galvanized a new position within postwar art. 12 Steinberg coined the term «flatbed picture plane» to account for this radical shift, through which «the painted surface is no longer the analogue of a visual experience of nature but of operational processes.»

Second Sight will include a range of works by contemporary artists that point to ways of knowing beyond visual observation and consider the invisible societal, political, and cultural forces that govern our own frameworks of experience.

The December 3 event featured renowned visual artists Shirin Neshat and Pratt alumna Mickalene Thomas (B.F.A.» 00), and Heidi Zuckerman, director of the Aspen Art Museum, who explored the qualities that define female artists and leaders in art today, as well as inspiration and challenges related to their own experiences in overcoming obstacles to achieve success.

Composed by Stevie Jones, and performed together with Georgie McGeown, visual artist Vikki Morton (Muscles of Joy, Suckle) and Trembling Bell's Alex Neilson, Light the Currents is a bright and buoyant acoustic arrangement in two parts; the first written for a special performance at an exhibition of artwork by Katy Dove at Dundee Contemporary Arts in October 2016, the second written afterwards as a response to the exhibition and the experience of playing there.

Robert Irwin is a conceptual artist who often uses our perception of subtle differences in light to create paintings, installations and sculptures that play with our ability to experience subtle edges of visual experiences.

Depending on when one visits Recapturing Memories of the Black Ark, the current exhibition by the visual artist Gary Simmons at Southern Exposure, one will experience two very different, equally worthwhile shows.