Sentences with phrase «experienced voice artist»

Suzanne Lynn is an experienced voice artist who has worked with national brands such as Dove Soap, Pottery Barn, Home Depot, Coca - Cola, The United State Department of Defense for training videos and many others.

Not exact matches

In fact, UrLife's team is made up of highly skilled and experienced movie and television editors, voice artists and editors with Hollywood «flair».

About Ground Control Led by technology entrepreneur Mike Macadaan in partnership with Creative Artists Agency (CAA), Ground Control develops voice - activated entertainment experiences for the emerging medium of interactive audio, engaging well - known personalities across entertainment, sports, politics and beyond.

The audio is absolutely superb, with terrific performances from the cast of experienced actors and voice - over artists.

Each year, approximately one - third of the fellows selected for the Utah - based Labs come from outside the U.S.. For both Fellows and Advisors, the Lab experience is deeply enriched by the presence of artists and projects representing the personal and cultural histories of filmmaking voices from around the world.

There is a all new feature «Lucky Dogs», which features Disney Animation / Imagineering alum Rolly Crump, ink and paint artist Carmen Sanderson, animator Burny Mattinson, animator Floyd Norman and voice actress Lisa Davis talking about their experiences on the film.

Highly experienced and professional voice artist, quick turnaround, quality work.

As a narrator and voice - over artist, her distinctive voice, passion, versatility, vast experience and knowledge of the French - Canadian market makes her the go - to expert for stellar French - Canadian voice - overs.

I am an experienced, professional narrator and voice - over artist doing work for many top Fortune 500 companies.

Working with director Jamie Mortellaro... I highly recommend the experience for any voice over artist because his direction is easy, clear, always supportive and confident.

The voice - overs are exceptionally well performed and are at the very centre of a truly engaging and emotional experience with numerous voice - over artists that you would have most definitely heard in various videogames before or since the first season of The Walking Dead.

Skylar Fein, born and raised in New York, was planning to be a doctor before the experience of Katrina made him instead opt for being an artist, and in a relatively short time he has become one of the city's most prominent artistic voices, with works ranging from the monumental Remember the Upstairs Lounge to more recent projects focused on music, youth and political revolution.

While such subject matter signals a new path in the artist's prolific career, her vulnerable approach and the voice of ANOHNI in Roja offer a uniquely immersive experience.

In turn, each of the eleven artists represented by Cumberland engages their own curatorial voice, selecting another whose work they respect and whose artistic experience shares influence and dialogue.

To the past honorees, however, among whom I feel especially humbled and privileged to share this honor, I'd like to thank you for your example and achievements that have enriched us all: Andrea [Barnwell Brownlee], whose ambitious and inspired curatorial work gives voice to women artists of the African Diaspora; Jerry [Cullum], a visionary writer whose genius lies in his ability to synthesize the experience of art with poetic complexity; Louis [Corrigan], a trailblazing community leader whose innovative ethos and generosity has rekindled the boundless spirit of Nexus; Lisa [Cremin], a leader of responsible and responsive philanthropy who personifies the idiomatic true north for the arts in Atlanta; Lucinda [Bunnen], a brilliant artist and pioneering collector who established photography as an essential feature of contemporary visual culture in our city... and at the High Museum; and Susan [Bridges], den mother to us all, whose generosity of spirit is set off by her unshakable personal integrity.

The solo exhibition by Polish visual and performance artist Justyna Scheuring, who lives and works in London, brings together sign language interpreters and consecutive translators, in order to compose a performance through a multitude of voices and forms of expression to question issues of identity in a context of personal trauma, global migration and the experience of otherness.

With over 40 years of exhibition and performance experience, Luna has given voice to Native American cultural issues, pursued innovative and versatile media within his disciplines, and charted waters for other artists to follow.

The stories for each sculpture, painting, or installation, told in the artist's voice, accompany the artworks to activate the viewing experience and provide a deeper understanding of the artwork.

The show's title is a metaphorical reference to both the «eureka» moments and the smaller inspirational steps forward that are experienced by every artist; all of which are significant and of relevance to the continual growth and development of the true artistic voice of each creative individual.

As an artist, he has produced a body of landscape and portrait photographs by driving around the United States to expose the little visual bits of America that give voice to our shared history and experience.

I AM / NOT A ROBOT PERFORMANCE Artist and Dancer Isabel Lewis and Artist Asad Raza A playful encounter between crafters of live experience Isabel Lewis and Asad Raza using voice, text, electronic music and vocal processing.

The experience so inspired Soto that she invited these artists, including herself, to show their work together, organized around common threads that were voiced during the talks.

Ultimately, the unique voices of these artists come together to tell a story that transcends color and creed and unites viewers under a shared American experience.

Partially as a reaction against «Zombie Formalism,» these six established and emerging artists utilize their voices and life experiences to create a resurgence in figurative and landscape painting.»

«It was really important to hear this workshop from the voice of another artist and hear her experience,» said participant Agustina Woodgate, «I will be implementing some of the things I learned right away!»

That is, through the use of the shifter I, he used other voices to explore and test multiple facets of selfhood and to think through questions of identity by articulating experiences not necessarily lived by the artist, but imaginatively inhabited.