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He observes, however, that «the modernist desire
in Frost and Eliot — to preserve an independent selfhood against the coercions of the market, a self made secure by the creation of a unique style — is subverted by the market, not because they wrote according to popular formulas, but because they give us their poems as delicious
experiences of voyeurism, illusions of direct access to the life and thought of the famous
writer, with the poet inside the poem like a rare animal
in a zoo.
And yet,
in book after book, Glancy also offends many of her fellow Native
writers — whose books she reads, as they read hers — by insisting that this absurdity, this intrusion of the Gospel, writ large
in the history of Native Americans, is the
experience of every tribe and every nation, everything and everyone human.
In the New Testament, however, faith, meaning something other than faithfulness, is central in the religious experience, and its various phrasings furnish a valuable clue to the dominant ideas of the writer
In the New Testament, however, faith, meaning something other than faithfulness, is central
in the religious experience, and its various phrasings furnish a valuable clue to the dominant ideas of the writer
in the religious
experience, and its various phrasings furnish a valuable clue to the dominant ideas of the
writers.
The
writers were evidently aware (perhaps they had learned by
experience in trying to win credence for their message) that the mere fact that the tomb appeared to be untenanted, even if it were accepted, would not necessarily prove their case.
The
writer remembers the hair - raising
experience of «going down from Jerusalem to Jericho»
in a rattle - trap automobile which may have had brakes but appeared to have none, and coming out near Jericho to see luscious grapes
in bunches a foot long.
(Joseph Epstein recounts his similarly happy
experiences as a
writer for Commentary
in the September 30, 1996 edition of the Weekly Standard.)
I desire to understand not only the religious
experience or the time - bound perspectives of the
writers but also the system of truth deposited by the Spirit
in this text.
«Well,» one is tempted to think, «these aren't expert
writers, after all; most of them are freshmen and sophomores, with little
experience in literary analysis — or
in life, for that matter.
The reflections of the French Catholic
writer François Mauriac, who succeeded
in leading a conventional family life despite what he
experienced as the powerful lure of alcohol, drugs, and homosexuality, demonstrate the gap between the austere piety of the religious individual and the tactful lifestyle that Tóibín detects
in James:
(I say this
in spite of the monistic utterances of many mind - cure
writers; for these utterances are really inconsistent with their attitude towards disease, and can easily be shown not to be logically involved
in the
experiences of union with a higher Presence with which they connect themselves.
Within the Jewish - Christian tradition, this refreshment and companionship is given a supreme and clear statement
in the language
in which the biblical
writers speak of God as the living one who identifies himself with his creatures, works for their healing, enables them to
experience newness of life, and enters into fellowship with them.
They are not prepared to agree with the medieval hymn -
writer who said that «the times are very evil» — if by those words it is being said that the world itself, the things of this world, the
experiences known
in this world, are
in and of themselves bad.
No one could honestly read the letters of the New Testament without becoming aware that not only the
writers themselves but scores of other people were looking at life and death
in a way
in which they had never been looked at before, and were
experiencing a contact with the living God unprecedented
in human history.
I remembered Brennan Manning — the man who has translated the love of God
in a way that I could receive it more than probably any other
writer — was addicted to alcohol and I re-read up one of his last books before he died: «All is Grace: A Ragamuffin Memoir» where he vulnerably writes about what this battle has cost him, even as he
experienced the unending and unconditional love of God
in the midst of it, how he
experienced regret and pain and loss alongside of the love and tenderness of God
in this dependency.
«Similar to the incarnation, on which Christ took upon himself the totality of what it meant to be human, so
in scripture, God incarnates by taking on the humanness of the
writers and the situations they
experienced at the time.
Although Sweeney is unique
in describing the tactile bonds that tied him to fundamentalism, each
writer experienced certainty and embraced the absolute doctrines of the faith with either childlike enthusiasm or a careful adult decision.
But the only thing that each of us can and should do is what we each must do ultimately alone, if we have vocations to be
writers: Go off and write out of the very fullness of human
experience about the very fullness of human
experience and hope to find and affect contemporary readers and the greater world, and
in the meantime leave the distracting and finally pointless diagnoses of who were the Catholic
writers, and how much, and how well, how little, how importantly, to the critics and scholars.
I wish that all your readers were cognizant of this, yet
in my own
experiences as a
writer who advocates for the full and equal inclusion of women
in the church, I am all too familiar with the push back.
He also provided a shorthand for those who merely skim great
writers, but who have
in their actual lives
experienced great love and friendship
in their lives (but
in....